Casio LK50 Manual
Casio LK50 Manual
Casio LK50 Manual
P
LK50-ES-1
GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other
areas).
NOTICE
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the users
authority to operate the equipment.
474A-E-002A
Welcome...
To the happy family of satisfied CASIO electronic musical instrument owners! To get the most out of the
many features and functions of the keyboard, be sure to carefully read this manual and keep it on hand
for future reference.
Important!
When using batteries, be sure to replace them or shift to one of the alternate power sources whenever
you notice any of the following symptoms.
Use of any other corporate or product name should not be regarded as affecting the validity of any
trademark or service mark. All other product and company names mentioned herein may be the trademarks of their respective owners.
E-1
Main Features
137 tones
Everything from orchestra instruments to synthesized sounds, drum sets and more.
100 rhythms
A selection of rhythms that cover rock, pops, jazz and just about any other musical style imaginable.
Auto Accompaniment
Simply specify a chord and the keyboard automatically plays the correct rhythm, bass, and chord parts.
Memory function
Record up to two parts in memory for later playback. Realistic ensemble play can also be created using the Auto Accompaniment function.
E-2
474A-E-004A
Safety Precautions
Symbols
Various symbols are used in this operating manual and
on the product itself to ensure that the product is used
safely and correctly, and to prevent injury to the user
and other persons as well as damage to property. Those
symbols along with their meanings are shown below.
WARNING
This indication stipulates matters that have the risk of
causing death or serious injury if the product is operated incorrectly while ignoring this indication.
CAUTION
This indication stipulates matters that have the risk of
causing injury as well as matters for which there is the
likelihood of occurrence of physical damage only if the
product is operated incorrectly while ignoring this indication.
Symbol Examples
This triangle symbol ( ) means that the
user should be careful. (The example at
left indicates electrical shock caution.)
This circle with a line through it ( ) means
that the indicated action must not be performed. Indications within or nearby this
symbol are specifically prohibited. (The example at left indicates that disassembly is
prohibited.)
The black dot ( ) means that the indicated action must be performed. Indications within this symbol are actions that
are specifically instructed to be performed.
(The example at left indicates that the
power plug must be unplugged from the
electrical socket.)
474A-E-005A
WARNING
Please use caution regarding the handling of the AC
adaptor.
Do not use a voltage other than the indicated power supply voltage. Use of a voltage other than that indicated may cause
fire or electrical shock.
If the power cord should become damaged
(exposed wires, disconnection, etc.), purchase a new AC adaptor. Use of a damaged
power cord may cause fire or electrical
shock.
Do not cut or damage the power cord. Also
do not place heavy objects on top of it or
subject it to excessive heat. Damage to the
power cord may cause fire or electrical
shock.
Do not attempt to shape the power cord or
subject it to excessive bending, twisting or
pulling. This may cause fire or electrical
shock.
Please use the adaptor specified for this
instrument. Use of another adaptor may
cause fire, electrical shock, or malfunction.
Do not locate the instrument or its stand on an uneven
or unstable surface.
Locating the instrument or its stand on an
uneven or unstable surface can cause it to
fall, creating the danger of personal injury.
Do not place containers containing water or other liquids on the instrument.
Do not place the following objects on the
instrument. Placing such objects on the instrument may cause fire or electrical shock
if they spill and get inside the instrument.
Containers filled with water or other liquids (including vases, potted plants, cups,
cosmetics and medicines)
Small metal objects (including hairpins,
sewing needles and coins)
Flammable objects
In the event a foreign object should happen
to get inside the instrument, please take the
following actions:
1. Turn power off.
2. Unplug the AC adaptor from the wall
outlet.
3. If there are any batteries loaded in the
keyboard, remove them.
Do not touch the batteries directly with
your hands when removing them. They
may be hot or battery fluid may be leaking from them.
4. Consult with the dealer where you purchased the keyboard or with an authorized CASIO service provider.
E-3
E-4
CAUTION
AC Adaptor
Do not locate the power cord in close proximity to heaters or other heating appliances.
This may cause the cord to melt leading to
possible fire or electrical shock.
When unplugging the AC adaptor from an
electrical outlet, always make sure to pull
on the adaptor itself and not the cord. Pulling excessively on the cord may cause it to
be damaged or break leading to possible
fire or electrical shock.
Do not touch the AC adaptor with wet
hands when it is plugged in. This may cause
electrical shock.
When not using the instrument for an extended period such as when traveling, always make sure to unplug the AC adaptor
from the electrical outlet for safety reasons.
After use turn off the power switch of the
instrument and unplug the AC adaptor
from the electrical outlet.
At least once a year, unplug the AC adaptor from the power outlet and clean the
area around the prongs of the plug. Dust
build up around the prongs can create the
danger of fire.
Batteries
Improper battery use may cause batteries
to rupture and leak. This may cause injury,
malfunction of the instrument or discoloration of furniture and other articles that come
into contact with battery fluid. Take care to
observe the following.
Install batteries so their polarity (+/)
matches that indicated on the instrument.
For safety and to prevent possible leakage
of battery fluid, always make sure to remove batteries from the instrument when
you do not plan to use it for a long time.
Always make sure that the batteries making up a set are all of the same type.
Never combine new batteries with old
ones.
Never dispose of batteries by incinerating them. Never short or disassemble batteries, and do not expose them to excessive heat.
Replace dead batteries as soon as possible.
Never attempt to recharge batteries.
Transport
When transporting the instrument, always
make sure to unplug the AC adaptor from
the electrical outlet and confirm that all
other external connections have been disconnected. Only then should the instrument
be transported. If the above is not done, the
cord may be damaged leading to possible
fire or electrical shock.
474A-E-006A
Care
Whenever caring, make sure to first unplug the AC adaptor from the electrical outlet. Also remove the instruments batteries
if battery power is being used.
Location
Never locate the instrument in areas subject to high humidity or heavy accumulation of dust. Doing so may cause fire or
electrical shock.
Never locate the instrument in areas subject to grease splatters or steam, such as in a
kitchen or near a humidifier. Doing so may
cause fire or electrical shock.
Do not place keyboard on lacquered furniture.
The instruments silicone rubber feet may
eventually blacken or scar lacquered surfaces. Use felt cloth pads to insulate the feet
or preferably use a CASIO musical instrument stand designed for your keyboard.
Do not place heavy objects on the instrument.
Do not place heavy objects on the instrument. This may cause the instrument to tip
over or break resulting in injury.
Volume
Very high volume levels can damage hearing. Avoid using the instrument at very
high volume settings for long periods. Consult with a physician immediately if you
experience impaired hearing or ringing in
the ears.
Care of your
keyboard
Avoid heat, humidity or direct sunlight.
Do not overexpose the instrument to direct sunlight, or place it near
an air conditioner, or in any extremely hot place.
NOTE
You may notice lines in the finish of the case of this keyboard. These lines
are a result of the molding process used to shape the plastic of the case.
They are not cracks or breaks in the plastic, and are no cause for concern.
E-5
Contents
Welcome... .............................. E-1
Main Features ........................ E-2
Connections......................... E-11
474A-E-008A
Tracks ................................................E-25
E-7
General Guide
Key, button, and other names are indicated in the text of this manual using bold type.
RHYTHM list
TONE list
TEMPO buttons
POWER indicator
POWER button
Speaker
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
TRANSPOSE/
TUNE/MIDI MEMORY
GM
MEMORY
STEP
TOUCH
RESPONSE
Speaker
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
S TO P
START/
STOP
CASIO CHORD
NORMAL
PLAY/PAUSE
RE W
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
CHORD TYPES
NAME
Percussion
instrument list
MODE switch
VOLUME slider
INTRO button
INTRO
SYNCHRO/
ENDING
SYNCHRO/ENDING
button
START/STOP
button
KEY LIGHT
3-STEP LESSON
ACCOMP
TOUCH
RESPONSE VOLUME
STEP 1
START/
STOP
STEP 2
STEP 3
METRONOME BEAT
STEP 1 button
STEP 3 button
STEP 2 button
NORMAL/
FILL-IN
BEAT button
VARIATION/
FILL-IN
VARIATION/FILL-IN
button
NORMAL/FILL-IN button
REW button
TRANSPOSE/
TUNE/MIDI MEMORY
FF button
STEP
LEFT/TRACK 1 button
PLAY/PAUSE button
ST O P
PLAY/PAUSE
RE W
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
STOP button
SPLIT
LAYER
RIGHT/
TRACK 2 button
MEMORY button
SPLIT button
LAYER button
E-8
474A-E-010A
Rear Panel
DC 9V jack
MIDI IN terminal
NOTES
Pressing [+] (forward) or [] (back) skips to the next demo tune.
You can change the tone setting of the keyboard (page E-14)
before starting demo play, and then use that tone to play along
on the keyboard.
MIDI, Layer, and Split are disabled while a demo tune is playing.
