Lyric Quotes
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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I began … to watch with peculiar alarm lest what I called my philosophic estimate of the human lot in general, should be a mere prose lyric expressing my own pain and consequent bad temper.
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I'm conflicted about the lyric tattoo thing. I feel like that's a lifetime decision, and I always feel like, 'I hope you don't regret this a couple years from now when you get tired of that song.'
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With my own material, I like maintaining lyric integrity. I like having sophisticated lyrics, and maybe that's not down-the-middle Top 40 pop, but it reflects my style, my life, the way I speak, and the way I tell what's happening with my life emotionally, so in that way, it's authentic to me.
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I really do seek to create music that is timeless, ... Each project takes on its own life, and the songs from "A Time To Love" are the most appropriate for the statement I wanted to make...The most important thing is, when I do give the music, I'm satisfied with it, that it speaks for what I want to do...It is a different kind of lyric; it's very picturesque. I can see everything that I'm writing, I can visualize all those things happening.
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I'd rather sing a good lyric written by someone else than one of my own that is terrible.
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Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.
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Rock and roll doesn't necessarily mean a band. It doesn't mean a singer, and it doesn't mean a lyric, really. It's that question of trying to be immortal.
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I am never without my lyric book. If anything inspirational happens, I have it there so nothing's forgotten.
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There's no reason anybody should be reading too much into 'Thrift Shop.' I just have because I have a 10-year-old and a 7-year-old who are really into going to lyric websites, hitting print, and printing lyrics for every song that's popular.
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I don’t spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself - and if other people like it, that’s great.
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I get a different kind of lyric from someone else that might make me go in a different musical direction.
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I just want to write a great lyric and write a great song, and everything else is icing on the cake.
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I'm a lyric soprano. I can try to step outside that and do different kind of singing, but it's not something I can sustain over the long haul, and what is good for your voice is good for your career.
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Every night we all felt grateful to be there, stunned at the amount of people that are there, and stunned at their reactions. They go crazy; they know every lyric from eight years of age to eighty. It's unbelievable.
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Sometimes I'll be driving and a lyric will come into my head, and I will have to pull over and record it on my phone.
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In a song, you have to have a lyric that gives us new ideas on how to live, a lyric that makes us feel, and a melody that gives you some kind of body response and emotional response.
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The most amazing thing is being onstage and watching the audience sing every song lyric for lyric.
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Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short.
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Singing for me has always been a joyous but private pleasure that connects me in a lyric thread to my beloved grandmother Alice.
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Growing up, I was listening to a ton of Motown music, Otis Redding, Aretha, and then there was the Beatles and Led Zeppelin and Janis Joplin. These were all people that I felt as though they truly felt every single lyric they said, and they weren't afraid of imperfection.
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When I listen to a song, I don't say, 'Oh my gosh, that vocal line she sang was the best thing I ever heard.' I'm thinking, 'That lyric just moves me. That lyric just said what I feel better than I could say it myself.'
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I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
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Lyric helps invoke the core person. And, without lyric, it is difficult to touch the core. Lyrical music is the music of India.