Nothing Special   »   [go: up one dir, main page]

Making The Team A Guide For Managers 6th Edition Thompson Solutions Manual

Download as pdf or txt
Download as pdf or txt
You are on page 1of 13

Making the Team A Guide for Managers 6th Edition Thompson Solutions Manual

Making the Team A Guide for Managers


6th Edition Thompson Solutions
Manual
Visit to download the full and correct content document: https://testbankmall.com/dow
nload/making-the-team-a-guide-for-managers-6th-edition-thompson-solutions-manual
/

Visit TestBankMall.com to get complete for all chapters


11

a) Be clear and simple

b) Specify ends but not means


3. Difficult goals yield considerably higher team performance compared with
nonspecific goals.
C. Performance vs. learning goals
1. High-performance orientation – reflects a desire to gain positive
judgments on performance
2. High-learning orientation – a desire to understand or become more
competent at something
3. Performance-prove goal orientation – motivation technique that drives
people to outperform others
D. Promotion vs. prevention goals
1. Promotion goals – goal is to achieve desired positive outcome
2. Prevention goals – goal is to avoid negative outcomes
3. Regulatory fit – pursue a goal in a strategic way that aligns with the
team’s chronic goal orientation
E. Goal fit – congruence between the group and its members about the goals
F. Pre-planning vs. on-line planning
1. Task-focused planning focuses on work goals and task-specific
performance requirements.
2. Teamwork-focused planning spotlights interpersonal interaction
requirements and team member capabilities.
3. Preplanning – planning before actually performing the task
4. Online planning – planning during the task itself
G. Timelines and time pressure
1. Differences in how team members think about time can dramatically affect
team process and outcomes. Such differences include:
a) Time urgency
b) Time perspective
c) Polychronicity
d) Pacing style
2. Effects of temporal leadership on team performance
3. Teams adapt to the constraints presented to them.
H. Capacity problems vs. capability problems
1. Capacity problems – not enough time to do all required tasks
2. Capability problems – task is too difficult, even when there is time
to do it
3. The Attentional Focus Model (AFM) – predicts how time pressure will
affect team performance

Copyright © 2018 Pearson Education, Inc.


12

III. SELECTING TEAM MEMBERS


A. Two key errors that leaders often make when selecting team members:
1. Make the team too big – overstaffing bias
2. Make the team too homogenous
B. Member-initiated team selection
C. Optimal team size
1. Generally teams should be less than 10 members
2. Team-scaling fallacy -- as team size increases, people increasingly
underestimate the number of labor hours required to complete projects
3. Disadvantages of an overgrown team
4. Advantages of smaller teams
5. Overstaffing bias
D. Skills, talents, abilities
1. Important skills to consider when forming any team: (Exhibit 2-1)
a) Technical or functional expertise
b) Task-management skills
c) Interpersonal skills
E. Roles and responsibilities
1. People occupy one of six different team roles: (Exhibit 2-2)
a) Organizer
b) Doer
c) Challenger
d) Innovator
e) Team builder
f) Connector
2. Backing up behavior – the discretionary provision of resources and task-
related effort to another member of one’s team that is intended to help that
team member obtain the goals as defined by her/his role
F. Diversity
1. Types of diversity:
a) Social category diversity
b) Value diversity
c) Informational diversity
2. Degrees of diversity:
a) Extreme b)
Moderate
c) Hybrid or faultline
3. Objective vs. perceived diversity

Copyright © 2018 Pearson Education, Inc.


13

a) Objective diversity – the actual compositional attributes of a group


b) Perceived diversity – people’s objective understanding of the
differences in their group
4. Diversity and team performance
a) Reflexivity – members discussing how they work as a team
b) Teams benefit from multiple sources of informational diversity
5. Minority influence
6. Building a diverse team
7. Valuing diversity
8. How much diversity?
9. Conflict
10. Solos and tokens

IV. PROCESSES: HOW TO WORK TOGETHER


A. Task vs. outcome interdependence
1. Three types of task interdependence: (Exhibit 2-3)
a) Pooled interdependence
b) Sequential interdependence
c) Reciprocal interdependence
2. Egalitarian values vs. meritocratic values
a) Egalitarian values – a desire to create a shared sense of membership
b) Meritocratic values – individuals are motivated to demonstrate their
unique abilities to other group members
B. Transition and action processes
1. Process shifts
2. Types of process shifts:
a) Mission analysis
b) Goal specification
c) Tactical Strategy
d) Operational strategy
e) Action process
C. Structure
1. Team structure – how clearly a group’s processes are articulated by
team leaders and adhered to by team members
D. Norms – shared expectations that guide behavior in groups
1. Development and enforcement
a) Using scripts

Copyright © 2018 Pearson Education, Inc.


Another random document with
no related content on Scribd:
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite
these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,”
such as, but not limited to, incomplete, inaccurate or corrupt
data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other
medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES -


Except for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU
AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE,
STRICT LIABILITY, BREACH OF WARRANTY OR BREACH
OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER
THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF
THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If


you discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person or
entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS
OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status by
the Internal Revenue Service. The Foundation’s EIN or federal
tax identification number is 64-6221541. Contributions to the
Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.

You might also like