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Locating experience: touring a pervasive performance

Published: 01 October 2011 Publication History

Abstract

Touring location-based experiences is challenging, as both content and underlying location services must be adapted to each new setting. A study of a touring performance called Rider Spoke as it visited three different cities reveals how professional artists developed a novel approach to these challenges in which users drove the co-evolution of content and the underlying location service as they explored each new city. We show how the artists iteratively developed filtering, survey, visualization, and simulation tools and processes to enable them to tune the experience to the local characteristics of each city. Our study reveals how by paying attention to both content and infrastructure issues in tandem, the artists were able to create a powerful user experience that has since toured to many different cities.

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  • (2018)Re-Thinking Immersive Technologies for Audiences of the FutureProceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion10.1145/3243274.3275379(1-3)Online publication date: 12-Sep-2018
  • (2017)Mapping Media and MeaningProceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences10.1145/3123514.3123536(1-4)Online publication date: 23-Aug-2017
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Information & Contributors

Information

Published In

cover image Personal and Ubiquitous Computing
Personal and Ubiquitous Computing  Volume 15, Issue 7
October 2011
112 pages

Publisher

Springer-Verlag

Berlin, Heidelberg

Publication History

Published: 01 October 2011

Author Tags

  1. Adaptation
  2. Cycling
  3. Location-based performance
  4. Rider Spoke
  5. Seams
  6. User generated content
  7. Wi-Fi fingerprinting

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View all
  • (2021)Evoking the Post-industrial Landscape Memories through Spectrality and Mixed Reality SoundscapesProceedings of the 13th Conference on Creativity and Cognition10.1145/3450741.3465256(1-6)Online publication date: 22-Jun-2021
  • (2018)Re-Thinking Immersive Technologies for Audiences of the FutureProceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion10.1145/3243274.3275379(1-3)Online publication date: 12-Sep-2018
  • (2017)Mapping Media and MeaningProceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences10.1145/3123514.3123536(1-4)Online publication date: 23-Aug-2017
  • (2016)Going undercoverProceedings of the 20th International Academic Mindtrek Conference10.1145/2994310.2994338(312-321)Online publication date: 17-Oct-2016
  • (2015)Considering Musical Structure in Location-Based ExperiencesProceedings of the international conference on New Interfaces for Musical Expression10.5555/2993778.2993874(378-381)Online publication date: 30-May-2015
  • (2013)PlacebooksProceedings of the 15th international conference on Human Interface and the Management of Information: information and interaction design - Volume Part I10.1007/978-3-642-39209-2_47(411-420)Online publication date: 21-Jul-2013

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