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The University Wits

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The University Wits

Faustus Part I

Recap
Miracle Plays banned in 1572
demand for more plays
emergence of professional
companies of players
first theatres built by James Burbage

Elizabethan Theatres
several galleries and the pit => social
stratification
stage:
inner stage
main stage
balcony (upper stage)

no scenery, hardly any props, no curtain


but: elaborate costumes, fight scenes and
special effects

The University Wits


group of young poets, educated at Cambridge
or Oxford
Thomas Kyd, Robert Greene, George Peele,
Thomas Lodge, Thomas Nashe, Christopher
Marlowe
not a homogenous group => cliques and fights
bohemian lifestyle

Achievements
no more classical restrictions on tragedy
new types of plays

Revenge Tragedy
Tragedy of Character
Romantic Comedy
History Play
Court Comedy

blank verse
iambic pentameter
no rhymes

influence on prose
Nashe's "Unfortunate Traveller"
Pastoral Romances: Lodge's "Rosalynde"

Iambic Pentameter

meter = pattern of stressed and unstressed syllables


Pentameter = 5 stresses per line
Iamb = xX (unstressed stressed)
keep in mind: different pronunciation!

Who will believe my verse in time to come?


who WILL beLIEVE my VERSE in TIME to COME
ways of cheating:
contractions: e'er
sneaking in an extra syllable: punishd

Romance
prose
elevated, ornate language
opposite of realistic novel
Pastoral Romance => idyllic rural life
imaginary lands, fantastic plot,
exciting scenes
Thomas Lodge: "Rosalynde" (1590)

Information?
Stationer's Register/Licensing Comission
Henslowe's Diary
business accounts of Phillip Henslowe, owner of
the Rose
lists of plays, performances, earnings, props,
names of actors

accounts in private diaries/by visitors to


London

John Lyly
King's School, Oxford
Euphues Or the Anatomy of Wit
main character as the ideal Elizabethan courtier
Euphusim: highly elaborate, artificial language
cf: Thomas Overbury's "Puritan"

Compaspe
first court comedy
about love triangle with Alexander the Great
written in Euphuistic style

Thomas Kyd

not a University graduate


friend of Marlowe's: room-mates
bohemian life, interest in occult, atheist
The Ur-Hamlet:
lost play
most probably Shakespeare's source

The Spanish Tragedy

first English revenge tragedy


based on Seneca
extremely popular => cruel
written in blank verse

Christopher Marlowe
born in 1564 King's School Cambridge
worked as secret agent
Plays

Tambourlaine the Great


Dido, Queen of Carthage
The Jew of Malta
The Massacre at Paris
Dr Faustus

Edward II
arrested together with Kyd for
heresy released
killed in tavern brawl (1593)

Dr Faustus
1592
source: translation of the "Faustbuch"
Structure

Prologue 19 scenes Epilogue


no division into acts
main plot and sub-plot
covers 24 years, different settings

two versions
A (1604) and B (1616)
both have unauthorised additions

The Marlowian Hero


first developed in Tamburlaine
hubris nemesis topos
arrogant hero: longs for forbidden
knowledge/power/divinity
ambitions lead to downfall and destruction
punishment by Fortune/God

Plot Outline I
Prologue:
Chorus introduces Faustus
born poor, put through university by rich relative, now
famous scholar
also alerts us to his arrogance and interest in magic

Scene I:

Faustus goes through all his books/subjects


eventually decides to study magic
calls servant (Wagner) to invite German magicians
visited by good and bad angles
Magicians come and agree to teach Faustus

Scene II
Scholars want to visit Faustus
Wagner tells them he's at dinner with
magicians

Scene III
Faustus conjures devil (Mephistopheles) and
tells him to come back dressed like friar
Faustus wants to command him, but
Mephistopheles obeys only Lucifer
Faustus asks him to go and talk to Lucifer

Scene IV
Wagner scares clown into serving him

Scene V
Faustus' self-searching soliloquy
visit of good and bad angels
Mephistopheles offers his services for 24
years in return for Faustus's soul
Faustus signs contract in his own blood
dumb show of devils
Faustus asks for wife => gets devils
asks for volumes of knowledge => gets only
one book

Significance
introduction of characters
Faustus:
hungry for power and knowledge turns
to magic
shows some hesitation and uncertainty
ambition overpowers piety
haughty and proud

Mephistopheles:
cunning devil serving Lucifer
fallen angel => torment

Subplot
comic contrast to main plot
farce for comic relief
to entertain the uneducated parts of
the audience

Debt to older forms of drama


dumb show of devils
allegorical characters: Good Angel /
Bad Angel

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