S.R.I.A.

London - Metropolitan Study Group 17th June 2023

The Harmonic Structure of Universes and Our Realities

with Frater Peter Louis Haward

An introduction to the science of

harmonics and how geometry
underpins the nature of our reality.
Exploring the role that perception and
consciousness plays, and how our
physical reality is connected to that
which is usually considered beyond
our known senses.

1
 Welcome Fratres and friends.
and thank you to our hosts today - S.R.I.A. London and the Metropolitan
Study Group

Website URL link

2
 Context - “What does HARMONIC mean?”
Any static or dynamic quantitative relationship (numerical or by measure of ratio) between two or
more things when compared with respect to each other, usually in whole number or very close to
whole number ratios - for example:

Static geometrical ratio relationships in space, usually similar shapes

or
Dynamic relationships formed in moving systems in time and space,
e.g. Music in both chords and melody, physical ‘matter’ like the atoms of the elements
in the periodic table

AND/OR

Perceived qualitative relationships by comparison between two or more things. for

example:

When comparison between things perceived to have some correspondence

e.g. two or more experiences may be grouped together by shared attributes or

qualities, like emotions evoked by music, and sensations. Harmonics create form;
order, structure and hierarchy.
3
 Masonic Symbolism
It's interesting to note that within Freemasonry's own
definition of itself, the Symbolism eludes to ‘Harmony’
Here, the symbol ‘Morality’ is a
veil for 'differentiation', to
separate, to divide, to
distinguish;

When we divide one thing into

two or more parts we make
comparisons between the
parts, and the whole.

'System Of Morality' eludes to

order and relationships,
structure and sequences, from
which we search and strive for
harmony that they may work
together in harmony,
according to the design of the
system as a whole.

4
“In Pythagoras’s understanding
of reality, the cosmic intelligible Logos to Trinity So with Pythagoreans Logos is
Harmony. Compare to Revelations
principle from which everything
evolved by emanation was the The next principle was the Dyad John 3,14: …The Amen, witness at
Monad (μονάϚ) represented by (δυάϚ), which represented diversity beginning of creation… note the verse
the number One. Number One in the universe, the opposing 3,14 could be symbolic for Pi or 22/7,
was seen as a principal powers, the duality of subject and the circle which Pythagoras claimed
underlying number; Thus, object, and the beginning of the to be the scale of the octave and 2 to
numbers in general were seen as third principle, Harmony 1. Am en as the two letters M and N,
manifestations of the diversity in (῾αρμονία). This third principle was are a speech harmony of sound, In
unity. the relation (the ratio, logos, in the Sanskrit 22 shruti scale circle the
proportion, analogia) of one thing to letters are Ma and Ni, derived from
Monad was the undifferentiated another, and it was particularly Aramaic language which in turn
principle of unity of the whole of represented by the proportion
reality and the source of the derived it from Ugaritic Phoenician,
between numbers, geometrical
world as an ordered universe. It figures, or tones in the musical scale. the source of the kabbalistic Hebrew
was the principle of all things, This Triad was immanent in Nature alphabet. In the scale Ma and Ni
and as the most dominant of all and represented the dynamic denote the interval of 13 of 22
that is, all things emanated from process of cosmogony: the One was shruties and are translated into ratios
it, and it emanated from nothing. the unification of the whole reality, as 3 to 2, the fifth and are names the
It was indivisible and immutable. the Two represented diversification only consonance there is. This proves
Everything that exists and even and differentiation of the One in the Apocalypse of John like
that which is not created yet process of forming the world order Pythagoreans held the fifth interval
exists in it. It is the nature of or ordered world (κόσμοϚ, kosmos), as the Amen, the supreme name of
ideas, God himself, the soul, the and Harmony or Logos, by God, the only beginning of everything
beautiful, and the good. It is extension, was the bond uniting
made.
every intelligible essence itself, these two extremes.”
such as beauty, justice, and
5
equality.
Source (Academia.edu)
GEOMETRY

6
GEOMETRY - RATIOS - PROPORTIONS

7
GEOMETRY - all RATIOS are in the CIRCLE
 SACRED GEOMETRY - GEOMETRY of
CONSCIOUSNESS & REMEMBERING
- all done with Circles and a simple sequence of Creation .... and Cubes & Spheres

We are the connection between Heaven & Earth

Book, QUADRIVIUM - “just buy it” https://www.amazon.co.uk/gp/product/190715504X/

Basics:
- Vesica Pisces
- Flower of Life
- the torus field
- and Merkaba in relation to our own bodies

