Papers by Klemen Grabnar
Musicological Annual
The manuscript volumes from Gornji Grad – SI-Lnr, Ms 207, Ms 232, Ms 284 in Ms 285 – contain a re... more The manuscript volumes from Gornji Grad – SI-Lnr, Ms 207, Ms 232, Ms 284 in Ms 285 – contain a repertory that is characteristic of Inner-Austrian musical sources. The paper types employed as well evidences the Inner-Austrian provenance. Two small sections of Ms 232, acclamations comprising the name of Bishop Hren and responsory in the Slovenian language, show this part of the manuscript to be most probably of Carniolan origin. From the paleographical characteristics we may conjecture that the other three volumes are also of Carniolan provenance. The scribe for these manuscripts was presumably Sebastian Kuglmann, Bishop Hren’s scribe.
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De musica disserenda, 2015
There are five scribal hands evident in the Hren choirbooks. The main scribe for these choirbooks... more There are five scribal hands evident in the Hren choirbooks. The main scribe for these choirbooks was Georg Kuglmann; the others are unknown. Three scribes (among them, Kuglmann) worked closely together and formed part of a scribal workshop at Graz. The presence of two other scribal hands suggests that not all the repertory was copied in Graz. The Missa L'homme armé of Palestrina was probably copied in Innsbruck in the late sixteenth century (given the paper type), and a few responses in falsobordone style were added in later years, perhaps in Ljubljana.
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Selected Articles by Klemen Grabnar
Journal of New Music Research, 2024
This article presents fresh perspectives on challenges monumental editions face in the twenty-fir... more This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role in shaping how we see and understand today the history of the European music.
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Papers by Klemen Grabnar
Selected Articles by Klemen Grabnar