D R Bendre 2012 7
D R Bendre 2012 7
D R Bendre 2012 7
D. R. Bendre
- poems -
Publication Date:
2012
Publisher:
Poemhunter.com - The World's Poetry Archive
D. R. Bendre(31 January 1896 - 21 October 1981)
<b>Career </b>
Starting his career as a teacher at Victoria high school in Dharwad, he worked as
a professor of Kannada in D.A.V. College Solapur between 1944 and 1956. In
1956 he was appointed an advisor for All India Radio's Dharwad station.
<b>Later Life</b>
Bendre formed the Geleyara Gumpu (Group of Friends) in 1922. Mainly intended
as a peer group for the study of culture and literature, this friends' circle drew
poets, writers and intellectuals from different parts of Karnataka including
Ananda Kanda, Sham. Ba. Joshi, Siddavanahalli Krishna Sharma, Enke, ,
Krishnakumar Kallur, V. K. Gokak and R. S. Mugali. In 1926 Bendre started the
cultural movement Nada-habba, a celebration of the land and its culture which is
still prevalent in Karnataka. This festival is celebrated during the navaratri. In
1932 Bendre was sentenced to imprisonment for writing Nara Bali (Human
Bendre started off with simple and earthly romantic poetry, often using the
"spoken" language. His later works dig deeper into social and philosophical
matters. G. S. Amur, a leading critic in Kannada, says "Bendre believed in the
value of an integrated personality but loved to project himself as a threefold
being: Dattatreya Ramachandra Bendre, the biological self, the dehi; Professor
Bendre, the thinking self; and Ambikatanayadatta, the creative self. The three
selves were conceived as mutually supporting selves, as the imagery Bendre
used to concretise this idea clearly suggests. He spoke of Ambikatanayadatta and
Professor Bendre as closely related to each other as the banks of a river or the
belly and the back. One could not exist without the other."
Bendre has been hailed as the father figure of modern Kannada poetry. His
poems are linked to the Kannada poetic tradition through their use of folklore,
the vachanas and the kirthanas. Apart from native prosodic forms, Bendre has
also employed native imagery, folk beliefs, references to Indian mythology and
the language spoken by common people. Nada Lila (The Play of Sounds) is
perhaps the most remarkable of his poetry collections.. All the features of
Navodaya poetry like patriotism, the reformatory zeal, critical attitude, Indian
culture, consolidation of traditional strength, mystical faith and assertion of a
poet's individuality can be found in this collection of poems.
Bendre used diverse techniques for spiritual lyrics, classical style for sonnets and
traditional as well as colloquial idiom for pastoral and folk lyrics. Symbolism is
characteristic of his poetry. His poem Patargitti (Butterfly) sung as a nursery
rhyme speaks of colors of temptation. Another one Mudalmaneya (Morning)
becomes symbolic of all pervading peace or, the poet's yearning for it. In the
Kuniyonu bara (Dance Eternal) all diverse currents of thought meet in on great
confluence. Apparently, all Bendre's poems could be set to music and abound in
alliteration; but there was always a hidden layer of meaning which only a trained
poetic mind could decipher.
As a person, Bendre was friendly, suave and sociable. He mixed with intellectuals
and illiterate villagers on equal terms. He loved and interpreted life in different
D. R. Bendre
D. R. Bendre
Be he near or be he far,
The apple of mine eyes is he!
I melt when I see his darling face,
He's my precious jewelry!
D. R. Bendre