Key Resources:

- Spirit Science on YouTube

- Bro. Randall Carlson -
- JAIN108
- The BARD
9
 DIY SACRED GEOMETRY
- practice online

https://www.desmos.com/geometry-beta/40uzbvfsuy

10
 OCTAVES
Sound: the basic 2:1 and 1:2 RATIO structure of the musical Octave
and the first ‘overtone/undertone’ in the Harmonic series

The harmonic series is the foundation of all musical

scales and tuning systems, because it is the only
natural scale. As soon as a tone sounds, overtones
resonate. They all sound at the same time. The
overtone series is therefore actually a chord. The
structure is always the same and corresponds to a
mathematical harmonic series, hence the name series.
You don’t usually hear the overtones. Because they all
vibrate as a chord at the same time, they seem to us
like a single note. The term overtone series refers to the Source book:
harmonic partials. There are also sounds with
inharmonic overtones. The more inharmonic overtones
there are in a sound, the more it becomes noisy.
11
 Sine Waves and the HARMONICS SERIES
“It takes TWO to tango”
All things in the physical universe are in constant circular sinusoidal motion, forming spirals - the
universe is composed of an infinity of (potential) SINE WAVES. By themselves, sine waves do not
generate harmonics in nature.
It takes TWO sources of sound sine waves/light waves to
interact to be able to generate overtones/sub-harmonics.

Sine wave
(circular
function)
plots

12
 The FUNDAMENTAL note, STANDING WAVES and the HARMONICS SERIES

Two or more Sine Waves Interacting form STANDING WAVES

This happens when sound/light is contained, and reflected by some form of boundary (in a box for
example, and most commonly in music a tensioned wire clamped at both ends, a piano or violin string)

It is this interaction, combination

of the reflected waves of a single
fundamental note of the string,
that not only ‘sum’ together and
form ‘standing wave’ patterns,
Violin/piano/ they create a SYNTHESIS of the
guitar string two, a SECOND, a THIRD and
so on, an infinite number of
‘partials’, harmonics, and this is
how the Harmonic Series is
generated
13
 The HARMONICS SERIES
A successive of whole number ratio divisions of a fundamental note, determined in Nature (physical law)

14
 The HARMONICS SERIES demonstration
An infinity of natural harmonics (play if enough time to do so)

15
 The nature of both Sound and Light waves
The distinction between the main wave types - Transverse and Longitudinal waves

transverse cyclical electromagnetic (EM) waves and vibrating strings

- the addition of two harmonics and spinning helices
and longitudinal scalar waves (akin to pressure waves)

“A sound wave is an example of a longitudinal wave and is produced by the

vibrating motion of the particles that travel through a conductive medium. An
example of sound waves in a longitudinal direction is the tuning fork.

In Sound waves, the amplitude of the wave is the difference between the
maximum pressure caused by the wave and the pressure of the undisturbed air.
The propagation speed of sound depends upon the type, composition of the
medium, and temperature through which it propagates.”

Quote Credit: https://byjus.com/physics/longitudinal-waves/ 16

 Why Standing Waves waves form and stabilise

Standing Waves are born of bounded containers create form and stabilise due to two opposing factors:

- Resonance - feedback energy strengthens strongly harmonical linked ratios, and

- Damping moderates the endless buildup of feedback fed resonance and it has a connection to the
Golden Ratio Phi/phee (1.618..., 0.618....)

Image credit::
https://www.sacr
edgeometry.blog
/phi/

17
 Why Standing Waves waves form and stabilise

Resonance - feedback energy strengthens via strongly harmonical linked ratios, and

Damping moderates the endless buildup of feedback fed resonance and it has a connection to the
Golden Ratio Phi/phee (1.618..., 0.618....)

