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Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers

Published: 19 June 2023 Publication History

Abstract

We suggest that more attention should be given to how musicians collaborate in the studio when designing Digital Audio Workstations (DAWs). We conducted an ethnography in a home studio, gathering three hours of video recordings over four consecutive days of a pro-amateur performer-producer duo during the writing of their debut album. Focusing on how performers and producers structure their interactions around the audio playback of the DAW whilst composing, this paper analyses how their relationship to the software might change their interactions, towards establishing common ground in conversation. Field notes are analysed, and a design brief is suggested where control of the playhead is given to the performer, potentially allowing them to use the audio playback within their utterances to help reference specific audio sections, even when they are not near to the DAW.

References

[1]
Adrian Bennett. 1978. Interruptions and the interpretation of conversation. In Annual Meeting of the Berkeley Linguistics Society, Vol. 4. 557–575.
[2]
Joe Bennett. 2012. Constraint, collaboration and creativity in popular songwriting teams. The act of musical composition: Studies in the creative process (2012), 139–69.
[3]
Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative research in psychology 3, 2 (2006), 77–101.
[4]
Phillip Brooker and Wes Sharrock. 2016. Collaborative Music-Making with Digital Audio Workstations: The “n th Member” as a Heuristic Device for Understanding the Role of Technologies in Audio Composition. Symbolic Interaction 39, 3 (2016), 463–483.
[5]
Herbert H Clark and Susan E Brennan. 1991. Grounding in communication. (1991).
[6]
Thomas Deacon, Nick Bryan-Kinns, Patrick GT Healey, and Mathieu Barthet. 2019. Shaping sounds: The role of gesture in collaborative spatial music composition. In Proceedings of the 2019 on Creativity and Cognition. 121–132.

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  1. Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers

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    cover image ACM Conferences
    C&C '23: Proceedings of the 15th Conference on Creativity and Cognition
    June 2023
    564 pages
    ISBN:9798400701801
    DOI:10.1145/3591196
    Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 19 June 2023

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    Author Tags

    1. Collaboration
    2. Design Ethnography
    3. Human Interaction
    4. Human-Computer Interaction
    5. Music Composition

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    • Extended-abstract
    • Research
    • Refereed limited

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    C&C '23
    Sponsor:
    C&C '23: Creativity and Cognition
    June 19 - 21, 2023
    Virtual Event, USA

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    Overall Acceptance Rate 108 of 371 submissions, 29%

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