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I mean, I've always said I have an amazing team and network of friends and people that I work with that, you know, inspire me and enable me to do what I do.
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I was in fashion school, my brother has a law background, and my sister-in-law had worked in production, but none of us had a proper fashion business education.
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I've always loved when girls carry their wallets as a clutch instead of a bag.
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I've always said I'm not the kind of designer who likes to lock himself away in a studio and let the rest of the company deal with it. I work very closely with everyone on the team.
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I don't care how small or big they are, insects freak me out.
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If you're designing out of a purely creative place, not thinking of the girl, then the consumer's not going to take notice.
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If someone realises the piece they are wearing is inspired by me then it only broadens my audience.
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No one ever taught me, and I never had formal classes in pattern making, so I was like, Okay, I'll just drape, and I'll sew as I pin it.
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When you focus on the consumer, the consumer responds.
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I don't think fashion week will go back to what it used to be because people are realising that the industry is completely changing. It's not just in Bryant Park any more, people are figuring out who their audience is, where they want to show, they aren't really playing by the rules. It's not so much about these editors, these buyers.
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I'm not like most designers, who have to set sail on an exotic getaway to get inspired. Most of the time, it's on my walk to work, or sitting in the subway and seeing something random or out of context.
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In the beginning I pushed toward perfection, but it takes time to get to certain places.
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The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
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Probably the earliest memories for me would be going to restaurants with my family.
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When I decided to launch my first knitwear line, it was because I saw a void in the basics category. The editors were always looking for cool, fashion-forward tees and sweaters. So that's where I started.
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My friends always joke that I run on batteries.
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I think everyone shares a fear of failure - that you're only as good as your most recent collection. That's definitely a fear, but it's a fear that fuels me, that makes me want to work harder, that makes me take on more challenges.
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A lot of my work is a matter of reacting to surprises in life.
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Designing a product and understanding how it filters through into the market and into the rest of the company is very important to me.
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My mom would put me in these preppy little suits and slick my hair to the side. I have these baby pictures of me where I'm this little preppy kid with a sweater tied around my neck.
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I love layers!
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The industry's changed so much that you can't just design something, put on a great show, and say, 'Okay, my job is done.'
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Any style that Nike makes in all black, shoe, sweatshirt, onesie, doesn't matter, I pretty much need to have.
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My mom would take me to restaurants, and the first thing I'd ask for would be a pen and a napkin, and I'd sketch shoes and shoes and shoes.