Dean Cundey

Cundey was born in Alhambra, California, United States. As a child, he used to build model sets, suggesting an interest in films from an early age. Cundey already had several low-budget films when he met Debra Hill, who in 1978 recruited him to work on Halloween, a film she co-wrote with director John Carpenter.

Having Cundey work on a film brought considerable advantages. In addition to his considerable skill as a cinematographer and director of photography, he also had the advantage of owning most of his own equipment packed in a large van, referred to by Debra Hill as the "movie van".^[2]

Cundey's work on Halloween is cited by many fans as being among his best as director of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the steadicam, or panaglide.

The panaglide allowed the camera operator to "wear" the camera and obtain shots that were previously deemed too difficult or even impossible. In Halloween, the panaglide was used as a point of view reference for Michael Myers, allowing the audience to see what he saw.^[3]

Cundey would go on to work with Carpenter and Hill again on the films The Fog (1980), Escape from New York, Halloween II (both 1981), The Thing (1982), and Halloween III: Season of the Witch (1983).^[4] He would also return to work with Carpenter for the last time on the 1986 big budget science fiction/comedy adventure Big Trouble in Little China. Cundey also served as director of photography on the 4D film Honey, I Shrunk the Audience!, which ran in five Walt Disney theme parks around the world.

In addition to his work with Carpenter, Cundey would lend his talents to the films Psycho II (1983), Romancing the Stone (1984), the Back to the Future trilogy (1985–1990), Who Framed Roger Rabbit (1988), Road House (1989), Jurassic Park (1993), Apollo 13 (1995), What Women Want (2000), and Garfield: The Movie (2004), among others. In 1997, he made his directorial debut with the direct-to-video sequel Honey, We Shrunk Ourselves. He recently worked in Canada on Camp Rock, one of several movies that he has filmed outside the United States, including Who Framed Roger Rabbit which was filmed primarily in England. In 2011, Cundey shot the comedy film Jack and Jill, which involved extensive split-screen and motion control effects to create the illusion of actor Adam Sandler interacting with multiple on-screen personas.

Direct-to-video

Short film

TV movies

Director

• Honey, We Shrunk Ourselves (1997)

2nd unit director

• Deep Rising (1998)
• Garfield: A Tail of Two Kitties (2006)

Cameos

Academy Awards

American Society of Cinematographers

BAFTA Awards

British Society of Cinematographers

Chicago Film Critics Association

Society of Camera Operators

Daytime Emmy Awards

Primetime Emmy Awards

• Dean Cundey at IMDb