Ad-8 Om PDF
Ad-8 Om PDF
Ad-8 Om PDF
Thank you, and congratulations on your choice of BOSS AD-8 Acoustic Guitar Processor.
Before using this unit, carefully read the sections entitled:
USING THE UNIT SAFELY (page 23) and IMPORTANT NOTES (page 4).
These sections provide important information concerning the proper operation of the unit. Additionally, in
order to feel assured that you have gained a good grasp of every feature provided by your new unit, this
manual should be read in its entirety. The manual should be saved and kept on hand as a convenient
reference.
Main Features
Using Acoustic modeling, the unit converts the output from piezo pickups to the sound of a real
acoustic guitar, as captured by a high-quality mic.
COSM modeling recreates the important components of a variety of recording situations. Offered are
six world-famous acoustic guitars along with a number of top-quality condenser mics. Now you can
always obtain the best acoustic sound, whether performing live or recording in your home studio.
Built-in reverb, developed especially for use with acoustic guitars, lets you produce a wide range of
spatial sounds, from the natural airiness to concert hall reverberation.
Built-in tuner lets you tune up easily, is ready whenever needed. The output can also be muted with the
AD-8s pedal during tuning.
Memory function allows you to configure up to four groups of settings to suit the material being
played or the type of guitar you are using.
The
symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
001
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
to damage or
caused with
and all its
to domestic
009
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002c
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003
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010
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004
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007
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008b
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011
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012c
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013
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014
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015
106
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107d
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019
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102d
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103b
111: Selection
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110b
101b
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109b
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108b
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016
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IMPORTANT NOTES
291a
In addition to the items listed under USING THE UNIT SAFELY on page 23, please read and observe the
following:
Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
Placement
351
Maintenance
401a
For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a mild,
non-abrasive detergent. Afterwards, be sure to wipe the
unit thoroughly with a soft, dry cloth.
402
Additional Precautions
551
Installing Batteries
*
Batteries are supplied with the unit. The life of these batteries
may be limited, however, since their primary purpose was to
enable testing.
Contents
USING THE UNIT SAFELY................. 2
IMPORTANT NOTES ........................ 4
Installing Batteries ......................... 5
Connections ................................... 6
Connecting to Mixers ....................................................6
Mono Connection......................................................6
Stereo Connection .....................................................7
Connecting to Acoustic Guitar Amps
or Multitrack Recorders ................................................7
Mono Connection......................................................7
Stereo Connection .....................................................8
Connecting to Electric Guitar Amps...........................8
Mono Connection......................................................8
Operation.................................... 14
Installing Batteries
Connections
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
fig.02-01
Rise the amp volume only after turning on the power to all
connected devices.
fig.02-02
The power comes on when you insert the connector plug into
the INPUT jack.
Always make sure to have the volume level turned down before
switching on power. Even with the volume all the way down,
you may still hear some sound when the power is switched on,
but this is normal, and does not indicate a malfunction.
Connecting to Mixers
Mono Connection
fig.02-06
Acoustic Guitar
(Piezo Pickup)
Stereo Headphones
AC Adaptor
(PSA series)
Mixer
Connections
Stereo Connection
fig.02-07
Acoustic Guitar
(Piezo Pickup)
Stereo Headphones
AC Adaptor
(PSA series)
Mixer
Acoustic Guitar
(Piezo Pickup)
Stereo Headphones
AC Adaptor
(PSA series)
GUITAR CHANNEL
MTR
Connections
Stereo Connection
fig.02-04
Acoustic Guitar
(Piezo Pickup)
Stereo Headphones
GUITAR CHANNEL
AC Adaptor
(PSA series)
GUITAR CHANNEL
MTR
Acoustic Guitar
(Piezo Pickup)
Stereo Headphones
AC Adaptor
(PSA series)
EQULIZER
BASS knob
TREBLE knob
PRESENCE knob
MIDDLE FREQ
(frequency) knob
This specifies the frequency
band to be adjusted with the
MIDDLE GAIN knob. The
band can be specified within
the range from 200 Hz to 1.6
kHz.
