Art of Color
Art of Color
Art of Color
Color harmony | Developing a visual relationship and structure between colors that are capable of serving as a basis for composition and revealing content.
Color Impression
Colored light reected from colored objects modies the colors of other objects.
William Eggleston
Joel Sternfeld
Paul Graham
Full Light
Medium Light
Shadow
name and properties/mixture of a color that enables it to be perceived. how light or dark a color is. the level and mixture of white, black, grey or complimentary included in color. proportions of color shifting of colors to their complementary
Simultaneous
Color Agent is the physically or denable colorant. Color Effect is the psychophysiological color reality.
On a black background, the yellow square acquires extreme brilliance and is cooler.
On a white background, the blue square looks darker and suggests depth.
On a black background, the blue square acquires extreme brilliance with deep luminescence of hue.
Color Expression
Color is not only experienced and understood visually, but also psychologically and emotionally
Gregory Crewdson
Green
Orange
Blue Green
Red Orange
Red
Violet
Yellow
Yellow is the color of sunshine. It's associated with joy, happiness, intellect, and energy. Yellow produces a warming effect, arouses cheerfulness, stimulates mental activity, and generates muscle energy. Shades of yellow (when gray is added) are visually unappealing because they lose cheerfulness and become dingy. Dull (dingy) yellow represents caution, decay, sickness, and jealousy. Light yellow is associated with intellect, freshness, and joy.
Nan Goldin
William Eggleston
Red
Red is the color of re and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love. Light red represents joy, sexuality, passion, sensitivity, and love. Pink signies romance, love, and friendship. It denotes feminine qualities and passiveness. Dark red is associated with vigor, willpower, rage, anger, leadership, courage, longing, malice, and wrath. Brown suggests stability and denotes masculine qualities. Reddish-brown is associated with harvest and fall.
Stephen Shore
Blue
Passive from the point of view of material space. Always cool and shadowy. Atmospheric. Blue is the color of the sky and sea. It is often associated with depth and stability. It symbolizes trust, loyalty, wisdom, condence, intelligence, faith, truth, and heaven. When dimmed, blue suggests fear, grief, and perdition. Light blue is associated with health, healing, tranquility, understanding, and softness. Dark blue represents knowledge, power, integrity, and seriousness.
Richard Misrach
Alec Soth
Stephen Shore
Green
Intermediate between yellow and blue. Green is the color of nature. It symbolizes growth, harmony, freshness, and fertility. Green has strong emotional correspondence with safety. If the green inclines towards yellow, an energetic sense of nature is felt. Activated by orange, it assumes vulgar cast. If it inclines towards blue, cold and vigorous aggressiveness. Dark green is associated with ambition, greed, jealousy and is also commonly associated with money. Yellow-green can indicate sickness, cowardice, discord, and jealousy. Aqua is associated with emotional healing and protection. Olive green is the traditional color of peace.
Stephen Shore
Orange
Mixture of yellow and red. Maximum radiant activity and solar luminosity. It is associated with joy, sunshine, and the tropics. Orange represents enthusiasm, fascination, happiness, creativity, determination, attraction, success, encouragement, and stimulation. Orange is the color of fall and harvest. In heraldry, orange is symbolic of strength and endurance. Suggests a range from festive to when whitened, a loss of character. When diluted with black, declines into dull and withered brown. By lightening the brown, beige tones achieved suggesting warmth and quiet atmospheric quality. Dark orange can mean deceit and distrust. Red-orange corresponds to desire, sexual passion, pleasure, domination, aggression, and thirst for action. Gold evokes the feeling of prestige. The meaning of gold is illumination, wisdom, and wealth. Gold often symbolizes high quality.
Violet
Violet combines the stability of blue and the energy of red and is associated with royalty. It symbolizes power, nobility, luxury, and ambition. It conveys wealth and extravagance. Violet is associated with wisdom, dignity, independence, creativity, mystery, and magic as well as chaos, death and exaltation. Solitude and dedication in blue-violet. Divine love and spirituality in red-violet. Light violet evokes romantic and nostalgic feelings. Dark violet evokes gloom and sad feelings. It can cause frustration.
Christian Patterson
Mitch Epstein
Tim Davis
William Eggleston
Henry Wessel
Contrast of Hue
At least three (3) clearly differentiated hues are necessary. Some obvious combinations include:
red
yellow
blue
green
red
violet
red
blue
green
blue
green
orange
blue
yellow
violet
orange
yellow
red
William Eggleston
Alec Soth
Cold Colors
Warm Colors
Yellow
Yellow Green
Yellow Orange
Green
Orange
Martin Parr
Blue Green
Red Orange
Blue
Red
Red Violet
Gregory Crewdson
Complementary Contrast
Two colors are called complementary when mixed together they produce a neutral gray. Complementary colors are opposite each other on the Color Wheel. Analogous colors are any three colors which are side by side on a 12 Hue Color Wheel. Some examples of complementary colors include:
Yellow | Violet
Orange | Blue
Red | Green
Christian Patterson
William Eggleston
William Christenberry
Simultaneous Contrast
Results from the fact that for any given color, the eye simultaneously requires the complementary color, and generates it spontaneously if it is not already present. The simultaneously generated complementary color occurs as a sensation in the eye of the beholder, and is not objectively present. It cannot be photographed.
Contrast of Saturation
Relates to the degree of purity of a color. Contrast between pure, intense colors and dull, diluted colors. Pure colors may be diluted in four different ways:
1. Color diluted with white 2. Color diluted with black 3. Color diluted with gray 4. Color diluted by a mixture of corresponding complementary colors
Stephen Shore
Stephen Shore
Contrast of Extension
Involves the relative size of two or more areas of color. It is the contrast between large and small areas. Colors may be assembled in areas of any size, but the proportion between two or more colors may be said to be in balance or harmony so that no one of the colors is used more prominently than the other.
Christian Patterson
Martin Parr
William Christenberry