LEGEND by ERIC BLEHM-Excerpt
LEGEND by ERIC BLEHM-Excerpt
LEGEND by ERIC BLEHM-Excerpt
ISBN 978‑0‑8041‑3951‑9
eBook ISBN 978‑0‑8041‑3952‑6
10 9 8 7 6 5 4 3 2 1
First Edition
positioned the remaining men to fight back the endless waves of attack-
ing NVA while he called in dangerously close air support.
For the next several hours, Benavidez saved the lives of eight men
during fierce, at times hand-to-hand combat before allowing himself to
be the last man pulled into a helicopter that had finally made it to the
ground amidst the relentless onslaught. There he collapsed motionless,
atop a pile of wounded and dying men. His body—a torn-up canvas of
bullet holes, shrapnel wounds, bayonet lacerations, punctures, burns,
and bruises—painted a bloody portrait of his valor that day.
For nearly a decade his story, and the story of the May 2 battle, re-
mained untold. That was until Fred Barbee, a newspaper publisher
from Benavidez’s hometown of El Campo, Texas, got wind of it and
ran a cover story in the El Campo Leader-News on February 22, 1978.
The intent of his article was twofold: to honor Benavidez by recount-
ing his heroics and to berate the Senior Army Decorations Board for its
staunch refusal to bestow upon Benavidez what Barbee believed was a
long-overdue and unfairly denied Congressional Medal of Honor.
Barbee wanted to know what the holdup was. His tireless research
elicited few answers from the Decorations Board, whose anonymous
members, he quickly learned, answered to no one—not congressional
representatives, not colonels (two of whom had lobbied for Sergeant
Benavidez), and certainly not a small-town newspaper publisher.
But Barbee wouldn’t let it go. He was perplexed when the board
cited “no new evidence” as its most recent reason for denying the medal,
when in fact there was plenty of new evidence. Topping the list was
an updated statement written by Benavidez’s commanding officer, cit-
ing previously unknown facts that corroborated the sergeant’s legendary
actions. There was also testimony from the helicopter pilots and air-
crews who witnessed the battle from the air or listened in on the radio
Roy was three years old when he moved into Cuero with his mother,
Teresa, and two-year-old brother, Rogelio, “Roger,” during the second
week of November 1938. Just a few days earlier his father, Salvador
Benavidez—a sharecropper and a vaquero (cowboy) on the nearby Wal-
lace Ranch—succumbed to tuberculosis. Roy had been born on that
ranch, brought into the world by a midwife in his parents’ bed. It was
the same bed he had watched his father’s body lifted from and placed
into a wooden box built by a neighbor. He would always remember the
pounding of the hammer as the casket was nailed shut, then slid into
the back of a pickup truck and put in the ground at the ranch’s tiny
cemetery, beneath a wooden cross.
In Cuero, Teresa soon found work tending the household of a well-
to-do doctor. A year later she married Pablo Chavez, who worked at the
local cotton mill. After another year, Roy and Roger were joined by their
baby sister, Lupe, who received all of their stepfather’s attention and most
of their mother’s. His stepfather wasn’t cruel, just inattentive, offering
little guidance to or affection for the two boys. They did, however, have
plenty of freedom.
Situated on a branch of the Chisholm Trail, Cuero had been a fron-
tier town where cowboys once congregated while driving their cattle
from the southern plains to markets in the north. There were more
automobiles than horses on the streets Roy explored, but the spirit of
the Western town remained. Six-year-old Roy would observe a steady
stream of men coming in and out of the “houses” strategically placed
near the swinging doors of saloons located, it seemed, on every corner.
He wanted to see what was going on inside but was always shooed away
by the women wearing bright-red lipstick.
With its population of 4,700, Cuero was a thriving hub of business
for the ranching, farming, rodeo, and agricultural industries. Roy was
just another of the anonymous Mexican street kids who, charged with
contributing to their family coffers, provided well-to-do farmers, ranch-
ers, and businessmen labor for odd jobs: a dime shine for their shoes, a
five-cent taco for their bellies, and the occasional philanthropic enter-
tainment. Such shows would begin when a man wearing a pressed suit
or fancy cowboy boots would gather some friends, then toss a handful
of coins onto a street corner where the children were looking for work
or selling their wares.
The men would laugh as the kids kicked up a dust storm scram-
bling for the coins. At first it was a game to Roy, like grabbing candy
from a piñata—until, somewhere along the line, he realized the coins
weren’t free. They cost him his dignity.
The movies were the reason Roy continued to dive for the money,
only now he did it angry. It had gone from being a game to a battle in
which he hit and shoved the other kids first and grabbed for the coins
second. “If you take them out,” he told a relative, “there’s less hands
to grab the money, and you get to see a movie. If you hit really hard,
maybe you get an ice cream, too.”