OUT
MIDI
IN
ASSIGNABLE
JACK
DC 9V
PHONES/
OUTPUT
PHONES/OUTPUT jack
TYPES
Number
buttons
(TIE)
8
4
9
5
6
2
REST
[+]/[]
buttons
For input of
numbers to change
a displayed
number or setting.
Negative values
cannot be input
using the number
buttons. Use [+]
(increase) and []
(decrease) instead.
RHYTHM button
TONE button
SONG BANK button
sion
ent list
ton
This area is a staff notation display that shows notes being played
on the keyboard or from memory, chord forms, and MIDI receive
data.*1 Notes in the range C#6 to C7 are shown in the staff notation
display one octave lower, along with an octave up mark (
).*2
If you are using a pedal, a pedal mark (
) appears here
whenever you press the pedal.
*1 Received notes outside the range of C2 to C7 do not appear on
the display.
*2 Notes in the range of C2 through B2 are not shown while the
octave up mark (
) is on the display.
Rh u m b a Rh
7.
3.
6.
TOUCH
RESPONSE
KEY LIGHT
474A-E-011A
5.
GM
MEMORY
STEP
4.
A pointer or
indicator appears
next to a function
that is in use:
General MIDI
Mode, layer, split,
memory, step.
E-9
Quick Reference
POWER indicator
KEY LIGHT
SONG BANK
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
POWER
VARIATION/
FILL-IN
MODE
STEP 2
STEP 3
STEP 1
Number buttons
STEP 2
5.
1.
STEP 1
6.
The keyboard sounds a count beat and waits for you to play
something on the keyboard. The keys that you need to press
first flash.
POWER
Lit
Dynamic mark
Tw i n k l e h
2.
FULL RANGE
CHORD
FINGERED
CASIO CHORD
NORMAL
3.
4.
Fingering
Note pitch
Find the tune you want to play in the Song Bank List,
and then use the number buttons to input its twodigit number.
Example: To select 21 TWINKLE TWINKLE LITTLE STAR,
input 2 and then 1.
Tw i n k l e 1
Press the keyboard key that lights. Note that with tunes 70
through 99, the keyboard key light turns off as soon as you
press the key.
The keyboard key for the next note you will need to play
flashes.
A sub-melody (obbligato) plays in time with the melody, as
long as you press the correct keyboard keys.
E-10
474A-E-012A
Connections
Phones/Output Terminal
You can connect an optional sustain pedal (SP-2 or SP-10) to the ASSIGNABLE JACK terminal to enable the capabilities described below.
For details on how to select the pedal function you want, see ASSIGNABLE JACK on page E-38.
[Rear Panel]
PHONES/OUTPUT terminal
OUT
MIDI
IN
ASSIGNABLE
JACK
DC 9V
PHONES/
OUTPUT
1
OUT
MIDI
IN
ASSIGNABLE
JACK
DC 9V
PHONES/
OUTPUT
Stereo standard
plug
3
Keyboard amp,
guitar amp, etc.
White
Red
SP-10
PIN plug
LEFT RIGHT
Sustain Pedal
With piano tones, depressing the pedal causes notes to linger, much
like a pianos damper pedal.
With organ tones, depressing the pedal causes notes to continue to
sound until the pedal is released.
Sostenuto Pedal
As with the sustain pedal function described above, depressing
the sostenuto pedal causes notes to be sustained.
This difference between a sostenuto pedal and sustain pedal is the
timing. With a sostenuto pedal, you press the keys and then depress the pedal before you release the keys. Only the notes that are
sounding when the pedal is depressed are sustained.
Soft Pedal
In this case, the pedal performs the same functions as the START/
STOP button.
Depressing the pedal softens the sound of the notes being played.
Rhythm Start/Stop Pedal
NOTE
Be sure to use a connecting cord that has a stereo standard plug on the
end you connect to the keyboard, and a connector that provides dual channel (left and right) input to the amplifier to which you are connecting. The
wrong type of connector at either end can cause one of the stereo channels to be lost.
Use only the accessories and options specified for this keyboard. Use
of non-authorized items creates the danger of fire, electrical shock,
and personal injury.
474A-E-013A
PIN jack
INPUT 1
INPUT 2
Keyboard or
guitar amp
E-11
Power Supply
This keyboard can be powered by current from a standard household
wall outlet (using the specified AC adaptor) or by batteries. Always make
sure you turn the keyboard off whenever you are not using it.
Using batteries
Always make sure you turn off the keyboard before loading or replacing batteries.
To load batteries
1.
2.
DC 9V jack
AC adaptor AD-5
OUT
MIDI
IN
ASSIGNABLE
JACK
DC 9V
PHONES/
OUTPUT
AC outlet
3.
The keyboard may not function correctly if you load or replace batteries with power turned on. If this happens, turning the keyboard
off and then back on again should return functions back to normal.
NOTE
WARNING!
Take care to avoid any damage to or breakage of the power cord. Never
place any heavy objects on the power cord or expose it to direct heat.
Doing so creates the danger of power cord damage, fire, and electrical
shock.
Use only the specified AC adaptor. Use of another type of adaptor creates the danger of fire and electrical shock.
CAUTION!
For safety sake, be sure to unplug the AC adaptor from the wall outlet
whenever leaving the keyboard unattended for a long time (such as
when leaving on a trip).
Always turn off the keyboard and unplug the AC adaptor from the wall
outlet when you are not using the keyboard.
We recommend that you use the separately available AC adaptor or alkaline batteries to power this keyboard.
IMPORTANT!
IMPORTANT!
Make sure that the keyboard is turned off before connecting or disconnecting the AC adaptor.
Using the AC adaptor for a long time can cause it to become warm
to the touch. This is normal and does not indicate malfunction.
NOTE
Auto Power Off is disabled (it does not function) when you are using the
AC adaptor to power the keyboard.
E-12
474A-E-014A
Power On Alert
Keyboard keys light to alert you if you leave power on and do not
perform any operation for about 6 minutes. Note that keys light only,
and no sound is produced. When this happens, press any button or
keyboard key to clear the power on alert.
NOTE
Power on alert operates only when you are powering the keyboard using
the AC adaptor. It does not operate when you are using batteries.
Memory Contents
In addition to the above settings, data stored using the memory function is also retained.
Electrical Power
The settings and memory data described above are retained as long
as the keyboard is being supplied with electrical power. Unplugging
the AC adaptor when batteries are not loaded or when loaded batteries are dead cuts off the keyboards electrical power supply. This causes all settings to be initialized to their factory defaults and clears all
data stored in memory.
Power Requirements
Note the following precautions whenever you want to ensure that
current keyboard settings and memory contents are not lost.
Make sure the keyboard is being supplied power through the AC
adaptor before replacing its batteries.
Before unplugging the AC adaptor, make sure that fresh batteries
are loaded in the keyboard.
Make sure that keyboard power is turned off before replacing batteries or unplugging the AC adaptor.
474A-E-015A
E-13
Basic Operations
KEY LIGHT
TEMPO
BEAT
TONE
KEY LIGHT
POWER
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
MODE
VOLUME
4.
Use the VOLUME slider to set the volume to a relatively low level.
Play something on the keyboard.
This keyboard comes with 137 built-in tones. Use the following procedure to select the tone you want to use.
To select a tone
2.
STEP 3
[+]/[]
Number buttons
NOTES
Always input all three digits for the tone number, including leading zeros
(if any). If you input one or two digits and stop, the display will automatically clear your input after a few seconds.
You can also increment the displayed tone number by pressing [+] and
decrement it by pressing [].
When one of the drum sets is selected (tone numbers 128 through 136),
each keyboard key is assigned a different percussion sound. See page
A-2 for details.
Selecting a Tone
1.
STEP 2
METRONOME
START/STOP
1.
2.
3.
STEP 1
Polyphony
The term polyphony refers to the maximum number of notes you can
play at the same time. The keyboard has 24-note polyphony, which
includes the notes you play as well as the rhythms and auto-accompaniment patterns that are played by the keyboard. This means that
when a rhythm or auto-accompaniment pattern is being played by
the keyboard, the number of notes (polyphony) available for keyboard play is reduced. Also note that some of the tones offer only 12note polyphony.
When rhythm or auto accompaniment is playing, the number of
sounds simultaneously played is reduced.
Digital Sampling
G r a ndPno
A number of the tones that are available with this keyboard have
been recorded and processed using a technique called digital sampling. To ensure a high level of tonal quality, samples are taken in the
low, mid, and high ranges and then combined to provide you with
sounds that are amazingly close to the originals. You may notice very
slight differences in volume or sound quality for some tones when
you play them at different positions on the keyboard. This is an unavoidable result of multiple sampling, and it is not a sign of malfunction.
Indicator appears
3.
Aco . Ba s s
E-14
474A-E-016A
NOTES
Use the following procedure when you want to turn the key light
system on or off.
While the tempo value is flashing, you can also use the number buttons
or [+] and [] to input a three-digit value. Note that you must input leading zeros, so 90 is input as 090.
Pressing both the and TEMPO buttons at the same time automatically returns the currently selected rhythm to its default tempo.
