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Another random document with
no related content on Scribd:
(Eng ed 20–14053)
“There is not too much Maude in the book, nor is there too much
collateral history, just a happy combination of the two, an
achievement which is by no means common in memoirs!”
[2]
CAMERON, CHARLOTTE. Cheechako in
Alaska and Yukon. il $6 Stokes 917.98
20–2640
20–13870
20–5624
20–6499
20–16765
“If Mr Canby’s book had been written long ago it would have
remedied in large degree the appalling ignorance existing abroad
concerning American mind and thought.”
+ Bookm 52:272 N ’20 180w
“This book is well printed in large type but the solid character of
the contents, in spite of the chapter headings, will repel some
readers.” H. S. K.
20–8452
“The surface of life has been broken by the war, says Mr Cannan;
there is no longer any structure in social existence: ‘For the artist
there is metaphysic or nothing.’ And in this highly metaphysical,
mystical essay he attempts to convey a programme for the immediate
future of society and especially for the artist. We are told that the
book was written during Mr Cannan’s recent visit in America, in a
period of intense creative inspiration. As a record of mystical
experience, as an endeavor to express the ineffable, it expects from
the reader a coöperation more sympathetic than that of the
intelligence. Stripped of its mysticism, the argument is a tolerably
familiar one; it is a fusion of certain beliefs almost universally held
now by the younger writers and artists, beliefs regarding the
industrial régime, bourgeois democracy, intellectualism, the instinct
of workmanship, the release of the creative impulses.”—N Y Evening
Post
“Mr Cannan’s new book is, indeed, unusual. The words God, soul,
life, occur with extraordinary frequency but the variety of their
syntactical connections throws no light on their meanings. Since we
are neither provided with, nor enabled to deduce, definitions of Mr
Cannan’s chief terms, we find his book unintelligible.”
“There is little art in his exposition and less evidence of work. And
it takes more religion of a charitable nature than Mr Cannan
preaches to restrain one from saying that the author of this work has
released his soul so very successfully that it has disappeared.”
“It is not unlikely that many, perhaps most, of the people who read
Mr Cannan’s new book will wonder what he is driving at. A little of
this bewilderment will be due to Mr Cannan himself; for when he
passes over from the dramatic to the discursive a certain elusiveness
invades his speech. The book is one of those which must be read two
or three times over before its whole significance becomes clear; but it
is abundantly worth that trouble.” R: Roberts
20–7059
“Mr Gilbert Cannan’s novels are important novels, but they are not
good novels. They are the illustrative material of his essays and they
do not illustrate them in any creative fashion. The theories shine
through too glaringly, as in ‘Time and eternity.’ Mr Cannan started
out with a naive creative impulse, but the events of the past six years
have aroused in him, as in many of us, so much impassioned
thinking about life that the material of creation itself slips from his
grasp.”
“We have all long known the phrase ‘a welter of words,’ but to read
Gilbert Cannan’s new book ‘Time and eternity’ is to realize just
exactly what it implies. The reader’s strongest feeling after he has at
last toiled his weary way through this extremely dull book is a desire
for plenty of soap and water and good fresh air.”
Reviewed by H. W. Boynton
“Mr Cannan writes too quickly and too often. He writes with a sort
of hungry rage, because he despises something, though he does not
know what, and desires something equally unknown to him. His
work is as restless and as inconclusive as a conversation between
adolescents teased with growing pains.”
“Mr Cannan has not yet, in this method, passed the experimental
stage. Moreover, he has not enough to say about the souls of his
three exiles, to each of whom by name is allotted one-third of this
short book, to engage unflagging attention. They are queer if not
tiresome, but vaguer than people speaking uninspired lines from
behind a curtain. They do nothing very much; they appear to want
nothing very special; they certainly are nothing very intensely.”
20–17654
“It makes light of high things and low and at the same time heavy
reading for both. It sounds like Greenwich Village at its futilest.”
20–6483
“The author knows the peasants and tenantry outside of the large
cities and writes of them intimately and interestingly. Her account of
the revolution and of political affairs is, however, second hand and
lacks clarifying detail.”