Fiebrink, R., G. Wang, and P. Cook. 2007. "Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control." Proceedings of the 2007 New Interfaces for Musical Expression Conference. New York: Association for Computing Machinery, pp. 164-167.

Crossref

Google Scholar

[3]

Misra, A., G. Wang, and P. R. Cook. 2005. "SndTools: Real-time Audio DSP and 3D Visualization" Proceedings of the 2005 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 278-281.

Google Scholar

[4]

Moorefield, V., and J. Weeter. 2004. "The Lucid Dream Ensemble: A Laboratory of Discovery in the Age of Convergence." Organised Sound 9(3):271-281.

Digital Library

Google Scholar

[5]

Oliveros, P. 2005. Deep Listening: A Composer's Sound Practice. New York: iUniverse Publications.

Google Scholar

[6]

Puckette, M. 1991. "Combining Event and Signal Processing in the Max Graphical Programming Environment." Computer Music Journal 15(3):41-49.

Crossref

Google Scholar

[7]

Salazar, S., G. Wang, and P. R. Cook. 2006. "miniAudicle and ChucK Shell: New Interfaces for ChucK Development and Performance." Proceedings of the 2006 International Computer Music Conference. New Orleans, Louisiana: International Computer Music Association, pp. 63-66.

Google Scholar

[8]

Smallwood, S., D. Trueman, P. Cook, and G. Wang. 2008. "Composing for Laptop Orchestra." Computer Music Journal 32(1):9-25.

Digital Library

Google Scholar

[9]

Trueman, D. 2007. "Why a Laptop Orchestra?" Organised Sound 12(2):171-179.

Digital Library

Google Scholar

[10]

Trueman, D., et al. 2006. "PLOrk: The Princeton Laptop Orchestra, Year 1." Proceedings of the 2006 International Computer Music Conference. New Orleans, Louisiana: International Computer Music Association, pp. 443-450.

Google Scholar

[11]

Wang, G., and P. Cook. 2003. "ChucK: A Concurrent, On-the-Fly, Audio Programming Language." Proceedings of the 2003 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 219-226.

Google Scholar

[12]

Wang, G., and P. R. Cook. 2004a. "On-the-Fly Programming: Using Code as an Expressive Musical Instrument." Proceedings of the 2004 International Conference on New Interfaces for Musical Expression. New York: Association for Computing Machinery, pp. 153-160.

Crossref

Google Scholar

[13]

Wang, G., and P. Cook. 2004b. "The Audicle: A Context-Sensitive, On-the-Fly Audio Programming Environ/ Mentality." Proceedings of the 2004 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 256-263.

Google Scholar

[14]

Wright, M., A. Freed, and A. Momeni. 2003. "OpenSound Control: State of the Art 2003." Proceedings of the 2004 International Conference on New Interfaces for Musical Expression. New York: Association for Computing Machinery, pp. 153-159.

Crossref

Google Scholar

Cited By

View all

Payne WXu ERodrigues IKaney MMau MHurst A(2024)"Different and Boundary-Pushing:" How Blind and Low Vision Youth Live Code TogetherProceedings of the 16th Conference on Creativity & Cognition10.1145/3635636.3656200(627-637)Online publication date: 23-Jun-2024
https://dl.acm.org/doi/10.1145/3635636.3656200
Long DYang JNaomi CMagerko B(2024)Xylocode: A Novel Approach to Fostering Interest in Computer Science via an Embodied Music SimulationProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642098(1-16)Online publication date: 11-May-2024
https://dl.acm.org/doi/10.1145/3613904.3642098
Payne WShen XXu EKaney MGraves MHerrera MMau MMurray DWang VHurst A(2023)Approaches to Making Live Code Accessible in a Mixed-Vision Music EnsembleProceedings of the 25th International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3597638.3614489(1-5)Online publication date: 22-Oct-2023
https://dl.acm.org/doi/10.1145/3597638.3614489
Show More Cited By

Index Terms

The laptop orchestra as classroom
1. Applied computing
  1. Arts and humanities
    1. Sound and music computing
  2. Education
2. Information systems
  1. Information retrieval
    1. Specialized information retrieval
      1. Multimedia and multimodal retrieval
        Music retrieval

Recommendations

Why a laptop orchestra?

In 2005, the Princeton Laptop Orchestra (PLOrk), an ensemble of fifteen laptop-based meta-instruments, began its first season. In this article, the author explores the motivations for starting a laptop orchestra, both in musical and cultural terms, and ...
Flipping the classroom: is it for you?
SIGITE '13: Proceedings of the 14th annual ACM SIGITE conference on Information technology education

Technology is being used to enhance all types of educational experiences. Several new pedagogical methods have been developed that use technology to assist students in learning. This paper will discuss one of these methods - the flipped classroom. The ...
Human Coded Orchestra: a System for Extemporary Group Singing Performance
ACE '16: Proceedings of the 13th International Conference on Advances in Computer Entertainment Technology

We propose Human Coded Orchestra, a new approach to enable a group of individuals to sing in harmony by using computed directional speakers. The possibilities of musical performance by an untrained group have been explored in the fields of science and ...

