A Gender Variance Who's Who

William Ross Ball was raised, one of four children in Chilliwack, British Columbia. Their alcoholic father killed himself when the child was eight, followed by the mother having a nervous breakdown two years later.  The children were then raised in group and foster homes.  Shelley later said: "I wanted to be a woman since I was a kid, as far back as I can remember".  At 13 she was committed to a mental institution near Vancouver for dressing in female clothes.  Ball's teenage years were spent in reformatories and institutions across Canada, and even for a while at a boys' school in Washington State - he was kicked out for attempted arson.  Whenever Ball ran away, she survived as a female sex worker, selling her body to heterosexual men who very well knew what she was.  This fed a heroin addiction. She admitted robbing some of her customers, and had been stabbed several times. One night she was beaten, robbed and left for dead on a railway track in Vancouver. 

 

​W is an anonymising initial issued by the judge, William Charles, in the case, and does not reflect their real names.  We have no other name or pseudonym to refer to the persons.


As W had not had her birth certificate revised before either of her two marriages, she was at risk of being charged that in violation of the Perjury Act, 1911, she had “knowingly and wilfully caused a false statement to be entered in a register of marriage”, as Victor Barker had been so convicted in 1929.  The authorities sensibly did not so charge her.

There was a W. v W.  divorce case in South Africa 1976 that involved a trans woman.

A black trans girl, for whom we are not given a name, not even a doctor’s pseudonym, was in the New Jersey foster care system as her mother was disabled and indigent. As she entered her teens, she expressed the kinds of statement that trans girls usually do. For this she was committed to a psychiatric institution and labeled ‘schizophrenic’. For the next fifteen years, her gender identity issues were taken as evidence of ‘delusion’, ‘mental retardation’ and ‘sexual perversion’.

In 1978 Jeanne Hoff, who had taken over Harry Benjamin’s practice, and had recently completed her own transition, became aware of the case. The patient was now 30 years old. Hoff interviewed her, and petitioned for her release.

 “Through all the florid language of the [psychiatric] reports there is an unmistakable moralistic disapproval of her effeminacy and homosexuality but not the slightest hint that the diagnosis of transsexualism was suspected, even though it was quite evident from the details provided. . . . She should be placed in the community, preferably living by herself” and “she should be permitted to explore the various problems that arise from cross-gender living, hormonal therapy, and surgical gender reassignment.”

• Julian Gill-Peterson. Histories of the Trangender Child. University of Minnesota Press, 2018: 159-160, 248n105.

Lance had, almost since his first year, loved to parade in the shoes and clothes of his mother and sister. He also loved jewelry and makeup. The mother regarded this as just childhood play, but then a neighbor complained, and a teacher at school reported that he involved his friends in games of cross-dressing. At age five, Lance was taken by his mother to the University of California Los Angeles Gender Identity Research Clinic (UCLA GIRC).

Richard Green saw him twice weekly for six months, until called away, and then psychoanalyst Ralph Greenson continued the treatment. Robert Stoller, psychoanalyst and head of the GIRC analyzed the mother.

Greenson was a celebrity psychoanalyst in Los Angeles and had analyzed several film stars, such as Frank Sinatra and Tony Curtis, and most famously had been Marilyn Monroe’s analyst at the time of her death in 1962. Lance was his first time treating a child.

He quickly noticed the child’s intelligence and athletic ability. He treated Lance mainly at the swimming pool at his own home, where he even taught Lance to swim. Most of the sessions were comprised of games in the water. This helped Lance to overcome his fears about being alone with a male adult. One day, while out for a walk, they encountered a group of girls playing with a Barbie doll, and Lance, becoming excited, asked to watch. At first he was mocked by the girls, but then became the center of their game. Later he begged Greenson to buy him a Barbie doll. Greenson did so, but on the condition that Lance could play with it only when with Greenson. After this point Lance largely stopped wearing female clothing. Lance did a drawing of the happiest day of his life, which was of himself in the pool, with a man outside watching. Lance avoided touching Greenson until the fifth month when they were playing together in the pool. Greenson was replacing Lance playing with the doll by playing with an adult male. According to Greenson, Lance had had difficulty differentiating loving an object from wanting to be the object. Initially he had referred to the doll as ‘me’.

Stoller analyzed the mother. She was in her forties, and had also an 11-year-old daughter. Her grandparents had been prize-winning lace-makers, and her father was noted for his needlework and weaving. She had been a creative dress designer before marriage, and still made all her own clothes. She permitted her children to see her nude and engaged in much body contact with them. Stoller describes her as looking ‘boyish’, and with shortish hair, although usually in a skirt. She took pride in her teenage photographs where she appeared to be a boy. She had passed as male whenever convenient; competed with boys in athletics and games; and played both male and female parts in theatricals. This was quite accepted by her family. She said:

"When you take off your own clothes and put on different clothes, you can be anyone".

Her own mother was emotionally distant, but her father comforted her, bought her clothes and took her, but not her brothers, to sports events. That is, until her younger sister was born. However at puberty she accepted her anatomical destiny, and developed her femininity. A brother 13 years younger was also a cross-dresser. She left home at 16. She married a man who was frequently away at work. They had a daughter and then Lance. Stoller describes both her mother and her husband as ‘empty’. He also diagnoses the mother as having ‘penis envy’. He summarizes:

“Let us review what has happened in this particular case. A strongly bisexual woman, with severe penis envy derived from her father and older brothers, in its turn the result of a sense of emptiness produced by her mother, married an empty man and had a son. On the one hand, the boy was (the phallus) of her flesh; on the other, he was clearly a male and no longer of her flesh. He was therefore both to be kept as a part of herself, by identification, and treated as an object whom she would feminize. He was his mother's feminized phallus.”

