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Table of Contents
1 Internet and Web Basics
2 HTML Basics
3 Web Design Basics
4 Cascading Style Sheets Basics
5 Graphics & Text Styling Basics
6 More CSS Basics
7 Page Layout Basics
8 Responsive Layout Basics
9 Table Basics
10 Form Basics
11 Media and Interactivity Basics
12 Web Publishing Basics

Provide a strong foundation for web design and web development

Basics of Web Design: HTML5, is a foundational introduction to beginning

web design and web development. The text provides a balance of “hard”
skills such as HTML 5, CSS, and “soft” skills such as web design and
publishing to the Web, giving students a well-rounded foundation as they
pursue careers as web professionals. Students will leave an introductory
design course with the tools they need to build their skills in the fields of
web design, web graphics, and web development.
The 5th Edition features a major change from previous edition. Although
classic page layout methods using CSS float are still introduced, there is a
new emphasis on Responsive Page Layout utilizing the new CSS Flexible
Box Layout (Flexbox) and CSS Grid Layout techniques. Therefore, the
new 5th Edition features new content, updated topics, hands-on practice
exercises, and case studies.
Another random document with
no related content on Scribd:
The Project Gutenberg eBook of Granny
Maumee; The rider of dreams; Simon the
Cyrenian
 This ebook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this ebook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

Title: Granny Maumee; The rider of dreams; Simon the Cyrenian

Plays for a negro theater

Author: Ridgely Torrence

Release date: September 12, 2023 [eBook #71626]

Language: English

Original publication: New York: The Macmillan Company, 1917

Credits: Tim Lindell and the Online Distributed Proofreading

Team at https://www.pgdp.net (This file was produced
from images generously made available by The
Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK GRANNY

MAUMEE; THE RIDER OF DREAMS; SIMON THE CYRENIAN ***
 GRANNY MAUMEE
THE RIDER OF DREAMS
SIMON THE CYRENIAN

THE MACMILLAN COMPANY

NEW YORK · BOSTON · CHICAGO · DALLAS
ATLANTA · SAN FRANCISCO

MACMILLAN & CO., Limited

LONDON · BOMBAY · CALCUTTA
MELBOURNE
THE MACMILLAN CO. OF CANADA, Ltd.
TORONTO

Granny Maumee
The Rider of Dreams
Simon The Cyrenian

Plays for a Negro Theater

 BY
RIDGELY TORRENCE

New York
THE MACMILLAN COMPANY
1917

All rights reserved

Copyright, 1917,
By RIDGELY TORRENCE
Copyright, 1917,
By THE MACMILLAN COMPANY
Set up and printed. Published September, 1917.
For permission to perform these plays application must be made
to the author in care of the publishers.
 To
O. H. D. T.
GRANNY MAUMEE
 GRANNY MAUMEE
Scene: Living room in an old cabin with walls blackened by age. Red
cotton curtains and red covers on the chairs and table. In left
corner back, an open fire smoulders in a great rough fireplace.
There is a door at back leading out of doors. There are also
doors left and right. A bed at left covered with a white
counterpane. The room is neat and there are many growing
flowers about potted in rude wooden boxes. Toward the right is
an iron flower stand consisting of a basin mounted on a tripod.
This stand is filled with a mass of bright red geraniums. A large
chest against the wall at right is covered with red. A table near
centre bears candles. Beside the table in a high-backed chair
sits Granny Maumee. She is seen to be blind. She is black and
thin, with white hair and a face so seared by burns that it masks
her great age. Her great granddaughter Pearl, a girl of
nineteen, is moving briskly about the room straightening chairs
and rearranging flowers.

Pearl
Seem kinder funny fer me to be fixin’ up for Sapphie. Seem like
I’m wukin’ for her by the day. Mebbe she will tek’n hiah me now she’s
married. Seem kinder odd to be hiahed by a blood sisteh.
Granny
Spread my fine-spun sheets on de baid.
Pearl
I got the nex’ bes’.
Granny
Fol’ um up an’ git out de fines’.
Pearl
 Hit weahs um out so to wash um, an’ Sapphie an’ that man of
her’n aint used to such goodness. An’ to muss um up des for one
night!
Granny
Hit’s de night er all nights. Hit’s de boy babe wif ’em dat I wants de
fineness fer.
Pearl
That’s right, the baby. I keeps fohgittin’ hit. I’ll change’m. I’ll git the
linum sheets on an’ then I’ll lay the big covehled.