Comments

Please enable JavaScript to view thecomments powered by Disqus.

Information & Contributors

Information

Published In

Computer Music Journal Volume 32, Issue 1

Spring 2008

181 pages

ISSN:0148-9267

EISSN:1531-5169

Issue’s Table of Contents

Publisher

MIT Press

Cambridge, MA, United States

Publication History

Published: 01 March 2008

Qualifiers

Article

Contributors

Other Metrics

View Article Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

12
Total Citations
View Citations
0
Total Downloads

Downloads (Last 12 months)0
Downloads (Last 6 weeks)0

Reflects downloads up to 17 Dec 2024

Other Metrics

View Author Metrics

Citations

Cited By

View all

Payne WXu ERodrigues IKaney MMau MHurst A(2024)"Different and Boundary-Pushing:" How Blind and Low Vision Youth Live Code TogetherProceedings of the 16th Conference on Creativity & Cognition10.1145/3635636.3656200(627-637)Online publication date: 23-Jun-2024
https://dl.acm.org/doi/10.1145/3635636.3656200
Long DYang JNaomi CMagerko B(2024)Xylocode: A Novel Approach to Fostering Interest in Computer Science via an Embodied Music SimulationProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642098(1-16)Online publication date: 11-May-2024
https://dl.acm.org/doi/10.1145/3613904.3642098
Payne WShen XXu EKaney MGraves MHerrera MMau MMurray DWang VHurst A(2023)Approaches to Making Live Code Accessible in a Mixed-Vision Music EnsembleProceedings of the 25th International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3597638.3614489(1-5)Online publication date: 22-Oct-2023
https://dl.acm.org/doi/10.1145/3597638.3614489
Payne WAhmetovic DYaneva V(2022)Sounds and (Braille) cellsProceedings of the 19th International Web for All Conference10.1145/3493612.3520464(1-3)Online publication date: 25-Apr-2022
https://dl.acm.org/doi/10.1145/3493612.3520464
Magerko BFreeman JMcklin TReilly MLivingston EMccoid SCrews-Brown A(2016)EarSketchACM Transactions on Computing Education10.1145/288641816:4(1-25)Online publication date: 29-Sep-2016
https://dl.acm.org/doi/10.1145/2886418
Martin CGardner HSwift BBerdahl EAllison J(2015)Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition MatricesProceedings of the international conference on New Interfaces for Musical Expression10.5555/2993778.2993870(359-364)Online publication date: 30-May-2015
https://dl.acm.org/doi/10.5555/2993778.2993870
Marquez-Borbon AStapleton PBerdahl EAllison J(2015)Fourteen Years of NIME: The Value and Meaning of `Communityź in Interactive Music ResearchProceedings of the international conference on New Interfaces for Musical Expression10.5555/2993778.2993854(307-312)Online publication date: 30-May-2015
https://dl.acm.org/doi/10.5555/2993778.2993854
Magerko BFreeman JMcKlin TMcCoid SJenkins TLivingston ECamp TTymann PDougherty JNagel K(2013)Tackling engagement in computing with computational music remixingProceeding of the 44th ACM technical symposium on Computer science education10.1145/2445196.2445390(657-662)Online publication date: 6-Mar-2013
https://dl.acm.org/doi/10.1145/2445196.2445390
Zhou YPercival GWang XWang YZhao Sdel Bimbo AChang SSmeulders A(2010)MOGCLASSProceedings of the 18th ACM international conference on Multimedia10.1145/1873951.1874048(671-674)Online publication date: 25-Oct-2010
https://dl.acm.org/doi/10.1145/1873951.1874048
Misra ABlank DKumar D(2009)A music context for teaching introductory computingACM SIGCSE Bulletin10.1145/1595496.156295541:3(248-252)Online publication date: 6-Jul-2009
https://dl.acm.org/doi/10.1145/1595496.1562955
Show More Cited By

Abstract

References

Cited By

Index Terms

Recommendations

Why a laptop orchestra?

Flipping the classroom: is it for you?

Human Coded Orchestra: a System for Extemporary Group Singing Performance

Comments

Information

Published In

Publisher

Publication History

Qualifiers

Contributors

Other Metrics

Bibliometrics

Article Metrics

Other Metrics

Citations

Cited By

View options

Figures

Other

Share

Share this Publication link

Share on social media

Affiliations