After many months of analysis, it came out that it was she, rather than her mother, who had brought up the brother, 13 years younger, who was also a cross-dresser. And he had the same name that she gave to her own son.

After Lance’s sessions with Greenson, he was deemed to be cured. Stoller, in a different essay (1968: 254) says:

“The first successfully treated case of childhood transsexualism is that of Greenson; a report written after the treatment was ended gives a vivid and warm account of this boy's rescue.”

A few years later when Agnes confessed to Stoller that she had taken external estrogens before first seeing him, she agreed for him to meet her mother, and he was able to analyze her. He found a pattern similar to that of Lance’s mother. He found a few more such, and proposed his intergenerational model of transsexual etiology, for which he became famous.

• Robert Stoller. “ Mother’s Contribution to Infantile Transvestic Behavior”. International Journal of Psycho-Analysis, 47, 1966: 384-395.
• Ralph R. Greenson. “A transvestite boy and a hypothesis”. International Journal of Psycho-Analysis, 47, 1966: 396–403.
• Robert Stoller. Sex and Gender: On the Development of Masculinity and Femininity, Science House, 1968.
• Ralph R Greenson. Explorations in Psychoanalysis. International Universities Press, 1978.
• Pierre-Henri Castel. La métamorphose impensable: essai sur le transsexualisme et l'identité personnelle. Gallimard, 2003: 88-9, 432n17.
• Riccardo Galiani. “Un cas, deux écritures, une catégorie “. Topique, 3, 108, 2009 : 143-156. Online.
• Richard Green. “Robert Stoller’s Sex and Gender: 40 Years on”. Archives of Sexual Behavior, 39, 2010: 1460-1.

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When Stoller reprinted his article in his 1968 collection of papers, he renamed it “Mother’s Contribution to Transsexualism”; likewise when Greenson reprinted his in his 1978 collection, he renamed it “A transsexual boy and a hypothesis”.   Stoller (1968: 131) explains how he distinguishes the words: "I found myself, on calling the child an "infantile transvestite," continuously having to explain that although he cross-dressed, he did not have essential qualities of the adolescent or adult male transvestite (e.g., love of and anxious regard for his penis)." 

As is often the case with psychoanalytical studies, we have no follow-up. Lance became an adult at the end of the 1970s, and will now be turning 60. Did Lance later return to being a woman? Did he, like the presumed pre-transsexuals in the UCLA/Richard Green Feminine Boy Project of the 1970s,  become a gay man instead? Does the claim that he was ‘cured’ by Greenson mean that he was not really trans to begin with? We know of apparent trans kids who desist. A major example from the 1960s would be Kim Christy who grew up to be cis heterosexual, father and grandfather. No adult, cis man or trans woman has come forward to identify with Lance. Unlike Freud’s published case studies where the corresponding real-life persons have been identified.

If Stoller and Greenson were right about what they were doing, then it was wrong in that it was conversion therapy, which today would be illegal. However if the only result of Greenson’s therapy was to teach Lance to swim, and to make him comfortable in the presence of an adult male, then no real harm was done.  However to the extent that an attempt was made to induce an Oedipal complex through the transferential interventions of a male therapist, than that is something else.

Stoller is critical of Lance’s mother’s lifestyle: nudity in front of the kids, body touching, interest in clothes, freedom to wear whatever clothing. A few years later this kind of lifestyle was dubbed ‘hippie’. Surely there was much in it that is positive.   Stoller implies that the mother's passing as a teenage male was somehow perverse.   This would have been the early 1930s.   Her accepting her body changes at puberty, and switching to being a woman, could equally well imply a healthy attitude to reality.

Stoller regards it as important that she admitted that it was she, rather than her own mother, who had raised the brother who cross-dressed.  However he was 13 years younger, and she left home at 16.   So she raised him only for the first three years. Yet Stoller implies that she repeatedly turned boys into cross-dressers.

Stoller calls the mother 'bisexual'.   He is not using the term as we do today.  There is no suggestion of a female lover.   It would be better if he used 'bigender'.

Did the UCLA GIRC provide the therapy sessions pro bono (as it was research) or was the family sent a bill? As usual, we are not told.

Castel (p88) describes Lance as the archetype of a child transsexual. Really! This, of course was long before the recent expansion of numbers of trans kids, but there are serious candidates for the term from the 1950s/1960s: Sally Barry, Jill Monroe, Hedy Jo Star and of course Agnes.

Stoller writes of “a mother's unconscious wishes on the infant who is later to become perverse.*" and immediately adds a footnote: “After studying transexuals , I am much less certain what the word "perverse" means”.

To my mind the most perverse thing in the article is Stoller’s designation of the mother’s mother and of her husband as “empty”. However that is just a word. Stoller does not explain how he is using the word, and more importantly he does so on the word of a single analysand.

Stoller adds a footnote that after three years Lance’s father was persuaded to come in once a week and to see a different team member, but we are told nothing further.

Sampaio, from Aquiraz in the province of Ceará, in the north-east of Brazil, was using the name Valentina by age 10. She was accepted as a girl by her parents, a fisherman and a schoolteacher, and by the local community.

At college in the nearby provincial capital of Fortaleza, she studied architecture, at the same time as she was doing modelling work. She was fired from at least one gig specifically for being trans.

However, barely 19 years old, Valentina went from doing local shows and photo shoots to being in São Paulo Fashion Week, and being on the cover of Elle Brasil and L’Officiel Brasil. She had to file a lawsuit to rectify the name and gender on her identity documents, but had a favourable ruling.