He’d walk away as quickly as he could from the scramble, slap-
ping the dirt off his clothes as if he could brush away the disgrace. The
money in his pocket didn’t outweigh the contempt and anger building
in his heart. He began to fight with the kids on the street for fun and
sport, and because he was good at it. Nothing made him happier than
wrestling a kid bigger than him to the ground and making him cry
uncle—or, better yet, just making him cry.
Roy would remember his sixth year as the year he turned into “a
tough, mean little kid . . . a general nuisance for anybody who got in
my way.” That was also the year his mother began coughing, just as
his father had. There was blood in her handkerchief, and lots of people
came to their little house, including the nuns who taught at his school
and the priest from his church. They’d light candles and say prayers,
and one day in early fall a nun gave him a dime to go to a movie.
Sitting in the balcony, Roy tried to forget the conversations he’d over-
heard between the visitors and his stepfather, who had made it clear that
he would not be shouldering the burden of raising “Teresa’s boys.” In the
darkness Roy tried to keep his mind off his uncertain future. Would he
and Roger be sent to an orphanage or a labor camp? Would they be
separated to live with strangers? All of his trying not to worry reminded
him of what he most wanted to forget—that his mother was dying.
After the movie let out, Roy recruited some friends to sneak into the
cotton warehouse and play war. He climbed the ladder to the loft and
strived to be brave like the paratroops as he leaped into the unknown.
In her final weeks, Teresa sent word to Nicholas Benavidez, her late
husband’s brother, that his nephews would soon be orphans.
She died in the fall and was buried in the Cuero city cemetery fol-
lowing a service at Our Lady of Guadalupe Church. The funeral was a
fog of anxiety and sadness for seven-year-old Roy, until a tall stranger
introduced himself to the boys as their uncle.
He told the grieving brothers they would be coming to live with
him and his family in El Campo, a small city eighty-five miles to the
southeast. The boys packed their few belongings—including a small
black-and-white photograph of their mother and father—and said brief
good-byes to their half sister and stepfather, then headed to the bus
depot, where Uncle Nicholas bought three tickets. Roy had never been
on a bus before. He put his arm around his brother, gave him a squeeze,
and, just like that, the road ahead brightened a little.
As they sat together in the back of the bus, Nicholas described
the boys’ new family: his wife, “your aunt Alexandria,” and their eight
children, “your new brothers and sisters.” Grandfather Salvador, “your
father’s father,” also lived with them, he said, then added, “He will
tell you many stories.” By the time they pulled into the El Campo
bus depot, things were looking up. Roy couldn’t imagine how a day
that had started out so terribly could get any better. Then, noticing
his nephew’s worn-out shoes, a hole on one sole patched with a piece
of cardboard, Nicholas told Roy, “Tomorrow we’ll buy you a new pair
of shoes.”
Well after dark, Roy and Roger timidly entered their new home. An
older man with a warm smile shook their hands and told them he was
their grandfather. Then Nicholas introduced Alexandria and their chil-
dren, ranging in age from seven to seventeen: Maria, Miguel, Eugenio,
Nicholas, Elida, Evita, Joaquin, and Frank.
Roy attended public school with his siblings in El Campo that school
year, until April 1943. That was the month when the Benavidez kids
collected their final report cards, cleaned out their desks, and headed for
the sugar beet fields of northern Colorado. All ten of them were pressed
tightly together in the bed of the family truck, which pulled a trailer
loaded with wooden boxes and milk crates Alexandria had packed with
household essentials: bedding, cooking utensils, pots, dishes, a small
red radio, and the family Bible.
This was old hat for the adults and older siblings, but for Roy and
the other young children, it was high adventure. At a gas station stop
late on their first day of driving, Nicholas told Roy he had a very impor-
tant job for him: to relieve Eugenio, Gene, who had been keeping an
eye on the trailer. If the ball hitch started rattling or the trailer swerved
oddly, he was to knock on the window of the cab.
“You cannot fall asleep,” Nicholas said, and Roy positioned himself
for what he considered a great honor—his uncle trusted him!
Soon the drone of the road began to lull the Benavidez children to
sleep. One by one they dropped off, sprawled like a litter of puppies as
they slept the miles away. Gene was the last to fall asleep and, an hour
later, the first to awaken, with a jolt. He glanced to the rear.
There was the trailer, still following them with the hypnotic sway
of its dance on the road. And there was Roy, sitting upright, his head
swaying back and forth in rhythm with the trailer and his eyes wide
open, battling the weight of his eyelids. He had one hand under his
chin, keeping his head up; with his free hand he was pinching himself
on the arm to the point of bruising—determined to stay awake during
his appointed vigil.
