Basic Approaches To Literary Interpretation
Basic Approaches To Literary Interpretation
Basic Approaches To Literary Interpretation
Interpretation
1. Mimetic Approach
2. Pragmatic Approach
3. Expressive Approach
4. Objective Approach
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1. Literature as Art: The theory of
Imitation, Mimetic
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1.1.Plato Republic
o Literature and paint is removed twice from
reality
o Reality is an ideal form, essence, or the
absolute – the One behind the many, the light
whose shadows only are visible to a man in
its cave
o Anything in this world and particularly
anything man-made, even a chair or a bed,
seems to be only a copy at one remove from
the real.
o The arts, which Plato thought as copies of
man-made objects, are only “copies of a
copy.”
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1.2.AristotlePoetics
o Literature is a Mode of imitation [mimesis]
o It is simply the copying or the representation
or recreation of life
o Sir Philip Sidney Apology for Poetry
o“Poesy is an art of imitation, for so Aristotle
termeth it in his word mimesis, that is to
say, a representing, counterfeiting, or
figuring forth: to speak metaphorically, a
speaking picture….”
o Criticism: ....because a literary work is only an
imitation, it is not true or not the real thing
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2. The theory of effect: pragmatic
o Literature and public view or its effect
readers or spectators.
o Psychological experience of audience
o Catharsis [“the purging feeling of pity and fear
which he believed the audience undergoes in
the course of a tragedy]
o Horace “poets either teach or delight”, at
their best “combining the two.”
o Interrelation to instruct literature must
delight; or to delight, it must also instruct
o Criticism: … various people have various
psychological responses…It is the
psychologists’ field
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3. The Theory of Expression
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Continued…
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4. Objective approach
o It proposes that one must find what happens
within a literary work.
o It is a reflection or recreation of the world and of
life but it is not the world and not real life.
o The best literary work describing the real world
where we find familiar characters is moving in
the fictional world or their own, not in the real
world.
o Poet expresses his idea by presenting himself in
a single mood: as a lover, mourner, etc.
o Thus, he is already fictional character in incipient
form, and he is moving about in a fictional world,
which may resemble ours but is not world in
which we move.
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Continued…
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Continued…
Communication of values
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