International recognition came when she was on the cover of Vogue Paris, March 2017, with the by-line: ‘Transgender beauty: How it’s shaking up the world’ and with an editorial inside.

She acted in the film, Berenice Procura, 2017, and is a spokeswoman for L’Oreal Paris.

• Neto Lucon. “’Nenhuma cirurgia vai me fazer mais ou menos mulher’, diz a modelo trans Valentina Sampaio”. Nlucon.com, Novembro 14, 2016. Online.
• Paul McQueen. “Everything You Need to Know About Transgender Model Valentina Sampaio”. Culture Trip, 3 March 2017. Online.
• Anna Jean Kaiser. “Meet The Transgender Model Who Broke Fashion's Highest Barrier”. Buzzfeed, June 05, 2017. Online.
• Julirta Vartabedian. Brazilian Travesti Migrations: Gender, Sexualities and Embodiment Experiences. Palgrave Macmillan, 2018: 226-7.

PT.Wikipedia    IMDB






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Only one week before the issue of Vogue Paris with Valentina on the cover, another trans woman in Forteleza, Dandara dos Santos, 42, was brutally murdered; the crime was recorded on a phone and uploaded to the internet. In this case at least, the killers were convicted and sentenced to 16+ years each.

Charles Schultz was born in West Seattle. By early teenage, Schultz had acquired a trunk full of female clothing, and often rode on the city streetcars where she passed easily.

She got work at the local Florence Theatre. Her family and friends were aware, and proud of her professional photographs. She took the stage name of Francis Blair.

In the 1930s Francis was in the chorus line of the Rivoli Burlesque. Her gender was known and her dressing space was separated from that of the cis women by a screen. She sometimes played the organ for the show.

She was in the dishwashers’ union in case no theatre work was available; she was an officer in the performers’ union.

Very unusually for the time, Francis wore her hair long, and did not have to wear a wig. When out in male persona, he concealed it under a hat.

Francis was one of the first performers to join the Garden of Allah in 1946. Syndicated columnist Walter Winchell wrote about Francis as ‘the boy with the million-dollar legs”. She was known for her singing, but also danced, stripped, produced shows and designed costumes.

During the Korean War, Francis did shows for the United Service Organizations (USO) which provided entertainment for the US Military. A rather prim hostess of the show had a fit when Francis stripped down to only a G-string.

She was also a comedian and in contrast to her usual glamor act did a double act with Kenny Bee as ‘Two Old Bags from Tacoma’ where they wore old clothes with holes in their stockings. They took that act to Finocchio’s in San Francisco as ‘Two Old Bags from Oakland’.



Years later, Francis and her husband of 20 years took a vacation in San Francisco, and they were attacked in Golden Gate Park. The husband and their dog were killed. Francis was left to drive home to Seattle alone, and was killed in a car crash in Oregon.

*Not Charles Schultz the cartoonist.

• Don Paulson. “Gay History: Francis Blair - Seattle's quintessential female impersonator”. Seattle Gay News, no date. Online.
• Don Paulson & and Roger Simpson. An Evening at the Garden of Allah: A Gay Cabaret in Seattle. Columbia University Press, 1996: 135-141.
• Gary L. Atkins. Gay Seattle: Stories of Exile and Belonging. University of Washington Press, 2003: 63.
• Melissa Gohike. “San Antonio’s Drag Culture of the 1930s and 40s”. The Top Shelf, October 22, 2012. Online.

Queer Music Heritage     David de Alba     

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As with Jackie Starr, there is no mention of Francis in either Lawrence Senelick's The Changing Room or F Michael Moore's Drag! Male and Female Impersonators on Stage, Screen and Television.


It is odd that we do not have a date, not even a year, for Francis’ unfortunate demise.

Part 1: Youth and Copenhagen
Part II: fame and marriage
Part III: The geography of Charlotte McLeod in New York, 1957

Charles McLeod Jr., the only child of a Ford Motors salesman, was born in Nashville and raised in Dyersburg, Tennessee. The parents divorced when he was 16: both remarried. He was a lonely sensitive boy who lacked interest in masculine things. He was sometimes taken as a girl in boys’ clothing.

He consulted doctors and in the early 1940s went to the Mayo Clinic in Rochester, Minnesota. He also stayed with cousins in Los Angeles in the hope of finding a medical specialist in that city who could help – but without success.

McLeod served three months in the US Army 1948 before being medically discharged with a 4-F rating. McLeod found doctors sympathetic to the idea of a sex change, but they apologized that the US laws re Mayhem would not permit such surgery.

McLeod was advised to “find such little happiness as I could in life by going to one of the ‘colonies’ that abound in our large cities” (McLeod, 1956:12). In 1948, McLeod moved to the French Quarter in New Orleans, but did not fit in the gay world either. He did find work as a bookkeeper for $75.00 a week (a good wage at the time). He tried Boston for a while, but returned to New Orleans.

He went to the Mayo Clinic a second time. They still could not offer anything, because it would be illegal.

In April 1953 McLeod, at age 28, read about Christine Jorgensen and her operation in Copenhagen. He quickly packed, and went to Dyersburg to tell his father what he was doing. With apparent parental approval, McLeod continued to New York and quickly took ship to Denmark using a minor inheritance from a grand aunt. He sailed on the MS-Maasdam. Many of the people on the ship were crossing to England for the Coronation in June.