Interference (of
Light/Sound Waves)
by Richard Merrick
Music Scales, Standing Waves, Phi and .007
Refer page 80 for Symmetry aspects, page 138 for Phi
damping, and then page 137 for fun facts about |Phi,
silence, John Dee on the origin of 007
A Grand Scientific Musical Theory-Book link:
18
 The Rosslyn Chapel Magic Ratio of Resonance and the ratio 81

Resonance - feedback energy strengthens via strongly harmonical linked ratios, and

Magic Ratio = 0.012345679 (8 omitted)

Inverse = 1 - 0.012345679 = 0.987654320 (1 omitted)

Richard Merrick
See pages 142-149
This Magic Ratio factors evenly into whole number
A Grand Scientific Musical Theory-Book
ratios, and hence are Harmonic Ratios
link:
1:0.012345679 = 81
2:0.012345679 = 162 Note: the Digital
3:0.012345679 = 243 Roots are all 9
4:0.012345679 = 324
5:0.012345679 = 405
... and so on
19
 More fascinating Harmonic Ratios

Square root of 10 (base 10) = 3.1622776601... Harmonic Ratio = 10

Inverse = 0.31622776601... 3.1622776601: 0.31622776601

Other Number Bases - the same

symmetries exist in some other numbers
like 5 in Base 5 as long as the
presentation is done in the relevant base.
Unsure which numbers do which
numbers do not have this quality - work
in progress
- credit to my college Secretary Fra.
Michael Smith for encouraging me
to check this aspect more deeply.
20
 Division of any 1 unit (expressed in base 10 (decimal) form) when converted to base 60
(sexagesimal) by multiplying by 60, the resulting number has a Digital Root (DR) that
has only one of three possible solutions:
For example a circle circumference of n units, or its diameter, a line segment, an area or volume, divided into 9 equal parts
parts numbers 1,2,3,4,5,6,7,8,9 and where t is a whole integer number including zero, 0,1,2,3,4,5,6,7,8,9 ... multiple of 9
i.e 9t +3 - ‘t’ here is used to indicate, as an example, whole numbers of ‘Time’ in terms of cycles per unit time (seconds) on
a circle e.g cycles per second (Hz). *** HARMONICS of 9

DR(60*n) = (9t + 3)

DR(60*n) or = (9t + 6)

DR(60*n) or = (9t + 9)

e.g. n =720 60*72 = 4320 = 4+3+2+0= 9 DR(720) = 9

e.g. n 144 60*144 = 840 =>

DR(720) = 3
8+4+0=12=1+3=3

Original research by P. Louis Haward

 Equivalent examples of division by 9 of (60*n) with remainders
0, 1/2, 2/3 - only one of three possible solutions
HARMONICS of 9

n = any whole integer

n= 3 (60*3)/9 = 180/9 = 20*9 + 0 (20*9) + remainder 0

n=3*72=126 (60*126)/9 = 216/9 =24 (24*9) + remainder 0

n=4*72=288 (60*288)/9 = 17280/9 = 1920 (1920*9) + remainder 0

n =5*72=360 (60*360)/9 = 21600/9 = 2400 (2400*9) + remainder 0

n 144 (60*144)/9 = 840/9 = 93 + 1/3 (93*9) + remainder 1/3

n =7 (60*7)/9 = 420/9 46 + 2/3 (46*9) + remainder 2/3

n=77 (60*77)/9 = 4620/9 = 513 + 1/3 (513*9) + remainder 1/3

The analogy here is with the octave and ‘fifth’ in music

 Division by 9 of (60*n) with remainders
0, 1/2, 2/3 - only one of three possible solutions
HARMONICS of 9 - https://www.desmos.com/geometry-beta/ddyfu0cy2p
The analogy here again
is with the octave and
‘fifth’ in music
SONIC GEOMETRY - The Language of Frequency and Form
- Alanna Luna on YouTube:

24
 SOUND CYMATICS of LIGHT
- Clay Taylor’s work: https://www.artofclaytaylor.com/cymatics
- https://harmonics.mynotice.io/?article=cymatics-f540

Image Credit Art of Clay Taylor and

CymaScope

25
The Geometric Basis for the Periodicity of the Elements
by Laurence Hecht

26
Sacred Geometry - Geometry of Consciousness

27
 For Discussion: Perception - motion and Time are illusion.
The ‘Universe’ is One Big Crystal of Infinite possible
Realities and We are ‘Time Travellers’ as our
Consciousness Create Its ‘path’ by resonate attunement to
the Geometry using Attention and Will.
i.e. Consciousness Chooses Its Reality.

The harmonic nature to matter and anti-matter, the realm of Mind and Emotion (opposites), the
planet, solar system, the galaxy and Cosmos. One simple set of rules that applies and scales
from the sub-atomic to the whole Universe.

