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The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov

V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)

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Appreciation for WHITE fashion in TV & Film: The Mask (1994) | Wild Wild West (1999) | The Seven Year Itch (1955) | Marie Antoinette (2006) | The Cutting Edge (1992) | Crossroads (2002) | Black Swan (2010) | The Prince and the Showgirl (1957) | Breakfast at Tiffany's (1961) | Kill Bill (2003) | Passion Play (2010) | Gossip Girl (2007) | The Legend of Tarzan (2016) | Roman Holiday (1953) | The Little Mermaid (1989) | Miss Congeniality (2000) | Paradise Hills (2019) | The Godfather (1972) | Beyond the Valley of the Dolls (1970) | Edward Scissorhands (1990) | War and Peace (1956) | I, Tonya (2017) | Mary Poppins (1964) | Dracula (2013) | Cinderella (1950) | The Invitation (2022) | The Girl Next Door (2004) | Gone with the Wind (1939) | Scarface (1983) | Legally Blonde (2001)

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