35 Possession Rondos
35 Possession Rondos
35 Possession Rondos
Rondos
By
Luca Bertolini
Published by
WORLD CLASS COACHING
First published April, 2018 by
WORLD CLASS COACHING 12851 Flint Street Overland Park, KS 66213 (913) 402-0030
All rights reserved. No parts of this publication may be reproduced, stored in a retrieval system, or transmitted
in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior
written permission of the publisher.
What is a Rondo? 6
We can link everything that happens in a soccer match to a rondo: passing, passing combinations,
receiving, oriented ball control, one touch and two touch play, vertical play, wide play, inside/outside
play, pressure, closure of passing lanes, coverage of a space, interceptions, playing rhythm, speed of
play, individual transitions (when a player loses possession and when a player wins possession), change
of positions between the players, exchange of positions among the players.
The finishing phase is the consequence of all these sequences; players’ techniques and tactics to
address these situations can be coached and improved through rondo exercises.
The efforts of the players during a match are not the same, as well as the playing sequences in which
they occur. The efforts of the defenders are not the same of those of the midfielders or forwards. For
instance, the forwards are distinguished by their speed, the midfielders by their resistance, and the
defenders by their strength. If this is not completely true, it is true that every player has his own skills
and features on the field, whatever their role in the starting line.
How does a coach organize training sessions so all the players train at their appropriate level and are
well trained for their role to create a unique and ready to win group? A way to coach the players
looking for the specific objectives of soccer must be found. Note that, by my side, this last statement
can be right for first teams and not for youth academies.
Group planned sessions (defenders with defenders, midfielders with midfielders) might be useful from
a physical point of view and the players would have something more in common maybe, but they don't
reproduce the real game situations; we can work only on team tactics with this kind of organization.
Individualized training would require a coach for each player, which is unimaginable. Again, the
solution is to have a coach for each sector of the team; many top clubs work this way nowadays.
Soccer’s physical efforts, jumps, races, spins, appear discontinuous and unpredictable. If we do not
coach the players this way, the physical efforts are repeated sequences and the rest times are different
from the ones occurring in real games. They are usually related to speed and strength, they are short,
intense, repetitive, and to be maintained at the same level during the whole game. Again, how to coach
them?
Training with the ball provides the players, individually and collectively, with the necessary
requirements and skills to be competitive, always paying attention to their physical work, if we talk
about adult level first teams. Since the goal of a physical activity is to improve the effectiveness of
training and the most important skills and qualities of the player are technical and tactical, then we may
say that the technical and tactical skills and efforts with the ball improve physical work and efficiency
from the perspective of the real game.
Which are the practices to summarize all those coaching points? The Rondos inside small-sided spaces
in relation with the number of involved players.
In 1960, a Spanish coach named Laureano Ruiz invented the rondo. Rondos were simply an exercise
or a game where the group in possession outnumbered the defenders (e.g. 3v1, 4v1, 5v2, etc.). He can
be considered the inventor of Barcelona Universe. His six seasons during the '70s as Barcelona youth
coach were the most important for the club Masia creation.
Ruiz's 1960's rondos remain foundational for the modern possession style of play; maybe of all
possession style of play, not only for Barcelona. Ruiz believed that a player who performs well in
rondo had all the tools to become a professional player.
Barcelona brought Ruiz to the club in 1972 as head coach of Barcelona's Juvenil A. In those days,
Barcelona was all about tall, fast, and physically strong players; short players were not welcome. He
then started to develop small, technically skilled players, and rondos were at the core of his training
program.
Before Ruiz, the search for success came through the accumulation of titles, but he asked Barcelona to
follow a philosophy and a faith even before achieving a title; everything started after a defeat of the
oldest youth academy. “We have to do something, we cannot allow it,” the president of those seasons,
Agustí Montal, told Rinus Michels, father of "total football" and coach of the first team.
Laureano Ruiz started from the choice of players--the predominant feature had to be technical and not
physical; he was the first to prefer talent. Secondly, he worked on training methodology: no athletic
sessions and only exercises with the ball. Playing with the ball allowed the players to refine the
technique and to improve athletic endurance with more intense sessions at the same time. So he
invented the rondos, games without a finishing phase but with dribbling the ball through a gate to score
a goal, and games with only vertical ball dribbling. Third choice was the team shape 1-4-3-3. So every
player was educated to play as the first team in order to grow talents the same way from an early age.
In the years after Ruiz left Barcelona, the club continued to use and expand his training methods,
incorporating them into Johan Cruijff's "dutch total football" philosophy. Cruyff and Barcelona built a
youth academy that produced technically skilled footballers through the years like the latest ones: Xavi,
Iniesta, Fabregas, Pedro, and Busquets, the core of a dominant Barcelona team under Pep Guardiola.
