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World Literature - Diaspora Studies

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World Literature &

Diaspora Studies
Jason Frydman
This is our team.

Rabiyatul Fitriah Nadya Zalianty


2014026065 2014026076

Fadhila Rahmadina Rita Zahara


2014026067 2014026080
Table of Contents.

What is Diaspora in Background


01 02 03
diaspora? literature of Diaspora

Diaspora Literary
04 characteristics 05 Works
What is
diaspora??
Diaspora Literature involves an idea of a homeland, a place from
where the displacement occurs and narratives of harsh journeys
undertaken on account of economic compulsions. Basically Diaspora
is a minority community living in exile.
Diaspora in
Literature
Diaspora studies is an academic field established in the late 20th century to study
dispersed ethnic populations, which are often termed diaspora peoples. The usage
of the term diaspora carries the connotation of forced resettlement, due to
expulsion, coercion, slavery, racism, or war, especially nationalist conflicts.
Background of
diaspora
The world's principles emerge in contemporaneously with innovative
fashion conceptualizing global dynamics from Hegel's idealistic
perspective on Marx and Engels' materialism.
This affiliation has been described as the intellectual offspring of
the "world system" imagination of the nineteenth century world
history. The large-scale placements and migrations that were
generated by and productive of the modern world economic
system have deeply imprinted on global literary production:
Africa, Asia, Europe, and Australia. The Chinese and Indian
diaspora affected by colonial economic and political systems, for
examples has reached a level of technical proficiency that is
advanced and fluent throughout all of Europe. Asia, Africa, and
America all serve as prime examples of their distribution and
formation. across geopolitical and aesthetic categories with
literary implications, ancient and modern diaspora formations.
However, if a lot of those things happen, the diaspora will be. Writing
demonstrates the importance of bat-like innards for world history. The idea, it
is also the same reliably forges a counter discourse that challenges temporal
and spatial trajectories that operates in theories of European historical
cosmology and history In one of the early analyzes of the contemporary global
literary market, Goethe's play Torquato Tasso captured the interest of the
French (see Pizer in this book). as a sign of a new era in international literature
that offers "a larger perspective on international and human relations" (Goethe
1973: 5).
Diaspora
Characteristics
The characteristics of diaspora literature cannot be separated from the influence
of the life experiences of the writers, both politically, religiously, sociologically and
even psychologically, which greatly affects diaspora literary works.
Among the factors that influence and constitute a reality they experience, namely:
a. Eastern culture with its various traditions, customs, views of life and and
obsession with migratory life
b. Extensive knowledge and study of the classical works of his country, as well as his
cultural experience.
c. Longing for a country full of dilemmas, both political and social.
d. Good understanding, proficiency, knowledge and emotions towards foreign
languages.
e. The influence of freedom, cultural, social and political progress of the newly
occupied country. (Hambali: 2009).
Literary Works of
Diaspora
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know some interesting facts about animals!
The Vampyre
John William Polidori’s The Vampyre is both a classic tale of
gothic horror and the progenitor of the modern romantic
vampire myth that has been fodder for artists ranging from
Anne Rice to Alan Ball to Francis Ford Coppola. Originally
published in 1819, many decades before Bram Stoker’s Dracula,
and misattributed to Polidori’s friend Lord Byron, The Vampyre
has kept readers up at night for nearly two hundred years.
Frankenstein
Frankenstein tells the story of gifted scientist Victor
Frankenstein who succeeds in giving life to a being of his own
creation. However, this is not the perfect specimen he imagines
that it will be, but rather a hideous creature who is rejected by
Victor and mankind in general. The Monster seeks its revenge
through murder and terror.
The Castle of Otranto
The Castle of Otranto, by Horace Walpole, is generally viewed as
the first Gothic novel. Its first edition, published in 1764, claimed to
be a translation of a work printed in Naples in 1529 and newly
discovered in the library of ‘an ancient Catholic family in the north
of England’. It tells the story of Manfred, the prince of Otranto, who
is keen to secure the castle for his descendants in the face of a
mysterious curse. The novel begins with the death of Manfred’s son,
Conrad, who is crushed to death by an enormous helmet on the
morning of his wedding to the beautiful princess Isabella. Faced
with the extinction of his line, Manfred vows to divorce his wife and
marry the terrified Isabella himself.
Dibaxu
Juan Gelman appropriates Ladino—the language of the
Sephardic Jews, which he encountered while exiled in Europe—
as a diasporic language in dibaxu to represent linguistically his
deterritorialisation during the Argentine Dirty War. Writing in
Ladino is an act of self-minorisation that displaces the identity
created by others, permitting him to create a new identity as he
actively adopts a marginalised language instead of falling back
to his native language, a language controlled by the oppressors.
The Transit Camp to the Outcast
A major novelist, Ballas has published fifteen works of fiction,
several important studies on contemporary Arabic literature,
and numerous translations from Arabic. Although he began his
career in Arabic, Ballas switched to Hebrew in the mid 1960s.
Since then, Ballas, perhaps more than any other Israeli writer,
has opened a window into the political and psychological life of
the contemporary Arab world, both at home and in exile. His
works consistently defy categorization, from the first Israeli
novel to depict life among the Arab Jewish immigrants of the
1950s (The Transit Camp, 1964)
Thank you!

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