4.
1.
TOUCH
RESPONSE
KEY LIGHT
NOTES
The metronome is disabled whenever you are using Step 1 or Step 2 of
the 3-step lesson.
Starting play of a two-hand tune (Song Bank tunes 70 through 99) or
Step 3 of the 3-step lesson while the metronome is operating or activating the metronome while either of the two above operations is already in
progress causes the metronome to sound in time with the Auto Accompaniment played by the keyboard. At this time, the tempo of the metronome beat changes to that of the default tempo for the Auto Accompaniment being played.
NOTE
The key light system is turned on automatically whenever you turn on keyboard power.
1.
2.
Press the BEAT button and then use the number buttons or [+] and [] to change the number of beats per
measure.
You can specify the number of beats per measure a value
from 1 to 6.
Be a t Ba s s
NOTE
The bell (indicating the first beat of a measure) does not sound while one
beat per measure is specified. All beats are indicated by a click sound.
This setting lets you practice with a steady beat, without worrying about
how many beats there are in each measure.
3.
Tempo value
Flash
474A-E-017A
E-15
Auto Accompaniment
RHYTHM
TEMPO
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
MODE
STEP 1
STEP 2
STEP 3
[+]/[]
Number buttons
START/STOP
Selecting a Rhythm
This keyboard provides you with 100 exciting rhythms that you can
select using the following procedure.
1.
To select a rhythm
1.
2.
Beat
number
Metronome
Tempo
value
Pop sB1 s s
NOTES
Indicator appears
3.
Flash
R h umb a e 1
NOTE
You can also increment the displayed rhythm number by pressing [+] and
decrement it by pressing [].
Playing a Rhythm
While the tempo value is flashing, you can also use the number buttons
or [+] and [] to input a three-digit value. Note that you must input leading zeros, so 90 is input as 090.
Pressing both the and TEMPO buttons at the same time automatically returns the currently selected rhythm to its default tempo.
1.
To play a rhythm
1.
2.
3.
NOTE
2.
3.
All of the keyboard keys are melody keys while the MODE switch is set to
NORMAL.
E-16
474A-E-018B
Chord Types
Rh u m b a e h
Example
C minor seventh (Cm7)
Chord name
4.
CASIO CHORD
This method of chord play makes it possible for anyone to easily play
chords, regardless of previous musical knowledge and experience.
The following describes the CASIO CHORD Accompaniment keyboard and Melody keyboard, and tells you how to play CASIO
CHORDs.
CDE F GAB C DE F
NOTE
It makes no difference whether you press black or white keys to the right
of a major chord key when playing minor and seventh chords.
FINGERED
FINGERED provides you with a total of 15 different chord types. The
following describes the FINGERED Accompaniment keyboard and
Melody keyboard, and tells you how to play a C-root chord using
FINGERED.
Melody keyboard
Melody keyboard
NOTE
The accompaniment keyboard can be used for playing chords only. No
sound will be produced if you try playing single melody notes on the accompaniment keyboard.
NOTE
The accompaniment keyboard can be used for playing chords only. No
sound will be produced if you try playing single melody notes on the accompaniment keyboard.
Cm
Cdim
Caug *1
Csus4
C7 *2
Chord Types
CASIO CHORD accompaniment lets you play four types of chords
with minimal fingering.
Chord Types
Example
(
Major chords
Major chord names are marked
above the keys of the accompaniment keyboard. Note that the chord
produced when you press an accompaniment keyboard does not change
octave, regardless of which key you
use to play it.
C Major (C)
C minor (Cm)
C seventh (C7)
CDE F GAB C DE F
Cmaj7 *2
Cm7 *2
C7-5 *1
Cm7-5
Cadd9 *2
C7sus4
CD E F G A B C D E F
(
Cmadd9 *2
CDE F GAB C DE F
Cdim7 *1
CmM7 *2
See the FINGERED Chord Chart on page A-3 for details on playing
chords with other roots.
*1: Inverted fingerings cannot be used. The lowest note is the root.
*2: The same chord can be played without pressing the 5th G.
474A-E-019A
E-17
SYNCHRO/ENDING
INTRO
ACCOMP VOLUME
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
TRANSPOSE/
TUNE/MIDI MEMORY
GM
MEMORY
STEP
TOUCH
RESPONSE
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
[+]/[]
Number buttons
START/STOP
VARIATION/FILL-IN
MODE
NORMAL/FILL-IN
NOTES
Except for the chords specified in note*1 above, inverted fingerings (i.e.
playing E-G-C or G-C-E instead of C-E-G) will produce the same chords
as the standard fingering.
Except for the exception specified in note*2 above, all of the keys that
make up a chord must be pressed. Failure to press even a single key
will not play the desired FINGERED chord.
When the key light system is turned on, the keys of the accompaniment
keyboard light to show the chord you played. Though the chord is the
same, the form of the chord (the keys that light) may differ from the one
you used (the keys you pressed). If you play C Major using the inverted
chord form E-G-C, for example, the keys for C-E-G will light.
Number of Types
C6 Cm6 C69
C#
D
E
F
G
A B
C
C
C
C
C
C
C
B C# m Dm Fm Gm Am B m
C
C
C
C
C
C
C
1 ........ Chord C
2 ........ Chord CC
E
NOTES
As with the FINGERED mode (page E-17), you can play the notes that
form a chord in any combination (1).
When the composite notes of a chord are separated by 6 or more notes,
the lowest sound becomes the bass (2).
Bm
E7
Bm
G
A
C
A
A
G
4 D
4
4
4
#
The following procedure describes how to use the Intro feature. Before starting, you should first select the rhythm you want to use, and
set the tempo.
15 (page E-17)
-5
This keyboard lets you insert a short intro into a rhythm pattern to
make startup smoother and more natural.
23
The following are examples of chords that
use C as the bass note.
Other Chords
Corresponding
FINGERED Chord
Chord Types
add9
C
C
C
C
C
C
To insert an intro
1.
NOTES
The standard rhythm pattern starts to play after the intro pattern is complete.
Pressing the VARIATION/FILL-IN button while an intro pattern is playing
causes the variation pattern to sound after the intro pattern is complete.
Pressing the SYNCHRO/ENDING button while an intro pattern is playing
causes the ending pattern to sound after the intro pattern is complete.
E-18
474A-E-020A
To insert a fill-in
1.
2.
NOTE
The fill-in pattern does not play if you press the NORMAL/FILL-IN button
while an intro pattern is playing.
1.
2.
NOTES
If the MODE switch is set to NORMAL, only the rhythm plays (without a
chord) when you play on the accompaniment keyboard.
If you press the INTRO button before playing anything on the keyboard,
the rhythm starts automatically with an intro pattern when you play something on the accompaniment keyboard.
Pressing the VARIATION/FILL-IN button before playing anything on the
keyboard causes play to start with the variation pattern when something
is played on the keyboard.
To cancel synchro start standby, press the SYNCHRO/ENDING button
one more time.
1.
NOTE
To switch back to the standard rhythm pattern, press the NORMAL/FILLIN button.
1.
1.
A c omp V o l
2.
A c omp V o l
1.
Press the SYNCHRO/ENDING button to put the keyboard into synchro start standby.
NOTES
The current accompaniment volume value that appears in Step 1 automatically clears from the display if you do not input anything within about
five seconds.
Pressing [+] and [] buttons at the same time automatically sets an accompaniment volume of 075.
Flash
2.
474A-E-021A
E-19
Song Bank
START/STOP
TEMPO
SONG BANK
TONE
DEMO
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STOP
PLAY/PAUSE
This keyboard features a built-in Song Bank of 100 tunes that can be
used for Auto Accompaniment playback. You can select a song simply to enjoy listening to it, or you can cut out its melody part and
play along on the keyboard using the 3-step lesson. Melody and accompaniment fingerings and notes appear on the keyboards display,
and the keys you should press light up on the keyboard to help you
on your way to keyboard mastery.
STEP 1
2.
3.
Measure number
Beat number
Tw i n k l e h
Find the tune you want to play in the Song Bank List,
and note its number.
Press the SONG BANK button.
This causes the number and name of the currently selected
Song Bank tune to appear on the display.
Tw i n k l e l
NOTE
You can also change the displayed song number using [+] (increase) and
[] (decrease).
Tempo value
Fingering
Dynamic mark
Note pitch
To play a tune
1.
2.
STEP 3
[+]/[]
Number buttons
FF
REW
To select a tune
1.
STEP 2
1.
Tempo value
Flash
Measure number
3.
Beat number
NOTE
While a tune is playing, you can use the number buttons or [+] and [] to
change to another tune. The change is made as soon as you input a different number, even if the current tune is not finished playing.
E-20
NOTES
While the tempo value is flashing, you can also use the number buttons
or [+] and [] to input a three-digit value. Note that you must input leading zeros, so 90 is input as 090.
Pressing both the and TEMPO buttons at the same time automatically returns the currently selected rhythm to its default tempo.