In Denmark, the Folketing had passed a new law restricting sex-change operations (that is the ‘first’ operation, the orchiectomy or castration) to Danish nationals who were not over 26. By asking around, McLeod was directed to a renegade doctor, Dr Emil Petersen:

“a rather unscrupulous physician, a man who had been charged with collaborating with the Nazis and who had only recently returned from exile. … of frightening appearance who, from the results of a British bullet through the base of his skull, habitually walked so bent over that he never met one’s eye.” (McLeod, 1956:13).

McLeod moved into the doctor’s apartment and waited five days while Petersen came down sufficiently off narcotics to regain his surgical skill. His wife and eldest son were to assist with the operation which took place on the kitchen table. The wife administered the anesthetic.

McLeod awoke in great pain and hemorrhaging. Petersen retreated into drugs, and collapsed outside McLeod’s door. She tore the stitches in her abdomen attempting to get him up, and then an infection set in. She fled and found that she no longer had her passport. She reported this to the police, and she was told that she had to leave the country, but was allowed time to settle her medical problems.

McLeod was admitted to Bispebjerg hospital. The first operation being already done, it was now legal to complete the transition. The Danish doctors led by Dr Jens Foged (1897 – 1956) agreed to do a penectomy and relocate the urethra. Christian Hamburger, who had attended to Christine Jorgensen, was the endocrinologist, and explained to Charlotte about the need for external hormones. She was unable to pay for the medical attention, and so the medical team worked free of charge.

Charlotte then started wearing female clothes, and applied to the US embassy for a new passport. It was re-issued but again in the name of Charles. Her father was contacted, but said that he would give neither financial nor emotional support.

After recovery, Charlotte went with a church outing for a weekend in Bergen, Norway, where she met a US-Norwegian, Ralph Heidal, a seaman, who helped her with skiing.

Twice in 1953, on 5 March and 20 May, a Polish pilot defected to the West by landing his MIG fighter plane on the Danish island of Bornholm in the Baltic. It was probably the second occasion when Charlotte was there having been invited to visit for the weekend. She created a stir: “ I never saw so many Russian troops. Microscopic was their examination of all of our papers and when it was found that my passport didn’t match, I think they thought that they had found the master spy.” (Stryker: 23)

In early 1954 Charlotte gave a very brief interview to journalists in Copenhagen. A 47-page pamphlet, Da Karl blev Karl: En dansk læges bedrift, came out telling of a second US person operated on – this time on a kitchen table. The book names the person as Karla, and the doctor as Petersen.

A few weeks later, on 24-5 February the Danish publication, Aftenbaldet (Evening Magazine) told almost the same story of Charlotte McLeod – and in retrospect it is apparent the Karla and Charlotte were the same person.

The US press picked up on the story immediately.

In early March the story broke that Roberta Cowell in England had also completed a gender change.

In late April the Copenhagen police found that Dr Petersen was the doctor who did the initial operation, and after statements that perhaps he would not be charged, finally he was charged with violating the castration law.

Charlotte inadvertently interrupted a press event for the Canadian actress, Yvonne de Carlo:

“She had all the press lined up for this big landing that she was going to make when she came in from Europe. And they found that I was in next car coach and everybody that was supposed to interview her came gang banging on me.” (Stryker p24)

It was 16 April 1954 when Charlotte arrived at New York’s Idlewild airport. She intended to transfer and fly directly to Tennessee. However fog grounded the plane. She stayed overnight in a hotel, and was swarmed by the press, to the point that she fell over. It was said that in the struggle she struck a photographer with her umbrella, and she and they were arrested and charged with assault. However the charges were quickly dropped.

Charlotte reconciled with her father.

She returned to Dyersburg and was reconciled with her father.


Continued in Part II.
__________________

Thank you to Tina Thranesen of Vidensbanken om kønsidentitet who first identified that Da Karl blev Karl: En dansk læges bedrift was actually about Charlotte.

The high quality photographs are from Transas City.

In an interview with Susan Stryker in 2002, Charlotte said (p6) that her father was a Ford Motors salesman. However several newspaper accounts in 1954 said that he was in insurance.

She also said that she was in Denmark for ‘two years’ (p24, 29). However April 1953-April 1954 is one year.

Charlotte did not know, most trans persons in 1953 did not know, but Elmer Belt had quietly started doing vaginoplasties for trans women at the University of California at Los Angeles. He got around the Mayhem restrictions by preserving the testicles, pushing them into the abdomen.

The encounter with Yvonne DeCarlo. This is recounted on p24 of the interview with Susan Stryker. Charlotte says it immediately after saying that she was in Denmark for two years which implies that it was at about the time that she returned to the US. It is unclear whether it happened in Denmark or the US. The expression ‘next car coach’ implies that that they were on a train. I have placed the anecdote immediately prior to her flight to the US, but with further information this may have to be adjusted.

• Bent Rosenwein. Da Karl blev Karla: En dansk læges bedrift. Self published, 1954.
• “Ny amerikansk Chris Jørgensen skjult her I byen efter operation”. Aftenbaldet. 24 feb 1954. PDF. Text.
• “Danes Change 2d GI to Girl”. Boston American, Feb 24, 1954: 3. Online.
• “Charlie to Charlotte Operation Successful on New Orleans Patient: ‘Christine’-type Surgery in Denmark changes Sex to Female”. Baton Rouge State Times Advocate, 2/24/1954: 1-a, 8-a. Online.
• “Operation Changes Sex of American”. Eugene Register-Guard. 24 Feb 1954. Online
• “Ex-Gi ‘Charlotte’ Goes into Hiding”. Boston American, Feb 25, 1954: 3. Online.
• “Now His Daughter, Says Ex-GI’s Dad”. Boston American, Feb 25, 1954: 3.2. Online.
• “Medicine: In Christine’s Footsteps”. Time, March 8. 1954. Online.
• “Charlotte, Who Was Charles, Falls in Hotel Scuffle”. Sacramento Bee, 17 April, 1954:6. Online.
• “Danes Check on Sex Change”. Sacramento Bee, April 19, 1954: 7. Online.
• “Sex Change or Suicide Choice”. Boston Daily Record, May 13, 1954:3. Online.
• Susan Stryker interviews Charlotte McLeod, transcribed by Loren Basham. GLBT Historical Society, August 22, 2002. PDF.

