Syllabus MAEnglish2017
Syllabus MAEnglish2017
Syllabus MAEnglish2017
Revised Syllabus
HARD CORE COURSES
I SEMESTER
ENGL 401: Language through Literature
ENGL 402: Poetry from Chaucer to Milton
ENGL 403: Elizabethan Drama
ENGL 404: Augustan and Eighteenth-Century Literature
ENGL 405: Romantic and Victorian Poetry
II SEMESTER
ENGL 411: Shakespeare
ENGL 412: 19th Century British Fiction
ENGL 413:20th Century British Poetry
ENGL 414: Introduction to Linguistics
ENGL: 415: Theory of Comparative Literature
III SEMESTER
ENGL 501: American Poetry
ENGL 502: Modern British Fiction
ENGL 503: Postcolonial Literatures
ENGL 504: Literary Theory
ENGL 505: Project (or) ENGL 506: Non-fictional Writings
IV SEMESTER
ENGL 511: Modern Drama
ENGL 512: American Fiction
ENGL: 513: Indian Writing in English
ENGL 514: European Literatures
ENGL 515: Translation: Theory and Practice
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SEMESTER I COURSES:
Credits: 03
Introduction:
The learning of English literature has always been considered as a means to develop proficiency
in that language, as far as the second language situations in India are taken into account. English
is still a library language, though it occupies the position of the co-official language. The
inadequacy of exposure to the spoken variety of the target language must be compensated by
reading—both quantitatively and qualitatively.
Course contents:
Unit I
Introduction to reading; reading strategies based on purpose—skimming, scanning, intensive and
extensive reading; grammar—forms of tense
Unit II
Various levels of reading comprehension such as local–global, factual–ideational, implicit–
explicit, critical, summative and evaluative; grammar—subject-verb agreement
Unit III
Introduction to writing; different types of writing such as narrative, descriptive, expository and
argumentative; critical, appreciative, and evaluative writing; grammar—adjectives & prepositions
Unit IV
Literature and language; aspects of literary analysis; feminism; modernism; post-modernism;
literature of the absurd; grammar—quantifiers
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Unit V
Soft skills; oral presentation; pair work; small group work; seminar presentation; group discussion;
debate; extempore; grammar—subjunctive
Instructional materials:
(a) Language: The functional-communicative aspect of language will be taken care of through a
series of real life tasks both in the spoken and the written forms.
(b) Literature: Extracts from different sources belonging to various genres (other than those
prescribed for hard core courses) in English, as well as translations into English.
References:
Collie, Joanne & Stephen Slater. Literature in the Language Classroom. New Delhi: CUP, 2009.
Kurien, Anna. Texts and Their Worlds I. New Delhi: CUP, 2016.
Lazar, Gillian. Literature and Language Teaching. New Delhi: CUP, 2012.
Mahanand. Anand. Literature for Language Skills. Chennai: Yes Dee Publications, 2017.
Mishra, Gauri, et al. Language through Literature. New Delhi: Primus Books, 2016.
Murphy, Raymond. Advanced Grammar in Use. New Delhi: CUP, 2012.
Nair, Bhaskaran. P. Reading for Recreating. Calicut: Calicut University Press, 2009.
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LEARNING OUTCOME:
This course will make the students familiar with the history and beginning of English Literature.
It will also enable them to understand and enjoy the relevance and beauty of medieval English
Literature-its language, style and lyrics, the structure and the various literary forms used by the
writers of the time. The students will become familiar with the well-known literary figures of the
time like Chaucer, Milton, Spencer and Donne whose works have enriched English Literature.
SYLLABUS:
UNIT-I
Geoffrey Chaucer: ‘The Prologue to The Canterbury Tales.
John Milton, Paradise Lost. Book 9
UNIT-II
Edmund Spenser: Prothalamion
Sonnets: “One Day I wrote her name upon the Strand”, “Happy ye leaves! Whenas those lily
hands”, “Fair is my love, when her fair golden hairs”.
UNIT-III
John Donne:“The Extasie, ‘Twicknam Garden”, “A Valediction: Forbidding mourning”.
Andrew Marvell: “The Garden”, “To His Coy Mistress”.
UNIT-IV
William Shakespeare: “The Phoenix and the Turtle”.
Henry Vaughan: “The world”, “The Waterfall”.
George Herbert: “The Collar”, “The Flower”.
UNIT-V
Sir John Suckling: “Song”.
Abraham Cowley: “The Change”.
Richard Crashaw: “Hymn to St. Teresa”.
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Reading List:
David Daiches: A Critical History of English Literature. (Revised) Vol-1-4.
Brooke, T: Literary History of England: Vol-2 The Renaissance (1500-1600).
David Wright.”Introduction”The Canterbury Tales (Macmillan Indian Edition) or the verse
Translation.( Oxford University Press)
The General Prologue to the Canterbury Tales (ed) by Harold Bloom.
Helen Gardner: The Metaphysical Poets, (ed)by. Penguin Publication
C Helen White: The Metaphysical Poets: A Study in religious Experience, Macmillan,1936.