[She draws coverlid off, hauls box from under the bed,
and opening it takes out bed clothes and remakes
the bed.]

You’n me’ll have to lay in the broke baid this night. You won’t git no
rest.
Granny
No matteh, heah’s a good baid fer de babe an’ I’ll soon git all my
res’.
Pearl
I hope’s Sapphie’s husband aint too hefty, for the th’ee might break
this heah’n same as the otheh’n is broke.
Granny
De husban’ shain’t sleep da nohow. You c’n lay him a bunk in de
wash house.
Pearl
What! You aint goin’ to leave him lay heah?
Granny
Dis baid my Sam bought fo’ me. Onliest man kin eveh lay in hit
shill be Sam’s own blood. De babe an’ his motheh’ll lay heah dis
night erlone.
Pearl
Well, the babe’ll have plenty room and softness.
Granny
W’en my Sam wuz er babe we laid on cotton sack. We didn’ have
no baid, an’ w’en he little shaveh he say, “Mammy, I goin’ git you nice
baid w’en I git er man.” An’ sho’ nuff, w’en he grow up he took ’n do
hit, an’ he mek pu’chus in de attehnoon an’ de baid come nex’ day.
But at midnight betwix’ dee tuk ’n bu’nt ’im.
Pearl
Now, Granny—
Granny
In de black dahk dee come on ’im, de bloody-handed mens, an’
wheah dee cotch ’im dah dee bu’nt ’im, de right man settin’ de wrong
man afieh at de i’un hitchin’ pos’.
Pearl
[Going to her.] Granny Maumee, don’t leave yo’self go that away.
Don’t leave youah mine run on.
Granny
[Rocking back and forth.] My Sam, my man babe-um.
Pearl
Hit git you all wuk up an’ wore out. You won’t look good to
company.
Granny
Look! Has I looked fo’ fifty yeah sence I rush in de fieh fo’ my Sam,
which hit de las’ sight deze eyes seen? Oh, whuffo’ dee drag me out
an’ hilt me back? I bo’ one man an’ him dee tuk’n bu’nt. An’ ’e slep’
right’n dis room w’en de man wuz shot w’ich dee ’cuze ’im er!
Whuffo’ dee drag me back f’um de fieh?
Pearl
I sees the wisdom of Gawd in hit, Granny Maumee. Fifty yeahs
ergo me and Sapphie’s granpap been burnt and yet you was to live
to git a new Sam.
Granny
W’ich ’e neveh come. Dee wuz all gals fum dat on, you an’ yo’
sisteh Sapphie an’ yo’ mammy an’ yo’ mammy’s mammy, all down
from my breas’: all gals.
Pearl
You fuhgits what Sapphie’s fetchin’ you.
Granny
Dat I don’t, but not twell I sees ’im will Sam be cool off in my
heaht.
Pearl
Granny, you can nurse the child but course you cain’t espect to
see him.
Granny
Deze eyes shill yit behole—
Pearl
No, Granny Maumee, your eyes they’re scorched and swiveled
with the fire. But your arms ain’t burnt, is they? An’ they shall hold
the baby! Tain’t often old person live to heft a great-great-gran’baby.
Granny
Befo’ my las’ houah deze eyes shill look an’ see ergin. [She rises.]
Pearl
 Wheah you goin’?
Granny
Has you lay out my raid gown?
Pearl
Yes, it’s all on the sofy.
Granny
Den I goes to primp up an’ mek ready to receive.
Pearl
Yes, it’s only perlite to put on ouah best to meet the husband.
Granny
I dresses fer none but de chile. [She goes slowly out at left.]
Pearl
[Calling.] Betteh lay down fust, they won’t be here for two hour yet.
I’ll be there pres’n’ly.

[She continues to bestir herself about the room and

then starts to follow Granny. There is a faint tap
at the door at right. Pearl stops and listens. The
tapping is repeated. She goes and opens the door.
A young woman, looking much like Pearl and of
about the same age, but gaudily dressed and
carrying a baby, stands in the doorway.]

