Storytelling Through Foley Sound With Cover
Storytelling Through Foley Sound With Cover
Storytelling Through Foley Sound With Cover
What is Foley?
An average viewer would have no clue what Foley is however it’s
incredibly significant to film production. Foley Sounds are sound effects
made during the postproduction stage of a film or tv show to either
enhance the audio or add extra sound that couldn’t be produced on set to a
scene. [1] It all started with radio soap operas created around the 1920s to
30s. They required sound effects to be made alongside the narration and
dialogue to progress the story; however Jack Foley developed the idea for
cinema and changed everything for it. [2] As talkies came about, more
sophisticated techniques were needed for creating sound and that’s when
Foley artists gained an important role in the film industry. [3] A Foley
artist is the person who actually makes these sounds in a studio that has
viewing screens and recording equipment. [4]
Why is it used?
There are multiple reasons why Foley may be used in film, some of these
being:
1. It can replace production sound that didn’t have the desired impact
2. Sounds that couldn’t be made during production can be added
3. It’s easier to remove dialogue for foreign dubs if the sounds are on a
separate track [8]
4. Separate sounds are easy to adjust without interfering with the
dialogue. [9]
Those are only the technical reasons for Foley though, in terms of the
actual production sound effects are incredibly important. They can help
bring life to a film, even with the smallest sounds like birds chirping. They
aren’t noticeable but they create an immersive experience by making the
soundscape more lively and natural. Another reason is immersive sounds
that can draw a viewer in. Foley can create a sense of comfort and allow
the audience to feel close to the characters and story being portrayed.
Ambiance isn’t easy to capture during production, so Foley artists create
them so they’re louder. It can again make the film seem so much more real
by adding these background noises. Films without Foley are way too quiet,
many audiences don’t recognise how necessary these effects are. The real
world isn’t just silent, there will always be little noises to fill our everyday
lives. If a scene had no background effects, the viewers would be
uncomfortable due to the uncanniness and would disconnect from the
production, it could also cause confusion amongst the audience. [10]
Along with this are the emotional reactions that can come with sound,
music and sound both can help the audience understand the emotions
being displayed on screen and maybe even make them feel it themselves.
[11]
Inside out
This film is about the inside of an 11 year old
girl's mind and Ren Klyce was tasked to create
the soundscape for Riley’s mind and her
emotions. He achieved this by recording some
very unconventional sounds, the sound of crabs
walking in sand became the ambience [12]
The Exorcist
In this film, a girl is possessed after messing
around with a spirit board, which means many
interesting sounds had to be recorded to reflect
that gross actions the girl performs while under
control. The sound technician, Gonzalo Gavira,
had to find a creative way to make the sound of
her neck snapping. He did this by twisting a
worn leather wallet with credit cards inside right by a microphone [12]
Wall-E
This incredibly touching film is about the
connection between two robots, one being an
old forgotten model called Wall-E and the other
being a futuristic and high-tech being known as
Eve. To create the sound of Eve’s gun a slinky
was attached to the floor and ceiling and was hit
with a wooden dowel rod, giving off a quick deep zapping noise that’s
reminiscent of weapons you’d hear in other sci-fi films. [13]
In conclusion…
Before researching into this topic, I struggled with sound as I could never
find unique ways to use it for my stories; however I was hoping that I
could learn new methods to recording Foley. My reason for needing sound
effects is because I want my production to be a radio drama, a story with
no visuals needs sound to drive the narrative and entice the audience. I
needed to know how and why, which is why I focused on those points
throughout the essay. Despite the little information there was online, I
learned the unconventional methods used to create sound; it’s incredibly
dependent on what I decide to do. I now know that I need to focus on what
props and items I will use to make sound, maybe research further into it so
I can prepare for it. As well as this, I’ve realised why it’s so important to
have Foley in film and radio, an audience won’t engage with a production
that has no sound. I have before focused on how I can grab the viewers’
attention with my story but I only thought of my writing, I didn’t think
about what Foley could do for it too. It’s why I wish to add so many more
sounds, I want to put in that bit of effort to draw my audience in and create
that certain feel that comes with my stories.
Bibliography
[2] Cuartas, R. (2021) How the History of Foley still Impacts Films
Today, Enhanced Media. Available at:
https://enhanced.media/blog/2021/6/24/what-you-should-know-
about-the-history-of-foley (Accessed: January 18, 2024).
[6] What are Foley Sounds: How to Make Your Own (2021)
HookSounds. Available at:
https://www.hooksounds.com/blog/foley-sound-definition-
examples-make/ (Accessed: January 18, 2024).
[14] Film Production (2023) How do you use foley and sound
effects to tell your story?, Linkedin.com. www.linkedin.com.
Available at: https://www.linkedin.com/advice/3/how-do-you-use-
foley-sound-effects-tell-your-story (Accessed: January 18, 2024).