Izaak Walton: Life of Donne
C.S Leavis: Donne and Love Poetry in the Seventeen Century.
P.Legouise: Donne the Craftsman.
John Milton, Paradise Lost. Book 9(Edited by J. Martin Evans, Cambridge Publication).
Katharine Breen: Imagining an English Reading Public,1150-1400 (Cambridge Studies in
Medieval Literature. Cambridge University Press, 2010.
Samuel Johnson: From Life of Cowley (Metaphysical Wit).
Marvell-‘Modern Judgments’-(ed) Michael Wilding.( Articles by T.S Eliot, William Empson,
Cleanth Brook.
Amy M Charles: Life of George Herbert. Cornell University Press,1977.
L.C Knights: ‘George Herbert’ in Explorations, Chatto&Windus,1946.
Harry Blamires: A History of Literary Criticism. Macmillan publication, 2000.
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This course is designed to familiarize the postgraduate student to the tradition of drama in English
literature in the Elizabethan age. Since Western drama takes its origin from the classical Greek
play, the course will necessarily begin from the latter component. This means both a study of the
relevant portions of Aristotle s Poetics, as well as the reading of one Greek tragedy. The nature of
the differences between the English play and its Greek precedent will be next taken into account.
This of course will be followed by a detailed analysis of the texts prescribed. The accent will not
be on the literal understanding of the text, but on its context in terms of its genre, its style, its
structure, its themes and its specific place in the dramatic tradition of its period. As such
representative texts of the period have been selected. Standard editions must be used in class by
the students. As there is an exclusive paper on Shakespeare, only one representative text has been
recommended for this paper.
Prescribed Texts:
Unit I
Treatise on Drama
Aristotle: Poetics
Greek Model Text
Sophocles: Oedipus Rex
Unit II
Christopher Marlowe: Dr. Faustus
Unit III
William Shakespeare: Macbeth
Unit IV
Thomas Dekker: The Shoe maker's Holiday
Thomas Kyd: The Spanish Tragedy
Unit V
John Webster: The Duchess of Malfi
Ben Jonson: The Alchemist
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Reference Books:
Beadle, Richard, ed.. The Cambridge Companion to Medieval English Theatre. Cambridge:
Cambridge University Press, 1994.
Bradley, AC Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear,
Macbeth, London: Macmillan, 1905.
Bloom, Harold, Shakespeare: The Invention of the Human, New York: Reerhead,
1998.
Chambers, E.K.. The Elizabethan Stage. Oxford: Clarendon Press, 1951. 4 vols.
Hartnoll, Phyllis. A Concise History of the Theatre. Rev. ed. London: Thames and Hudson,
1985.
Wells, Stanely (ed.) The Cambridge Companion to Shakespeare
Studies (Cambridge: Cambridge University Press, 2000).
Leech, Clifford (ed.) Marlowe: A Collection of Critical Essays (New
Jersey: Prentice Hall, 1964).
Levin, Harry. The Overreacher: A Study of Christopher Marlowe
(London: Faber & Faber, 1953).
Lukas, Erne. Beyond the Spanish Tragedy: A Study of the Works of Thomas Kyd,
Manchester University Press 2002
Boulton, Marjorie. The Anatomy of Drama. Routledge & Kegan Paul Ltd.
London. 1960. Print.
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Objectives:
This course aims at an intensive study of some of the master pieces of Augustan Literature. This
selection will be also beneficial to those students aspiring for SLET/JRF examinations where
Augustan Literature forms a major part of the syllabus. An attempt has been made to include the
indescribably complex variations of the satiric spirit in Addison, Johnson, Swift, Dryden and
Pope who are the masters of “our excellent and indispensable eighteenth century” spirit.
Syllabus
Unit 1
Poetry: Detailed Study
Pope: An Essay on Criticism
Dryden: Mac Flecknoe
Unit 2
From The Norton Anthology of Poetry (Third Edition)
Thomas Gray:
1. “Elegy Written in a Country Churchyard”
2. “Ode (On the Death of a Favorite Cat)”
William Collins:
1. “Ode Written in the Beginning of the year 1746”
2. “Ode to Evening”
William Blake:
1. “The Garden of Love”
2. “A Poison Tree”
Unit 3
Johnson: Preface to Shakespeare
Unit 4
Addison and Steele: Coverley Papers from the Spectator, Ed. By Deighton (Macmillan)
Swift: Gulliver’s Travels Part IV
Fieldings: Joseph Andrews
Unit 5
Goldsmith: She Stoops to Conquer
Congreve: The Way of the World
Bibliography:
General history
• Rogers, Pat The Augustan Vision (London: Methuen, 1974) ISBN 0416709702 (pbk.) An
overview of the literary milieu, major authors, and literary forms.
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Literary criticism
• Nokes, David Raillery and Rage: a Study of Eighteenth-Century Satire (Brighton:
Harvester, 1987) ISBN 9780710812315. A detailed exploration of one of the period's
most important literary forms.