Cruyff’s dream team and Guardiola's tiki-taka are just consequences of Ruiz’s job during those
seasons.
There are two fundamental parameters in a soccer game: space and time. The space that the players are
given in each situation of the game and the time that they have to fix the issue, both from individual
and team tactical point of view.
Players are good players because of their individual skills and of their effective interpretation of the
moves before any game situation development. Why? Because the space and the time while being in
possession and the recovery of the ball while defending are understood and exploited involving other
players and opponents.
During a soccer match there are a lot of "playing questions" a player must answer quickly (time) that
are related to the space of play; these answers are generated by the ball, teammates, and opponents.
These relationships of space and time must be coached.
Recovery of and the loss of the possession can be considered as the beginning and the end of the
offensive or defensive processes. Many attacking or defending situations are missed due to individual
failures or team tactical mistakes. If the moves end with a shot on goal or with the recovery of the ball,
it is because of the technical accuracy of the player or tactical organization of small groups near the
ball.
Whether the cause of mistakes is a consequence of individual quality of the player or forced by the
opposition, it is clear that the foundation of training is to give the players a high level of technical skills
to ensure the possession of the ball under pressure or to recover the possession through the pressure
against the opposition.
Rondo is a training game with the numerical advantage for the possession players or team and it is
played inside small-sided spaces, usually squares, rectangular, or circular spaces.
The main objectives are to keep the ball first of all and then to keep it away from the defenders, playing
possession combinations with high rhythm and speed. The defenders work on pressure timing, closing
of the passing lanes, individual duels in the middle of the space, and the recovery of the ball.
Rondo is not a simple possession exercise as the players are placed inside a pre-set space or along a
line of the set-up and they don't play all over the structure. Rondos are about how to keep the
possession under pressure, to develop technique and how to pressure to recover the ball being
outnumbered.
As the numerical advantage is ensured for the players in possession, rondos can be developed into
shooting exercises or sequences as the last level of a training progression.
These are the key points to organize, to practice, and to correct a rondo exercise:
• Players must be have a specific position inside and outside the shape, but they don't play all
around
• Give the players a specific role or exchange the roles among them
• Size of the shape must be related to the number of players and the objectives of the exercise
• Any sequence must have a time to practice and a time to rest related with the objectives of the
exercise
• Fix a passing and receiving rhythm; it is decisive for the success of a rondo exercise
• Stay on the balls of the feet with an open body shape and be ready to receive the ball from any
side or forward direction
• Speed of thought
• Speed of play
• Have fun and bring energy to the group. A player who is having fun trains harder
Players get between 20 and 40 touches in 5 minutes. So, if a player is coached through rondo exercises,
he must think and play with high rhythm many more times than in an 11 v 11 match; for this reason he
is supposed to be ready enough when he plays matches.
It’s easy to fix how many touches players can take as a coach, but by using rondos, 1 or 2 touches are
enforced without any rule. Playing in tight spaces forces the players to have a good first touch and also
to realize if they need to take a first touch away from an opponent. Players are also asked to exercise
the movement opening up the passing lanes for their teammates. Passing, receiving, and moving
become habits thanks to these repetitions.
Team tactics:
Rondos can be considered a first team tactical work during the possession phases, as the players with
the ball are always more than two and with numerical advantage.
Coaches ask their players to move constantly and through rondos they will be used to moving, whether
it’s 2 yards or 10 yards. This also helps the players with the understanding of passing lanes, where to
find them and how to move into them to give a teammate a passing option.
Using rondos in training sessions can help players to understand when, where, and how to overload an
area to keep possession or to exploit a weak area or side among the opposition defenders.
When the defending players are two or more, we can consider the rondos as first team tactics work for
the defensive phase of play. Basically, the understanding between the players is very important, as they
begin to work as one unit.
Not all the passes are perfect and rondos can help the players to learn how to improvise if a pass is
short or played harder than expected. As a result, most Barcelona Academy players are able to pass
with any surface of their feet or their bodies; these skills are built up through the rondo exercises inside
small-sided spaces.
Physical Conditioning:
With rondos, a team may work on anaerobic resistance by varying the space, time, and number of
players involved, and even on specific soccer stamina.
When Barcelona is playing short back and forward passes in the middle third, it’s not just to reach great
complete passing stats; the aim is always to move the opposition, to create space for a pass or to exploit
a tactical weakness of the opponents.