They drove for several days, camping at night, before reaching the
fields near Timnath, Colorado. The migrant camp was a collection of
one-room shacks built from scrap wood, with tin roofs, wood stoves,
and no indoor plumbing or hot water.
The family slept and worked shoulder to shoulder, from sunrise to
sunset. On their hands and knees, they weeded around and thinned the
sugar beet plants with short-handled hoes—backbreaking work that was
often reserved for the young. But Nicholas had a strong back, and if his
family was on their knees, he was beside them. Nobody complained, so
neither did Roy. It took weeks to thin what seemed to be oceans of fields.
The days were long, and he looked forward to the nights, when the
children would play around the camp, its grid of dirt roads lit by the
glow of kerosene lanterns and the fire rings that were the social gather-
ing spots and where Grandfather Salvador told the stories that taught
Roy about his heritage. Benavidez was a name that Salvador described
as respected in the community—a hardworking, cultured family of
God-fearing vaqueros and sharecroppers who first sank roots in Texas
in the early 1800s and fought for their independence from Mexico as
Texans and Americans—no different from the Europeans who had
fought for independence from England. “You have Benavidez cousins
who are fighting for America right now,” he said to the children.
Roy grew to understand the distinction between his family and the
hundreds of thousands of Mexican laborers they competed against for
jobs and wages during World War II. Because men were needed in the
military, there was a labor shortage, so in 1942 Congress enacted the
Bracero Program (brazos is the Spanish word for arms), which encour-
aged Mexican migrants to cross the border and work legally in U.S.
agriculture and industry.
“The name Benavidez is Mexican,” Salvador said, “but we are
Americans.”
He also shared—often at the request of the kids—the stories of his
days as a vaquero, when he would drive stock from pastures in the high
mountains of Colorado or ride miles and miles of fence, stopping for
repairs. A favorite of Roy’s was the time his grandfather rescued a fellow
vaquero whose horse had gone off the ledge on a narrow path, leaving
the man hanging precariously to the slope.
Salvador would reenact how he’d gotten on his knees and leaned
over the precipice. Unable to reach the man, he lay flat and used his belt
as a rope to pull the cowboy to safety.
There was a moral in many of Salvador’s stories, and this one was
simple. “If someone needs help,” he told the children, “you help them.”
the end of a row, a swim in the farmer’s pond after a truck was filled, or
an ice cream on Sunday if a field was cleared by Saturday night. He’d
always point to Frank, the eldest, who could pull a thousand pounds of
cotton in a day, as an example of what was possible. “No matter what
you do,” Nicholas said, “always try to be the very best.”
If you were trying hard, and Uncle Nicholas noticed, he would ac-
knowledge you with a nod, such as he’d given Roy for watching the
trailer on that first long drive, or a pat on the back for good marks on
a test at school. But for something exceptional, like pulling a thousand
pounds of cotton in a day, you might get the highest praise of all from
Uncle Nicholas: “I’m proud of you.”
powers, though he wished, as only boys who haven’t seen battle do, that
he’d actually gone to war.
A few weeks into his school year, Roy began pining for the fun they’d
had in the fields. He was proud of his tough, callused hands but was
embarrassed when he was unable to answer questions most of his class-
mates knew the answers to. Leaving school two months early and start-
ing two months late meant he was always behind.
He was placed in groups of almost exclusively Hispanics, who, like
him, were struggling to catch up with their grade level. The teachers
might have thought they were helping by separating the class based on
ability, but this practice promoted unjust stereotypes. The taunts Roy
weathered over the years about the color of his skin or the food his fam-
ily ate—“pepper belly” and “taco bender”—were bad enough, but noth-
ing angered him more than “dumb Mexican.”
He would take note of which kid said it, and at recess he’d exact
his revenge. It didn’t matter how big the kid was: the work in the fields
had made his body strong and anger powered his fists. If it was a girl,
he might kick dirt on her instead. Then the girl’s brother or boyfriend
would step in, usually with his own racially slanted taunt, and Roy
would end up in the principal’s office trying to justify the fact that he’d
decked another kid because the kid wouldn’t stop calling him or others
disparaging names.
“Names are one thing,” the principal would tell him. “Fists are an-
other.” But to Roy, the names hurt worse, and stung far longer, than a
punch in the face. They made him meaner and madder, to the point
that he would go after anybody who even looked at him wrong. In his
words, he fought mostly “with white kids who had new shoes, or had
money to buy whatever they wanted.”
The life of Roy Benavidez could have gone in any of a number of di-
rections but for the wise counsel of his uncle, who later joked that he’d
clocked more hours in the principal’s office with Roy than he had at
either of his two jobs—the barbershop where he gave haircuts and the
garage where he turned wrenches.