Tunes 70 to 99 have tempo changes part way through in order to produce specific musical effects. Note that the tempo setting automatically
returns to the default whenever a tempo change occurs within one of
these tunes.
474A-E-022A
To pause playback
1.
1.
2.
NOTE
N y l o nG t r
Indicates TONE was pressed.
2.
To fast reverse
1.
Find the tone you want in the Tone List, and then use
the number buttons to input its three-digit number.
Example: To select 040 VIOLIN, input 0, then 4, then 0.
You can select any one of the keyboards 137 built-in tones.
Viol intr
NOTES
You can also use the [+] and [] buttons to change the melody tones.
For two-hand tunes (Song Bank tunes 70 through 99), the same tone is
applied for both the left and right hand parts.
Specifying the tune number for the same tune that is currently selected
returns the melody tone to the default setting for that tune.
Measure number
2.
Beat number
NOTE
1.
Fast reverse does not work while Song Bank play is stopped.
2.
To fast forward
1.
Measure number
2.
NOTES
While a tune is playing, you can use the number buttons or [+] and [] to
change to another tune.
You can play along with the tunes on the keyboard.
Beat number
NOTE
Fast forward does not work while Song Bank play is stopped.
474A-E-023A
E-21
3-Step Lesson
START/STOP
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STOP
LEFT/TRACK 1
The 3-step lesson feature takes you through the three distinct steps
described below to help you learn to play tunes on the keyboard.
STEP 1
STEP 2
STEP 3
STEP 2
STEP 1
Next Note
The keyboard key for the next note to be played flashes, while a number appears on the display near the finger you should use to play the
next note.
3rd Note
Current note
Flash Lit
2nd Note
Next note
Flash Lit
Lit
Flash
Key light
NOTES
Note length is not indicated when you are using two-hand tunes (70 to
99) with 3-step lesson Steps 1 and 2. As soon as you press a lit key, it
goes out and the next key to be played starts to flash.
Note length is indicated by the key light system when you use a twohand tune with Step 3. In this case, the next key to be pressed does not
flash when you press a lit key and the next finger number does not
appear on the display. Only the current finger number is shown.
Note Pitch
The keyboard key that should be pressed lights, while the actual pitch
of the note appears in the displays staff notation area. The fingers
you should use to play the notes are also shown on the display.
Note Length
Keyboard keys stay lit for as long as the note should be played. The
staff notation and fingerings also remain on the display for the length
of the note.
E-22
474A-E-024A
1.
2.
1.
2.
Tw i n k l e h
Indicator appears
Fingering
Tw i n k l e h
Note pitch
Indicator appears
Fingering
3.
Follow the key light system to press the correct keyboard keys and play the melody (right hand part).
Lit
3.
The key for the next note to be played flashes while the keyboard waits for you to play it. When you press any key to
play the note, the key remains lit as the note plays.
If more than one key lights when you are using a two-hand
tune, it means that you must press all of the keys that are lit.
4.
4.
The key for the next note to be played flashes while the keyboard waits for you to play it. When you press any key to
play the note, the key remains lit as the note plays.
Accompaniment (left-hand part) waits until you press any
key to play a note.
If you accidentally press more than one key in succession,
accompaniment is played for the corresponding number of
notes.
Pressing more than one key at the same time counts as a single melody note. Pressing a key while another key is held
down is counted as two melody notes.
NOTES
The dynamic marks listed below appear on the display while Song
Bank tunes are playing. Adjust the pressure you apply to the keyboard in accordance with the mark that is on the display.
NOTES
Left hand practice can also be performed with two-hand tunes (70 to
99). Simply select one of the two-hand tunes in step 1 of the above
procedure, and then press the LEFT/TRACK 1 button following step 2.
3-step lesson does not allow simultaneous practice of both hands.
You can also use fast forward and fast reverse operations with Step 1
play.
You cannot pause Step 1 play.
Rhythm does not sound during Step 1 play.
Left hand practice can also be performed with two-hand tunes (70 to
99). Simply select one of the two-hand tunes in step 1 of the above
procedure, and then press the LEFT/TRACK 1 button following Step 2.
3-step lesson does not allow simultaneous practice of both hands.
You can also use fast forward and fast reverse operations with Step 2
play.
You cannot pause Step 2 play.
Rhythm does not sound during Step 2 play.
Dynamic Marks
474A-E-025A
E-23
START/STOP
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STOP
LEFT/TRACK 1
STEP 3
STEP 3
NOTES
Left hand practice can also be performed with two-hand tunes (70 to
99). Simply select one of the two-hand tunes in step 1 of the above
procedure, and then press the LEFT/TRACK 1 button following step 2.
3-step lesson does not allow simultaneous practice of both hands.
You can also use pause, fast forward and fast reverse operations with
Step 3 play.
3
A
1
B
1
D
3
E
2
C
B and C indicate that the index finger should cross over the thumb.
C and D indicate that the thumb should cross under the index finger.
1.
2.
Tw i n k l e h
Indicator appears
3.
4.
Fingering
Follow the key light system to press the correct keyboard keys and play the melody (right hand part).
E-24
474A-E-026A
Memory Function
START/STOP
MEMORY
KEY LIGHT
ACCOMP
TOUCH
RESPONSE VOLUME
TRANSPOSE/
TUNE/MIDI MEMORY
GM
MEMORY
STEP
TOUCH
RESPONSE
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
(TIE)
SYNCHRO/
ENDING
INTRO
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
S TO P
START/
STOP
CASIO CHORD
NORMAL
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 3
RIGHT/TRACK 2
LEFT/TRACK 1
You can store up to two separate songs in memory for later playback.
There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step recording where you input chords and notes one-byone.
STEP 2
Track 1
Track 2
Playback
turned on
Playback
turned off
Tracks
The memory of this keyboard records and plays back notes much
like a standard tape recorder. There are two tracks, each of which can
be recorded separately. Besides notes, each track can be assigned its
own tone number. During playback you can adjust the tempo to
change the speed of playback.
Start
End
Auto Accompaniment
(rhythm, bass, chords), melody
Track 1
With the above setting, Track 1 will play while Track 2 will not play.
Record
Each press of the LEFT/TRACK 1 and RIGHT/TRACK 2 button while
the keyboard is in record standby (see Memory Button Operation)
toggles recording to the corresponding track on and off. The letter
that identifies a track (L or R) flashes on the display whenever recording to that track is turned on.
Melody
Track 2
NOTES
Track 1 is the basic track, which can be used to record Auto Accompaniment along with the melody. Track 2 can be used for melody only, and
is for adding to what is recorded in Track 1.
Note that each track is independent of the other. This means that if you
make a mistake while recording, you need to re-record only the track
where the mistake was made.
Playback
turned on
Record
turned on
The above indicates that Track 1 will play back while Track 2 is
being recorded to.
With real-time recording, the notes and chords you play on the keyboard are recorded as you play them.
Lit
GM
MEMORY
STEP
Record
Standby
GM
MEMORY
Flash STEP
Normal
GM
MEMORY
Unlit STEP
1.
R e c . No . h
Selecting a Track
Press the LEFT/TRACK 1 button to select Track 1 and the RIGHT/
TRACK 2 button to select Track 2. The letter L (left) appears on the
display to indicate Track 1 is selected, and the letter R (right) appears to indicate Track 2 is selected.
Flash
Playback
Each press of the LEFT/TRACK 1 and RIGHT/TRACK 2 button while
the keyboard is in playback standby (see Memory Button Operation above) toggles playback of the corresponding track on and off.
The letter that identifies a track (L or R) appears on the display whenever playback of that track is turned on.
474A-E-027A
E-25
SYNCHRO/ENDING
INTRO
LEFT/TRACK 1
KEY LIGHT
RIGHT/TRACK 2
MEMORY
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
MODE
NORMAL/FILL-IN
2.
VARIATION/
FILL-IN
START/STOP
VARIATION/FILL-IN
Re c . No . 1
3.
STEP 1
STEP 2
STEP 3
[+]/[]
Memory Capacity
The keyboard has memory for approximately 5,200 notes. You can
use all 5,200 notes for a single song, or you can divide memory between two different songs.
The measure number and note number flash on the display whenever remaining memory is less than 100 notes.
Flash
Flash
4.
5.
6.
7.
NOTE
Using real-time recording to record to a track that already contains recorded data replaces the existing recording with the new one.
E-26
474A-E-028A
After you record Track 1, you can use real-time recording to add a
melody in Track 2.
1.
The song number you select should be the one where you
previously input Track 1.
Re c . No . 1
The track is not yet selected at this point.
2.
1.
GM
MEMORY
STEP
R e c . No . h
P l a y nNo .
2.
3.
P l a y NNo .
GM
MEMORY
STEP
4.
5.
6.
Flash
Press the START/STOP button to start real-time recording to Track 2 along with playback from Track 1.
Listening to the playback from Track 1, play what you
want to record to Track 2 on the keyboard.