The possession style means try to take control of the match against the opposition, both during
attacking and defending phases of play. The aim is to keep the ball while setting up tactical plans or
positional attacks, rather than to leave the ball to the opposition.
Possession doesn’t mean to pass wherever the options are. The first thought is always to pass and run
forward or to dribble with the ball forward; when these options are not possible, ask the players to pass
quick and as close as possible as they have the ball.
“Without the ball we are a horrible team. So we need the ball,” said Guardiola in a conversation about
Barcelona’s smaller physical size and technical advantage against the opposition.
Guardiola said in a conversation about the philosophy of Barcelona and the youth academy, “What I
learned here is that everything starts with the ball and ends with the ball. Sometimes we forget that it’s
a game of 11 v 11 with one ball. We try to keep this ball, we try to play with the ball; we try to make
everything with the ball. This is what we learn when we started as children here.”
"If you dribble forward to overload an opponent, to create numerical advantage and to finish, it's ok;
but if it's not possible, pass the ball immediately and pass it forward,” Guardiola said in a conversation
about dribbling and passing the ball.
The idea is to do everything with the ball. If your team is comfortable in possession you can defend by
keeping possession and circulating the ball around; but you can also keep possession in order to wait
until players are in the correct position to attack. The possession phase can be useful to move the
opposition and to create space.
Everything is about the ball; then everything is about possession, passing, and receiving.
Rondo is not useful when a team uses a more direct or counter attacking style of play, as there are
better training sessions to teach the players these kinds of styles of play. Pressure phases are always
useful to win the ball and make the possession phase safe, but not to counter attack or play long passes.
The pitch size of rondos must be adapted to the level of the players, but as they become more
advanced, the grid sizes become more significant; they are supposed to become smaller to improve the
individual technique or bigger if the goal is physical. The grids can have varying sizes, from 8x8 yards
to a half pitch, depending on the skill level of the players or the aspect of play they are working on.
When using a possession style of play, most of the passes are usually 12 yards or less. Using rondos
gives the players practice playing passes at this distance under pressure. Teams like Barcelona and
Villarreal want to play passes of 10 yards or less, as all the players without the ball can press the
opponents with the ball intensely to win the possession.
One of the important aspects of the rondo training sessions is to organize them (set-ups and sequences)
with the style of play and tactical plans in mind. The shape of players’ positions should be the same as
during the game, so that your players can recognize them and react to the situations as they have
already practiced.
There must be always players “in the middle” for the team in possession; numerical advantage outside
and with equal number of players or outnumbered in the middle. Neutral players can be used as well.
The most popular basic rondos are: 3v1, 4v2, 5v2 and 6v3 and there are many possible set ups; in this
first eBook, rectangles are used vertically and horizontally to coach the players to keep the possession
passing wide, deep, diagonally and in the middle toward dropping back and running forward
teammates.
Note: possession decisions to wait and find the right time and space to carry out the requirements
are implied in all the exercises.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. One neutral player and one defender are placed in the middle of the wide playing space.
The objective for the couple in possession is to pass the ball forward from one longer side toward the
other through the neutral player, to move deep to receive from the shorter side behind the defender and
to move wide to support the possession phase.
As the side of play is switched, the sequence starts again in the same way. If the defender wins the ball,
he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times of passes and of deep and wide runs to receive or to support the move. Pressure against
the neutral player.
Sequence
One black player is placed along one of the longer sides of a rectangle and one is placed along one of
the shorter sides. One neutral player and one defender are placed in the middle of the wide playing
space.
The objective for the couple in possession is to pass the ball forward from one longer side toward the
other with vertical passes after a wall combination with the neutral player, to move deep to receive
from the shorter side behind the defender and to move wide to support the possession phase.
As the side of play is switched, the sequence starts again in the same way. If the defender wins the ball,
he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. One neutral player and one defender are placed in the middle of the wide playing space.
The objective for the couple in possession is to pass the ball forward from one longer side toward the
other playing wide on the run of the neutral player, to move deep to receive from the shorter side
behind the defender and to move wide to support the possession phase.
As the side of play is switched, the sequence starts again in the same way. The receiver must always
have two wide passing options, but the neutral player must move from the middle and under the
pressure of a defender. If the defender wins the ball, he exchanges the role with the player who missed
the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. One neutral player and one defender are placed in the middle of the wide playing space.
The objective for the couple in possession is to pass the ball forward and vertically from one longer
side toward the other. It must be played a wide passing combination with the neutral player who must
receive the ball on the run and then pass back. The second black player must move deep to receive
from the shorter side behind the defender and the first player in possession must move wide to support
the possession phase.
