06 Chapter2
06 Chapter2
06 Chapter2
OBSOLETE FORMS
1. PRABANDHAS
2. SULADI
3. UGABHOGA
4. DARU
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I. PRABANDHAS
of the Christian era. The music was the same for all
Siddhar padal.
etc.
Prabhandha:".
Prabandhas.
e a a. dh a a d abho
inter link.
sacred song.
Prabandha.
poetry.
confidence.
with second Guru. Two Laghus with one Guru to its left
16th-17th century.
Karnataka Desa Ela - 40, Lata Desa Ela - 40, Gauda Desa
Ela - 40, Andhra Desa Ela - 40, Dravida Desa Ela - 40.
Present in the lot are Chatur-Dhatu, Tri-Dhatu, Dvi-
Dh<l\.f-hu. p"V'o.~A.hd..hAS o..e(e.h:." O"'le. ov move o~ LLd 1v~httl
Melapaka and Abhoga. Cast in rhythmic frames, they all
period.
36
are the ten sources of life and energy for the padas in
by the mnemonics - A, Ka, Cha, Ta, Tha, Pa, Ya, Sa. The
Sarangadeva.
respects.
of practical music.
in 'Gana Matra'.
distinct types.
inconceivable.
42
(old style).
provided by Dhruva.
been in vogue.
II SULADIS
Sakhyamat. 'manivedanam"
dance becomes easy. One raga may be used for the whole
available.
floodgates.
57
Krishna as a Baby.
could ride the full crest of the wave of his flood and
was, also born towards the end of the 15th century. His
birth place was Bada in Dharwar district. He became a
Vaishnavism.
60
III UGABHOGAS:
also increases.
Akkamahadevi.
64
is a beauty by itself.
compositions.
65
subhatare"
is by Jagannatha Dasa.
IV. DARD
another prabandha.
Dhatus, Angas and Jatis but also brought out the rasas.
natakas can be gauged from the fact that the latter too
shadja.
raga and Eka tala. This piece begins with Jatis after
forerunners of Javali.
a fine piece.
couple.
pravesa Daru.
composed three operas, but among them only two are now
Vasudeva Garamanji'.