Press the START/STOP button to end recording when
you are finished playing.
If you make a mistake while recording, stop the record operation and begin over again from step 1.
NOTE
Track 2 is a melody-only track, so chords cannot be recorded there. Because of this, the entire keyboard is a melody keyboard, regardless of the
MODE switch setting.
Indicator appears
3.
NOTES
During memory playback, the entire keyboard functions as a melody
keyboard, regardless of the MODE switch setting.
You can play along on the keyboard while playing back from memory.
You can also use layer (page E-32) and split (page E-32) to play along
with more than one tone.
You cannot use pause, fast forward or fast reverse operations with memory playback.
1.
2.
3.
E-27
SYNCHRO/ENDING
INTRO
LEFT/TRACK 1
RIGHT/TRACK 2
FF
REW
KEY LIGHT
ACCOMP
TOUCH
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
Number buttons
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
MODE
NORMAL/FILL-IN
STEP 1
START/STOP
VARIATION/FILL-IN
7.
Re c . No . 1
2.
3.
STEP
MEMORY
[+]/[]
8.
NOTES
You can use the FF and REW buttons to change the current input position during step recording. See Editing Data While Step Recording on
page E-30 for details.
Pressing the [0] button in step 7 inputs a rest. Note, however, that any
rests you input do not have any effect on Auto Accompaniment.
Flash
5.
6.
4.
STEP 3
1.
STEP 2
79A
DF
Play a chord.
Use the chord play method that is specified by the current
MODE switch setting: FINGERED, CASIO CHORD, NORMAL.
When the MODE switch is set to NORMAL, specify the chord
using the root input keyboard and chord type input keyboard. See Specifying Chords in the Normal Mode on this
page for details.
Measure number
Chord name
Clock
number*
Beat number
135680BCEGH
Chord specification
keyboard
1
2
3
4
5
6
7
8
9
Major
Minor
Augmented
Diminished
Suspended fourth
Seventh
Minor seventh
Major seventh
Minor major seventh
0
A
B
C
D
E
F
G
H
Flash
* 48 clocks = 1beat
E-28
474A-E-030A
To specify a chord, hold down the key on the root input keyboard
that specifies the root, and press the key in the chord type input keyboard to specify the chord type. When inputting a chord with a specified bass note, pressing two keys of the root input keyboard causes
the lower note to be specified as a bass note.
To insert a fill in
To insert an ending
In step 6, press the NORMAL/FILL-IN or VARIATION/FILL-IN button at the measure or beat immediately before the chord or beat where
you want to insert the fill in.
IMPORTANT!
(G)
Hold down key to specify chord
root.
(m7)
Press key to specify chord
type.
(C)
(G)
Hold down keys to specify on bass
and chord root.
(m)
Press key to specify chord type.
The length of the ending depends on the rhythm you are using.
Check the length of the pattern you are using and set the length of
the chord accordingly in step 7. Making the chord too short in step 7
can result in the ending pattern being cut off.
1.
Re c . No . 1
Ties
Press [8] and then input the first and then the second note.
, press [8] and then press [4] (note length)
Example: To input
while holding down [7] (dot). This note will be tied to the
next note you input (16th note in this example).
Rest
Hold down [0] and then use number buttons [1] through [9] to specify the length of the rest.
2.
3.
Beat number
Example: To input an eighth note rest, hold down [0] and press [4].
Clock
number*
* 48 clocks = 1beat
4.
474A-E-031A
E-29
LEFT/TRACK 1
RIGHT/TRACK 2
FF
REW
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
Number buttons
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
[+]/[]
MODE
START/STOP
5.
STOP
MEMORY
6.
Input point
7.
8.
NOTES
1 beat
During step recording of a melody, the entire keyboard is a melody keyboard, regardless of the MODE switch setting.
During step recording you can use FF and REW to move the input point
forward and back. See Editing Data While Step Recording on this page
for details.
1 beat
1 beat
Input point
1.
2.
Rew r i t e?
E-30
474A-E-032A
3.
NOTE
The message [TrackEnd] appears on the display when the input point reaches end of the current data stored in Track 2. At this point you can perform
steps 2 and 3 to add more data.
1.
Re c . No . 1
2.
Hold down the MEMORY button until the track delete screen appears on the display.
T r . De l . ?
3.
T r . De l . ?
Flash
4.
NOTES
The track delete screen is cleared from the display automatically if you
leave the keyboard with the track delete message on the display for
about five seconds without doing anything.
Once you select a track in step 3, you cannot change to a different track
without quitting the track delete operation and starting again.
You cannot select a track for deletion if that track does not contain any
data.
Pressing the MEMORY button while the track delete screen is on the
display returns to record standby.
474A-E-033A
E-31
Keyboard Settings
SPLIT
LAYER
TONE
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
(TIE)
SYNCHRO/
ENDING
INTRO
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
[+]/[]
Number buttons
This section describes how to use layer (to play two tones with a single key) and split (to assign different tones to either end of the keyboard), and how to make touch response, transpose, and tuning settings.
4.
F r . Ho r n h
Using Layer
GM
MEMORY
STEP
Layer lets you assign two different tones (a main tone and a layered
tone) to the keyboard, both of which play whenever you press a key.
For example, you could layer the FRENCH HORN tone on the BRASS
tone to produce a rich and brassy sound.
To layer tones
1.
LAYER
Br ass t e?
2.
5.
S t r i ngs1
Selected layer tone
3.
GM
MEMORY
STEP
Indicator appears
F r . Ho r n ?
Using Split
With split you can assign two different tones (a main tone and a split
tone) to either end of the keyboard, which lets you play one tone
with your left hand and another tone with your right hand. For example, you could select STRINGS as the main (high range) tone and
PIZZICATO as the split (low range) tone, putting an entire string ensemble at your fingertips.
Split also lets you specify the split point, which is the location on the
keyboard where the changeover between the two tones occurs.
1.
S t r i ngs1
E-32
474A-E-034A
2.
1.
Ac o . Ba s s
GM
MEMORY
STEP
Press the TONE button and then input the tone number of the main tone.
Br assS t r
Indicator appears
3.
2.
Pi zz .St r
Pi zz .St r
4.
Indicator appears
3.
G3 z z . S t r
5.
6.
GM
MEMORY
STEP
F r . Ho r n s
GM
MEMORY
STEP
SPLIT
4.
5.
S t r i ngs1
Split Tone
(PIZZICATO STR)
GM
MEMORY
STEP
Split point
6.
7.
LAYER SPLIT
Split point
474A-E-035A
E-33
TRANSPOSE/TUNE/MIDI
TOUCH RESPONSE
KEY LIGHT
ACCOMP
TOUCH
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
[+]/[]
Number buttons
2.
T r ans . t r
1.
TOUCH
RESPONSE
KEY LIGHT
NOTES
The keyboard can be transposed within a range of 12 (one octave
downwards) to +12 (one octave upwards).
The default transpose setting is 00 when keyboard power is turned on.
If you leave the transpose screen on the display for about five seconds
without doing anything, the screen is automatically cleared.
The transpose setting also affects playback from memory and Auto Accompaniment.
TRANSPOSE/TUNE/MIDI Button
Lit
Use the following procedure to fine tune the keyboard to match the
tuning of another musical instrument.
KEY LIGHT
1.
Tunes . t r
2.
Use the [+], [], and the number buttons to adjust the
tuning value.
Example: To lower tuning by 20
1.
T r ans . t r
E-34
Tunes . t r
NOTES
The keyboard can be tuned within a range of 50 cents to +50 cents.
*100 cents is equivalent to one semitone.
The default tuning setting is 00 when keyboard power is turned on.
If you leave the tuning screen on the display for about five seconds
without doing anything, the screen is automatically cleared.
The tuning setting also affects playback from memory and Auto Accompaniment.
474A-E-036A
MIDI
What is MIDI?
MIDI Channels
The letters MIDI stand for Musical Instrument Digital Interface, which
is the name of a worldwide standard for digital signals and connectors that makes it possible to exchange musical data between musical
instruments and computers (machines) produced by different manufacturers. MIDI compatible equipment can exchange keyboard key
press, key release, tone change, and other data as messages.
Though you do not need any special knowledge about MIDI to use
this keyboard as a stand-alone unit, MIDI operations require a bit of
specialized knowledge. This section provides you with an overview
of MIDI that will help to get you going.
MIDI allows you to send the data for multiple parts at the same time,
with each part being sent over a separate MIDI channel. There are 16
MIDI channels, numbered 1 through 16, and MIDI channel data is
always included whenever you exchange data (key press, pedal operation, etc.)
Both the sending machine and the receiving machine must be set to
the same channel for the receiving unit to correctly receive and play
data. If the receiving machine is set to Channel 2, for example, it receives only MIDI Channel 2 data, and all other channels are ignored.
