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ARTA 111 - Elements and Principles of Art

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ART APPRECIATION

The Elements of Visual Arts


The Elements of Visual Arts
LINE
• Line is a mark on a
surface that describes a
shape or outline. It can
create texture and can
be thick and thin.  Types
of line can include actual,
implied, vertical,
horizontal, diagonal and
contour line.
LINE
• is an important element at the disposal
of every artist.
• always has direction, always moving.

• as used in any work of art, may either be


straight or curved.
• Lines are the first element of art and are
continuous marks that are made on any
surface with a moving point.

• Lines can be used in various ways to create


different compositions.

• A line can be used to express various


things or feelings; it can be used to show
various moods or anything abstract.
Line serves as an essential
building block of art, but it can also
serve as the content itself of a work of
art, or be manipulated to evoke an
emotional or intellectual response from
a viewer (Fichner-Rathus, 2010).
What do these lines suggest?

VERTICAL LINES

HORIZONTAL LINES

DIAGONAL LINES

CURVED LINES
Vertical Lines
• Vertical lines are
poised for action.
They are poised,
balanced, forceful,
and dynamic. They
express an
impression of dignity.
Only vertical lines can be used to
express an orderly feeling
VERTICAL LINES
Horizontal Lines
• Horizontal lines are
lines of repose and
serenity. They
express ideas of
calmness and
quiescence..
Only horizontal lines can give a
feeling of peacefulness and stillness.
BORACAY
Travel News Philippines:
Discovery Shores Boracay
gets three awards from
Travel + Leisure, Siargao
Named 9th best Surfing
Spot Worldwide by CNN

SIARGAO
Diagonal lines are
used to create feelings
of movement or action.

SIARGAO: The Surfing


Capital of the Philippines
Curved lines, sometimes referred
as S curves, suggest gracefulness
or sexiness.
If you want to photograph S curves, the human
body makes for a wonderful subject.

From the arch of a foot to the curve of a neck, you


can find many ways to capture curved leading lines
by photographing the human form.
It is up to the artist how he
conveys his message, in the
best way possible through the
use of lines.
There are various ways to integrate
lines into a photograph to help
strengthen the overall composition and
draw attention to a specific focal point.
ACTIVITY: LEADING LINES IN

PHOTOGRAPHY
When using vertical lines within a photo, it’s a good idea to follow the rule of thirds, failure
to do so can result in a photo looking as though it’s been cut in half. It is also important to try
to keep the vertical line as straight as possible. Vertical leading lines can help to illustrate
growth, authority, strength, or dominance. Some examples of vertical leading lines in
photography include photographs of trees or tall buildings.
When composing your photo to include horizontal leading lines, make sure they’re as
straight as possible and consider following the rule of thirds. This photo, for example,
places the land and horizon along the bottom third of the image, while the sky fills the
top two-thirds of the shot. Further, the photo was composed so the bride and groom are
along the left-third of the image. 
This photo uses both horizontal and vertical lines. Although the bulrushes are the obvious
use of vertical lines, the horizontal line of the horizon is more subtle. Note, too, that the
photo has been composed so the landscape follows the rule of thirds.
Curved lines, sometimes referred as S curves, can help lead the eye through a photo
and can suggest gracefulness, sexiness, or sensuality. Despite the name, S curves
don’t need to be shaped exactly like an “s.” Any strong leading line that winds or
curves can be considered an S curve. Some curved leading lines often used in
photography include paths and rivers. 
When including diagonal leading lines within a photo, it’s best if you can position them so
that they start and finish just above or below the corner of a photo, like the railroad tracks
shown here. This will prevent the image from looking like it has been split in half.
Because our eyes naturally scan photos from left to right, composing an image to include
diagonal leading lines that flow from the bottom left to the top right of a photo is also a
great way to compose a shot. 
The body of this acoustic guitar is a great example of S curves. Note the
use of other leading lines in this photo too – the diagonal lines of the guitar
strings, and the horizontal lines of the sheet of music in the background.
Three Main Types of Lines
• Repetition occurs
when two or more
lines are drawn within
a corner following the
lines of the corner.
Three Main Types of Lines
• Lines that are in
opposition to each
other form a contrast.
Three Main Types of Lines
• A transition line is a
line that connects two
workflow elements.
Transition lines allow
you to define what the
next step in a
workflow will be.
To summarize, including leading lines within a
photograph is a composition technique that can
strongly influence the overall result of an image.

Leading lines can direct a person’s eye to a main


focal point or, if used incorrectly, can draw the
eye away from the subject or appear to cut a
photo in half.
The Art Element of Color

Color refers
to the visual
perception of
light being
reflected
from a
surface of an
artwork.
In the most basic classification, colors
can be divided into three groups:
primary, secondary and tertiary.
Attributes of Color
• Hue is the term for the pure
spectrum colors commonly
referred to by the "color
names" - red, orange,
yellow, blue, green violet -
which appear in the hue
circle or rainbow.
Theoretically all hues can
be mixed from three basic
hues, known as primaries.
Color Wheel
• A color wheel  is an
abstract illustrative
organization of color
hues around a circle, that
shows relationships
between primary,
secondary, and tertiary
colors, etc.
Attributes of Color
• Value refers to the
lightness or darkness
of a color. It is the
quality which
depends on the
amount of light and
dark in color.
Attributes of Color
• Tints are values Intensity refers to the
above the normal brightness or darkness of
color. It gives color strength.
• Shades are values
When a hue is vivid form, it
below the normal. is said to be in full intensity.
When it is dulled, it is said to
be partly neutralized.
Psychology of Colors

