Nothing Special   »   [go: up one dir, main page]

skip to main content
10.1145/3483529.3483690acmotherconferencesArticle/Chapter ViewAbstractPublication PagesartechConference Proceedingsconference-collections
research-article
Open access

Immanent Curiosity/Creativity in Science, Art, and Politics

Published: 20 February 2022 Publication History

Abstract

This paper aims to discuss extensively the system of relationships among several types of art and branches of science, under a political perspective discarding any theological/capitalist stance. Once established a quasi-equivalence between creativity and curiosity, a number of features of the creative process are examined, focused firstly on the mind of one individual, and lastly, on the web of interactions anchored in a group of people. Then, mainstream statistics – equated with some sort of commercial numerology – is criticized on the grounds of the unrealistic and unverifiable assumptions it relies upon. As opposed to this, Correspondence Analysis as a method for assumption-free data treatment is put forward, allowing to explore the qualitative variables that are dominant in the fuzzy areas of art and of science of complexity. Two examples of fresh artistic experiences are given, one in the realm of writing, the other, of painting, both demonstrating the concept of practical poetry. The first epitomizes the ways how self-imposed rules that preside over the creation of a literary text may be a source of joyful gratification, based on a cooperation involving the writer and reader. The second demonstrates a process for visual artwork production drew on the collective labor of a set of robots, each one of which can only communicate with the others across the canvas where they evolve. Specific examples of the recombination of science, art, architecture, and urbanism are presented, under a radical perspective that rejects all forms of capitalist power, as it appears in current crisis.
Table of Contents
Introduction
Biological, anthropological, and social features of the creative process
Numerology vs. exploratory data analysis
Writing under constraints
Unmanned paintings
Science, art, architecture, and urbanism
Contemporary political/sanitary issues
Conclusions

References

[1]
R. Dawkins. 2006. The God Delusion. Bantam Press, London
[2]
F. Lenoir. 2017. Le Miracle Spinoza. Fayard, Paris
[3]
M. Foucault. 1984. Curiosity is a vice that has been stigmatized in turn. Semiotext, New York
[4]
P. Ball. 2012. Curiosity. The Bodley Head, London
[5]
G. Agricola. 1950. De re metallica, translation from the Latin edition and preface by H.C. Hoover and L.H. Hoover. Dover Publications, New York
[6]
J. Huizinga. 1955. Homo Ludens: a study of the play-element in culture. Beacon Press, Boston
[7]
T. Friedman. 2014. The square People. New York Times, May 13, 2014
[8]
M. Corballis. 2014. Left brain, Right Brain: Facts and Fantasies. PLoS Biol. 12(1)
[9]
Bansky. 2006. Wall and Peace. Century, London
[10]
N. G. Canclini. 2001. Culturas hibridas. Paidós, Buenos Aires
[11]
U. Dudley. 1997. Numerology, or, what Pythagoras wrought. American Mathematical Society, New York
[12]
J. Turney (Ed.). 2003. Sience, not art, Marcus du Sautoy, Calouste Gulbenkian Foundation, London
[13]
H.G. Pereira, A.J. Sousa, J.T. Ribeiro, A.R. Salgueiro and P. Dowd. 2015. Correspondence analysis as a modeling tool. IST Press, Lisboa
[14]
A. Manguel. 2020. Ler imagens. Edições 70, Lisboa
[15]
G. Perec. 2003. Tentative d’épuisement d'un lieu parisien. Christian Bourgeois Ed., Paris
[16]
L. Moura and H.G. Pereira. 2004. Man and robots: Symbiotic Art. Institut d'Art Contemporain, Villeurbanne
[17]
L. Moura and H.G. Pereira. 2004. Symbiotic art Manifesto, http://www.leonelmoura.com/symbiotic-art-manifesto/
[18]
U. Pratt. 1996. Il desiderio di essere inutile. Lizard, Roma
[19]
M. Dorigo, E. Bonabeaub and G. Theraulaz. 2000. Ant algorithms and stigmergy, Future Generation Computer Systems, 16
[20]
G. Sapiro. 2021. La distinction entre science engagée et idéologie: les leçons de Bourdieu. AOC, 31.03.2021
[21]
A.K. Gupta. 2021. La science doit être un bien commun. La recherche, Fev./Avr 2021, p. 7-12
[22]
C.M. Rose. Thinking about the Commons. International Journal of the Commons, Vol. 14 (1), p. 553-556
[23]
A. Miller. 2001. Einstein, Picasso: Space, time and the beauty that causes havoc. Basic Books, New York
[24]
H. Arjmand, J. Hohagen and B. Patonand. 2017. Emotional Responses to Music: Shifts in Frontal Brain Asymmetry Mark Periods of Musical Change Front. Psychol.
[25]
J. Smiers. 2005. Arts under pressure. Zed Books, London
[26]
N. Klein. 2000. No Logo. Flamingo, London
[27]
L. Fernandez-Galiano. 1991. El fuego y la memoria. Sobre arquitectura y energía. Alianza Editorial, Madrid
[28]
R. Margalef. 1980. La Bioesfera, entre la termodinámica y el juego. Omega, Barcelona
[29]
H. Laborit. 1971. L'homme et la ville. Flammarion, Paris
[30]
B. Mandelbrot. 1975. Les objets fractales: forme, hasard et dimension. Flammarion, Paris
[31]
M. Batty and P. Longley. 1994. Fractal Cities - A Geometry of Form and Function. Academic Press, London
[32]
L. Carmo. Esthétiques de la résistance et du recyclage, in Art, espace et politique dans la vie gentrifiée, Ed. L. Pattaroni, p. 149-174. MetisPress, Genève
[33]
A. Negri and M. Hardt. 2004. Moltitudine. Guerra e democrazia nel nuovo ordine imperiale. Rizzoli, Milano
[34]
A. Negri. 1994. Spinoza subversive. Éditions KIMÉ, Paris
[35]
J.-F. Martos. 1989. Histoire de l'Internationale Situationniste. Ed. Gérard Lebovici, Paris
[36]
S. Ford. 2005. The Situationist international. A user's guide. Black Dog Publishing, London
[37]
R. Vaneigem. Coronavirus, report from France, http://www.notbored.org/coronavirus.pdf