• Watt, Ian The Rise of the Novel (London: Pimlico, 2000) ISBN 9780712664271. A major
scholarly work, examining the socio-economic conditions that gave rise to the Augustan
novel form.
Anthologies
• Price, Martin (ed.) The Oxford Anthology of English Literature: Restoration and
Eighteenth Century (London: Oxford University Press, 1973) ISBN 0-19-501614-9
(pbk.) 4,500 pages of Restoration and Augustan literature. Major works like Pope's An
Essay on Criticism and Swift's A Tale of a Tub are merely excerpted. Annotated with a
bibliography.
• Greenblatt, Stephen; Lipking, Lawrence and James Noggle (eds.) The Norton Anthology
of English Literature, Volume C: The Restoration and the Eighteenth Century (New
York: W. W. Norton and Co., 2006) ISBN 0393927199 (pbk.) Offers a more
comprehensive selection than the Oxford Anthology, and likewise annotated with a
bibliography.
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Unit I
I. Introduction to Romanticism and Victorianism
• Traits of Romanticism- Revolutionary optimism/ Individual and Spiritual
Freedom/Self/Imagination/Nature
• Traits of Victorianism-Reactionary/Social anomalies and injustice/ Industrialization/
Realism/ Individual transformation
• Literary Writers/Critics/
Unit II
William Blake: “Lamb” and “Tyger”
William Wordsworth: “Tintern Abbey”
Coleridge: “The Rime of the Ancient Mariner”
Shelley: “Ode to the West Wind”
Keats: “Ode to the Nightingale” and “Ode on a Grecian Urn”
Unit III
Tennyson: “Ulysses” and “Tithonus”
Mathew Arnold: “Scholar Gypsy” & “Dover Beach”
Browning: “My Last Duchess”
Unit IV
D.G.Rossetti: “The Blessed Damozel”
G. M. Hopkins: “The Windhover”
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Unit V
Elizabeth Barret Browning: “How Do I love Thee?”
Christina Rossetti: “After Death”
Amy Levy: “The Two Terrors”
References:
Cronin, Richard & et al Ed. A Companion to Victorian Poetry USA. Blackwell Publishers Ltd,
2002.
Charles, Mahoney. Ed. Companion to Romantic Poetry. USA. Blackwell Publishers, 2011.
Chandler, James & N. McLane, Maureen. Ed. Cambridge Companion to British Romantic
Poetry. UK. Cambridge University Press, 2008.
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SEMESTER II COURSES
ENGL 411: SHAKESPEARE
Many consider William Shakespeare the greatest dramatist—even the greatest writer—of all
time. His impact on Western culture and language is unmistakable.But if Shakespeare’s plays and
sonnets are the monuments of a remarkable genius, they are also the monuments of a remarkable
age.
Objectives:
The course attempts a thorough study of the Elizabethan theatre, language, and culture—the world
in which Shakespeare lived and breathed. It will make a close reading of a number of
Shakespeare’s most acclaimed plays. An attempt has been made to include a study of his
poetry. By the end of this course, students would develop a strong understanding of Shakespeare’s
works—their style, their linguistic accomplishments, their hallmarks—as well as a working
knowledge of the Elizabethan Period in which he wrote.
Learning Outcomes
Upon successful completion of this course, the student will be able to:
• Identify, compare, and contrast the major dramas and poems produced by William
Shakespeare.
• Describe Elizabethan England in social and historical context.
• List the major figures who likely shaped the work of Shakespeare.
• Explain the origins of Shakespearean drama in Greek theater.
• Define a variety of Shakespearean dramatic forms, including Shakespearean tragedy,
history, and comedy plays.
• Identify and describe the major themes of Shakespearean tragedy, comedy, and history
plays.
• Explain the roots of the Shakespearean sonnet in earlier sonnet traditions.
UNIT 1
1. Hamlet
2. King Lear
UNIT 2
3. Macbeth
4. Richard III
UNIT 3
5. A Midsummer Night’s Dream
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6. As You Like it
UNIT 4
7. Sonnets (A select Study)
UNIT 5
Greenblatt, Stephen et al.: 2007, The Norton Shakespeare, Norton, New York,
Kermode, Frank: 2006, Shakespeare's Language, Oxford University Press, Oxford,
Bibliography:
Barker, Deborah E. and Ivo Kamps, eds.: 1995, Shakespeare and Gender: A History,
Verso, London,
Bloom, H.: 1999, Shakespeare: The Invention of the Human, New York,
Bradley, A. C.: 1992, Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear,
Macbeth, 3rd, London,
Dusinberre, J.: 1996, Shakespeare and the Nature of Women, Macmillan, London.
John Dover Wilson, The Fortunes of Falstaff, Macmillan, 1943
Leggatt, Alexander, ed.: 2006, The Cambridge Companion to Shakespearean Comedy,
Cambridge UP, Cambridge
McEachern, Claire: 2002, The Cambridge Companion to Shakespearean Tragedy,
Cambridge UP, Cambridge
Jackson, Russell, ed.: 2000, The Cambridge Companion to Shakespeare on Film,
Cambridge UP, Cambridge
Wilson Knight, The Wheel of Fire, London, Routledge, 2001
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Course Description: Study of Major British Fiction of the Nineteenth Century. This is a course
exploring the literature written between 1815 and 1930. It will introduce you to the texts that reflect
a range of historical, cultural and aesthetic values. The course also reflects on the aspects of
instruction, entertainment, society, class and gender as perceived in nineteenth century England.