The Cube/Sphere nature of our reality - the reciprocal nature of Light and Gravity.
(refer Bruce L. Cathie )

The DIvided One whole of which we are all part of, the multi-dimensional nature of our realities. Time and space. Infinite Realities. 28
 Consciousness - affects Subtle Energies
Consciousness Chooses Its Reality.

Light is 'black' we cannot see it with our senses, and that our reality is a simulation in the sense that the
waves create a simulation of Light, but it is not The Light itself, merely a reflection of the inner templates
and designs, of the infinite possibilities of possible Universe Designs.
We (could) actively play a part in it with our Will and Intention, given sufficient awareness and discipline,
but we must 'play by the Rules' to be effective at the level of control to master the physical world.

Professor Robert Haralick's

introduction video on Subtle
Energy & Water.
(to give a sense of some things
some enlightened academics are
up to in research). Website link

29
 The Theremin
A short introduction to a unique instrument

30
 Old but good podcast on Forum Borealis
Dr. Joseph Farrell - Hidden Patterns of Creation - listen at your leisure

31
Hamon Le Strange College No. 42 - SRIANorfolk.uk

32
Finish Live Presentation - further resource links

https://harmonics.mynotice.io/
and
https://raindrop.io/zabadac/hamonics-29418890

Presentation Slides link:

https://zabadac.hflip.co/a21c4a9fb4.html

33
 Unused slides - Overview - The Divided ONE

SYMBOLISM/ART/SHAPE/WORDS
/NAMES/PROCESSES

GEOMETRY SOUND & LIGHT

SACRED GEOMETRY ART MUSIC PHYSICS/SPACE/TIME

34
 POINTS within a 2-dimensional space - a VOID - NO LIGHT
NO DIMENSIONS POINT ONE POINT - no reference, no form
TWO POINTS can FORM a LINE, a
1-DIMENSION LINE PATHWAY -> notion of space,
motion (change in position) and
direction *** expand on this

The circle circumference is a PATHWAY of

an unquantifiable number of points ->
CIRCLE constantly changing direction from one point
2-DIMENSIONS within to the next => acceleration

SQUARE

The ‘boundaries’ to ALL SPACE,

by logic, must be contained
(boxed) by the square, and not
the circle

Compare the infinite number

of line mirror image reflection
SYMMETRIES ARC length on circle circumference is a
of the circle about its centre measure of both distance, and the
with that of the 4 lines of ANGLE is describe with respect to the
centre 35
symmetry of the SQUARE
 Symbolism - The Universal Language
- Harmonics as symbolism, or harmonic symbolism

Relationship of the Harmonic Doctrine of Correspondences to Harmonic Symbolism:

The difference between harmonic correspondence and harmonic symbolism lies predominantly in
that for the series of correspondences, the emphasis is placed on the individual phenomena of
correspondence (analogies), whereas symbolism returns to the prototype behind the
correspondences.

Symbol:
It is only a small step from parable to symbol, but a decisive one: the “eternal truth” that the
parable paraphrases and makes into a story is concentrated and stabilized in the symbol via
the image-concept. It is removed as far as possible from the sensory and presented in an
abstraction which, like a highly sensitive detector, allows our psyche to receive direct messages
from the spiritual world. To be sure, the psyche must be perceptive to this, and sadly this
perceptiveness has been lost to us, with only a few exceptions, since the rise of the natural
sciences.

SOURCE:

https://zabadac.hflip.co/919e84fa1f.html
36
 369, Circles, Keely/Nikola Tesla

The relationship between the Numbers 3, 6 and 9,

360 Degrees in a Circle

Original research by P. Louis Haward

between 2017 -2023
 Analysis

An analysis of the system of angular measure dividing the

circle into 360 degrees, with each degree further divided
into 60 minutes and each minute divided into 60 seconds
revealed the following ......

Original research by P. Louis Haward

 Division of any 1 unit (expressed in base 10 (decimal) form) when converted to base 60
(sexagesimal) by multiplying by 60, the resulting number has a Digital Root (DR) that
has only one of three possible solutions:
For example a circle circumference of n units, or its diameter, a line segment, an area or volume, divided into 9 equal parts
parts numbers 1,2,3,4,5,6,7,8,9 and where t is a whole integer number including zero, 0,1,2,3,4,5,6,7,8,9 ... multiple of 9
i.e 9t +3 - ‘t’ here is used to indicate, as an example, whole numbers of ‘Time’ in terms of cycles per unit time (seconds) on
a circle e.g cycles per second (Hz).

