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MirrorFugue iii: conjuring the recorded pianist

Published: 27 April 2013 Publication History

Abstract

The body channels rich layers of information when playing music, from intricate manipulations of the instrument to vivid personifications of expression. But when music is captured and replayed across distance and time, the performer's body is rarely present.
MirrorFugue conjures the recorded performer at the piano by combining the moving keys of a player piano with life-sized projection of the pianist's hands and upper body. Inspired by reflections on a lacquered grand piano, MirrorFugue evokes the sense that the virtual pianist is playing the physically moving keys.
This video tells two stories of interactions across space and time mediated by MirrorFugue. One presents a great concert broadcasted across the world, where a young pianist learns by playing along. The other depicts a woman who plays a duet with her childhood self.

Supplementary Material

suppl.mov (vid0117-file3.m4v)
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Cited By

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  • (2023)SurfaceCast: Ubiquitous, Cross-Device Surface SharingProceedings of the ACM on Human-Computer Interaction10.1145/36264757:ISS(286-308)Online publication date: 31-Oct-2023
  • (2022)A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences?Proceedings of the ACM on Human-Computer Interaction10.1145/35677196:ISS(226-253)Online publication date: 14-Nov-2022
  • (2022)Augmented Reality and Robotics: A Survey and Taxonomy for AR-enhanced Human-Robot Interaction and Robotic InterfacesProceedings of the 2022 CHI Conference on Human Factors in Computing Systems10.1145/3491102.3517719(1-33)Online publication date: 29-Apr-2022
  • Show More Cited By

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  1. MirrorFugue iii: conjuring the recorded pianist

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    Published In

    cover image ACM Conferences
    CHI EA '13: CHI '13 Extended Abstracts on Human Factors in Computing Systems
    April 2013
    3360 pages
    ISBN:9781450319522
    DOI:10.1145/2468356
    Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 27 April 2013

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    Author Tags

    1. augmented reality
    2. body
    3. music
    4. performance
    5. piano

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    • Short-paper

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    CHI '13
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    Acceptance Rates

    CHI EA '13 Paper Acceptance Rate 630 of 1,963 submissions, 32%;
    Overall Acceptance Rate 6,164 of 23,696 submissions, 26%

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    Cited By

    View all
    • (2023)SurfaceCast: Ubiquitous, Cross-Device Surface SharingProceedings of the ACM on Human-Computer Interaction10.1145/36264757:ISS(286-308)Online publication date: 31-Oct-2023
    • (2022)A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences?Proceedings of the ACM on Human-Computer Interaction10.1145/35677196:ISS(226-253)Online publication date: 14-Nov-2022
    • (2022)Augmented Reality and Robotics: A Survey and Taxonomy for AR-enhanced Human-Robot Interaction and Robotic InterfacesProceedings of the 2022 CHI Conference on Human Factors in Computing Systems10.1145/3491102.3517719(1-33)Online publication date: 29-Apr-2022
    • (2020)A Survey on Visualizations for Musical DataComputer Graphics Forum10.1111/cgf.1390539:6(82-110)Online publication date: 5-Mar-2020
    • (2019)Enhanced Learning of Jazz Chords with a Projector Based Piano Keyboard AugmentationInnovative Technologies and Learning10.1007/978-3-030-35343-8_21(194-203)Online publication date: 2-Dec-2019
    • (2016)Projecting Recorded Expert Hands at Real Size, at Real Speed, and onto Real Objects for Manual WorkCompanion Publication of the 21st International Conference on Intelligent User Interfaces10.1145/2876456.2879476(13-17)Online publication date: 7-Mar-2016
    • (2016)Inspect, Embody, InventProceedings of the 2016 CHI Conference on Human Factors in Computing Systems10.1145/2858036.2858577(5397-5408)Online publication date: 7-May-2016
    • (2016)MirrorFugue for the Composer, Performer and ImproviserProceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems10.1145/2851581.2889435(12-12)Online publication date: 7-May-2016
    • (2015)ChinARProceedings of the Third International Symposium of Chinese CHI10.1145/2739999.2740003(23-31)Online publication date: 18-Apr-2015
    • (2014)P.I.A.N.O.Proceedings of the Ninth ACM International Conference on Interactive Tabletops and Surfaces10.1145/2669485.2669514(149-158)Online publication date: 16-Nov-2014
    • Show More Cited By

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