Index Terms

  1. Immanent Curiosity/Creativity in Science, Art, and Politics
        Index terms have been assigned to the content through auto-classification.

        Recommendations

        Comments

        Please enable JavaScript to view thecomments powered by Disqus.

        Information & Contributors

        Information

        Published In

        cover image ACM Other conferences
        ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive Arts
        October 2021
        761 pages
        © 2021 Association for Computing Machinery. ACM acknowledges that this contribution was authored or co-authored by an employee, contractor or affiliate of a national government. As such, the Government retains a nonexclusive, royalty-free right to publish or reproduce this article, or to allow others to do so, for Government purposes only.

        Publisher

        Association for Computing Machinery

        New York, NY, United States

        Publication History

        Published: 20 February 2022

        Permissions

        Request permissions for this article.

        Check for updates

        Author Tags

        1. Aristotle
        2. Hybridization
        3. Oulipo
        4. Painting Robots
        5. Pandemics
        6. Playful Dissent
        7. Recombination
        8. Spinoza

        Qualifiers

        • Research-article
        • Research
        • Refereed limited

        Conference

        ARTECH 2021

        Acceptance Rates

        Overall Acceptance Rate 128 of 238 submissions, 54%

        Contributors

        Other Metrics

        Bibliometrics & Citations

        Bibliometrics

        Article Metrics

        • 0
          Total Citations
        • 82
          Total Downloads
        • Downloads (Last 12 months)42
        • Downloads (Last 6 weeks)12
        Reflects downloads up to 20 Dec 2024

        Other Metrics

        Citations

        View Options

        View options

        PDF

        View or Download as a PDF file.

        PDF

        eReader

        View online with eReader.

        eReader

        HTML Format

        View this article in HTML Format.

        HTML Format

        Login options

        Media

        Figures

        Other

        Tables

        Share

        Share

        Share this Publication link

        Share on social media