Zombies - Scratching The Surface
Zombies - Scratching The Surface
Zombies - Scratching The Surface
Anna Śliwa
10 April 2021
The word zombie brings to mind the image of a brainless dead creature that feasts on
humans (often their brains, supposedly as means to try and regain their intellect) and infects
others, quickly spreading the contagion across the globe. The name originates from the
Kikongo language, and the idea comes from Haitian folklore, where a shaman
named bokor resurrected people. In Asian folklore, Jiang Shi, created by “improper burial,
supernatural arts [or] spirit possession of a dead body” (Bevard et al. 50), feeds on life
energy. Europe is home to vampires and they were the creatures that inspired George A.
Romero’s famous movie Night of the Living Dead, the groundwork we base zombies off of
nowadays. In Arabic folklore, ghouls are creatures who feed on corpses and are often
categorized as zombies, but in reality, they are demons. All over the world, they tell us
zombies are horrifying monsters in horror tales, however there's so much more to them than
just that.
Often we can see how people throughout generations manage in such post-apocalyptic
scenarios, quickly adapting to the circumstances. In The Walking Dead, a TV show created
by Robert Kirkman et. al., we follow a group of survivors from almost the very beginning of
the zombie apocalypse. At first, the group consists of no more than a dozen members. Soon it
grows bigger with more survivors, each one of them with unique abilities – a veterinarian, an
engineer, a priest. Quite stereotypically, the engineer of the group, Eugene, is an introvert. He
prefers being on his own, dislikes talking to and interacting with people whom he usually
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considers less intelligent. The community tolerates him and welcomes his innovations that
make life in the zombie world easier. He does not need to interact with anyone, as long as he
contributes to society. The elders are always treated as oracles – moral compasses to their
leaders, who try to make sure that the “walkers” remain the only thing the survivors kill. The
group always seems directionless after they die and their loss is always mourned. A
settlement led by a character in his 50s is more peaceful and organized than those led by
people in their 30s. Another group worth mentioning are children, who still exist in this post-
apocalyptic world and seem to be the priority, a hope for the future. They mostly live in
settlements that are portrayed as good. At first, they are sheltered from the danger, but it
quickly turns out that they need to be taught how to fight and kill the “muertos”, or else they
It is different when it comes to how the group in The Walking Dead (ibid.) is
structured. In the beginning, everything is dictated by one person, Rick, but he realizes that
formed, consisting of the group members with the biggest experience, led by a wise man in
his 70s, the moral compass of the group. And from that moment on, every autocratic group is
led by a villain, clearly showing this system as the worse option, led by a tyrant who often
forces good people to do bad things. Eventually, this group of survivors settles in a
neighborhood called Alexandria and the community grows into dozens if not hundreds of
members. They garden, gather supplies, defend their home, and trade with other outposts.
There is no currency, only goods for goods. People help each other, often taking care of the
soldiers’ children as they go to fight the hordes or look for supplies. The priest gives sermons
in the church, former teachers teach in makeshift schools. Everything for free. One might
even say, “from each according to his ability, to each according to his needs.” (Marx.)
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It may seem that the survivors forget about the walkers lurking outside the gates, but
they have simply just learned how to live with them. When your obvious enemies are
zombies, it is easy to forget that humans are still a threat. The muertos are merely a segue into
more complex topics that post-apocalyptic fiction uses to show human nature. We have
people who are inherently moral, who would never do anything wrong. An example of that is
Dale, the first elder to be recognized in Kirkman’s The Walking Dead. He annoys many fans
with his “overly” righteous behavior – he is one of the few characters who never killed
another human being, even it meant letting criminals go. In a contrast to this stance, there are
people who lack any moral compass whatsoever – they will kill, steal, rape, even eat other
humans and call it survival of the fittest. And there are the morally flexible ones – most are
like this, just like in real world. They have their own moral code, but some of the actions that
follow it seem questionable to others, for example, killing someone they consider to be evil
(this is often presented as a good choice). Like in life in zombie fiction people change, but
here the changes are more drastic, just like the circumstances. Carol is a good example of
such a character. She begins as an abused wife and then turns into a stone-cold killer as she
burns people alive to prevent an epidemic. She is banished for that and turns into a perfect
assassin, needing to learn how to survive and later having no trouble killing many zombies on
her own. Then she meets Ezekiel, who shows her there is a path of redemption for her and
she initially takes it, but soon abandons it again. A real rollercoaster of changes in the
Due to all the reasons I have listed (and many more!), zombies emerge to be more
than just scary monsters without any real depth. They are means to talk about human nature,
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something we can all relate to on some level – a sense of belonging we all long for, a dream
of a better, united society, internal moral struggles and a mirror we can see ourselves through.
That is why so many people, myself included, are fascinated with them. Throughout this text,
I merely scratch the surface of this broad topic. I focus mostly on one source that
encompasses all of the core points I wanted to make, and I would like to finish with a quote
from this show that I often hear in my head in important moments. These words were spoken
Works cited
Bevard, Robert J., et al. Zombie Recognition Guide. Edited by Johen Weltjens, 1st ed., vol. 1,
Guzelian, Eddie. “Who Are You Now .” The Walking Dead, season 09, episode 06, AMC, 11
Nov. 2018.
Marx, Karl. “Critique of the Gotha Programme”, Die Neue Zeit, Bd. 1, No. 18, 1890-91, part
I. Marxists.org, https://www.marxists.org/archive/marx/works/1875/gotha/ch01.htm.