Pearl
[With a half-smothered exclamation.] Sapphie!

[Sapphie motions her to be silent and softly, fearfully

enters the room.]

Sapphie
 [In a low voice.] Wheah Granny Maumee?
Pearl
She in the baid-room fixin’ up. Wheah’s youah husband?
Sapphie
[After a pause.] He—didn’—come—
Pearl
Oh, that’s too bad, but it’s good to see you, and let’s see the baby.
Sapphie
[Drawing back with the swathed and veiled child.] Not yet.
Pearl
Oh, he’s asleep, of course.
Sapphie
[Pointing to doorway through which Granny passed.] Shut the
door.
Pearl
[Obeying wonderingly.] Well, hit do look good to see you ergin,
Sapphie. Hit don’t seem like er yeah now sence you lef’ home. Does
youah husband tek you to pictuh shows?
Sapphie
Puhl, what’s Granny Maumee like now, is she failed any? Is she
fie’ce as eveh ’bout the burnin’ and the w’ite mens?
Pearl
Why, of course she is. She don’t neveh change f’um year ter year.
Come on, let’s see baby. What youah husband’s name? You nevah
sent us wu’d what youah new name was.
Sapphie
 That’s what I want to see you for before Granny Maumee comes
out. Come here. [She lifts a veil from the child’s face.]
Pearl
[Peering eagerly forward and then starting back.] W’ite!
Sapphie
[Breathlessly.] How’ll she take hit? What’ll she do? I’m scared of
her.
Pearl
A light-head merlatter! So youah husband didn’t come ’cause they
ain’t no husband. Who’s the man?
Sapphie
You know wheah I work.
Pearl
Lightfoot!
Sapphie
He des would have his way.
Pearl
So, he took you off to town with him, did he, and that’s how come
you have the luck to go. I praise King Jesus he kept me f’um such
luck.
Sapphie
How’ll she take hit?
Pearl
Take hit! Does you spose we can take’n tell her? Thank my Makeh
she’s blind. It’s the mussy of Gawd her eyes was swiveled in w’ite
man’s fire before she see the w’ite man mix with her blood. You—
Sapphie
 Oh, I don’t care what you calls me if you’ll only help me and keep
Granny Maumee off’n me and baby.
Pearl
It’s only helpin’ to keep us all from ’struction that I’ll keep it from
her.
Sapphie
What you think she’d do if she found out?
Pearl
I don’t know. Sometimes when her mine runs on ’bout the burnin’
she begins to go back’ards.
Sapphie
[Fearfully.] What you mean?
Pearl
You knows what I means. Away from the love of Gawd, back to
that Affykin devil stuff.
Sapphie
[Starting with a cry toward the door at back.] Oh, she might witch
me and the baby too.
Pearl
Don’t be scared. She won’t tech you ’cause she won’t know the
sinneh you been.
Sapphie
He des would have his way. [A tap is heard outside Granny’s
door.]
Pearl
She’s comin’.
 [Sapphie shrinks back toward opposite side of room as
door opens and Granny enters wearing a red
dress with red apron and red silk cap on her head.
She pauses just inside and listens intently.]

Granny
Who bin talkin’?
Pearl
Me. [She guides Granny to her chair.]
Granny
Well, talk on. How I look? [She straightens proudly in her chair.]
Pearl
Good. The red ain’t faded none.
Granny
Dat’s good, fer I needs hit bright dis day an’ night. De babe’ll wan’
tuh see hit. Red’s de fus’ coloh er baby notice an’ red allers goes wif
black. Red neveh go wif w’ite. Looks ghas’ly. I use allers tuh wrop
my Sam in red— [She pauses and her voice grows shriller.] an’ red’s
de las’ way I seen ’im.
Pearl
Now, Granny—
Granny
Dat’s right, I mus’ tek my mine off er dat sight now. But I’ll tek’n’
wrop dis noo black babe in my red ap’un dat hilt my Sam. In red he
shill be wrop an’ black he shill shine. Royal black we is an’ royal
black we shill stay. Praise my Makeh, dey ain’ no drop er any yutheh
coloh in ’im. All us wimens wuz hones’, all de way down, an’ we kep’
clean er de w’ite streak. We kep’ us clean, praise my King, an’ we
will ter de een’. W’ite blood were ’stroyin’ angel tuh my fambly f’um
de beginnin’s, but hit neveh yit mix wif us. We wuz save f’um dat las’
pizen.