MIDI Channel 1 Melody
MIDI Channel 2 Bass
MIDI Channel 10 Drums
MIDI Connections
MIDI messages are send out through the MIDI OUT terminal of one
machine to the MIDI IN terminal of another machine over a MIDI
cable. To send a message from this keyboard to another machine, for
example, you must use a MIDI cable to connect the MIDI OUT terminal of this keyboard to the MIDI IN terminal of the other machine. To
send MIDI messages back to this keyboard, you need to use a MIDI
cable to connect the other machines MIDI OUT terminal to the MIDI
IN terminal of this keyboard.
To use a computer or other MIDI device to record and playback the
MIDI data produced by this keyboard, you must connect the MIDI
IN and MIDI OUT terminals of both machines in order send and receive data.
MIDI IN
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
MIDI OUT
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
SYNCHRO/
ENDING
NORMAL/
FILL-IN
VARIATION/
FILL-IN
(TIE)
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
SONG BANK CONTROLLER
STEP 1
STEP 2
STEP 3
To use the MIDI THRU function of a connected computer, sequencer, or other MIDI device, be sure to turn this keyboards LOCAL CONTROL off (page E-37).
474A-E-037A
MIDI OUT
General MIDI
As we have already seen, MIDI makes is possible to exchange musical data between devices produced by different manufacturers. This
musical data does not consist of the notes themselves, but rather information on whether a keyboard key is pressed or released, and the
tone number.
If tone number 1 on a keyboard produced by Company A is PIANO
while tone number 1 on a Company B's keyboard is BASS, for example, sending data from Company A's keyboard to Company B's keyboard produces a result entirely different from the original. If a computer, sequencer or other device with auto accompaniment capabilities is used to produce music data for the Company A keyboard which
has 16 parts (16 channels) and then that data is sent to the Company
B keyboard which can receive only 10 parts (10 channels), the parts
that cannot be played will not be heard.
The standard for the tone numbering sequence, the number of pads,
and other general factors that determine the sound source configuration, which was arrived at by mutual consultations by manufacturers, is called General MIDI.
The General MIDI standard defines the tone numbering sequence,
the drum sound numbering sequence, the number of MIDI channels
that can be used, and other general factors that determine the sound
source configuration. Because of this, musical data produced on a
General MIDI sound source can be played back using similar tones
and identical nuances as the original, even when played on another
manufacturers sound source.
This keyboard conforms with General MIDI standards, so it can be
connected to a computer or other device and used to play back General MIDI data that has been purchased, downloaded from the Internet, or obtained from any other source.
E-35
TRANSPOSE/TUNE/MIDI
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
MODE
VARIATION/
FILL-IN
STEP 1
STEP 2
You can use this keyboard in combination with an external sequencer, synthesizer, or other MIDI device to play along with commercially available General MIDI software. This section tells you how to make
the MIDI settings required when connecting to an external device.
2.
Ke y b d . Ch
TRANSPOSE/TUNE/MIDI Button
Each press of the TRANSPOSE/TUNE/MIDI button cycles through
a total of 12 setting screens: the transpose screen, the tuning screen,
and 10 MIDI setting screens. If you accidentally pass the screen you
want to use, keep pressing the TRANSPOSE/TUNE/MIDI button
until the screen appears again. Also note that leaving a setting screen
is automatically cleared from the display if you do not perform any
operation for about five seconds.
[+]/[]
Number buttons
LEFT/TRACK 1
RIGHT/TRACK 2
STEP 3
1.
1.
Na v i . . Ch
GM
MEMORY
STEP
GMu M o d e h
2.
2.
Use the [+], [], and the number buttons [1] through
[8] to change the channel number.
Example: To specify channel 2
Use the [+] and [] or [0] and [1] buttons to turn the
setting on and off.
Na v i . . Ch
NOTE
GMu M o d e h
GM
MEMORY
STEP
KEYBOARD CHANNEL
The keyboard channel is the channel used to send MIDI messages
from this keyboard to an external device. You can specify one channel from 1 to 16 as the keyboard channel.
1.
Ke y b d . Ch
E-36
474A-E-038A
MIDI THRU
MIDI IN
1.
MIDI OUT
MIDI IN
MIDI OUT
Sound Source
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
VOLUME
INTRO
SYNCHRO/
ENDING
NORMAL/
FILL-IN
VARIATION/
FILL-IN
SPLIT
LAYER
MODE
S TO P
PLAY/PAUSE
RE W
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
DEMO
STEP 2
STEP 3
INTRO
SYNCHRO/
ENDING
NORMAL/
FILL-IN
VARIATION/
FILL-IN
SPLIT
STEP
LAYER
START/
STOP
CASIO CHORD
NORMAL
(TIE)
S TO P
PLAY/PAUSE
RE W
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
SONG BANK CONTROLLER
8
4
MAX
FULL RANGE
CHORD
FINGERED
REST
STEP 1
VOLUME
POWER
3-STEP LESSON
MIN
SONG BANK CONTROLLER
TRANSPOSE/
TUNE/MIDI MEMORY
KEY LIGHT
METRONOME BEAT
TEMPO
8
4
START/
STOP
CASIO CHORD
NORMAL
Sound Source
(TIE)
MAX
FULL RANGE
CHORD
FINGERED
GM
MEMORY
STEP
TOUCH
RESPONSE
KEY LIGHT
METRONOME BEAT
TEMPO
MODE
POWER
MIDI OUT
STEP 1
STEP 2
STEP 3
Ch o r d . Ch
2.
Use the [+] and [] or [0] and [1] buttons to turn the
setting on and off.
Example: To turn MIDI IN CHORD JUDGE on
LOCAL CONTROL On
Notes played on the keyboard are
sounded by the internal sound
source and output as MIDI messages from the MIDI OUT terminal.
Ch o r d . Ch
NOTE
MIDI IN CHORD JUDGE automatically turns off whenever you change the
navigate channel to any channel besides 01.
on: Auto Accompaniment is played by the keyboard and the corresponding MIDI message is output from the MIDI OUT terminal.
This setting determines whether or not the keyboard and sound source
of this keyboard are connected internally. When recording to a computer or other external device connected to this keyboards MIDI IN/
OUT terminal, it helps if you turn LOCAL CONTROL off.
1.
1.
A c omp Ou t
2.
Use the [+] and [] or [0] and [1] buttons to turn the
setting on and off.
Example: To turn ACCOMP MIDI OUT on
A c omp Ou t
L o c a l . Ch
2.
Use the [+] and [] or [0] and [1] buttons to turn the
setting on and off.
Example: To turn LOCAL CONTROL off
1.
T o u c hOu t
L o c a l . Ch
2.
T o u c hOu t
474A-E-039A
E-37
TRANSPOSE/TUNE/MIDI
KEY LIGHT
TOUCH
ACCOMP
RESPONSE VOLUME
GM
MEMORY
STEP
TOUCH
RESPONSE
TRANSPOSE/
TUNE/MIDI MEMORY
STEP
KEY LIGHT
METRONOME BEAT
SPLIT
LAYER
TEMPO
MODE
VOLUME
INTRO
(TIE)
SYNCHRO/
ENDING
8
4
MAX
POWER
FULL RANGE
CHORD
FINGERED
START/
STOP
CASIO CHORD
NORMAL
S TO P
PLAY/PAUSE
REW
FF
CK2
IGHT/TRA
LEFT/TRACK1 R
9
5
DEMO
3-STEP LESSON
REST
MIN
NORMAL/
FILL-IN
VARIATION/
FILL-IN
STEP 1
STEP 2
STEP 3
[+]/[]
Number buttons
START/STOP
ASSIGNABLE JACK
on: Shifts low range tones one octave lower and 072 PICCOLO one
octave higher.
oFF:Plays low range tones and 072 PICCOLO at their normal levels.
SFt (soft): Specifies reduction of the sounds volume when the pedal is depressed.
1.
1.
2.
J a c k OO u t
2.
S h i f t Ou t
S h i f t Ou t
Use the [+] and [] or [0], [1], [2], and [3] buttons to
change the setting.
Example: To select rhythm
Messages
J a c k OO u t
*1 Sustain
With piano tones and other sounds that decay, the pedal acts as a
damper pedal, with sounds being sustained longer when the pedal
is depressed. With organ tones and other continuous sounds, notes
played on the keyboard continue to sound until the pedal is released.
In either case, the sustain effect is also applied to any notes that are
played while the pedal is depressed.
*2 Sostenuto
This effect performs the same way as sustain, except that it is applied
only to notes that are sounding already when the pedal is depressed.
It does not affect notes that are played after the pedal is depressed.
There is a wide variety of messages defined under the MIDI standard, and this section details the particular messages that can be sent
and received by this keyboard. An asterisk is used to mark messages
that affect the entire keyboard. Messages without an asterisk are those
that affect only a particular channel.
NOTE ON/OFF
This message sends data when a key is pressed (NOTE ON) or released (NOTE OFF).
A NOTE ON/OFF message include a note number (to indicate note
whose key is being pressed or released) and velocity (keyboard pressure as a value from 1 to 127). NOTE ON velocity is always used to
determine the relative volume of the note. This keyboard does not
receive NOTE OFF velocity data.