DR(60*n) = (9t + 3)

DR(60*n) or = (9t + 6)

DR(60*n) or = (9t + 9)

e.g. n =720 60*72 = 4320 = 4+3+2+0= 9 DR(720) = 9

e.g. n 144 60*144 = 840 =>

DR(720) = 3
8+4+0=12=1+3=3

Original research by P. Louis Haward

 Examples Digital Root (DR(n*60)) - only one of three possible solutions:
n = any whole integer

n=3 DR(60*3) = DR(180) = 1+8 = 9 DR(60*3) = 9

n = 3*72=126 DR(60*126) = DR(12960) = 1+2+9+6+0 = DR(18) => DR(3*72) = 9

1+8 = 9

n = 4*72=288 DR(60*288)= DR(17280) => 1+7+2+8 = 9 DR(4*72) =9

n = 5*72=360 DR(60*360)= DR(21600) => 2+1 + 6 = 9 DR(5*72) = 9

n = 144 DR(60*144) = 840 => 8+4+0 =12 =1+2 = 3 DR(60*144) =3

n=7 DR(60*7) = 420 => 4+2+0 = 6 DR(7*60) =6

n = 77 DR(60*77) = DR(4620) = DR(4+6+2+0) => 1+2 = 3 DR(60*77) = 3

 Equivalent examples of division by 9 of (60*n) with remainders
0, 1/2, 2/3 - only one of three possible solutions
n = any whole integer

n= 3 (60*3)/9 = 180/9 = 20*9 + 0 (20*9) + remainder 0

n=3*72=126 (60*126)/9 = 216/9 =24 (24*9) + remainder 0

n=4*72=288 (60*288)/9 = 17280/9 = 1920 (1920*9) + remainder 0

n =5*72=360 (60*360)/9 = 21600/9 = 2400 (2400*9) + remainder 0

n 144 (60*144)/9 = 840/9 = 93 + 1/3 (93*9) + remainder 1/3

n =7 (60*7)/9 = 420/9 46 + 2/3 (46*9) + remainder 2/3

n=77 (60*77)/9 = 4620/9 = 513 + 1/3 (513*9) + remainder 1/3

The analogy here is with the octave and ‘fifth’ in music

Ancient Secret of The Flower of Life (vol. 1 and 2 )

42
 ATUM to ATOM
https://zabadac.hflip.co/ea3fa2a431.html

http://www.cosmokratorom/

43
Electricity
https://youtu.be/bHIhgxav9LY

44
 Remembering who we are
Drunvalo Melchizedek

“A bright and holy Light does

shine within our Hearts and offers
living hope to all the world and to
you personally. Ascension into the
higher spiritual worlds is not a
process that only the saints and
holy ones could achieve. It is for
all of us who choose this path of
the Heart here on Earth right now. Enrollment link
Ascension can be realized without
leaving this world, and while
being awake to all that is in our
Reality. The outer world is but a
reflection and creation of an inner
world that has long been forgotten
within our own Hearts.”

Drunvalo Melchizedek

45
 Art
Mary Magdalene
by Lily Moses

“Art, when inspired with

love, leads to higher realms.

Love art and that art will

open for you the inner life.”

— Meher Baba
46
 Introduction to Rational Geometry

Divine
Proportions

by

N.J.
Wilderberger

47
 The Cube of Creation
“Section 17. of Algorismus reads as follows:

“Every squared number has two measures, that is

breadth and length. But cubicus numerus (the
volume number) has three measures, that is
breadth, length and height; therefore wise men hold
that every visible body is put together from these The Cube of
numbers, for it always has these three measures.
Inasmuch as eternal wisdom and one god desired to
create the world in visible and bodily form, he
Stableness and Persistence
placed fire and earth as the two outermost main
creatures, because nothing in nature could be visible
without them, for fire gives light and motion, but
earth stableness and persistence.” In Algorismus the Pétur Halldórsson
Cube is called Earth, which is said to give
“stableness and persistence.”

