A

Beautiful Distraction Arranged and Adapted

for MuseScore
Piano solo by Frank Gregorio


w Reverb & Synth
Composed by Michele McLaughlin

      
                    
 = 108

   
 


 
Piano Calmato poco Rubato - dynamics and tempo

 
 


 
   
 
Piu 
   

 
Piu 
Warm Synthesizer

   
   


   

      
  
                           
5 Am

    
Pno.


Piu 

    





   
    

  
Am


   



Synth.

  
  
    

© - 2013 - Michele McLaughlin - All rights reserved

 
 F F  
2

          

10 Am C C

    
  
    

Pno.

      
   



    

          

F C

    
  
    
Synth.

   
     
 


    

  
 = 90

        
         
E E7 Am F

         
15

         
Pno. Piu 


Rit. Lento

  




 
   

        

E E7 Am F


         
Synth.

   
   

© - 2013 - Michele McLaughlin - All rights reserved

 

3

        

    
C G Dm G

                
19


        



Pno.

   
Piu  

  



  

    
C G Dm G

   

      
 
Synth.

      




  


                
23 C F Dm F

  
      

       

Pno.

 
Piu 

   


   

    
C F Dm F

   
        
      
Synth.

   

   

© - 2013 - Michele McLaughlin - All rights reserved

 
 F
         
4  = 80  = 88

        
  
C G Am


27

    
Poco Rit.   
     
 
Piu 

   
 
Pno. 


Lento


Piu 
   

    
C G Am F

   
     
     
 

 
Synth.

     



Piu 
   

   
 = 80  = 88

           
C G Am F

  
31

   
          

Pno. Piu 

   
Poco Rit.


   

    
C G Am F

   
          
Synth.

    

   

© - 2013 - Michele McLaughlin - All rights reserved

 
 F 
5


 = 102

  
 = 80

     
           
35 C G Am

 
         
 
Accel.


Pno. Poco Rit.

  



   

    
C G Am F

   
        
 
Synth.

    



   

          G
            
        
C G Dm

39
  

        



Pno.

    



   

    
C G Dm G

  

    
     
Synth.

    

   

© - 2013 - Michele McLaughlin - All rights reserved

 
           
                   
6

    
43 C F Dm F


      
    
    
Pno.

  


   

    
C F Dm F

   
        

  
Synth.

     
 


   

          Am      
      
  
47 C G F

    
    
   
Piu 


Pno.

 


   

    
C G Am F

   
     
     
   
Synth.

 

   

© - 2013 - Michele McLaughlin - All rights reserved

 
            
7

       
C G Am F


51

     
          
       
Pno.

  


   

    
C G Am F

   
  
        
Synth.

   



   

 
        
           
C G Dm G

          
55

   
           
Pno. 

    



   

    
C G Dm G

   

         
 
Synth.

    

   

© - 2013 - Michele McLaughlin - All rights reserved

 

8

         

C F Dm F


59

      
     
           
    
Pno.

    


   

    
C F Dm F

   
  


      
Synth.

     
 


   

               
C G Am F


63


           
  
          

Pno. 

     



   

    
C G Am F

   
 
          
Synth.

      

   

© - 2013 - Michele McLaughlin - All rights reserved

 
  
9

    
 = 95  = 108

  
   
C G Am Am F

     
67

     
Piu 

  
Pno.

   
Rit.

   


  
    

      
C G Am Am F

    
       

Synth.

    
   


    

     
        
         
72 F C C E E

  
    
Pno.

    




    

            

F C C E E

  
    
Synth.

    

    

© - 2013 - Michele McLaughlin - All rights reserved

 
 
    
   
    
 
10

       
 = 130

      
Am F C
77 Am F C

 


 
Pno.

   
Moto

    
Accel.

     



     

            

Am Am F F C C

     
 
 
Synth.

     
      
 



     

 
    
        
G G Am Am F F
83


   
Pno.

 
     


     

            
G Am F

    


Synth.

     
     
     

© - 2013 - Michele McLaughlin - All rights reserved

 
      
 = 80 11

          

 = 105  = 100  = 90  = 70


G
C C G G G

  
89


  
Pno.

   
Poco Rit.

 
Deaccel.

   



     

            
C C G G G G

     
  
Synth.

   
     



     

 
 = 60

 
 
C C
95


 
 
Pno.







  
C C

 

 
Synth. 





© - 2013 - Michele McLaughlin - All rights reserved