POWER indicator
This is lit while the power is on.
*
BODY knob
BODY TYPE knob
The basic setting is with the knob at center position. Turning the
knob to the right (clockwise) produces a bigger body sound; turn
the knob to the left to achieve more of a piezo pickup tone quality.
*
Increasing the BODY setting also raises the output level. If the sound
becomes distorted, lower the output volume level with the OUTPUT
LEVEL knob.
Mic
Description
Martin D-28
Neumann
U87
Combination of the exquisite and balanced sound of this early-model Martin through
a Neumann U87, the standard in studio condenser mics.
Martin 000-28
Neumann
U67
Combines the sound of this guitar, with its solid low- and midrange resonance and
clear, distinct sound, with the U67 tube condenser mic.
Gibson J-45
Neumann
U67
Vintage model Gibson featuring a uniquely seasoned tone and characteristic responsiveness, matched with the U67 tube condenser mic.
Gibson B-25
Neumann
U87
Combination of this smaller-bodied vintage model, used often in Blues music, and a
U87, the standard in studio condenser mics.
GUILD D-40
AKG C12
Guitar featuring warm resonance from the body and delicate resonance from the
strings, combined with the C12 tube condenser mic.
Jose Ramirez
AKG C12
World-renowned classical guitar model combined with the C12 tube condenser mic.
10
The trademarks listed in this document are trademarks of their respective owners, which are separate companies from BOSS. Those
companies are not affiliated with BOSS and have not licensed or authorized BOSSs AD-8. Their marks are used solely to identify the
equipment whose sound is simulated by BOSSs AD-8.
MEMORY
MANUAL indicator
WRITE button
SELECT button
Provides for selection among MANUAL and MEMORY 14.
11
TUNER
TUNER meter
PITCH button
TUNER display
This indicates the note names when the tuner is operating.
BYPASS/MUTE button
ON/OFF pedal
ON/OFF indicator
The effects are alternately switched on
and off each time this pedal is pressed.
ANTI-FEEDBACK indicator
Indicates the status of the anti-feedback function.
Flashing: Detection of feedback
frequencies in progress
Lit solidly: On
Unlit:
Off
12
Rear Panel
INPUT jack
PHONES jack
Connect headphones only after turning on the power. Also be sure to disconnect the
headphones before turning off the power.
Connections (p. 6)
*
Cord Hook
Wrap the cable around this hook
so that the AC adaptor cable is
not pulled out accidentally
Security slot (
Connecting to Mixers (p. 6)
http://www.kensington.com/
STEREO/MONO switch
This switches between stereo output (STEREO) and monaural
output (MONO). The same sounds are output from A and B
when mono output is used.
AC Adaptor jack
NOR/LIFT switch
13
Operation
ON/OFF Pedal Operation
MEMORY / Pedal Functions
Off: Unlit
When the effects are switched off, the input sounds are
output as is (when set to the factory settings); the tuner is
also operational.
You can also mute the output when the effects are turned
off.
14
You can also use the MEMORY / pedals when using the
anti-feedback function.
Operation
Panel Operation
So that you will be better able to follow along with the instructions in this document, first press the ON/OFF pedal so that the
effects are ON (ON/OFF indicator is lit), and set the SELECT button to MANUAL (MANUAL indicator is lit).
Also, all knobs should be set as shown in the illustration.
*
fig.03-02
3
5. Add reverberation with the REVERB knob.
You can switch the knob to attain any of three different
reverb effects. The effect deepens as the knob is turned to
the right (clockwise).
AMBIENCE:
This provides a sense of distance in the sound, like that
obtained with off-mic recording.
ROOM:
HALL:
BASS:
This adjusts the balance of the lower range.
MIDDLE GAIN:
This adjusts the balance of the midrange.
