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Feel the pressure: a haptic-feedback device for wearable musical instrument interaction

Published: 09 September 2019 Publication History

Abstract

Wearable gestural interfaces for effect control during concerts enable artists to experiment with new ways to express their work. These interfaces can be seen as novel musical instruments, however compared to traditional musical instruments they often lack fine-grained haptic feedback. The artist effectively plays these instrument "blind". In this paper, we present an easily built pressure-feedback device to close the loop between gesture interaction and haptic feedback. This can give the artist an idea of the currently enabled musical effect, and indicates the strength of this effect which can serve as a warning signal when the effect reaches a otherwise invisible limit with respect to a starting gesture. To evaluate the system, study participants were asked to distinguish different levels of pressure, giving insights on the accuracy of such a haptic interface.

References

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Edgar Berdahl, Hans-Christoph Steiner, and Collin Oldham. {n. d.}. Practical Hardware and Algorithms for Creating Haptic Musical Instruments. In NIME, Vol. 8. 61--66.
[2]
Matteo Bianchi. 2016. A fabric-based approach for wearable haptics. Electronics 5, 3 (2016), 44.
[3]
Simona Casini, Matteo Morvidoni, Matteo Bianchi, Manuel Catalano, Giorgio Grioli, and Antonio Bicchi. 2015. Design and realization of the cuff-clenching upper-limb force feedback wearable device for distributed mechano-tactile stimulation of normal and tangential skin forces. In 2015 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS). IEEE, 1186--1193.
[4]
Lonny Chu. 1996. Haptic feedback in computer music performance. In Proceedings of ICMC, Vol. 96. 57--58.
[5]
Henning Pohl, Peter Brandes, Hung Ngo Quang, and Michael Rohs. 2017. Squeezeback: pneumatic compression for notifications. In Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems. ACM, 5318--5330.
[6]
Mi.Mu Glove Team. {n. d.}. Mi.Mu Gloves. Retrieved May 3, 2019 from https://mimugloves.com/
[7]
Matthew Wright. 2005. Open Sound Control: an enabling technology for musical networking. Organised Sound 10, 3 (2005), 193--200.

Cited By

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  • (2024)Pneumatically Controlled Wearable Tactile Actuator for Multi-Modal Haptic FeedbackIEEE Access10.1109/ACCESS.2024.337675312(59485-59499)Online publication date: 2024

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Published In

cover image ACM Conferences
UbiComp/ISWC '19 Adjunct: Adjunct Proceedings of the 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2019 ACM International Symposium on Wearable Computers
September 2019
1234 pages
ISBN:9781450368698
DOI:10.1145/3341162
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 09 September 2019

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Author Tags

  1. haptic feedback
  2. music
  3. wearable haptics

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  • Demonstration

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UbiComp '19

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Overall Acceptance Rate 764 of 2,912 submissions, 26%

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Cited By

View all
  • (2024)Pneumatically Controlled Wearable Tactile Actuator for Multi-Modal Haptic FeedbackIEEE Access10.1109/ACCESS.2024.337675312(59485-59499)Online publication date: 2024

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