The outcome of the course is to initiate critical thinking on the following topics:
1. The development of fiction in England from the close of the eighteenth century.
2. The relationship between fiction and popular taste especially during the Victorian period
3. The relevant social and political contexts.
4. Evaluation of various constructions of identity, such as age, sexuality, class and region.
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• John Sutherland, Victorian Novelists and Publishers 1976 John Sutherland, The
Stanford Companion to Victorian Fiction 1989
• Julian Wolfreys, Being English: Narratives, Idioms, and Performances of National
Identity from Coleridge to Trollope 1994
• Kathleen Tillotson, Novels of the Eighteen-Forties 1954
• Katie Trumpener, Bardic Nationalism: the Romantic Novel and the British Empire
• Louis Cazamian, The Social Novel in England, 1830-50: Dickens, Disraeli, Mrs. Gaskell,
Kingsley, trans. Martin Fido 1903
• Merryn Williams, Women in the English Novel, 1800-1900 1984
• Michal Peled Ginsburg, Economies of Change: Form and Transformation in the
Nineteenth-Century Novel 1996
• Nancy Armstrong, Desire and Domestic Fiction: A Political History of the British Novel
• Nancy Armstrong, Desire and Domestic Fiction: A Political History of the Novel 1987
• Nina Auerbach, Communities of Women: An Idea In Fiction 1978
• Patricia Beer, Reader, I Married Him: A Study of the Women Characters of Jane Austen,
Charlotte Brontë, Elizabeth Gaskell and George Eliot 1974
• Patricia Stubbs, Women and Fiction: Feminism and the Novel, 1800-1920 1981
• Raymond Williams, Culture and Society, 1780-1950 1958
• Raymond Williams, The Country and the City; Culture and Society, 1780 1950
• Richard Barickman, Susan MacDonald, and Myra Stark, Corrupt Relations: Dickens,
Thackeray, Trollope, Collins and the Victorian Sexual System 1982
• Robert Kiely, Reverse Tradition: Postmodern Fictions and the Nineteenth-
• Robert Lee Wolff, Gains and Losses: Novels of Faith and Doubt in Victorian England
1977
• Robin Gilmour, The Novel in the Victorian Age 1986
• Ruth B. Yeazell, Fictions of Modesty: Women and Courtship in the English Novel 1991)
• Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and
the Nineteenth-Century Literary Imagination 1979
• Robin Gilmour, The Idea of the Gentleman in the Victorian Novel 1981
• Tess Cosslett, Woman To Woman: Female Friendship in Victorian Fiction 1988
Web References:
• http://www.vanderbilt.edu/AnS/english/Clayton/231bib.htm
• http://www.sjsu.edu/faculty/harris/19CBritNov_Links.htm
• Jane Austen Information Page Indispensable resource. Numerous other sites devoted to
Austen are available from this page. Maintained by Henry Churchill.)
• Victorian Web Sites The most comprehensive list of web sites on Victorian literature.
Maintained by Mitsuharu Matsuoka, Nagoya University, Japan.)
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• Voice of the Shuttle: Victorian The model for all academic resource pages--rigorous
conceptual organization of links. Maintained by Alan Liu, University of California, Santa
Barbara.)
• Victorian Web Elegant web-based hypertext on Victorian literature and culture, covering
topics such as Social Context, Economics, Science, Technology, Politics, Literature, and
the Visual Arts. Maintained by George P. Landow, Brown University.)
• Literary Resources - Victorian British Easy-to-use list of Victorian web sites. Maintained
by Jack Lynch, Rutgers University, Newark.)
• Victoria Research Web Web site for the VICTORIA listserve; contains search engine for
the VICTORIA list archive and other valuable resources. Maintained by Patrick Leary,
Indiana University, Dept. of History.)
• New Books in Nineteenth-Century British Studies " This site offers complete publication
information for scholarly works on the British Romantic and Victorian periods. Here you
can find authors, titles, publishers, prices, ISBN numbers and publishers’ descriptions for
new and forthcoming critical works, anthologies, and critical editions of nineteenth-
century British materials. In addition, original reviews are available for selected
works." Maintained by Kirsten L. Parkinson, University of Southern California.)
• LITIR Database on Victorian Studies Bibliography of current and forthcoming books and
articles on the period. Maintained by Brahma Chaudhuri, University of Alberta.)
• The Modern English Collection Part of the Electronic Text Center--one of the largest and
most scholarly archives of E-texts on the web. Maintained by Jerome McGann,
University of Virginia.)
• British Poetry 1780-1910 Part of the Electronic Text Center.)
• Victorian Women Writers Project Scholarly transcriptions of numerous hard-to-find
texts. Maintained by Perry Willett, Indiana University.)