• Colors have varied psychological and emotional


connotations.
– Black is associated with death and gloom
– White stands for purity and innocence
– Red is associated with blood, anger and fear
– Green implies happiness and abundance
Meanings of Colors Conveyed

by the Rose
• Red is for “I love you” • Red roses also mean courage
• Pink conveys “Thank you”
• White says “You are heavenly” and fortitude
• Coral speaks of desire. • Yellow roses stand for freedom
• White roses denote secrecy, reverence
and humility.
• Red and Yellow stand for jovial
• Deep pink roses convey gratitude and /happy feelings
appreciation.
• Light pink express sympathy, grace and
• Orange roses speak of
gentility enthusiasm and desire
• Red and White convey unity
TEXTURE
 is the element that deals more
directly with the sense of touch.

 applies to how an object feels


or appears to feel.

 can be either implied or actual.


texture

• Texture is the element


that deals more directly
with the sense of touch.
• It has to do with the
characteristics of surfaces
which can be rough or
smooth, fine or coarse,
shiny or dull, plain or
irregular.
• Implied texture expresses the idea of
how a surface might feel. For example, a
painting of a blanket might convey the idea
that the blanket is soft.

• Actual texture, on the other hand, is


texture that can actually be felt. For
example, a ceramic bowl might feature a
carved texture that could be felt when
holding that bowl.
WOOD TEXTURE
PERSPECTIVE
PERSPECTIVE
• Perspective deals with
the effect of distance
upon the appearance
of objects, by means
of which the eye
judges spatial
relationships.
Kinds of Perspective
• Linear perspective is the
representation of an
appearance of distance
by means of converging
lines.
• It has to do with the
direction of lines and with
the size of objects.
Linear Perspective
• Painters usually show the
effect of space and distance
by using converging lines and
diminishing size.
• Parallel lines below the eye
level seem to rise to a Foreshortening is the
vanishing point in the horizon, representation of
while those above the eye
objects or parts of
level seem to descend to the
vanishing point. the body as smaller
from the point of
view of the observer.
Kinds of Perspective
• Aerial perspective is the
representation of relative
distances of objects by
gradations of tone or color.
• Objects become fainter in
the distance due to the
effect of the atmosphere.
Objects appear to be lighter
in color as they recede into
the distance or atmosphere.
The Art Element of Space

Space refers to how the artist fills the


surface on which a work of art is created. It
can also refer to the expression of depth
within a work of art.

When talking about a three-dimensional


object, space is the actual volume that is
taken up by the artwork.
SPACE
• Space as an element of
art, refers to distances or areas
around, between or within
components of a piece. 
• Space can be positive (white or
light) or negative (black or
dark),open or closed, shallow or 
deep and two-
dimensional or three-
dimensional.
• Sometimes space isn't actually
within a piece, but the illusion of it
is.
Kinds of Space
• Positive space - the
areas in a work of art
that are the subjects, or
areas of interest.
• Negative space – areas
around the subjects, or
areas of interest.
Shape, Form, and Volume are words
that are used to describe distinct areas
or parts of works of art or architecture.
FORM
• Form applies to the
over-all design of a
work of art.
• It describes the
structure or shape of
an object.
The Art Element of Form
Form refers to a three-dimensional
object. As such, form is an art term that
is only applied to those artworks that are
three-dimensional, such as sculpture
and pottery.
Forms, much like shapes, can be
geometric or organic. Geometric forms
have hard lines and edges. Organic
forms are curvy and more free-form.
Types of Form

• Form and shape can also be described as


either organic or geometric. 
• Organic forms such as these snow-covered boulders typically
are irregular in outline, and often asymmetrical. Organic forms
are most often thought of as naturally occurring.
• Geometric forms are those which correspond to named
regular shapes, such as squares, rectangles, circles, cubes,
spheres, cones, and other regular forms. 
Organic and Geometric Forms
KENNETH COBONPUE’S
DESIGNS

Kenneth Cobonpue 's Knottee


hanging lamp at Hive
Croissant sofa Croissant

Amaya CoffeeTable
Yin Yang Chair
VOLUME
• Volume refers to the
amount of space
occupied in three
dimensions.
• It refers to solidity or
thickness.
References:

Callow, R. (2014, January 21). Photo Gallery: Leading Lines in


Photography. Retrieved from http://blog.posterjack.ca/2014/01/21/
photo-gallery-leading-lines-in-photography/

Fichner-Rathus, L. (2010). Foundations of Art and Design. USA:


Thomson Learning Inc.

Rich, S. (2005, September 9). Kenneth Cobonpue. Design, Green


Furniture. Retrieved from http://inhabitat.com/kenneth-cobonpue/
TOPICS FOR HUMANITIES

1. ORIGIN OF ARCHITECTURE
2. ELEMENTS OF LITERATURE
3. MUSIC
4. COMBINATIONS OF INSTRUMENTS
5. DRAMA
6. DANCE

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