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    Jimi Hendrix - Guitar Signature Licks (Song Book) PDF

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    Karlson2009

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    Jimi Hendrix - Guitar Signature Licks (Song Book) PDF

    Uploaded by

    Karlson2009
    4K views75 pages

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    Jimi Hendrix - Guitar Signature Licks (Song Book).pdf

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    Copyright:

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    4K views75 pages

    Jimi Hendrix - Guitar Signature Licks (Song Book) PDF

    Uploaded by

    Karlson2009

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Download as pdf
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    ~~ Hai el FCONARD:® cuitan s¢gnatune Licks gieread Page Title CD Track 4 Introduction 1 Tune up (standard tuning) 2 Tune up (1/2 step down) 3 6 SPANISH CASTLE MAGIC 4-10 12 ~~ MANIC DEPRESSION 11-14 19 ~—sHEY JOE 15-17 23 THE WIND CRIES MARY 18-22 27 «LITTLE WING 23-27 82 —_- CASTLES MADE OF SAND 28-33 37s FIRE 34-42 43 PURPLE HAZE 43-47 49 —_— RED HOUSE 48-57 56 —_—*FOXEY LADY 58-62 62 VOODOO CHILD (SLIGHT RETURN) 63-68 68 —_— BOLD AS LOVE 69-74 77 ~—_«Guitar Notation Legend SPANISH CASTLE MAGIC Words and Music by Jimi Hendrix Allegedly named after a music club that Jimi frequented in his hometown of ‘Seattlo—the Spanish Castle—this is one of a handful of tunes Jimi wrote in the key of (C# minor. Jimi favored this key because it allowed him to take advantage of the giant minor third sounded by the open low E string. Other tunes in C# minor which make ‘abundant use of the open low E are “Freedom” and “Long Hot Summer Night." The ‘open high E and B strings also add ringing sustain to his C¢m7 chord voicing, “Spanish Castle Music” features a twist on the Experience line-up: its really three Jimis and a Mitch (Mitchell, on drums). In addition to guitar, Jimi plays eight-string bass (a rare Hagstrom) and a bit of piano, as coached by engineer Eddie Kramer. On this instructional CD, the sound of the eight-string bass was simulated by performing the bass lick octaves apart, on two separate tracks, and blending the two tracks together During the guitar solo and outro, the piano part is simulated on guitar Figure 1 - Introduction The intro lick (borrowed by Robin Trower for his own “Day of the Eagle") is based on Ct minor pentatonic (C#-E-F#~G#-B) and is played in unison by guitar and bass. This scale, in conjunction with the C# blues scale (C#-E-F#~G-G#-B), is also uti lized for all of the improvised soloing. re O-8 O-o O-m O-n O-0 O-w Intro” ‘Moderately J ont NCwCtm?) god Packer Ports — =H 3 vg ioe? - -_ 7 oe =t an i =e =< = 5 E ee = a oe oo oe Copyright © 1968, 1977 by EXPERIENCE HENDRIX LLC. 6 ‘Copyright enowod 1996 {All Pights Conrled and Administered by EXPERIENCE HENDAIX, LC. “All Rights Reserved

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