Author:Ernest Miller Hemingway

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Ernest Miller Hemingway
(1899–1961)

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American novelist, short story writer, and journalist. His distinctive writing style is characterized by terse minimalism and understatement and had a significant influence on the development of twentieth century fiction. Hemingway's protagonists are typically stoics, often seen as projections of his own character—men who must show "grace under pressure." Many of his works are now considered classics in the canon of American literature. He received the Pulitzer Prize in 1953 for The Old Man and the Sea, and the Nobel Prize in Literature in 1954.

Works

Short stories

Novels

The Torrents of Spring (1926) [1987 Reprint]
The Sun Also Rises (1926) [1954 Reprint]
A Farewell to Arms (1929)—Copyrighted in the United States until 2025 due to Renewal R177406
To Have and Have Not (1937)—Copyrighted in the United States until 2033 due to Renewal R349056
For Whom the Bell Tolls (1940)—Copyrighted in the United States until 2036 due to Renewal R420407
The Old Man and the Sea (1952)—Copyrighted in the United States until 2048

Poems

Ultimately, 1922

Newspaper articles

Articles written for the Kansas City Star

Articles written for the Toronto Star

High School publications

How Ballad Writing Affects Our Seniors, November 1916 article published in high school periodical

Other

Three Stories and Ten Poems (Privately published in a run of 300 copies by Robert McAlmon's "Contact Publishing" in Paris, in 1923)

One or more copyright licenses apply to some or all works by this author.

Some or all works by this author are in the public domain in the United States because they were published before January 1, 1929.

This author died in 1961, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
For all records since 1978, search the U.S. Copyright Office records.

Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.

This author died in 1961, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.

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Some or all works by this author are in the public domain in Canada because they originate from Canada and one of the following statements is true:

The author died over 70 years ago (before 1954) and the works were published more than 50 years ago (before 1974).
The author died before 1972, meaning that copyright on that author's works expired before the Canadian copyright term was extended non-retroactively from 50 to 70 years on 30 December 2022.

This author died in 1961, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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