“He wasn’t a rabble-rouser,” Roy later told a friend. “He was a peace-
maker.” Nicholas did all he could to extinguish the flames of anger, bit-
terness, and resentment burning inside Roy. He never condoned the
racism—never said it was right that Roy was not allowed to dine in or
use the front door of the restaurant where he washed dishes, or sit at the
counter and order a soda at the malt shop, or choose a good seat in the
movie theater—but neither did Nicholas believe a fight would make the
world change any quicker.
He explained to Roy that there was honor in restraint, that a re-
sponse to a racial slur did not have to be physical. He could take it
in stride and “fight” to better his station in life, living within the law
and getting an education. Nicholas also pointed out that racism was an
individual choice: there were Anglos who dished out slurs, and there
were others who respected the Hispanic community and treated them
as equals, just the way the Benavidez family considered the white cotton
pickers they sometimes worked alongside. “Cada persona tiene su histo-
ria,” Nicholas would say. “Every person has a story.”
“Someday,” he told Roy, “someone will open a door to you, and
you must be there saying, ‘Let me in.’ My future and yours will be in
a different world than Grandfather Salvador’s. We will not give up our
heritage, but we won’t let it hold us back either. We will be judged by
the way we act and by the respect we earn in the community.”
As a bilingual barber and mechanic, Uncle Nicholas was an open ear
for conversations from all walks of El Campo life, and when asked his
opinion he always gave it straight. One afternoon two men—one Anglo
and one Hispanic—got into a fender bender on the street outside the
barbershop, where the sheriff was having a haircut. Without any wit-
nesses, the sheriff had a difficult time getting to the bottom of the acci-
dent as the drivers yelled at each other in English and Spanish. Nicholas
stepped in, heard both sides, translated the Spanish, and conferred with
the sheriff, who then rendered the accident to be without fault.
And so, Nicholas “became known for resolving problems between
the communities,” Roy said. “He didn’t do it with his hat in his hand
and his eyes on the ground asking for favors, and he didn’t do it with
threats. If our folks were wrong, he’d say so and stick to it. If the Anglo
side was wrong, he’d talk sense until their ears fell off or they agreed,
just as he sometimes preached to us.”
Soon after, a long-closed door at the Wharton County Sheriff’s Of-
fice swung open and Nicholas was invited in. He was offered a part-time
job as a deputy—the first Hispanic deputy in the history of the county.
It was 1947. Roy was twelve when he and Gene accompanied Nich-
olas to pick up his new badge and sign some documents. At the station
a deputy told Nicholas that he would have the right to arrest Hispan-
ics and blacks, but not whites. If a situation warranted such an arrest,
Nicholas would have to bring in another deputy.
“No,” Nicholas said. “If I wear this badge, then I will have the au-
thority to arrest any person who breaks the law.”
The deputy shook his head. “That’s not going to fly, Nicholas.”
“Then,” said Nicholas, “I cannot accept the job.”
“I’m going to have to speak with the sheriff,” the deputy said.
Nicholas was called back to the station the following day. He came
home with a badge—and the authority to arrest anybody who broke the
law, regardless of the color of their skin.
Roy learned just how serious his uncle was about fairness within the
law when Deputy Benavidez was called upon to break up a brawl a few
months into his new job, during a time when gangs were forming in El
Campo and knives were starting to replace fists. After a firm talking-to,
Nicholas sent the group of offenders, mostly teenage boys, on their way,
except Roy and his younger brother, Roger, who had been doing their
best to hide their faces in the crowd. Nicholas spotted them immedi-
ately, took them to the station, and locked them up for the evening.
His brief stint in the pokey did little to dissuade Roy, who contin-
ued to run with a group of older teens. He was arrested for burglary
and, according to his military records, was “to be sent to Gatesville
State School for Boys,” a notorious labor camp in Texas that imple-
mented hard labor to reform juvenile offenders.
On his way out the door from El Campo Middle School to the
sugar beet fields the spring of his fourteenth year, Roy informed his
teacher he wouldn’t be returning in the fall. She tried to dissuade him,
telling him he had potential and urging him not to throw his future
away. But Roy never returned. After the harvest, when his siblings went
back to school, he led the life of a school dropout, working odd jobs and
giving more than half of his pay to his uncle and aunt. He still slept
most nights in the attic with his brothers and ate at the family table.
One night his uncle caught him banging his way up the stairs,
drunk after a night of too much beer. While Roy threw up, Nicholas
launched into a lecture, pounding home the moral for what seemed like
the thousandth time.
“Bad habits and bad company will ruin you, Roy,” Uncle Nicholas
said. “Dime con quien andas, y te dije quien eres.” (“Tell me with whom
you walk and I will tell you who you are.”)