abstract

Moori: interactive audience participatory audio-visual performance

Author:

Haeyoung KimAuthors Info & Claims

C&C '11: Proceedings of the 8th ACM conference on Creativity and cognition

Pages 437 - 438

https://doi.org/10.1145/2069618.2069737

Published: 03 November 2011 Publication History

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Abstract

Moori is a hybrid form of an audience participatory dynamic narrative and an audio-visual performance system. By incorporating a smart phone's dynamic interface and SMS, users share their thoughts to proposed questions by a performer. Through text inputs, buttons, and multi-touch pads, user-data is processed to generate algorithmic audio and visuals. The result is a collaboration between performer and audience members, a real-time audio-visual composition and a dramatic narrative. As authors, viewers transform the content in a collective narrative space.

References

[1]

Open Sound Control. http://www.opensoundcontrol.org/.

Google Scholar

[2]

Mrmr http://www.mrmr.noisepages.com/.

Google Scholar

[3]

NoBarrierOSC. https://www.masterbranch.com/nobarrieroscproject/815515

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Cited By

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Greenhalgh CHazzard ABenford SCliffe LKelly E(2022)Crafting Trajectories of Smart Phone Use at the OperaACM Transactions on Computer-Human Interaction10.1145/353100729:6(1-37)Online publication date: 8-Jun-2022
https://dl.acm.org/doi/10.1145/3531007
Lee SWillette ADow SMaher MKerne ALatulipe C(2019)Crowd in CProceedings of the 2019 Conference on Creativity and Cognition10.1145/3325480.3329178(425-431)Online publication date: 13-Jun-2019
https://dl.acm.org/doi/10.1145/3325480.3329178
Mubarak OCubaud PBihanic DBianchini S(2017)Designing Collaborative Co-Located Interaction for an Artistic InstallationHuman-Computer Interaction - INTERACT 201710.1007/978-3-319-67744-6_15(223-231)Online publication date: 20-Sep-2017
https://doi.org/10.1007/978-3-319-67744-6_15
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Index Terms

Moori: interactive audience participatory audio-visual performance
1. Applied computing
  1. Arts and humanities

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Information

Published In

C&C '11: Proceedings of the 8th ACM conference on Creativity and cognition

November 2011

492 pages

ISBN:9781450308205

DOI:10.1145/2069618

General Chair:
Ashok K. Goel
Georgia Institute of Technology, USA
,
Program Chairs:
Fox Harrell
Massachusetts Institute of Technology, USA
,
Brian Magerko
Georgia Institute of Technology, USA
,
Yukari Nagai
Japan Advanced Institute of Science and Technology, Japan
,
Jane Prophet
Goldsmiths College, University of London, UK

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 03 November 2011

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C&C '11

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SIGCHI

C&C '11: Creativity and Cognition 2011

November 3 - 6, 2011

Georgia, Atlanta, USA

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Overall Acceptance Rate 108 of 371 submissions, 29%

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Cited By

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Greenhalgh CHazzard ABenford SCliffe LKelly E(2022)Crafting Trajectories of Smart Phone Use at the OperaACM Transactions on Computer-Human Interaction10.1145/353100729:6(1-37)Online publication date: 8-Jun-2022
https://dl.acm.org/doi/10.1145/3531007
Lee SWillette ADow SMaher MKerne ALatulipe C(2019)Crowd in CProceedings of the 2019 Conference on Creativity and Cognition10.1145/3325480.3329178(425-431)Online publication date: 13-Jun-2019
https://dl.acm.org/doi/10.1145/3325480.3329178
Mubarak OCubaud PBihanic DBianchini S(2017)Designing Collaborative Co-Located Interaction for an Artistic InstallationHuman-Computer Interaction - INTERACT 201710.1007/978-3-319-67744-6_15(223-231)Online publication date: 20-Sep-2017
https://doi.org/10.1007/978-3-319-67744-6_15
Weitzner NFreeman JChen YGarrett S(2013)massMobile: towards a flexible framework for large-scale participatory collaborations in live performancesOrganised Sound10.1017/S135577181200022218:1(30-42)Online publication date: 26-Mar-2013
https://doi.org/10.1017/S1355771812000222

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MubuFunkScatShare: gestural energy and shared interactive music

VizStory: Visualization of Digital Narrative for Fairy Tales

VizStory: Visualization of Digital Narrative for Fairy Tales

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