TransasCity Collection           Vidensbanken om konsidentitet

Vega was born in Santiago, Chile, with a father who owned a printing business. At age 8, teachers discovered that Vega had an aptitude for opera singing, which led to singing and acting in local productions. This was a safer space away from the all-boys school where Vega was bullied for being ‘effeminate’.

Performing at a Santiago nightclub allowed experimentation with glam and goth. At first androgynous, but increasingly feminine, by age 15 she identified herself as trans, and her family was immediately supportive. Her father later appeared with her on television talk shows.

In 2011 Daniela debuted in La mujer Mariposa, a one-woman stage show based on her own experiences of transitioning. This piece included her singing, and ran for eight years in Santiago. Her first movie role was in La visita, 2015 where she played a trans woman at her father’s wake.

She was approached by film director Sebastián Lelio who was developing a film about a trans woman, but actually did not know any such in Chile (Lelio lives in Berlin). At first she was a consultant to the film, but then it became obvious that she was ideal to play the lead role. The film became Una mujer fantástica (A Fantastic Woman), 2017. The protagonist must struggle against rejection and suspicion after her boyfriend dies.

Vega at Berlinale 2017

The film won much international acceptance including a Golden Bear at the Berlin International Film Festival, Best Actress at the Havana Film Festival, and Best Foreign Language Film at the Academy Awards. Daniela was also a presenter at the Academy Awards – the first openly trans person to do so.

Later in 2017 Daniela played a cis woman in Un domingo de julio en Santiago (A Sunday in July in Santiago).

“As far as her own identity goes, she has stated that if she were born again, she’d choose to be trans, not cisgender – and that she enjoys unsettling the kind of people who can’t cope with who she is. ‘It actually gives me a physical pleasure to annoy conservatives,’ she smiles. ‘I don’t have to be violent, I don’t have to insult anyone – my mere existence shakes those people up.’ " …" ’In Chile, you can’t legally change your gender identity in a straightforward way. If you want to change the name on your documents, you have to go to court.’ She could easily do that, but refuses to – that would mean recognising political oppression.” (Guardian interview)

• Jonathan Romney. “Daniela Vega: the transgender star lighting up the film industry”. The Guardian, 18 Feb 2018. www.theguardian.com/film/2018/feb/18/daniela-vega-transgender-star-film-industry-a-fantastic-woman-interview.

IMDB    ES.Wikipedia   EN.Wikipedia   

____________________________________________________

The Spanish word 'mariposa' means 'butterfly' but it is also used to mean 'queer'.  So La mujer Mariposa can mean either A Butterfly Woman or A Queer Woman.

ES.Wikipedia has a very short account of Daniela's transition: "At age 15, Vega identified herself as a trans woman to her family, who immediately supported her."   While EN.Wikipedia is otherwise almost the same as ES.Wikipedia, even this little has disappeared. 

Sözeri was born in Nuremberg, Germany. In 1982 the family moved back to İzmir (Smyrna).

Ayta had confirmation surgery in her early 20s. She did a business degree at Ege University and then studied Turkish music at Dokuz Eylül University, both in İzmir.


After working as a support vocalist, Ayta started getting acting roles in television and then in films. She has been in 13 television programs and in 5 films.

In March 2018 she was awarded as Best Female Actress In A Supporting Role at the 50 SIYAD (Film Critics Association) Awards Ceremony, for her role in Aile Arasında (Within the Family).

• “Trans oyuncu Ayta Sözeri kimdir?”. HaberTurk, 19.12.2017. www.haberturk.com/trans-oyuncu-ayta-sozeri-kimdir-1760940-magazin.
• “Ayta Sözeri: Bir başarı hikayesi”. CNNTurk, 15.03.2018. www.cnnturk.com/magazin/ayta-sozeri-bir-basari-hikayesi.

TR.Wikipedia     IMDB

Golden was born near Philadelphia, the child of an electronics engineer and a high-school guidance secretary. The family was gay-friendly, and one grandmother was openly lesbian. Family funding paid the costs of transition including surgery.

Golden graduated from Philadelphia College of Art, 1975 (before it became part of the University of the Arts). She read Neils Hoyer’s book on Lili Elbe and Jan Morris’ Conundrum; started hormones at 18, started living as a woman at 20, and had surgery as soon as she was 21. Eve had done two years at Towson State University as a man, took a semester off and returned as herself. That was okay with the students, but less so with the faculty. The head of the theatre department said that he would never allow her on stage. She would be a distraction -- and what if an actor had to play a love scene with her. However Eve did graduate in 1979.

She acted for about five years: Off-Broadway, in commercials and summer stock. In 1984 Eve got a job as a secretary with a New York advertising agency, and talked her way into a copywriting position.

Being a classic-movie buff, she was annoyed that there was no good book on Jean Harlow, and eventually had a go at writing one herself. She managed to get an agent, a publisher and an advance, and the book came out in 1991. It got good reviews and sold well.

By that time she was working as a senior editor. She followed up with books on silent actress Theda Bara, 1997, Essays on Silent Film Stars, 1998, Anna Held and Ziegfeld’s Broadway, 2000, the 1950s actress Kay Kendall, 2002.