Whenever you press or release a key on this keyboard, the corresponding NOTE ON or NOTE OFF message is sent from the MIDI OUT
terminal.
Pedal depressed
NOTE ON
Pedal released
Pedal depressed
Pedal released
NOTE OFF
= Keyboard depressed.
= Sustained notes
E-38
474A-E-040A
NOTE
The pitch of a note depends on the tone that is being used, as shown in
the Note Table on page A-1. Whenever this keyboard receives a note number that is outside its range for that tone, the same tone in the nearest
available octave is substituted.
This message turns off all note data sent from an external device and
currently being sounded on the channel.
Any notes being sustained using a sustain pedal or sostenuto pedal continue to sound until the next pedal off.
NOTE
This keyboard supports 128 tones in the range 0 to 127. However, Channel 10 is a percussion-only channel, and Channels 0, 8, 16, 24, 25, 32, 40,
48, and 62 correspond to the nine drum set sounds of this keyboard.
PITCH BEND
This message carries pitch bend information for smoothly sliding the
pitch upwards or downwards during keyboard play. This keyboard
does not send pitch bend data, but it can receive such data.
CONTROL CHANGE
This message adds effects such as vibrato and volume changes applied during keyboard play. CONTROL CHANGE data includes a
control number (to identify the effect type) and a control value (to
specify the on/off status and depth of the effect).
The following is a list of data that can be send or received using CONTROL CHANGE.
Effect
Control Number
Modulation
Volume
Pan
10
Expression
64
Sostenuto
66
Soft Pedal
67
Data Entry
11
Hold1
RPN*
SYSTEM EXCLUSIVE*
100 / 101
6 / 38
NOTE
Sustain (control number 64), sostenuto (control number 66), and soft (control number 67) effects applied using the foot pedal are also applied.
474A-E-041A
E-39
Troubleshooting
Problem
No keyboard Sound
Possible Cause
1. Power supply problem.
Action
See page
Page E-12
Page E-14
Page E-14
Page E-16
Page E-37
Page E-39
Page E-12
Page E-19
Page E-34
Page E-22
Page E-23
Power on alert is reminding you that power was left on without any operation being performed.
Page E-13
When playing with another MIDI instrument, keys or tunings do not match.
Page E-36
Page E-25
Page E-38
Page E-37
Page E-37
E-40
474A-E-042A
Specifications
Model:
LK-50
Keyboard:
Can be turned on and off (up to 10 keys can be lit at the same time)
Tones:
137 (128 General MIDI tones + 9 drum tones); with layer and split
61
Polyphony:
Auto Accompaniment
Rhythm Patterns:
Tempo:
Chords:
Rhythm Controller:
Accomp Volume:
100
Variable (216 steps, = 40 to 255)
3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)
START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/VARIATION FILL-IN,
SYNCHRO/ENDING
0 to 127 (128 steps)
3-step Lesson:
Playback:
3 lessons (Step 1, 2, 3)
Repeat play of a single tune
Song Bank
Number of Tunes:
Controllers:
100
PLAY/PAUSE, STOP, FF, REW, LEFT/TRACK 1, RIGHT/TRACK 2
Tone, Auto Accompaniment, Song Bank numbers and names; staff notation, tempo, metronome, measure and beat number, step lesson display, chord name, dynamic mark, fingering,
pedal operation
Metronome:
Beat Specification:
On/Off
1 to 6
Memory
Songs:
Recording Tracks:
Recording Methods:
Memory Capacity:
2
2
Real-time, step
Approximately 5,200 notes (total for two songs)
MIDI:
Other Functions
Transpose:
Tuning:
Terminals
MIDI Terminals:
Assignable Jack:
Headphone/Output Terminal:
Output Impedance:
Output Voltage:
IN, OUT
Standard jack (sustain, sostenuto, soft, rhythm start/stop)
Stereo standard jack
100
4.5V (RMS) MAX
Power Jack:
9V DC
Power Supply:
Batteries:
Battery Life:
2-way
6 AA-size batteries
Approximately 4 hours continuous operation on alkaline batteries
(Approximately 30 minutes continuous operation on manganese batteries)
AD-5
Turns power off approximately 6 minutes after last key operation. Enabled under batter power
only, can be disabled manually.
AC Adaptor:
Auto Power Off:
Speaker Output:
2.5W + 2.5W
Power Consumption:
9V
Dimensions:
Weight:
7.7W
474A-E-043A
E-41
E-42
474A-E-044A
A-1
A-2
Note Table
Tabla de notas
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
24
24
12
12
24
24
24
24
24
24
A
A
A
A
A
A
A
A
A
A
A0 - C8
A0 - C8
A0 - C8
A0 - C8
E1 - G7
E1 - G7
F2 - F6
C2 - C7
C4 - C8
C5 - C8
010
011
012
013
014
015
016
017
018
019
12
24
24
24
24
12
12
12
12
12
A
A
A
A
A
A
A
A
A
A
C4 - C6
F3 - F6
C3 - C6
F4 - C7
C4 - F5
C4 - C6
C2 - C7
C2 - C7
C2 - C7
A0 - C8
020
021
022
023
024
025
026
027
028
029
24
12
24
12
24
24
24
24
24
24
A
A
A
A
A
A
A
A
A
A
C2 - C7
F3 - F6
C4 - C6
F3 - F6
E2 - C6
E2 - C6
E2 - D6
E2 - D6
E2 - D6
E2 - D6
030
031
032
033
034
035
036
037
038
039
24
24
24
24
24
24
24
24
24
24
A
A
B
B
B
B
B
B
B
B
E2 - D6
E2 - D6
E1 - G3
E1 - G3
E1 - G3
E1 - G3
E1 - G3
E1 - G3
E1 - G3
E1 - G3
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
040
041
042
043
044
045
046
047
048
049
24
24
24
24
24
24
24
24
24
24
A
A
A
B
A
A
A
B
A
A
G3 - C7
C3 - C6
C2 - C5
E1 - G3
E1 - C7
E1 - C7
B0 - G7
C2 - A3
E1 - C7
E1 - C7
050
051
052
053
054
055
056
057
058
059
24
12
24
24
12
12
24
24
24
24
060
061
062
063
064
065
066
067
068
069
12
24
12
12
24
24
24
24
24
24
A
A
A
A
A
A
A
B
A
A
F2 - F5
C2 - C7
C2 - C7
C2 - C7
F3 - D6
C3 - G5
F2 - D5
C2 - G4
A3 - G6
E3 - A5
070
071
072
073
074
075
076
077
078
079
24
24
24
24
24
24
12
24
24
24
B A 1 - C5
A D3 - G6
C D5 - C8
A C4 - C7
A C4 - C7
A C4 - C7
A C4 - C7
A G3 - C6
A C4 - C7
A C4 - C6
A C2 - C7
A C2 - C7
A C3 - G5
A C3 - G5
A C3 - C6
A C3 - C5
A A3 - A6
A A1 - D5
B F1 - G3
A A3 - A5
Range Type
C-1
C0
C1
C2
C5
C6
C3
C4
C7
G7 C8
C9
A
(Standard type)
(Tipo estndar)
B
Low pitch
instruments
Instrumentos de
altura tonal baja
474A-E-086B
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
(1)
(2)
(3)
(4)
080
081
082
083
084
085
086
087
088
089
12
12
12
12
12
12
12
12
12
24
A
A
A
A
A
A
A
A
A
A
A0 - C8
A0 - C8
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
A0 - C8
C2 - C7
C2 - C7
090
091
092
093
094
095
096
097
098
099
12
12
12
12
12
12
12
12
12
12
A
A
A
A
A
A
A
A
A
A
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C2 - C7
100
101
102
103
104
105
106
107
108
109
12
12
12
12
24
24
24
24
24
12
A
A
A
A
A
A
A
A
A
A
C2 - C7
C2 - C7
C2 - C7
C2 - C7
C3 - F5
C3 - C6
D3 - G5
G3 - C6
C3 - G5
C2 - F5
110
111
112
113
114
*115
*116
*117
*118
*119
12
24
24
24
12
24
24
24
12
24
A
A
A
A
A
D
D
D
D
D
G3 - C7
C3 - C5
C5 - C6
C4 - C5
E3 - E5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
(1)
(2)
(3)
(4)
*120
121
*122
*123
*124
*125
*126
*127
24
24
12
24
24
24
12
24
D
A
D
D
D
D
D
D
C4 - C5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
C4 - C5
NOTES
NOTAS
072 PICCOLO
only
Solamente
072 PICCOLO
D
(Sound Effect)
(Efecto de sonido)
........Notes in these ranges are produced by playing the notes in range c that are in the
nearest octave as the result of transpose and MIDI data receive operations.
........Las notas en estas gamas se producen ejecutando las notas en la gama c que se
encuentre en la octava ms cercana como resultado de las operaciones de
transposicin y recepcin de datos MIDI.
