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Kevin Penkin (born 22 May 1992) is a British-born Australian composer, primarily for video games and anime. He is best known for composing the score of the anime Made in Abyss, which won Best Score at the 2nd Crunchyroll Anime Awards, and the score for the Tower of God anime adaptation, which won Best Score at the 5th Crunchyroll Anime Awards.[1]
Kevin Penkin | |
|---|---|
| Born | 22 May 1992 United Kingdom |
| Origin | Perth, Western Australia |
| Genres | |
| Occupation | Composer |
| Years active | 2011–present |
| Website | kpenkmusic |
Penkin was born on 22 May 1992 in the United Kingdom,[2][3] and grew up in Perth, Western Australia.[4] Penkin's interest in video game music started from when he first heard the "Phendrana Drifts" theme from Metroid Prime;[4] in a 2012 interview, he referred to the theme's electronic synths and acoustic instruments as "absolute bliss".[4]
Penkin began his career with composition credits in the 2011 short films Play Lunch and The Adventures of Chipman and Biscuit Boy.[4] In the same year, Penkin composed the soundtrack of the video game Jūzaengi: Engetsu Sangokuden; this soundtrack represented Penkin's first collaboration with Nobuo Uematsu.[4] Penkin has continued to collaborate with Uematsu in titles such as Norn9 and Defender's Quest II: Mists of Ruin.[5]
In 2013, Penkin received a Bachelor of Music in Composition and Music Technology at Edith Cowan University's Western Australian Academy of Performing Arts. In 2015, Penkin graduated from the Royal College of Music with a Master of Composition degree in Composition for Screen.[6] His studies were supported by a grant from the Tait Memorial Trust as the inaugural Tait Scholar at the Royal College of Music.[7]
In 2016, Penkin collaborated with Kinema Citrus on the Norn9 anime and the Under the Dog original video animation soundtracks.[8] Penkin's relationship with Kinema Citrus continued through to 2017 for the soundtrack of Made in Abyss,[8] winning the 2017 Crunchyroll Anime Award for Best Score with it.[1] In 2018, Penkin composed the score for the video game Florence.[9] Penkin composed the music for Kinema Citrus' anime adaptation of The Rising of the Shield Hero and NetEase's VR game Nostos in 2019.[10] He composed the score for the 2020 anime adaptation of the South Korean webtoon Tower of God.[11] Penkin was working with artist Takashi Murakami on the sequel to the movie Jellyfish Eyes, but the project was cancelled due to the COVID-19 pandemic.[12] In 2021, Penkin composed the score for "The Village Bride" episode in the Disney+ animated anthology series Star Wars: Visions.[13]
Penkin lived in the United Kingdom for some time,[8] but now lives in Melbourne, Australia.[14]
Anime
| Year | Title | Note(s) |
|---|---|---|
| 2016 | Under the Dog | [8][15] |
| Norn9 | [8][15] | |
| 2017 | Made in Abyss | Won "Best Score" at the 2nd Crunchyroll Anime Awards[8][15] |
| 2019 | The Rising of the Shield Hero | Nominated for "Best Score" at the 4th Crunchyroll Anime Awards[15][16] |
| 2020 | Made in Abyss: Dawn of the Deep Soul | [15] |
| Tower of God | Won "Best Score" at the 5th Crunchyroll Anime Awards[15] | |
| 2021 | Eden | [17] |
| Star Wars: Visions | Episode "The Village Bride"[13] | |
| 2022 | The Rising of the Shield Hero 2 | [18] |
| Made in Abyss: The Golden City of the Scorching Sun | [19] | |
| Legend of Mana: The Teardrop Crystal | Composed the opening theme "Tear of Will"[20] | |
| 2023 | Pokémon: Paldean Winds | [21] |
| The Apothecary Diaries | With Satoru Kōsaki and Alisa Okehazama[22] | |
| The Rising of the Shield Hero 3 | [23] | |
| 2024 | Bye Bye, Earth | [24] |
| Spice and Wolf: Merchant Meets the Wise Wolf | [25] | |
| Tower of God season 2 | [26][27] |
Video games
| Year | Title | Note(s) |
|---|---|---|
| 2011 | Jūzaengi: Engetsu Sangokuden | With Nobuo Uematsu[4][15] |
| 2012 | Defender's Quest: Valley of the Forgotten | [15] |
| 2013 | Norn9 | With Nobuo Uematsu[15] |
| Deemo | Composed "I Race the Dawn"[15] | |
| Leviathan: The Last Defense | [15] | |
| 2014 | Project Phoenix | [15] |
| 2015 | Implosion: Never Lose Hope | Composed cutscenes music[15] |
| 2017 | Kieru | [8][15] |
| 2018 | Florence | Nominated at the 15th British Academy Game Awards for music[9][15] |
| This Is the Police 2 | With Ben Matthews[15] | |
| 2019 | Nostos | [10][15] |
| Rebel Cops | With Ben Matthews[15] | |
| 2020 | Necrobarista | [28][29] |
| 2021 | Grow: Song of the Evertree | [30] |
| Arknights | Composed "Heal the World"[31] | |
| 2022 | Sin Chronicle | With various others[32] |
| TBA | Defender's Quest II: Mists of Ruin | [5][33] |
| Renaine | With various others[34] |
Concert works
| Year | Title | Note(s) |
|---|---|---|
| 2013 | Blossom Crossroads | Perth Symphony Orchestra[35] |
| Looking for Serenity | Perth Chamber Orchestra | |
| Altered Illustrations | Perth Chamber Orchestra Joshua Webster, cimbalom[36] | |
| 2014 | Atmosphere | RCM Student Film Orchestra Anaïs Laugenie, cello |
| Changing Feet | Tait Memorial Trust Chamber Orchestra Nicola Crowe, flute[37] | |
| 2015 | First Blood | "And So Forth" Opera Company Rebecca Hardwick, soprano |
| 2016 | Throughtones | Greywing Ensemble[38] |
| Houn Maru | Commissioned by Rio Tinto, Perth Symphony Orchestra[39] |
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