[Sapphie turns as though to go out through the door at

right with her child. Pearl motions her through
side doorway at left. She goes out softly.]

Pearl
Hattie Lee she uz hones’ an’ her baby’s w’ite. That w’ite man tuk’n
marry her with preacheh.
Granny
Married wif preacheh! Do dat change de trashy blood? I wudn’
have dat kinder mud pumpin’ in er babe er my blood, not ef de
sevumty eldehs had j’ined a w’ite man tuh you er Sapphie.
Pearl
W’ite blood no wus’n black blood.
Granny
’Tis fer us! ’Tis fer dis house er sorrer. Hit’s bin fieh, hit’s bin death,
hit’s bin de crawlin’ stream er hell fer me an’ my fambly as fur as I
knows, an’ dat’s a hunderd yeah. But I lets all de yutheh go, ’ca’se I
hates um ernuff fer dis one thing—

[She goes to red-covered chest at right, lifts the lid and

takes out two half-charred sticks of wood.]

Pearl
Now, Granny, put um back—
Granny
[Waving the sticks.] Deze, w’ut I snatch f’um de fieh undeh Sam.
Deze is ernuff to mek us hate all er dat blood an’ keep hit fur f’um us.
Pearl
 [Going to her and taking the sticks.] Is this heah makin’ ready for
comp’ny? Now ca’m yo’se’f.

[She lays the sticks on top of the chest.]

Granny
[Seating herself and growing suddenly very still as though
listening.] Yo’re right. Time’s up, de houah is heah an’ de chile is
neah. I feels hit. Run an’ open de do’. Sapphie mus’ be comin’ up de
paf. Mek ready. I feel my noo man chile neah me.

[Pearl goes out doorway at left. After a moment she

and Sapphie enter without the baby. Granny
stands up.]

Sapphie
[Going forward hesitatingly to Granny.] Granny Maumee.
Granny
Give ’im heah in deze ahms.
Sapphie
I lay him in yutheh room. I want to see you.
Granny
Fetch ’im.
Sapphie
Aint you glad to have me back?
Granny
Fetch de babe, be swif! [Pearl motions to Sapphie; she goes out
to get the baby.]
Pearl
Her man, he couldn’t come with her.
 Granny
No diffunce. I bless de man an’ wish ’im well, he’s su’ved his
puhpose, but he ain’ none er ouah blood. De boy babe’s de chief un.
[Sapphie enters with the baby.] Give ’im heah, be swif’.

[Sapphie hesitatingly lays the child in Granny’s

outstretched arms. As she does so a strange
reaction, like an electrical shock, seems to
overtake the old woman. She holds out the child
as though she would give it back. After a moment,
however, she presses it to her breast, rocking
back and forth and crooning to it.]

Babe, man babe-um, er noo man, er puore-blood man raise’ up

atter all dem gals. Sam kin res’ now. ’Caze w’y— [She begins to
chant.] ’caze er noo man bin raise up an’ he shill lay hol’ er de stahs
an’ th’ow um down fer vingince. He shill be er ’stroyin’ fieh er
heavum tuh roll ergin de hell fieh w’ut dey lit fer Sam an’ quinch hit
out fuheveh. De wrath er Gawd shill be wif ’im an’ de w’ite blood shill
puhvail no more ergin ’im. De sun an’ moon shill rise no mo’ on my
house an’ fin’ on’y gals, ’caze we got er puore-blood man fer to
gyard an’ carry us on.

[From time to time during her words she has paused

and bent intently over the baby, striving to see it.]

An’ my King’ll not keep de cuss on me now an’ leave me go down

to de grave wifouten sight er you, my babe-um. Dese eyes shill yit
behole. [She rises with the child in her arms.] Go on out er heah,
Puhl an’ Sapphie, lemme be alone now wif my babe. [She waves
them out imperiously.]
Pearl
Whuffo’?
Granny
I wan’s ter see dis chile befo’ I dies.