G9
Appendix/Apndice
000
001
002
003
004
005
006
007
008
009
A=440Hz
A-3
A-2
E6 88
E
1 27
F#1 30
A
1 32
B
1 34
C#2 37
E
2 39
F#2 42
A
2 44
B
2 46
C#3 49
E
3 51
F#3 54
A
3 56
B
3 58
C#4 61
E
4 63
F#4 66
A
4 68
B
4 70
C#5 73
E
5 75
F#5 78
A
5 80
B
5 82
C#6 85
E
6 87
Drumset 1
STANDARD SET
HIGH Q
SLAP
SCRATCH PUSH
SCRATCH PULL
STICKS
SQUARE CLICK
METRONOME CLICK
METRONOME BELL
ACOUSTIC BASS DRUM
BASS DRUM
SIDE STICK
ACOUSTIC SNARE 1
HAND CLAP
ACOUSTIC SNARE 2
LOW FLOOR TOM
CLOSED HI-HAT
HIGH FLOOR TOM
PEDAL HI-HAT
LOW TOM
OPEN HI-HAT
LOW MID TOM
HIGH MID TOM
CRASH CYMBAL 1
HIGH TOM
RIDE CYMBAL 1
CHINESE CYMBAL
RIDE BELL
TAMBOURINE
SPLASH CYMBAL
COWBELL
CRASH CYMBAL 2
VIBRA-SLAP
RIDE CYMBAL 2
HIGH BONGO
LOW BONGO
MUTE HIGH CONGA
OPEN HIGH CONGA
LOW CONGA
HIGH TIMBALES
LOW TIMBALES
HIGH AGOGO
LOW AGOGO
CABASA
MARACAS
SHORT WHISTLE
LONG WHISTLE
SHORT GUIRO
LONG GUIRO
CLAVES
HIGH WOOD BLOCK
LOW WOOD BLOCK
MUTE CUICA
OPEN CUICA
MUTE TRIANGLE
OPEN TRIANGLE
SHAKER
JINGLE BELL
BELL TREE
CASTANETS
MUTE SURDO
OPEN SURDO
Drumset 2
ROOM SET
474A-E-087B
Drumset 3
POWER SET
Drumset 6
JAZZ SET
Drumset 5
SYNTH SET
Drumset 4
ELEC SET
Drumset 7
BRUSH SET
Drumset 8
ORCHESTRA SET
CLOSED HI-HAT
PEDAL HI-HAT
OPEN HI-HAT
RIDE CYMBAL 1
Drumset 9
VOICE SET
JAZZ SNARE 1
BRUSH TAP
BRUSH SLAP
BRUSH SWIRL
CONCERT SNARE
CASTANETS
CONCERT SNARE
TIMPANI F
TIMPANI F
ROOM SNARE 1
POWER SNARE 1
ELEC SNARE
ROOM SNARE 2
ROOM LOW FLOOR TOM
POWER SNARE 2
ROOM LOW FLOOR TOM
DANCE SNARE
ELEC LOW FLOOR TOM
JAZZ SNARE 2
SYNTH SNARE 2
SYNTH LOW FLOOR TOM
SYNTH CLOSED HI-HAT 1
SYNTH HIGH FLOOR TOM
SYNTH CLOSED HI-HAT 2
SYNTH CYMBAL
REVERSE CYMBAL
TIMPANI G
TIMPANI A
TIMPANI A
TIMPANI B
TIMPANI B
TIMPANI C
TIMPANI C
TIMPANI D
TIMPANI E
TIMPANI E
TIMPANI F
SYNTH SNARE 1
SYNTH LOW FLOOR TOM
VOICE CLOSED HI-HAT
SYNTH HIGH FLOOR TOM
VOICE PEDAL HI-HAT
SYNTH LOW TOM
VOICE OPEN HI-HAT
SYNTH LOW MID TOM
SYNTH HIGH MID TOM
SYNTH CYMBAL
SYNTH HIGH TOM
SYNTH COWBELL
SYNTH COWBELL
CONCERT CYMBAL 2
CONCERT CYMBAL 1
SYNTH MARACAS
SYNTH MARACAS
SYNTH CLAVES
SYNTH CLAVES
APPLAUSE
A-4
A-3
Chord
Type
m7
dim7
M7
m7-5
dim
Root
Chord
Type
C /(D
)
C /(D
)
(D )/E
(D )/E
F /(G
)
F /(G
)
(G )/A
(G )/A
(A )/B
(A )/B
aug
sus4
7sus4
m add9
mM7
7-5
add9
474A-E-088B
Rhythm List
Lista de ritmos
POPS
00 POPS 1
01 WORLD POP
02 SOUL BALLAD 1
03 POP SHUFFLE
04 POP BALLAD
05 POPS 2
06 BALLAD
07 FUSION SHUFFLE
08 POPS 3
09 SOUL BALLAD 2
10 16 BEAT 1
11
16 BEAT 2
12 16 BEAT 3
13 8 BEAT 1
14 8 BEAT 2
15 8 BEAT 3
16 POPS 4
17 DANCE POP
18 POP FUSION
19 POP WALTZ
DANCE/FUNK
20 JUNGLE
21 RAVE
22 TECHNO
23 GROOVE SOUL
24 DISCO
25 EURO BEAT
26 RAP
27 TRANCE
28 FUNK
29 VERY FUNKY
ROCK
30 ROCK WALTZ
31 SLOW ROCK 1
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
SLOW ROCK 2
SOFT ROCK 1
SOFT ROCK 2
SOFT ROCK 3
FOLKIE POP
POP ROCK 1
60'S SOUL
POP ROCK 2
ROCK 1
ROCK 2
POP ROCK 3
RIFF ROCK
HEAVY METAL
50'S ROCK
TWIST
N'AWLINS R&R
CHICAGO BLUES
R&B
JAZZ/FUSION
50 BIG BAND
51 JAZZ VOICES
52 SLOW SWING
53 SWING 1
54 SWING 2
55 FOX TROT
56 MODERN JAZZ
57 ACID JAZZ
58 LATIN FUSION
59 JAZZ WALTZ
EUROPEAN
60 POLKA 1
61 POLKA 2
62 MARCH 1
63 MARCH 2
64 SLOW WALTZ
65
66
67
68
69
VIENNESE WALTZ
WALTZ
FRENCH WALTZ
SERENADE
TANGO
LATIN/VARIOUS
70 BOSSA NOVA 1
71 BOSSA NOVA 2
72 SAMBA 1
73 SAMBA 2
74 JAZZ SAMBA
75 MAMBO
76 RHUMBA
77 CHA-CHA-CHA
78 MERENGUE
79 BOLERO
80 SALSA
81 REGGAE
82 PUNTA
83 CUMBIA
84 PASODOBLE
85 RUMBA CATALANA
86 SEVILLANA
87 SKA
88 TEX-MEX
89 FOLKLORE
90 COUNTRY
91 BLUEGRASS
92 TOWNSHIP
93 FAST GOSPEL
94 SLOW GOSPEL
95 RAI
96 ADANI
97 BALADI
98 ENKA
99 STR QUARTET
Copyright Notices
Avisos sobre derechos del autor
474A-E-089C
A-4
A-5
A-4
Model
LK-50
Recognized
Version: 1.0
Remarks
Function ...
Basic
Channel
Default
Changed
1-16*1
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
Mode 3
X
36 - 96
XX = no relation
Note
Number:
Velocity
After
Touch
True voice
0-127
12 - 108*2
Note ON
Note OFF
O 9nH v = 1-127
X 9nH v = 0
O 9nH v = 1-127
X 9nH v = 0, 8nH v = XX
Key's
Ch's
X
X
X
O*3
1
6,38
7
10
11
64
66
67
X
O*4
X
X
X
O*5
O*5
O*5
O*3
O*4
O
O
O
O
O
O
Modulation
Data entry
Volume
Pan
Expression
Hold1
Sostenuto
Soft pedal
100, 101
120
121
O*4
X
X
O*4
O
O
Pitch Bender
474A-E-090A
Control
Change
474A-E-091A
Program
Change:
67
O*5
Soft pedal
100, 101
120
121
O*4
X
X
O*4
O
O
O 0-127
O 0-127
O*6
O*6
True #
System Exclusive
System
Common
: Song Pos X
: Song Sel X
X
: Tune
X
X
X
System
Real Time
O
: Clock
: Commands O
X
X
Aux
: Local ON/OFF
: All notes OFF
Messages : Active Sense
: Reset
X
X
X
X
X
O
O
X
Remarks
*3 Modulation and after touch for each channel are the same effect.
*4 FINE TUNE, COARSE TUNE send/receive, and PITCH BEND SENSE, RPN Null receive
*5 In accordance with assignable jack setting
*6 GM on/off
GM ON : [F0] [7E] [7F] [09] [01] [F7] GM OFF : [F0] [7E] [7F] [09] [02] [F7]
O : Yes
X : No
A-5
P
MA0010-C
Printed in Malaysia
LK50-ES-1