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5 Percent Piano: An Augmented Piano with Playful Audio Response

Published: 19 November 2019 Publication History

Abstract

Inspired by the practice of street art, we speculated on a scenario of non-visual street art, in which everyday objects are augmented with audio responses. We used ubiquitous computing technologies to augment an idle piano in a university building lobby with a motion-triggered, novel audio response that aims to surprise and engage passers-by in a playful way. The resulting installation, titled ‘5 Percent Piano’, was deployed in its original setting for half a day. It received both positive and negative reactions from naive passers-by. We concluded that the augmented audio response has the potential to raise awareness about ignored everyday objects and can elicit playful social engagement around it, however, when designing for such installations, more contextual factors need to be taken into account.

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cover image ACM Other conferences
HttF '19: Proceedings of the Halfway to the Future Symposium 2019
November 2019
260 pages
ISBN:9781450372039
DOI:10.1145/3363384
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 19 November 2019

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Author Tags

  1. Sonic intervention
  2. ambient interface
  3. auditory play
  4. everyday objects.
  5. playful interaction
  6. street art
  7. ubiquitous computing

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  • Refereed limited

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HTTF 2019
HTTF 2019: Halfway to the Future
November 19 - 20, 2019
Nottingham, United Kingdom

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