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Objectives
1. To expose students to major 20th century British poets and their texts
2. To develop the aesthetic and critical skills of the learners by facilitating them to understand,
appreciate and analyse these poems.
3. To make learners comprehend the major trends and movements in 20th century literature,
which influenced and shaped the poetry of that period.
4. To interpret the poems based on various theoretical tools.
Learning Outcome
At the end of the course, the students are expected to gain a thorough knowledge of 20th century
British Poetry, its influences, trends and themes. They will be able to appreciate these poems
based on its thematic, stylistic and philosophical aspects and also interpret these texts from
different theoretical perspectives.
Unit I
Introduction: A comprehensive introduction to 20th Century British Poetry which includes the
historical and cultural background, literary and critical terms closely related to the poetry of this
period, major poets, trends and themes.
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Reading List
Atridge, Derek. The Rhythm of English Poetry. London: Longman, 1993.
Corcoran, Neil. English Poetry since1940. London: Longman, 1993.
Day, Gray & Briam Docherty, eds. British Poetry from the 1950s to the 1999s:Politics and
Art. London: Macmillan, 1996.
Gregson, Ian. Contemporary Poetry and Postmodernism. London: Macmillan, 1996.
Heaney, Seamus. The Redress of Poetry. London :Faber and Faber, 1995.
Hulse, Michael, David Kennedy & David Morley, eds The New Poetry, Newcastle Upon-
Tyne:Bloodaxe ,1993.
Kennedy, David. New Relations: The Refashioning of British Poetry 1980-94
Bridgend:Seren ,1996.
Ricks, Christopher. The Force of Poetry. Oxford: Oxford UP, 1984.
Childs, Peter. The Twentieth Century in Poetry: A Critical Survey. London: Routledge,1999.
Perkins, David. A History of Modern Poetry England. Harvard University Press,1987.
Shires, M. Linda. British Poetry of the Second World War. London: Macmillan,1985.
Jeffries, Lesley. The Language of Twentieth-Century Poetry. London: Macmillan,1993.
Morrison, Blake. English Poetry and Fiction of the 1950s. London: Oxford University
Press,1980.
King, P.R. Nine Contemporary Poets: A Critical Introduction. London: Methuen& C. Ltd,1979.
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The course is introductory in nature and intends to familiarize students with some of the
fundamental concepts in Linguistics. Linguistics which is a scientific study of language looks at
the formal properties of language and the ways in which they are studied by Linguists. The
course also seeks to seeks to acquaint students with the major components of linguistic analysis:
phonetics (sounds of language), phonology (sound patterns), morphology (word structure),
syntax (sentence structure), and semantics (meaning), as well as some areas on the interfaces.
COURSE CONTENT
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READING LIST
Adrian Akmajian, Richard A. Demers, Ann K. Farmer, and Robert M. Harnish. 6 edition (2015)
Linguistics: An Introduction to Language and Communication Prentice Hall India Learning
Private Limited
Balasubramanian T.2013. A Textbook of English Phonetics for Indian Students 2nd Edition.
Laxmi Publications
Bauer, L. 2007. The linguistics student’s handbook. Edinburgh: Edinburgh University Press.
Bhaskararao, Peri. 1977. Practical Phonetics. Pune: Deccan College.
Burridge, Kate and Tonya N. Stebbins. 2016. For the Love of Language: An Introduction to
Linguistics. Cambridge University Press
Crystal, David.2006. How language works. Penguin Books
Verma, S.K., and N. Krishnaswamy. 1993. Introduction to Modern Linguistics. Delhi: Oxford
University Press
Yule, G. 1987. The Study of Language Cambridge: Cambridge University Press.
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Objective of the course: The task inculcating a comparative awareness in the minds of the
participants to realize its cultural significance in the globe as well as multilingual states like India
is central to the goal of this course. The first part of the course will acquaint the participants with
the major issues in various theories of Comparative literature as detailed in 2.0. And the second
part will deal with the methodological problems in the practice of Comparative literature imparting
training by way of seminars and assignments.
Unit I
Introduction: An Overview
Comparative literature: Definition and Scope
French and American Schools
European and American Schools
Unit II
National literature, General literature, World literature etc
New Comparative literature-Crisis
Reception, Influence,
Analogy
Modes and Conventions
Doxologie/mesologie/Crenologie
Unit III
Genres
Thematology
Epoch, Period, Movements
Universal themes, Thematological Concepts and Typology
Epoch, Period, Movements
Unit IV
Literature and Psychology/Sociiology
Mutual Illumination of the Arts
Music/Fine arts/Sculpture
Unit V
New Comparative literature-Crisis
Comparative Methodology-Practice
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Course Description: This course will be an introduction as well as an evaluation of poetry that
emerged in the Unites States. The course will attempt to view how poetry has evolved from the
19th century onwards. The course will cover besides a fairly extended background
of American literary forms and techniques, a wide variety of poetry from various theoretical
backgrounds such as modernism and new criticism to varied ethnic voices such as
Native American, African American and so on.
