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Feels Like Being There: Viewers Describe the Quality of Experience of Festival Video Using Their Own Words

Published: 20 April 2018 Publication History

Abstract

Incorporating user-generated video (UGV) into professional coverage of public events has the potential to enhance experience through offering alternative perspectives. However, current tools for choosing video rely on objective technical quality metrics that might not identify these offerings. This work uses an Open Profiling of Quality methodology, in which participants freely describe and refine a vocabulary of positive and negative qualities of music festival video. By validation with a second viewer cohort, we show that this method can yield attributes with strong descriptive consensus. Our work should help enhance creative processes for selecting footage that transcend conventional criteria.

References

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Kerlin, L., Evans, M., and Jones, R. (2017). Professional Use of User-Generated Video - Views of Producers and Contributors. ACM TVX2017 Adjunct Proceedings.
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Haimson, O. and Tang, J. (2017). What Makes Live Events Engaging on Facebook Live, Periscope, and Snapchat. In Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI '17). ACM.
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Berg, J. (2006) How do we determine the attribute scales and questions that we should ask of subjects when evaluating spatial audio quality? Spatial Audio and Sensory Evaluation Techniques. Guildford, UK.
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Kelly, G. A (1955) The Psychology of Personal Constructs. Norton, New York, NY, USA.
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Jack, F. R. and Piggott, J. (1992) "Free choice profiling in consumer research," Food Quality and Preference, (3), 129--134
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Bech, S., Hamberg, R., and Nijenhuis, M (1996). "Rapid Perceptual Image Description (RaPID) method" in Proceedings of SPIE, Human Vision and Electronic Imaging Vol 2657, 317--328.
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Zacharov, N., and Koivuniemi, K., (2001). Audio descriptive analysis and maooing of spatial sound displays" in Proceedings of the International Conference on Auditory Displays (ICAD2001).
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Strohmeier, D. (2012). Open profile of quality: a mixed methods research approach for audiovisual quality evaluations. SIGMultimedia Rec., 4 (4), 5--6.
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Strohmeier, D., Jumisko-Pyyko, S., Kunze, K., and Bici, M. O (2011). The extended OPQ method for user centered quality of experience evaluation: a study for mobile 3D video broadcasting over DVBH. EURASIP Journal on Image and Video Processing, 1--24.
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Walton, T., Evans, M., Kirk, D., and Melchior, F (2016). A subjective comparison of discrete surround sound and soundbar technology by using mixed methods. Audio Engineering Society Convention, 140.
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Cited By

View all
  • (2022)On the Immersive Properties of High Dynamic Range VideoACM Transactions on Applied Perception10.1145/352469219:2(1-15)Online publication date: 11-Jul-2022
  • (2021)User generated content for enhanced professional productions: a mobile application for content contributors and a study on the factors influencing their satisfaction and loyaltyMultimedia Tools and Applications10.1007/s11042-021-11381-280:25(33679-33699)Online publication date: 1-Oct-2021
  • (2020)AI IN PRODUCTION: VIDEO ANALYSIS AND MACHINE LEARNING FOR EXPANDED LIVE EVENTS COVERAGESMPTE Motion Imaging Journal10.5594/JMI.2020.2967204129:2(36-45)Online publication date: Mar-2020
  • Show More Cited By

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    cover image ACM Conferences
    CHI EA '18: Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems
    April 2018
    3155 pages
    ISBN:9781450356213
    DOI:10.1145/3170427
    Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 20 April 2018

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    Author Tags

    1. open profiling of quality
    2. quality of experience
    3. user-centred analysis
    4. user-generated video

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    Funding Sources

    • European Union (Horizon 2020)

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    CHI '18
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    Acceptance Rates

    CHI EA '18 Paper Acceptance Rate 1,208 of 3,955 submissions, 31%;
    Overall Acceptance Rate 6,164 of 23,696 submissions, 26%

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    CHI '25
    CHI Conference on Human Factors in Computing Systems
    April 26 - May 1, 2025
    Yokohama , Japan

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    Cited By

    View all
    • (2022)On the Immersive Properties of High Dynamic Range VideoACM Transactions on Applied Perception10.1145/352469219:2(1-15)Online publication date: 11-Jul-2022
    • (2021)User generated content for enhanced professional productions: a mobile application for content contributors and a study on the factors influencing their satisfaction and loyaltyMultimedia Tools and Applications10.1007/s11042-021-11381-280:25(33679-33699)Online publication date: 1-Oct-2021
    • (2020)AI IN PRODUCTION: VIDEO ANALYSIS AND MACHINE LEARNING FOR EXPANDED LIVE EVENTS COVERAGESMPTE Motion Imaging Journal10.5594/JMI.2020.2967204129:2(36-45)Online publication date: Mar-2020
    • (2020)Video Semantics Quality Assessment Using Deep LearningIntelligent Data Engineering and Automated Learning – IDEAL 202010.1007/978-3-030-62365-4_16(165-172)Online publication date: 4-Nov-2020
    • (2020)Multimedia Analytics Challenges and Opportunities for Creating Interactive Radio ContentMultiMedia Modeling10.1007/978-3-030-37734-2_31(375-387)Online publication date: 5-Jan-2020
    • (2019)Potentials and Challenges for User-generated Video Content in Public LibrariesExtended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems10.1145/3290607.3312842(1-6)Online publication date: 2-May-2019

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