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Evolutionary computation for digital art

Published: 13 July 2019 Publication History
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References

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R. Dawkins (1986): The Blind Watchmaker - Why the Evidence of Evolution Reveals a Universe without Design, W. W. Norton & Company.
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W. Latham (1985): Black Form Synth. Offset lithograph, E.293-2014, Victoria and Albert Museum, London, UK. http://collections.vam.ac.uk/item/O1276894/black-form-synth-offset-lithograph-latham-william/
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K. Sims (1991): Artificial evolution for computer graphics. In Proc. Conf. Computer Graphics and Interactive Techniques (SIGGRAPH '91). ACM Computer Graphics, 25(4): pp. 319--328. https://dl.acm.org/citation.cfm?doid=122718.122752
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K. Sims (1997): Galápagos. Installation at the NTT InterCommunication Center in Tokyo, Japan. http://www.ntticc.or.jp/en/archive/works/galapagos/
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S. Todd and W. Latham (1992): Evolutionary Art and Computers. Academic Press, London.
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T. Unemi (1999): SBART2.4: Breeding 2D CG Images and Movies, and Creating a type of Collage. In: The International Conference on Knowledge- based Intelligent Information Engineering Systems, pp. 288--291. https://ieeexplore.ieee.org/document/820180/
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H. Takagi (2001): Interactive evolutionary computation: fusion of the capabilities of EC optimization and human evaluation. Proc. IEEE 89(9), pp. 1275--1296. https://ieeexplore.ieee.org/document/949485/
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S. Draves (2005): The electric sheep screen-saver: A case study in aesthetic evolution. EvoMUSART. Vol. 3449 of Lecture Notes in Computer Science. Springer, pp. 458--467.
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D. Hart (2007): Toward greater artistic control for interactive evolution of images and animation. In Applications of Evolutionary Computing, EvoWorkshops 2007, volume 4448 of Lecture Notes in Computer Science, Springer, pp. 527--536.
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T. Kowaliw, A. Dorin, and J. McCormack (2012): Promoting Creative Design in Interactive Evolutionary Computation. IEEE Trans. Evolutionary Computation 16(4), pp. 523--536. https://ieeexplore.ieee.org/document/6151108/
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J. Graf and W. Banzhaf (1995): Interactive evolution of images. In Proc. Conference on Evolutionary Programming, pp. 53--65.
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E. den Heijer and A. E. Eiben (2014): Investigating aesthetic measures for unsupervised evolutionary art. Swarm and Evolutionary Computation 16, pp. 52--68.
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A. Neumann, B. Alexander, and F. Neumann (2017): Evolutionary Image Transition Using Random Walks. In: Computational Intelligence in Music, Sound, Art and Design, EvoMUSART 2017, Lecture Notes in Computer Science, 230--245.
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A. Neumann, B. Alexander, and F. Neumann (2016): The Evolutionary Process of Image Transition in Conjunction with Box and Strip Mutation. In: Neural Information Processing, ICONIP 2016.
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A. Neumann, F. Neumann, and T. Friedrich: Quasi-random Agents for Image Transition and Animation. In: submitted for publication, CoRR abs/1710.07421. Submitted for publication. http://arxiv.org/abs/1710.07421
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A. Neumann, Z. L. Szpak, W. Chojnacki, and F. Neumann (2017): Evolutionary Image Composition Using Feature Covariance Matrices. In: Genetic and Evolutionary Computation Conference, GECCO 2017, ACM Press, 817--824.
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B. Alexand er, J. Kortman, and A. Neumann (2017): Evolution of Artistic Image Variants Through Feature Based Diversity Optimisation. In: Genetic and Evolutionary Computation Conference, GECCO 2017, ACM Press, 171--178.
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A. Neumann, W. Gao, C. Doerr, F. Neumann, M. Wagner (2018): Discrepancy-Based Evolutionary Diversity Optimization. In: Genetic and Evolutionary Computation Conference, GECCO 2018, ACM Press
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  • (2021)Evolutionary Image Transition and Painting Using Random WalksEvolutionary Computation10.1162/evco_a_0027028:4(643-675)Online publication date: 25-Feb-2021

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cover image ACM Conferences
GECCO '19: Proceedings of the Genetic and Evolutionary Computation Conference Companion
July 2019
2161 pages
ISBN:9781450367486
DOI:10.1145/3319619
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Published: 13 July 2019

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GECCO '19: Genetic and Evolutionary Computation Conference
July 13 - 17, 2019
Prague, Czech Republic

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  • (2021)Evolutionary Image Transition and Painting Using Random WalksEvolutionary Computation10.1162/evco_a_0027028:4(643-675)Online publication date: 25-Feb-2021

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