Syllabus:
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Learning Outcome
At the end of the course, the students are expected to
1. Comprehend the key concepts and trends in modernist movement.
2. Interpret the texts chosen for study based on various theoretical concepts.
3. Analyse how the texts represent the philosophy and world view prevalent during the modern
period in terms of themes and techniques and understand how these works bring a
revolutionary change in literary history
Background Study
Malcolm Bradbury et al – “The Name and Nature of Modernism”
John Fletcher – “The Introverted Novel”
Virginia Woolf – “Modern Fiction”
Joseph Frank – “The Spatial Form in Modern Literature”
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Reading List
Alter, Robert. “The Modernist Revival of Self-Conscious Novel”
Schorer, Mark. “Technique as Discovery”
Lodge, David. “Modernism, Antimodernism and Postmodernism”
Trilling, Lionell. “On the Modern Element in Modern Literature”
Connolly, Cyril. The Modern Movement: One Hundred Key Books from England, France, and
America, 1880-1950. London: 1965.
Kolocotroni, Vassiliki et al. eds. Modernism: An Anthology of Sources and Documents.
Edinburg: Edinburg Univ. Press, 1998.
Bloomfield, Morton W. ed. The Interpretation of Narrative: Theory and Practice. Cambridge,
1970.
Edel, Leon. The Psychological Novel. New York, 1955.
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UNIT III - ESSAYS - You can find these essays on the web.
1.’Minute on Indian Education’- Thomas Macaulay - In full
2.’Three Women’s Texts and a Critique of Imperialism’- GayatriSpivak - Abridged
3. ‘An Image of Africa: Racism in Conrad’s Heart of Darkness’- Chinua Achebe - In full
4. ‘The Race for Theory’ - Barbara Christian
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References:
Postcolonial Discourses. Gregory Castle. Oxford: Blackwell, 2001.
The Postcolonial Studies Reader. Bill Ashcroft, Gareth Griffiths and Helen Tiffin,eds.
London: Routledge,1995.
Postcolonial Studies: The Key Concepts. Bill Ashcroft, Gareth Griffiths and Helen Tiffin.
London:Routledge, 2000.
Subaltern Studies Reader, 1986-1995 A.RanajitGuha. Minneapolis, MN: U of Minnesota P,
1997.
Introduction to Post-Colonial Theory. Peter Childs and Patrick Williams, Eds. New
York:Prentice-Hall, 1997.
New National and Post-Colonial Literatures: An Introduction. Bruce King. New York:
Clarendon P, 1996.
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This is an introductory course mapping the history and principles of literary criticism, from early
period to present. As a survey course, it moves quickly across the centuries and among different
cultures, from ancient Greece and Rome through Romantic period in England to modern Europe
and the United States. The course is an attempt to provide a foundation, to comprehend the
philosophy of various modes of thinking within the humanities and specially the discipline of
English literature. The major objective of this course is to introduce the students to the key texts,
figuresand ideas in the field of literary theory from the classical to modern times.
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Texts:
David Lodge and Wood: Modern Criticism and Theory: A Reader. Routledge. 2017
S. Ramaswami and V. S. Sethuraman: The English Critical Tradition, Vol I and II. Macmillan
India. 1980
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Course Content:
Unit I:
Francis Bacon: Of Nature in Men
M. Wollstonecraft: A Vindication of the Rights of Women
E. M. Forster - What I Believe
George Orwell: Politics and the English Language
Unit 2:
Jean Paul Sartre: What is Writing?
Friedrich Schiller: On the Aesthetic Education of Man
Unit 3:
Binodini Dasi: My Story and Life as an Actress (Selection)
Amitav Ghosh: The Imam and The Indian
Unit 4:
Nelson Mandela: Freedom (from Long Walk to Freedom)
Aung San Su Kyi: Freedom from Fear
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Unit 5:
READING LIST:
Aung, San S. K. Freedom from Fear. London: Viking, 2009. Print.
Cairncross, A S. Eight Essayists. London: Macmillan, 1939. Print.
Chaudhuri, Sukanta, ed. Bacon’s Essays – A Selection. Delhi: MacMillan
India Limited, 1977.
Dasi, Binodini, and Rimli Bhattacharya. Binodini Amar Katha and Amar Abhinetri Jiban: My
Story and My Life As an Actress. New Delhi: Kali for Women, 1996. Print.
Forster, E M, and Nicolas Walter. What I Believe: And Other Essays. London: G.W. Foote & Co,
1999. Print.
Ghosh, Amitav. The Imam and the Indian: Prose Pieces. New Delhi: Ravi Dayal Publ. [u.a.,
2008. Print.
Mandela, Nelson, Wyk C. Van, Paddy Bouma, and Nelson Mandela. Long Walk to Freedom. ,
2014. Print.
Narasimhaiah, C D, and C N. Srinath. A Common Poetic for Indian Literatures. Mysore:
Dhvanyaloka, 1984. Internet resource.
Orwell, George. Politics and the English Language. , 2013. Print.
Premchand, Munshi. "The Nature and Purpose of Literature." Social Scientist. 39 (2011): 82-86.