From 2005 Golden was working as a freelance writer and photographic archivist. In 2007 she published a book on the Ragtime dancers, Vernon and Irene Castle.


Eve next intended to do a book on Peg Entwistle, the British actress, who is mainly remembered in that she jumped to her death from the Hollywood Sign in 1932 at the age of 24. However after starting research, she discovered that a first-time writer, James Zeruk, was already working on such a biography. Impressed by the quality of his work, she helped him.

Her most recent books have been Essays on film stars 1930s-60s, 2009, and on the silent actor, John Gilbert, 2013.

• Eve Golden. Platinum Girl: The Life and Legends of Jean Harlow. Abbeville Press, 1991.
• Eve Golden. Vamp: The Rise and Fall of Theda Bara. Vestal Press, 1997.
• Eve Golden. Golden Images: 41 Essays on Silent Film Stars. McFarland, 1998.
• Eve Golden. Anna Held and the Birth of Ziegfeld's Broadway. University Press of Kentucky, 2000.
• Eve Golden. The Brief, Madcap Life of Kay Kendall. University Press of Kentucky, 2002.
• Eve Golden. Vernon and Irene Castle's Ragtime Revolution. University Press of Kentucky, 2007.
• Eve Golden. Bride of Golden Images: Essays on Stars of the 1930s-60s. BearManor Media, 2009.
• Eve Golden. John Gilbert : the last of the silent film stars. University Press of Kentucky, 2013.
• James Zeruk, with an introduction by Eve Golden. Peg Entwistle and the Hollywood Sign Suicide: A Biography. McFarland Publishing, 2013.
• Una Newling. “Eve Golden: Queen of the Dead“. Transas City, March 2014. http://transascity.org/eve-golden-queen-of-the-dead.

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Michelle was born in Salinas in the Canelones Department of Uruguay. She transitioned at age 15 with the support of her mother.

Accepted at the Universidad de la República in Montevideo, she was the first out-trans person to attend university in Uruguay. She suffered transphobic harassment and a professor who specialized in human rights refused to grade her work. She also set a precedent in changing her legal gender status. She graduated and became the first out trans lawyer in the country in 2010.

That year her mother died. Michelle joined Ovejas Negras (Black Sheep), an LGBT rights organization. There she made a major contribution to the draft bill for equal marriage legislation. The bill was presented to congress in 2011, initially passed in 2012, and finally approved in 2013.

In 2012 Michelle published a book on the difficulties that some minorities, including trans and gay, have in achieving human rights.

She joined the Communist Party (PCU) which is part of the ruling coalition Frenta Amplio (Broad Front) and was elected an alternate senator (with limited voting rights).


In October 2017, Senator Márcos Carámbula resigned and Suárez became a full Senator. She said that she would introduce a bill that would allow trans people to legally change their identity without a court order. The measure would also require Uruguay to set aside 1 percent of government jobs for trans people and create a pension to compensate those who suffered persecution during the country’s military dictatorship, 1973-1985, because of their gender identity.

However in December, two months later, she was found guilty in a case of an estranged father’s parental rights having been cancelled in a document with the wrong signatures. Suárez resigned her seat.

• Michelle Suarez Bértora. Hacia una Igualdad Sustantiva (Towards a Substantive Equality). Mujer y Salud en Uruguay, 2012.
• Josh Jackman. “Uruguay has appointed its first transgender senator”. Pink News, 11^th October 2017. www.pinknews.co.uk/2017/10/11/uruguay-has-appointed-its-first-transgender-senator.
• Michael K Lavers. “First trans Uruguay senator ‘honored’ to have made history”, Washington Blade, November 2, 2017. www.washingtonblade.com/2017/11/02/first-transgender-uruguay-senator-honored-made-history.
• “LA BANCA DE LOS ACUSADOS: La senadora Michelle Suárez negó acusaciones en su contra y denunció ‘linchamiento’. Montevideo.con, 03.11.2017. www.montevideo.com.uy/Noticias/La-senadora-Michelle-Suarez-nego-acusaciones-en-su-contra-y-denuncio-linchamiento--uc666118.
• “Michelle Suárez falsificó una firma y fue forzada a renunciar al Senado”. El Observador, Diciembre 14, 2017. www.elobservador.com.uy/michelle-suarez-falsifico-una-firma-y-fue-forzada-renunciar-al-senado-n1151628.

ES.Wikipedia     EN.Wikipedia

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ES.Wikipedia says that Michelle was born in 1984; EN.Wikipedia says 1983.   I have gone with the former.

Avelar was born  in Chalatenango Department, in the north of El Salvador, just before the Civil War,. From an early age, despite being dressed as a boy, she came across as a girl, and most in the neighbourhood called her Karla rather than Carlos.

By the age of 10 she had been raped twice by one cousin, and another would shoot at her, and said that he would kill her as there were only machos in the family. She left without money.

In the capital, San Salvador, she spent the first six months sleeping in the bus station or on the street, begging and finding whatever to eat in the trash. She was taken in by a woman who made her work hard at domestic chores. She was raped by the woman’s son. One of her chores was to buy tortillas, but the tortillería was in a neighbourhood run by the Mara Salvatrucha (MS 13) gang.They decided to gang rape her. After 15 men, she seized an opportunity and was able to escape.

Homeless again she met a trans woman, Diana, who showed her how to survive by sex work. The more established trans whores resented newcomers. They bullied her, they called her la machorra (the dyke) because of her short hair, and they stole her money, until she learned to fight back.

