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PETER EISENMAN

AND DIAGRAMS
What are diagrams?

Historical context of diagrams

Diagrams and architecture

Architects who use diagrammatic technique

Introduction to Peter Eisenman

CONTENTS
Peter Eisenman and diagrams

Diagram analogy, method adoption and practice

Selected works
What are diagrams?

Diagram is a chart, graph, drawing or figure


produced by graphic means & serves to
explain & communicate facts-information of a
particular case

The property of information economy is the


bottom value of diagrams for almost all
disciplines

The word diagrams is derived from the word


diagnosis
Historical context of diagrams

We express, record, events-memories and happenings


around.

Initially we scribbled in stones; To make it permanent we


incorporated carving technique which has a three
dimensional profile.

With the invention of color, stone painting we expressed


natural forms, human actions, material, life styles

After invention of paper, sketching style developed; which


showed quality and intensity of light in sketches creating
three-dimensional effects
Diagrams and Architecture

Sketch - Is mainly about spatial form

A perspective sketch provides three-dimensional


information about a scene, specifying the shape of
physical elements and their spatial relationships. A plan or
elevation sketch may be concerned with the proportions of
a building or its components. Although a sketch falls short
of precisely specifying dimensions and shapes, it provides
more shape and dimension information than a diagram.
Schematic drawing

It uses conventional symbols to represent building


components and, typically drawn free hand the schematic
drawing retains the spatial feel of a sketch, drawn to
scale, it is more complex and precise than a diagram, yet
it does not attempt the accuracy and precision of a
working drawing.
Bubble diagram

A Bubble diagram represents functional spaces in a


floor plan with rough sizes, adjacencies, containment
and connections.
Design Diagram

A Design Diagrams can be spatial, showing the relative


positions and approximate sizes of rooms, or it can be
non-spatial, showing a sequence of building construction.
Architects who use diagrams
as a design-tool
Peter Eisenman

Ben van berkel

Greg lynn

Rem koolhaas

Kazuo sejima
Peter Eisenman

A Eisenman began his career as an architect. From the


thesis in 1963 up until about 1980, Eisenman, was involved
both with the professional world of architecture and with
teaching.

In 1980 he decided to focus more on his buildings and

EISENMAN
opened his professional practice: Eisenman architects.
Since 1980, he has been involved in a number of large
projects, from housing complexes in Berlin to high profile
office buildings in Tokyo.
Eisenman, while focusing more on building and his
professional practice, still remains a highly theoretical
architect.

EISENMAN
In 1999 he published the book Diagram Diaries
which is both a summary of his works to date as well as
an involved theoretical reflection on that work.
EISENMAN
Diagram Diaries

The condition of look alike is critical issue in the


anteriority of architecture, structural parameters gradually
evolved out of Greek, roman, and gothic architecture, so
what was perceived as structural had to look structural to

EISENMAN
the eye of the beholder as the subject came into
consciousness in the fifteenth century. This need
introduced an idea of looking-in-the present. This
produced a condition in representation, an expectancy,
which can be called normal.
EISENMAN
Anteriority of architecture
Project governed by external forces such as site &
scientific progress

Interiority of architecture
Project governed by internal forces of shape and
forms.
Previously, formal diagrams rarely discussed linearity

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or relationships in space and time. When they dealt with
form as well as functions, such diagrams became reductive
geometric abstractions, ignoring such things as the critical
thickness of walls and their possible effects as notations in
space.
EISENMAN
Selected works
Project Profile :
House Vl
Design / Competition -
1972/1975
Cornwall, Connecticut
Mr. & Mrs. Richard
Frank
2000 square Feet
wood frame
exterior: Painted wood
panels
Interiors: painted wall
boards.
This weekend house on a small
rural site in north-western
Connecticut provides the
ownersa photographer and his
wifewith a sensuous and playful
environment, full of continuously
changing light, shadows, color,
and textures. The house is a
studio landscape, providing an
abstract background for the
photography of still life and
people. In doing so, the house
and its occupants become part of
a series of daily living portraits.

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