Print.
Ramanujan, A K, Vinay Dharwadker, and Stuart H. Blackburn. The Collected Essays of A.k.
Ramanujan. New Delhi: Oxford University Press, 2004. Print.
Sartre, Jean-Paul. "what Is Literature?" and Other Essays. Cambridge, Mass: Harvard University
Press, 1988. Print.
Schiller, Friedrich, Reginald Snell, and Michael Martin. On the Aesthetic Education of Man.
Kettering, Ohio: Angelico Press, 2014. Print.
Sen, Amartya. The Argumentative Indian: Writings on Indian History, Culture and Identity.
London: Penguin, 2006. Print.
Thorpe, Michael. Modern Prose: Stories, Essays and Sketches. Cape Town: Oxford University
Press, 1977. Print.
Wollstonecraft, Mary, and William Godwin. Posthumous Works of the Author of a Vindication
of the Rights of Woman. Clifton [N.J.: A.M. Kelley, 1972. Print.
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SEMESTER IV COURSES:
Objectives
The course examines the chief characteristics of modern drama from its inception through the post-
World War II period. The course will also survey the effects of symbolism, expressionism,
surrealism, Epic Theater, and Absurdism on modern drama. It also helps the students learn the
impact of the social and political environments on modern drama and how such a tumultuous
period created a lot of experimental and truly glorious trends in the field of drama. The course
deals with the modern canonical texts from the American, European and British Drama.
Unit I
History of Post War Theatre
Introduction to Modern British, American and European Drama.
Introduction to Epic Theatre, Theatre of the Absurd, etc.
Unit-II
T.S.Eliot: Murder in the Cathedral
Samuel Beckett: Waiting for Godot
Unit III
Bernard Shaw: Arms and the Man
Bertolt Brecht: The Caucasian Chalk Circle
Unit IV
John Osborne: Look Back in Anger
Arthur Miller: Death of a Salesman
Unit V
Oscar Wilde: The Importance of Being Earnest
J.M.Synge: Riders to the Sea
Reference Books:
Bentley, Eric. The Playwright as Thinker: A Study of Drama in Modern Times. Harcort, Brace &
World, Inc. NY 1967.
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Bentley, Eric. The Theory of Modern Stage: An Introduction to Modern Theatre and Drama.
Kingsport Press. USA. 1968.
Cole, Toby, ed. Playwrights on Playwriting: The Meaning and Making of Modern Drama from
Ibsen to Eliot. Hill & Hang. NY. n.d.
Lumley, Frederick. Trends in Twentieth Century Drama. Oxford Univ. Press. NY. 1960.
Styan, J.L. Modern Drama in Theory and Practice I: Realism and Naturalism. Cambridge Univ.
Press. 1981.
Styan, J.L. Modern Drama in Theory and Practice II: Symbolism, Surrealism, and the Absurd.
Cambridge Univ. Press. 1981.
Styan, J.L. Modern Drama in Theory and Practice III: Expressionism and Epic Theatre.
Cambridge Univ. Press. 1981.
Styan, J.L. The Elements of Drama. Cambridge. Univ. Press. 1967. Print.
Szondi, Peter. Theory of Modern Drama. Univ. of Minneapolis. Minneapolis. 1987.
Williams, Raymond. Drama From Ibsen to Eliot. Chatto &Windus Ltd. London. 1954.
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Credits: 3
This course attempts to introduce students to the study of the novel and the short story in American
literature and the various traditions that conditioned their rise and development. While issues like
politics, race, gender, religion, etc will be focused upon, the texts chosen for study will also be
analysed by looking at the cultural and social contexts surrounding their production and reception.
On the whole, the course aims to give students a broad understanding of the major writers of fiction
in American literature right from the Puritan period to post-modern times.
Unit I
Social History of America; Introduction to early American literature and culture; Selected texts by
Washington Irving (Rip Van Winkle; The Legend of the Sleepy Hollow)
Unit II
Puritanism; American Romanticism; Selected texts by Nathaniel Hawthorne (The Scarlet Letter),
Edgar Allan Poe (The Black Cat) and Herman Melville (Bartleby, the Scrivener)
Unit III
American Literature and Regionalism; American Realism; Selected texts by Mark Twain
(Adventures of Huckleberry Finn), Kate Chopin (The Storm), Henry James (The Turn of the
Screw) and O. Henry (A Retrieved Reformation)
Unit IV
American Literature and Modernism; Renaissance in American Fiction; Selected texts by William
Faulkner (Bear) and Earnest Hemingway (The Old Man and the Sea)
Unit V
Racism and the American Society; African American Literature; Selected text by Alice Walker
(The Color Purple)
Novels:
Nathaniel Hawthorne The Scarlet Letter (1850)
Mark Twain Adventures of Huckleberry Finn (1884)
Henry James The Turn of the Screw (1898)
Earnest Hemingway The Old Man and the Sea (1951)
Alice Walker The Color Purple (1982)
Short Stories:
Washington Irving “Rip Van Winkle; The Legend of the Sleepy Hollow”
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*****
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LEARNING OUTCOME:
It will equip the readers with knowledge about the culture, history and political issues which are
reflected in the works of the writers who have immensely contributed to the field of Indian
Literature and Language. This will be beneficial to the students in understanding the historical
aspect of India’s past and present.It will also enable the readers to gain knowledge on the theme,
the pattern, the language and the style in Indian writing in English. It will also highlight the impact
and effects of India under the British rule on our language, culture and traditions. It will enable the
students to have a detail understanding of the Indian writing in English through the various phases
of development in Literature.
