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Charles P. Martin
Charles Martin 0001 – Charles Patrick Martin
Person information
- affiliation: Australian National University, Canberra, ACT, Australia
- affiliation: University of Oslo, Department of Informatics / 3RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Norway
Other persons with the same name
- Charles Martin — disambiguation page
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2020 – today
- 2024
- [j5]Benedikte Wallace, Kristian Nymoen, Jim Torresen, Charles Patrick Martin:
Breaking from realism: exploring the potential of glitch in AI-generated dance. Digit. Creativity 35(2): 125-142 (2024) - [c45]Josh Andres
, Chris Danta
Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI. Conference on Designing Interactive Systems (Companion Volume) 2024 - [c44]Minsik Choi
Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. Audio Mostly Conference 2024: 218-228 - [c43]Michael J. Muller
GenAICHI 2024: Generative AI and HCI at CHI 2024. CHI Extended Abstracts 2024: 470:1-470:7 - [c42]Xinlei Niu, Jing Zhang, Christian Walder, Charles Patrick Martin:
SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation. ICASSP 2024: 261-265 - [c41]Xinlei Niu, Christian Walder, Jing Zhang, Charles Patrick Martin:
Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming. ICML 2024 - [i26]Xinlei Niu, Jing Zhang, Charles Patrick Martin:
HybridVC: Efficient Voice Style Conversion with Text and Audio Prompts. CoRR abs/2404.15637 (2024) - [i25]Josh Andres
Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI. CoRR abs/2404.18405 (2024) - [i24]Xinlei Niu, Jing Zhang, Christian Walder, Charles Patrick Martin:
SoundLoCD: An Efficient Conditional Discrete Contrastive Latent Diffusion Model for Text-to-Sound Generation. CoRR abs/2405.15338 (2024) - [i23]Minsik Choi, Josh Andres, Charles Patrick Martin:
Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. CoRR abs/2408.17012 (2024) - [i22]Xinlei Niu, Jing Zhang, Charles Patrick Martin:
SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model. CoRR abs/2410.02144 (2024) - 2023
- [c40]Benedikte Wallace
Embodying an Interactive AI for Dance Through Movement Ideation. Creativity & Cognition 2023: 454-464 - [c39]Michael J. Muller
GenAICHI 2023: Generative AI and HCI at CHI 2023. CHI Extended Abstracts 2023: 350:1-350:7 - [c38]Charles Patrick Martin, Alexander Hunter, Brent Schuetze, Yichen Wang:
Composing Interface Connections for a Networked Touchscreen Ensemble. IS2 2023: 1-5 - [c37]Yichen Wang, Mingze Xi, Matt Adcock, Charles Patrick Martin
Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality. NIME 2023 - [d3]Benedikte Wallace
DeepDance: Motion capture data of improvised dance (2019). Zenodo, 2023 - [d2]Benedikte Wallace
DeepDance: Motion capture data of improvised dance (2019). Zenodo, 2023 - [i21]Xinlei Niu, Christian Walder, Jing Zhang, Charles Patrick Martin:
Latent Optimal Paths by Gumbel Propagation for Variational Bayesian Dynamic Programming. CoRR abs/2306.02568 (2023) - 2022
- [c36]Michael J. Muller, Lydia B. Chilton, Anna Kantosalo, Charles Patrick Martin, Greg Walsh:
GenAICHI: Generative AI and HCI. CHI Extended Abstracts 2022: 110:1-110:7 - [c35]Xinlei Niu, Charles Patrick Martin
Spatial-Temporal-Class Attention Network for Acoustic Scene Classification. ICME 2022: 1-6 - [c34]Charles Patrick Martin:
Performing with a Generative Electronic Music Controller 103-106. IUI Workshops 2022: 103-106 - [c33]Yichen Wang
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. NIME 2022 - [c32]Yichen Wang, Charles P. Martin
Designing Sound Synthesis Interfaces for Head-mounted Augmented Reality. VR Workshops 2022: 351-353 - [c31]Yichen Wang, Henry Gardner, Charles P. Martin