While the civil war raged, the capital was comparatively peaceful. Over 80,000 were killed in the country, the vast majority by the forces of the US-backed Junta. In 1992 the UN brought the two sides together and enforced peace accords. However criminal gangs such as MS-13, reinforced by members deported from the US, tightened control.

Many – including prostitutes – emigrated to the US if they could. The term transgeneros was not yet in use. One of the terms used for trans women was locas (literally: crazy women).

There was a serial killer in San Salvador who would drive by and shoot at trans women. He became named Matalocas. It was said that he had an artificial leg. One night in 1992, 14-year-old Karla was in a john’s car giving head when she realized that he had an artificial leg. He hit her with his gun, but she was able to grab the wheel and forced a crash. She grabbed his gun as she escaped the car and threw it away. However he had a second gun and shot her nine times.

She went into a long coma, but the hospital doctors saved her. They also informed her that she was HIV+. Officials could not find her next of kin while she was unconscious, so a television station broadcast her picture, and her grandmother came to sit with her in the hospital.

Karla was the first of Matalocas’ victims to survive and who could identity him. The police had retrieved the gun which was registered. Further the man, a high-ranking military official, went to reclaim his firearm. However he was never charged with anything.

Karla was approached by William Hernández who had just founded an LGBT rights group, Entre Amigos. Karla was willing to go public. She and Entre Amigos held a press conference and gave the real name of Matalocas. The only result was that they received death threats.

After recovery, Karla returned to sex work. She and Paty Hernández organized a trans-rights group, El Nombre de la Rosa. Those working as prostitutes gave a portion of their earnings – almost like a union. At first the government refused to register the group as a non-profit, saying that its aims were “contrary to morality”.

In 1996 Karla was working near the national monument, Monumento al Divino Salvador del Mundo, when three gay men taunted her and another trans woman. They removed their belts as if to whip her and she stabbed one of them as the other trans woman fled. She alone was arrested, and sent to the notorious Sensuntepeque prison where she was gang-raped on the first day.

While the prison had a Sector 2 for gay and trans prisoners, the gang inmates were free to come and go in Sector 2 as they pleased. They treated Karla and the others as personal slaves for housekeeping tasks and for sex. She was also tortured by the guards.

The first pride march was in 1997 – this was followed by a new wave of violence. Trans women were vanishing. Between the late 1990s and 2003, the number of adult trans women known to Entre Amigos and El Nombre de la Rosa dropped from around 200 to 40. Some emigrated (mainly to the US), some died of AIDS, other were murdered.

Karla was released in 2000, suffering from being HIV+, and having lost a lot of weight. Even so, she went back to sex work. In 2006 she started antiretroviral therapy, but was shot five times for refusing to pay ‘rent’ while working on gang turf. She survived the shooting and also being stabbed twice in the back by the same gang the next year.

Karla’s friend Diane was killed, also in 2007, by her lover, a police officer. El Nombre de la Rosa had evolved into ASPIDH-Arcoiris, but Karla was not welcome, having been too pushy before. She started a new group, COMCAVIS Trans. At first it was funded by sex workers' contributions, but Karla taught herself how to do paperwork to incorporate the organization, and how to do Excel accounting. It got a USAID grant in 2011.


In 2010 COMCAVIS filed a first complaint against Sensuntepeque prison, and then others in 2011 and 2014. They won the trans inmates the right to wear female clothing, and then a partition was put up to separate Section 2, the same year that gang members were removed to a separate prison. Then condoms were made available. Karla visits the prison regularly to speak up for the trans inmates.

Tania Vásquez, a trans activist was murdered in 2013, and no one was ever arrested. Karla filed a complaint. The Attorney’s General Office responded with the threat to arrest Karla, a search warrant and a confiscation of the technical equipment of COMCAVIS TRANS.

However that year, Karla became the first trans woman to appear before the Inter-American Commission on Human Rights (IACHR) and to denounce the State of El Salvador for discrimination and hate crimes. Paty Hernández, emigrated in 2014 after 20 years of activism. In 2015, Karla participated in the Universal Periodic Review (UPR) at the United Nations Human Rights Council in Geneva, which submitted an alternative report, which resulted in the first UN recommendation to the state of El Salvador on LGBTI matters.

Karla frequently travels abroad to speak for trans rights to international bodies. Now about to turn 40, she is one of only a few trans women in El Salvador over 35. She is constantly receiving death threats, and has had to move seven times in the last two years. In 2017 she was announced as a finalist for the Martin Ennals Award for Human Rights Defenders, quickly followed by extortion attempts to seize whatever prize money she might get.

• J Lester feder & Nicola Chávez Courtright. “Meet The Trans Sex Worker Who Transformed A Gang-Controlled Prison”. BuzzFeed, February 08, 2015. www.buzzfeed.com/lesterfeder/meet-the-trans-sex-worker-who-transformed-an-el-salvadoran-p.
• Brian Dooley. “Karla Avelar's Life Of Constant Threats”. Huffpost, 05/13/2017. www.huffingtonpost.com/entry/karla-avelars-life-of-constant-threats_us_591783b9e4b02d6199b2effe.
• “Karla Avelar, 2017 Finalist”. Martin Ennals Award. www.martinennalsaward.org/hrd/karla-avelar.

In a country where soldiers and death squads working for the junta killed 70,000 people, where serial killers go free, criminal gangs have impunity and young women are regularly raped on the street, an organization to protect trans women is refused registration on the grounds that it is  “contrary to morality”.

Phillip Forrester was born and raised in Savannah, Georgia. He was in drag at age 5, and as a child sang on Savannah radio.