SYLLABUS:
UNIT-I- BRIEF INTRODUCTION OF THE BACKGROUND OF ENGLISH
EDUCATION IN INDIA
Macaulay’s Minute (1835)
Sri Aurobindo(1872-1950) Renaissance in India( Essay Chapter-1)
POETRY:
Henry Louise Vivian Derozio: (1809-1831) “The Harp of India”, “The Orphan Girl”.
Toru Dutt: ( 1856-77) “ Our Casuarina Tree”, “ Lakshman”.
Michael Madhusudhan Dutt:(1824-1873 ) The Captive Ladie
Rabindranath Tagore: (1861-1941) “ Leave this Chanting”, “Purity”.
SorojiniNaidu: (1879-1949) “Wind Blown Canopies of Crimson Gulmohars, “The Palanquin
Bearers”.
Nizzim Ezekiel: (1924-2004) “Goodbye party to Miss Pushpa T S”, “Night of the Scorpion”.
Kamala Das: (1934-2009) “Introduction”, “Someone Else Song”.
ArunKolatkar: (1932-2004) “Jejuri”
JayantaMahapatra: (1928-) “ Freedom”, “Twilight”.
UNIT II, NATIONALISM, GANDHISM AND FREEDOM MOVEMENT
Mulk Raj Anand: (1950-2004) Two Leaves and a Bud (1937)
R.K Narayan :( 1906-2001) The Guide (1958)
Raja Rao: (1908-2006) Kanthapura.(1938)
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UNIT- V- Drama
Manjula Padmanabam: (1953-) ‘Harvest’ ( 1998)
Girish Karnard: (1938-) ‘The Dreams of Tipu Sultan’ (2005 )
Reading List
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UNIT I
Introduction:
1. An overview of the eight language matrices of European Literature in general
2. Beginnings in Greek classicism and Roman literature
3. Texts: Poetry, Drama & Poetics (Greek & Latin)
1) Extracts from Aristotle’s Poetics & Longinus’ On the Sublime
2) Sophocles’ Oedipus
3) Horace’s First Epistle to Maecenas
UNIT II
1. Chivalric and Humanistic literatures of the Medieval period up to the Renaissance
2. A survey of the Eddas (of Iceland), the sagas (of the Nibelungenlied), the
Mystery or Miracle plays (e.g. The Second Shepherd’s Play), Skaldic/Norse
verse, the minnesongs & ballads, chansons de geste, Celtic romances of chivalry
and love, the Arthurian legends, Brythonic tales & Goliardic verse, Latin hymns
& fabliaux.
3. An overview of important writers such as Dante, Ludovico Ariosto, Boccacio,
Tasso, Francois Rabelais, Giovanni Boccaccio, Francesco Petrarca, Erasmus and
Cervantes.
4. Texts: Poetry, Epistle, Autobiography (Norse/Scandinavian, Italian)
4) Examples of Skaldic/Norse poetry
5) Petrarch ‘s Letters ( to Dionisio da Borgo San Sepolcro, Boccacio &
Tommasso di Messina) & Sonnet 96 (Italian)
6) Extracts from The Book of Margery Kempe
UNIT III:
1. The Gothic and the Romantic up to the beginnings of Realism
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*****
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UNIT II
3. Specialised Types of Translation
f. General translation
g. Literary translation
h. Legal translation
i. Administrative translation: i. Commercial/ ii. Economic ii. and Financial Translation
UNIT III
4.Trends in Translation
j.Machine Translation/Computer-Assisted Translation
k. Cultural Translation
UNIT IV
5. Criticism of Translation
l. Brazilian Cannibalistic Translation
m. Translation and Ideology
n. Functionalism
o. Post Structuralism
p. Postcolonial
UNIT V
5. Problems in translation
q. General problems
r. The problem of untranslatability
s. The problem of common words
References
Bassnett, Susan & Andre Lefevere. eds. Constructing Cultures. Clevedon/Philadelphia.
Multilingual Matters, 1998.
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Bassnett, Susan & Harish Trivedi. eds. Postcolonial Translation. New York. Routledge, 1999.
Bassnett, S. Translation Studies 3rd edition. London. Routledge, 2002.
Cronin, M. Translation and Globalization. London. Routledge, 2004.
Nida, E. The Theory of Practice of Translation. Leiden. Brill Academic Pub, 1969.
Lefevere, A. Translation, Rewriting and the Manipulation of Literary Frame. London. Routledge,
1992.
Newmark, P. Approaches to Translation. Oxford Pergaman Press, 1982.
*****
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*****
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