MIDDLE FREQ:
This specifies the frequency band to be adjusted with the
MIDDLE GAIN knob. The band can be specified within
the range from 200 Hz to 1.6 kHz.
TREBLE:
This adjusts the balance of the upper range.
PRESENCE:
This adjusts the balance of the frequencies that are even
higher than those adjusted with the TREBLE knob.
15
Operation
fig.03-03
Write Standby
Flash
fig.03-06
Write Standby
Flash
Flash
Write Standby
Flash
Flash
Flash
fig.03-05
Flash
Writing
Flash rapidly
Write Finished
fig.03-08
Flash rapidly
16
To cancel the write operation, then before you press the WRITE
button, rotate the knob, press the BYPASS/MUTE button,
PITCH button, or operate the ON/OFF pedal.
Lit
BYPASS:
Input sounds are output as is. Select this when you want to
use the guitar output without any changes in the sound.
fig.06-01a
Display
MANUAL
MUTE:
No sound is output. Select this setting when you want to
mute the sound while tuning.
fig.06-01b
Display
MEMORY 1
MEMORY 2
MEMORY 4
MEMORY 3
Lighting Pattern 2:
The number of indicators lighting up (or flashing)
corresponds to the selected memory number.
fig.06-03
MANUAL
MEMORY 1
MEMORY 2
MEMORY 4
MEMORY 3
17
fig.06-05a
On: Lit
Off: Unlit
Setting the Function Used When the Effects Are Off (Bypass/
Mute) (p. 17)
fig.06-05b
C#
D#
F#
G#
A#
(Normal tuning)
6th
string
E
5th
string
A
4th
string
D
3rd
string
G
2nd
string
B
1st
string
E
fig.06-06
438
439
440
441
445
Too High
Just Tuned
If nothing is altered during the next few moments, the
settings are stored, and the indication in TUNER display
disappears.
Too Low
18
19
20
Troubleshooting
The power doesnt come on
Sound is distorted
There is no sound
Have you put the AD-8 in Mute mode with the ON/OFF
pedal?
21
Sample Settings
Chord Strumming . . . . . . . . . . . . . (MEMORY 1)
Blues . . . . . . . . . . . . . . . . . . . . . . (MEMORY 4)
22
Setting Memo
23
Setting Memo
24
Specifications
AD-8: Acoustic Guitar Processor
Indicators
POWER indicator (serves also as battery check indicator)
ANTI-FEEDBACK indicator
ON/OFF indicator
MANUAL indicator
Input Impedance
4.7 M
TUNER
Reference Pitch
BALANCED OUTPUT A, B:
600
3 cents
PHONES:
33
Connectors
INPUT jack (1/4 inch phone type)
PHONES jack (stereo 1/4 inch phone type)
ELECTRIC GUITAR AMP OUTPUT jack
(1/4 inch phone type)
UNBALANCED OUTPUT A (MONO) jack
(1/4 inch phone type)
UNBALANCED OUTPUT B jack (1/4 inch phone type)
BALANCED OUTPUT A jack (XLR type)
BALANCED OUTPUT B jack (XLR type)
AC Adaptor jack
Power Supply
DC 9 V: Dry battery (R6/LR6 (AA) type) x 6, AC Adaptor
BASS knob
MIDDLE GAIN knob
MIDDLE FREQ knob
Current Draw
120 mA
TREBLE knob
REVERB knob
Alkaline:
PRESENCE knob
SELECT button
WRITE button
23 hours
PITCH button
BYPASS/MUTE button
STEREO/MONO switch
NOR/LIFT switch
Dimensions
250 (W) x 180 (D) x 60 (H) mm
9-7/8 (W) x7-1/8 (D) x 2-3/8 (H) inches
25
Specifications
Weight
1.9 kg (including batteries)
Accessories
Owners Manual
Dry battery (R6 (AA) type) x 6
*
Options
AC Adaptor (PSA series)
*
26
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numrique de la classe B respecte toutes les exigences du Rglement sur le matriel brouilleur du Canada.
03344990
03-8-1N