(English translation: Einar Pálsson)”

48
MIND - Walter Russell - The Universal One
https://zabadac.hflip.co/0268d4da0a.html#page/24

49
The Music of Crystals, Plants. and Human Beings
The Music of Crystals, Plants. and Human Beings
by Rev. FATHER A. GLAZEWSKI

The Gravitational Wave

50
The Spell of the Sensuous

Perception and Language

in a

More-Than-Human World

Link

51
 GOD SAID:
LET THERE BE LIGHT

“TRUTH IS SIMPLE. BALANCE IS SIMPLE. Rhythmic

balanced interchange between all pairs of opposite
expression in natural phenomena and in human relations,
GOD SAID:
is the consummate art of God's universe of Light. It is also
the law. In this one fundamental Universal Law lies the
LET THERE BE LIGHT balanced continuity of all creative expression in God's
electric wave universe of two conditioned lights in
AND CREATION BECAME seeming motion which record God's One Whole Idea of
Creation into countless seemingly separate parts of that
Whole Idea.”

52
Rubaphilos Salfluĕre

53
Modern day Nikola Tesla - Eric Dollard

54
POLAR RADIAL PLOTS
to do

55
 The Numbers 3,6 and 9 and Nikola Tesla
360:60:60

56
Michael Tellinger

57
If I may also refer you to the works of Richard Merrick, his book freely
available called 'Interference - A Grand Scientific Musical Theory' and
Non-commutative
specifically the chapter on Harmonic Models. I've put together the
The book 'Divine Proportions' - Rational Trigonometry to Universal
bulk of his works for you here, including his book which links to his geometry by mathematician N J Wildberger is a truly great step
website: https://zabadac.hflip.co/492926372a.html towards putting mathematics on a more firm footing based on the
circle and (ancient) knowledge of mod(9) maths. Understanding
Alchemy is the Mother of All Arts, and traditional shamans would Sacred Geometry and modulo 12 on the circle, and how that is related
know this ancient knowledge. Current academic knowledge in physics to music theory and the understanding of Phi/phee constants comes
which is somewhat too specialised, behind the curve still, but catching into this subject matter, as does knowing the that relationship of the
up and and it's wonderful that this paper is high lighting Alain Fibonacci sequence, which approaches Phi but never reaches it, so
Connes' work and the subject of the non-commutative, which one will that a tension always exists between the two, that the Fibonacci
find in the treatment of reciprocals of ratios on a circle, which can be sequence has a beginning, and ultimately an end, whereas Phi is
used to teach music, but the tones and intervals are best shown in this eternal at any and all scales, as is Pi. The 'creating sound' of the tonic
together with its overtones (harmonic series) is necessarily
form. All life is motion, and it is founded on not only transverse
constrained, boxed, in our reality and as such standing waves are
waves, but longitudinal scalar waves (think Nikola Tesla) - someh
formed which if un-moderated 'blow up' but the standing wave is
what written out of history and physics - but it is based on the science formed by the geometry of Phi, which acts as a 'black hole' for the
of harmonic spherical waves. Another good source knowing about is non-resonate overtone waves and hence favours stable standing waves
Irwin Wundermann's work - Planck's Constant and Pi: A Unified to form. The Phi ratio ensures this, without which no matter would
Wave Theory for Particles and Bioforms. form, there is no matter, just waves and their interference nodes
which give form, shape, to all things. This ancient knowledge is found
Klee Irwin of https://quantumgravityresearch.org/ work with in Masonic and Rosicrucian symbolism and allegory.
quasi-crystals is excellent.

“Alain Connes talks about and so the Pythagorean Comma is actually the same noncommutative exponential as the inverse for the
matrices math! So Professor Hiley points out there no longer is "time" in the exponential but rather his noncommutative nonlocal phase
as the "unfolding parameter". 58
Robert Sepehr

59
 PHYSICS
https://magnetismtoroidaldynamics.com/2018/01/01/the-ferrocell-crt-revelations-of-
toroidal-energy-dynamics-of-magnetism-light-electricity/

60
A Perfect Chord: Trinity in Music, Music in the Trinity

Trinity is at the core of Christian faith;

this article presents a theological
survey of how it has been understood
in a musical way during the Christian
era.

The role of music as a participation in

the liturgy of mutual love eternally
experienced in the Trinity is first
analyzed, with references to the
Church Fathers and to
modern/contemporary theologians.
Later, the three main forms of
congregational singing are taken into
account (i.e., monody, “Abstract: The
doctrine of God’s Triupolyphony and
harmony), pointing out how each has
been seen in turn as a symbol of the
Trinity’s love.”

https://zabadac.hflip.co/bda104c
e4f.html#page/1
61
 Sacred Sound

The Sound and The Sacred

Jacob D. Fishel

Dr. Laurel Zwissler

December 6, 2018

62
GEOMETRY - 10 X 10 SQUARE

63