Augmenting Sculpture with Immersive Sonification. VR Workshops 2022: 626-627 - [e1]Penny Sweetser, Jennyfer Lawrence Taylor, Charles Martin, Dana McMay, Melissa J. Rogerson, Bronwyn J. Cumbo, Greg Wadley, Luke Hespanhol, Jess Tsimeris, Mingze Xi, Jane Turner, Soojeong Yoo, Ned Cooper, Jessica S. Rahman, Josh Andres, Ajit G. Pillai, Cat Kutay:
Proceedings of the 34th Australian Conference on Human-Computer Interaction, OzCHI 2022, Canberra, ACT, Australia, 29 November 2022 - 2 December 2022. ACM 2022 [contents] - [d1]Benedikte Wallace
DeepDance: Motion capture data of improvised dance (2019). Zenodo, 2022 - [i20]Benedikte Wallace, Charles P. Martin:
Embodying the Glitch: Perspectives on Generative AI in Dance Practice. CoRR abs/2210.09291 (2022) - 2021
- [j4]Tønnes F. Nygaard, Charles P. Martin
Environmental Adaptation of Robot Morphology and Control Through Real-World Evolution. Evol. Comput. 29(4): 441-461 (2021) - [j3]Tønnes F. Nygaard
Real-world embodied AI through a morphologically adaptive quadruped robot. Nat. Mach. Intell. 3(5): 410-419 (2021) - [c30]Benedikte Wallace
Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation. Creativity & Cognition 2021: 32:1-32:9 - [c29]Benedikte Wallace
Exploring the Effect of Sampling Strategy on Movement Generation with Generative Neural Networks. EvoMUSART 2021: 344-359 - [c28]Robert Neil McArthur
An Application for Evolutionary Music Composition Using Autoencoders. EvoMUSART 2021: 443-458 - 2020
- [j2]Charles Patrick Martin
Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning. Frontiers Artif. Intell. 3: 6 (2020) - [c27]Sichao Li, Charles Patrick Martin
Comparing Three Data Representations for Music with a Sequence-to-Sequence Model. Australasian Conference on Artificial Intelligence 2020: 16-28 - [c26]Benedikte Wallace, Charles P. Martin, Jim Tørresen, Kristian Nymoen:
Towards Movement Generation with Audio Features. ICCC 2020: 284-287 - [c25]Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner:
Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. NIME 2020: 39-42 - [c24]Rohan Proctor, Charles Patrick Martin:
A Laptop Ensemble Performance System using Recurrent Neural Networks. NIME 2020: 43-48 - [i19]Tønnes F. Nygaard, Charles P. Martin, David Howard, Jim Tørresen, Kyrre Glette:
Environmental Adaptation of Robot Morphology and Control through Real-world Evolution. CoRR abs/2003.13254 (2020) - [i18]Benedikte Wallace
Towards Movement Generation with Audio Features. CoRR abs/2011.13453 (2020) - [i17]Charles P. Martin, Benjamin Forster, Hanna Cormick:
Cross-artform performance using networked interfaces: Last Man to Die's Vital LMTD. CoRR abs/2012.00249 (2020) - [i16]Charles P. Martin, Chi-Hsia Lai:
Strike on Stage: a percussion and media performance. CoRR abs/2012.00250 (2020) - [i15]Charles Martin:
Performing with a Mobile Computer System for Vibraphone. CoRR abs/2012.00265 (2020) - [i14]Charles P. Martin, Henry Gardner, Ben Swift:
Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices. CoRR abs/2012.00296 (2020) - [i13]Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner:
Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. CoRR abs/2012.02311 (2020) - [i12]Rohan Proctor, Charles Patrick Martin:
A Laptop Ensemble Performance System using Recurrent Neural Networks. CoRR abs/2012.02322 (2020) - [i11]Charles Patrick Martin, Alexander Refsum Jensenius, Jim Tørresen:
Composing an Ensemble Standstill Work for Myo and Bela. CoRR abs/2012.02404 (2020)
2010 – 2019
- 2019
- [j1]Charles Patrick Martin
Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam. Comput. Music. J. 43(4): 41-57 (2019) - [c23]Benedikte Wallace
Comparing Models for Harmony Prediction in an Interactive Audio Looper. EvoMUSART 2019: 173-187 - [c22]Tønnes F. Nygaard
Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. EvoApplications 2019: 616-632 - [c21]Aline Weber, Charles P. Martin
Identifying Reusable Early-Life Options. ICDL-EPIROB 2019: 335-340 - [c20]Tønnes F. Nygaard
Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. ICRA 2019: 9446-9452 - [c19]Tønnes F. Nygaard
Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing. NAIS 2019: 58-68 - [c18]Torgrim Rudland Næss, Charles P. Martin:
A Physical Intelligent Instrument using Recurrent Neural Networks. NIME 2019: 79-82 - [c17]Charles P. Martin, Jim Tørresen:
An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. NIME 2019: 260-265 - [c16]Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Tørresen, Charles P. Martin:
Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks. NIME 2019: 325-330 - [p1]Charles P. Martin
Free-Improvised Rehearsal-as-Research for Musical HCI. New Directions in Music and Human-Computer Interaction 2019: 269-284 - [i10]Kai Olav Ellefsen, Charles Patrick Martin, Jim Tørresen:
How do Mixture Density RNNs Predict the Future? CoRR abs/1901.07859 (2019) - [i9]Charles P. Martin, Jim Tørresen:
Data Driven Analysis of Tiny Touchscreen Performance with MicroJam. CoRR abs/1902.00680 (2019) - [i8]Tønnes F. Nygaard, Charles P. Martin, Jim Tørresen, Kyrre Glette:
Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. CoRR abs/1902.04403 (2019) - [i7]Charles P. Martin
An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. CoRR abs/1904.05009 (2019) - [i6]Tønnes F. Nygaard, Jørgen Nordmoen, Charles P. Martin
Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing. CoRR abs/1905.05626 (2019) - 2018
- [c15]Charles Patrick Martin
RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. EvoMUSART 2018: 161-176 - [c14]Tønnes F. Nygaard
Real-world evolution adapts robot morphology and control to hardware limitations. GECCO 2018: 125-132 - [c13]Charles P. Martin
Composing an Ensemble Standstill Work for Myo and Bela. NIME 2018: 196-197 - [c12]Victor Evaristo González Sánchez, Charles P. Martin
Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction. NIME 2018: 324-327 - [i5]Charles P. Martin
Deep Predictive Models in Interactive Music. CoRR abs/1801.10492 (2018) - [i4]Tønnes F. Nygaard, Charles P. Martin
Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. CoRR abs/1803.05629 (2018) - [i3]Tønnes F. Nygaard, Charles P. Martin
Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design. CoRR abs/1805.02965 (2018) - [i2]Tønnes F. Nygaard, Charles P. Martin, Eivind Samuelsen, Jim Tørresen, Kyrre Glette:
Real-World Evolution Adapts Robot Morphology and Control to Hardware Limitations. CoRR abs/1805.03388 (2018) - 2017
- [c11]Charles P. Martin
Deep Models for Ensemble Touch-Screen Improvisation. Audio Mostly Conference 2017: 4:1-4:4 - [c10]Charles P. Martin
Microjam: an app for sharing tiny touch-screen performances. NIME 2017: 495-496 - [i1]Charles P. Martin, Jim Tørresen:
RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. CoRR abs/1711.10746 (2017) - 2016
- [c9]Charles Martin
Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens. CHI 2016: 2295-2306 - 2015
- [c8]Charles Martin
Tracking ensemble performance on touch-screens with gesture classification and transition matrices. NIME 2015: 359-364 - 2014
- [c7]Charles Martin
A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation. Art@CHI 2014: 51-72 - [c6]Charles Martin
Metatravels and metalonsdale: ipad apps for percussive improvisation. CHI Extended Abstracts 2014: 547-550 - [c5]Charles Martin
Exploring percussive gesture on iPads with ensemble metatone. CHI 2014: 1025-1028 - 2013
- [c4]Charles Martin:
Integrating Mobile Music with Percussion Performance Practice. ICMC 2013 - [c3]Charles Martin
Performing with a Mobile Computer System for Vibraphone. NIME 2013: 377-380 - 2011
- [c2]Charles Martin
Strike on Stage: a Percussion and Media Performance. NIME 2011: 142-143 - 2010
- [c1]Charles Martin
Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD. NIME 2010: 204-207
Coauthor Index
Jim Tørresen
aka: Jim Torresen
aka: Jim Torresen
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last updated on 2024-11-11 21:31 CET by the dblp team
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