Free covermount CD with the October 2005 issue of Uncut magazine, issued September 2005. While every effort has been made to restore these original recordings, such is the random source of these 40-year-old press conferences, backstage encounters and on-the-spot news reports that, inevitably, there are bound to be variations in sound quality.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks, including “Blackbird”, “Glass Onion” and the new song, “Now And Then”. The last Beatles song, “Now And Then” completes John Lennon’s 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. The 2CD collection now features 37 tracks, 6 of which have new mixes for 2023. The booklet contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 – 1970 collection is a joyous celebration of The Beatles’ timeless musical legacy.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks added chronologically, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band.

The final edition “Last Sessions” that will lead to the completion of the Beatles’ last album “LET IT BE” is now available! A sound source ollection that summarizes many mix differences and various versions from the unreleased original acetate master! !! [Original press board imported directly from overseas] ★ Remastered all songs of Glyn Johns original acetate master before editing the album “GET BACK”! Covers sound sources with different mixes such as soundtracks for the movie “LET IT BE”, John Barrett and anthology. Includes official unreleased sound sources such as orchestra overdubbing and acetate mix for the album “LET IT BE”.

"1" is a compilation album by The Beatles, originally released on 13 November 2000. The album features virtually every number-one single released in the United Kingdom and United States from 1962 to 1970 by the Beatles. Issued on the 30th anniversary of the band's break-up, it was their first compilation available on one compact disc. 1 was a commercial success, and topped the charts worldwide. 1 has sold over 31 million copies. In addition, 1 is the fourth best-selling album in the U.S. since Nielsen SoundScan began tracking U.S. album sales in January 1991, and the best-selling album of the decade in the US from 2000 to 2009, as well as the best selling album of the decade worldwide.

The Beatles Day by Day - The Complete Get Back Sessions as Recorded by Camera ABox Set comprised of 38 Volumes (76 audio CDs). Recorded from January 2 to January 31, 1969 at Twickenham Film Studios and Abbey Road Studios, London.Excellent, professionally recorded audio.

This album gathers together a collection of Beatle covers, but the original Beatles vocals have been blended into them.

Some can argue that "Strawberry Fields Forever" is the most important rock song ever written. It is certainly one of the most influential, breaking the boundaries of what a pop song can achieve going past even what The Beatles achieved on Revolver. We have been blessed, going back to the days of vinyl, to have working takes from EMI studios to track the progression of the development of the song. They surfaced on vinyl on Ultra Rare Trax Vol. 1 on Swinging Pig (TSP 001) and have been featured on countless compact disc reissues including Ultra Rare Trax Vol. 1 on The Swingin' Pig (TSP-CD-001), Ultra Rare Trax Vol. 4 on The Swingin' Pig (TSP-CD-026), Unsurpassed Masters Vol. 3 on Yellow Dog (YD003.). In 1999 Vigotone released the John Barrett tapes on Turn Me On Dead Man (VIGO-178/179). In 1997 It's Not Too Bad was released by Pegboy (1008) which revealed twenty additional mintues of "Strawberry Fields Forever" outtakes dating from its initial conception in Spain in 1966 and Lennon's Kenwood home before going into the studio.

Litho in Canada. Parr's. High Fidelity recording. Recorded in Great Britain. Printed in Canada.B6 duration printed 2:32 and B7 printed 2:23 on back cover, and correctly on the label. Early copies were sold with a black and white promotional picture with "exclusive Capitol Records recording stars" written on the bottom. These copies also had a hype sticker affixed to shrink.

By the end of 1963, the Beatles had probably gone as far as they had dared to dream in establishing the widest possible audience for their music in Britain. When America beckoned, at the dawn of 1964, they were ready and primed to embrace stardom on an unseen scale. Capitol scheduled I Want To Hold Your Hand for US release on 26 December 1963, backed by a $30,000 national marketing campaign - $250,000 in today’s money. Five million fliers and windscreen stickers proclaiming “The Beatles Are Coming!” above a Capitol logo adorned with a Beatle wig, were pasted anywhere they might be seen. Point-of-sale displays were placed in record stores. A four-page Capitol promo pamphlet sent to the trade focused on the Beatles as a cultural phenomenon, placing inordinate emphasis on their haircuts. If anything sold the Beatles to America, even before their music had been widely heard, it was their hair, an identifying motif that became the talk of the nation. Capitol spent $30,000 publicising a haircut!, but their investment paid off, when on 4 April, Billboard’s Hot 100 showed the Beatles at #1 (with She Loves You), 2, 3, 4, 5, 31, 41, 46, 58, 65, 68 and 79, setting the seal on a full-blown cultural phenomenon.

The Music of The Beatles re-imagined by John Daversa, an award winning composer, arranger and trumpet and EVI player. Daversafied big band arrangements of familiar Beatles tunes played and sung by some of LA's best, including vocalist, Renee Olstead.

French violinist Franck Pourcel is best-known for his jazzy string arrangements of pop hits, as well as his lush easy listening arrangements and film scores. Initially, Pourcel studied classical violin at the Paris Conservatoire, but he found the allure of jazz irresistible. In particular, he was an idol of Stephane Grappelli. Following his studies, he joined a number of jazz combos, which led him to his role as the leader of the French Fiddlers, whom he joined in the late '40s. The French Fiddlers were a group of violinists that performed jazzy versions of classical numbers or classical arrangements of pop and jazz tunes. They signed to Pathe-Marconi and continued to refine their sound so they could reach a broader audience. The group earned their first hit in 1952 with a version of "Blue Tango"…

The album "Reeperbahn – The Early Beatles" was released in 1996 under the Flash Light label. It is a compilation featuring 28 tracks from The Beatles' early performances in Hamburg. These recordings capture the period when the band honed their stage presence and musical skills.

The bootleg series titled "The Beatles - Complete Catalogue of BBC Beatle Recordings" features The Beatles' live performances recorded during their appearances on BBC radio programs from 1962 to 1965. These recordings include numerous cover songs and alternative versions not found on their studio albums.

A complete 4CD boxset from the source of the 1963 radio series "Pop Goes The Beatles"
From January 1963, The Beatles regularly pulled in U.K. audiences of around ten million on "Saturday Club" and a myriad of other BBC pop shows, until they received the ultimate recognition from the B.B.C. when they were offered their own show, "Pop Go The Beatles". For some groups, a series that demanded five new recordings each week might have been daunting, but it allowed The Beatles to air their influences, and try out some new favourites. Pop Go The Beatles was broadcast in the summer of 1963 and this 4 CD set contains all sixteen episodes. The show features the band taking requests, interacting with presenters Lee Peters (first four episodes) and Rodney Burke (all the other episodes), playing their favourite songs and most importantly, performing live. Whilst most of the Beatles performances here appear on the more extensive BBC collections, it’s a treat to hear these shows in their entirety (except they're not !). The Beatles hadn’t been to America yet and were still Britain’s best kept secret. The innocence of 1963 comes through in these recordings…you can tell they were still just having fun playing together. An added bonus is the exhaustive 20 page booklet of sleeve notes, so detailed that it even transcribes all the between-song banter!