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Melody composition using geometric crossover for variable-length encoding

Published: 15 July 2017 Publication History

Abstract

This paper proposes a system that uses interactive genetic algorithm (IGA) to automatically compose songs according to the userfis preferences. As notes have duration and pitch, the number of notes within a measure is subject to change. Geometric crossover can be used to make offspring notes while preserving the positive characteristics within such variable-length sequences. The proposed automatic composition system uses geometric crossover in IGA to produce songs customized to the user. Experimental results indicate that the proposed system effectively generates new notes from variable-length note sequences within a single measure.

References

[1]
J. A Biles. 1994. Genjam: A genetic algorithm for generating jazz solos. International Computer Music Association 94 (1994), 131--137.
[2]
A. Gartland-Jones. 2002. Can a genetic algorithm think like a composer?. In Generative Art.
[3]
K. He, X. Zhang, S. Ren, and J. Sun. 2015. Delving deep into rectifiers: surpassing human-level performance on imagenet classification. In Proceedings of the IEEE International Conference on Computer Vision (2015), 1026--1034.
[4]
A. Horner and D. E Goldberg. 1991. Genetic algorithms and computer-assisted music composition. Urbana 51, 61801 (1991), 437--441.
[5]
D. Matić. 2010. A genetic algorithm for composing music. Yugoslav Journal of Operations Research 20, 1 (2010), 157--177.
[6]
A. Moraglio, R. Poli, and R. Seehuus. 2006. Geometric crossover for biological sequences. In European Conference on Genetic Programming. Springer, 121--132.
[7]
Y. Yoon, Y.-H. Kim, A. Moraglio, and B.-R. Moon. 2012. Quotient geometric crossovers and redundant encodings. Theoretical Computer Science 425 (2012), 4--16.

Cited By

View all
  • (2024)Artificial intelligence in music: recent trends and challengesNeural Computing and Applications10.1007/s00521-024-10555-xOnline publication date: 16-Nov-2024
  • (2019)Automatic Jazz Melody Composition Through a Learning-Based Genetic AlgorithmComputational Intelligence in Music, Sound, Art and Design10.1007/978-3-030-16667-0_15(217-233)Online publication date: 27-Mar-2019
  • (2018)A geometric evolutionary search for melody compositionProceedings of the Genetic and Evolutionary Computation Conference Companion10.1145/3205651.3208768(53-54)Online publication date: 6-Jul-2018

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Published In

cover image ACM Conferences
GECCO '17: Proceedings of the Genetic and Evolutionary Computation Conference Companion
July 2017
1934 pages
ISBN:9781450349390
DOI:10.1145/3067695
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 15 July 2017

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Author Tags

  1. automatic composing
  2. genetic algorithm
  3. geometric crossover

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Funding Sources

  • National Research Foundation of Korea (NRF) by the Ministry of Education

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GECCO '17
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Overall Acceptance Rate 1,669 of 4,410 submissions, 38%

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Cited By

View all
  • (2024)Artificial intelligence in music: recent trends and challengesNeural Computing and Applications10.1007/s00521-024-10555-xOnline publication date: 16-Nov-2024
  • (2019)Automatic Jazz Melody Composition Through a Learning-Based Genetic AlgorithmComputational Intelligence in Music, Sound, Art and Design10.1007/978-3-030-16667-0_15(217-233)Online publication date: 27-Mar-2019
  • (2018)A geometric evolutionary search for melody compositionProceedings of the Genetic and Evolutionary Computation Conference Companion10.1145/3205651.3208768(53-54)Online publication date: 6-Jul-2018

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