At Halloween 1953, he and a drag friend got dolled up and crashed a party at a local American legion. Only after several drinks did it come out that they were not cis women. They quickly left but driving home they were followed by two soldiers who shot out a tire on their car, and Forrester was orally raped.

"It was so scary: there's no words for it. But I made a decision that night that I was out. A real weird way to come out, though."

The first public drag performance was at age 18. She was popular with sailors in the port and would perform on ships docked there. Eventually this led to Forrester being discharged from the Georgia Air National Guard, and fired from a secretarial job at the Seaboard Railroad. The Savannah police arrested her several times, once on a drummed-up loitering charge.

It was time to move and she arrived in Atlanta in 1965. At that time she had a husband, and they started a small antiques shop near Peachtree and 11^th Streets. That area became ‘the Strip’ where bohemians and gays were to be found.

She dabbled in drag shows using the name Leslie Diamond. Jayne County wrote in her autobiography:

“It was considered a very big deal to go to straight clubs and pass as a woman, and there weren’t many of the queens who could pull it off. One who could was an older queen called Diamond Lil, who was the mother of all the young street queens in Atlanta.”

In 1968 a friend asked Diamond to headline a new drag show at Mrs P’s, a restaurant in the basement of the Ponce de Leon Hotel. There was an arrangement with the police: only on week-nights, and the show was not to be advertised. She took the name Diamond Lil as a last minute inspiration on the opening night. At first she mouthed to Motown records, but started singing with her own voice – one of only a few drag performers to do so.

For six months in 1970 there was a bar called the Club Centaur. Diamond and another drag artist, Phyllis Killer, performed backed by a live band. Diamond became known for her hard-driving rock’n’roll songs. She added in her own songs, and released them on 45s – some of them were played on jukeboxes across the city.

Diamond performed several times for the Georgia Gay Liberation Front. She also wrote, for the alternate weekly, The Great Speckled Bird, the first time after being caught in a police raid on a club in Savannah in 1970.

Diamond Lil, mid 1980s

In the early 1970s, Diamond moved to Sweet Gum Head, a focal point for the burgeoning drag scene. Other performers included Rachel Wells, Lavita Allen and Charlie Brown.

In 1972 Diamond did a benefit for the Committee on Gay Education at the University of Georgia and sang “Stand by Your Man.” UGA officials did all they could to throw the COGE off campus, but Lil’s support gave COGE financial backing and a public profile.

Diamond started a column in the gay paper, Sunset People, and then in the nightlife magazine, Cruise.





In 1984 Diamond Lil put out a full LP of original material, The Queen of Diamonds/Silver Grill. She was an acknowledged influence on  Lady Bunny and RuPaul who started out in Atlanta at this time. However, by then Diamond was losing her fans to AIDS. There were fewer places to perform, and she reduced her performances and concentrated on a new antiques business. She was writing for the bar magazine Etcetera – these articles were often obituaries.

In the 1990s she had a few revival shows. In 2002 she re-released her album on CD. She put out two more albums: Live at the Moonshadow Saloon, 2004, and Verge, Vigor and Vim, 2007. In 2014 the readers of the Georgia Voice newspaper voted her Best Icon; in 2015 Atlanta Pride and Touching Up Our Roots honored her in the first ever Our Founding Valentines event. After a struggle with cancer, Lil was moved into a hospice. She died age 80.

Lady Bunny is quoted in The Atlanta Journal Constitution:

"She was singing with a live band and I had never heard of a drag queen doing that. That really helped shaped my experience because it was not disco music, it was rock 'n' roll and it was original. What always interested me about Diamond Lil, she broke the boundaries of what most drag queens thought they could do. Most thought they could either lip sync or do a celebrity impersonation and she said no, I’m going to front a rock band and do original music...I did love the mock grandeur of her. I totally bought it, when you were in the same room with her, she was regal. She really was magic. She really was unique."

• Diamond Lil. ‘Diamond Lil, Most Glamorous Queen in the World, In Captivity’. The Great Speckled Bird, 3, 38, September 28, 1970:10-11. Online.
• Jayne County with Rupert Smith. Man Enough to be a Woman. Serpent's Tail, 1995: 29- 30, 160.
• James T. Sears, Rebels, Rubyfruit, and Rhinestones: Queering Space in the Stonewall South. Rutgers University Press, 2001: 81, 159.
• Tray Butler. “God save the Queen: If Diamond Lil is the grand dame of Atlanta drag, why can't she get a steady gig?” Creative Loafing, Oct 9, 2003. Online.
• Wesley Chenault & Stacy Braukman. Gay and Lesbian Atlanta. Arcadia Pub, 2008: 55, 62
• Patrick Saunders. “Atlanta drag icon Diamond Lil dies at 80”. Georgia Voice, August 9, 2016. Online.
• Shane Harrison. “Pioneering Atlanta drag performer Diamond Lil has died”. The Atlanta Journal Constitution, August 10, 2016. Online.

Diamond Lil in The Great Speckled Bird      Discogs           RateYourMusic.
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Other Diamond Lils.

Honora Ornstein, from Austria-Hungary, performed during the Klondike Gold Rush in the 1890s.

Evelyn Hildegard, also from Austria-Hungary, performer in California and Nevada in early 20^th century. Later a brothel keeper.

A 1928 play by Mae West, the basis of the 1933 film, She Done Him Wrong.

Katie Glass, a female wrestler in South Carolina in 1960s-1970s.

Trans woman performer in Hackney, London 1940s-1960s.

Marcus Craig New Zealand drag performer as Diamond Lil from 1972.

The 1970s rock group from Essex.