As the side of play is switched, the sequence starts again in the same way. The receiver must always
have two wide passing options, but the neutral player must move from the middle and under the
pressure of a defender. If the defender wins the ball, he exchanges the role with the player who missed
the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. One neutral player and one defender are placed in the middle of the wide playing space.
The objective for the couple in possession is to pass the ball forward from one longer side toward the
other. A center passing combination must be played with the neutral player who must receive the ball
and then pass back. The neutral player must receive another wide pass on his run to switch the side.
The second black player must move deep to receive from the shorter side behind the defender and the
first player in possession must move wide to support the possession phase.
As the side of play is switched, the sequence starts again in the same way. The receiver must always
have two wide passing options, but the neutral player must move from the middle, after the first
passing combination and under the pressure of a defender. If the defender wins the ball, he exchanges
the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. Another player of the possession team and one defender are placed in the middle of the wide
playing space.
The objective for the players in possession is to pass the ball forward from one longer side toward the
other. It must be played a center pass for the teammate who is playing 1 v 1 against the defender. The
receiver must try to turn toward the same side where the third wide player is placed; if it's possible, a
direct forward pass can be played to complete the sequence.
As the side of play is switched, the sequence starts again in the same way. The first player in
possession must run wide to create the same playing situation on the other side. If the defender wins the
ball, he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Oriented ball control to turn and dribble quickly. Pressure against the center player to win the
possession.
Sequence
The set-up and the first sequence of the exercise are the same of the previous one; but in this situation
the center player can't turn toward the same side where the third wide player is placed; a direct forward
pass is not possible then.
An outside/inside wall passing combination must be played with the first player in possession who is
moving wide toward the free side; the center player can now try to play forward to the third player and
behind the defender.
As the side of play is switched, the sequence starts again in the same way. The first player in
possession must run wide to create the same playing situation on the other side. If the defender wins the
ball, he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Oriented ball control to turn and dribble quickly. Pressure against the center player to win the
possession.
Sequence
Two black players are placed along one of the shorter sides of a rectangle and along one of the longer
sides. One defender is in the middle of the wide playing space.
The objective for the players in possession is to keep the possession for more than 8 to 10 seconds and
then to pass the ball forward and vertically onto the run of the third teammate toward the opposite side.
As the side of play is switched, the sequence starts again in the same way. The last player in possession
before the decisive pass must run wide to create the same playing situation on the other side. If the
defender wins the ball, he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Close the passing lanes.
Sequence
Two black players are placed along one of the shorter sides of a rectangle and along one of the longer
sides. One neutral player and one defender are placed in the middle of the deep playing space.
The objective for the couple in possession is to pass the ball forward from one shorter side toward the
other with vertical passes after a wall passing combination with the neutral player, to move deep to
receive from the longer side and behind the defender and to move wider to support the possession
phase.
As the side of play is switched, the sequence starts again in the same way. If the defender wins the ball,
he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the shorter sides of a rectangle and along one of the longer
sides. One neutral player and one defender are placed in the middle of the deep playing space.
The objective for the couple in possession is to pass the ball forward from one shorter side toward the
other with vertical passes after a 1-2 combinations with the neutral player, to move deep to receive
from the longer side and behind the defender and to move wider to support the possession phase.
As the side of play is switched, the sequence starts again in the same way. If the defender wins the ball,
he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or support the move.
Pressure against the neutral player.
Sequence
Two black players are placed along one of the longer sides of a rectangle and along one of the shorter
sides. Another player of the possession team and one defender are placed in the middle of the deep
playing space.
The objective for the players in possession is to pass the ball forward from one shorter side toward the
other. A center pass must be made to the teammate who is playing 1 v 1 against the defender. The
receiver must try to turn toward the same side where the third outer player is placed; if it's possible, a
direct forward pass can be played to complete the sequence.
As the side of play is switched, the sequence starts again in the same way. The first player in
possession must run wider to create the same playing situation on the other side. If the defender wins
the ball, he exchanges the role with the player who missed the pass or the ball control.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Oriented ball control to turn and dribble quickly. Pressure again the center player to win the possession.
Sequence
The set-up and the first sequence of the exercise are the same of the previous one; but in this situation
the center player can't turn toward the same side where the third outer player is placed; a direct forward
pass is not possible then.
A 1-2 passing combination must be then played with the first player in possession who is moving outer
and toward the free side; the receiver can now try to play forward to the third player and behind the
defender.
Eye on: Times and rhythm of passes and of deep and wide runs to receive or to support the move.
Oriented ball control to turn and dribble quickly. Pressure against the center player to win the
possession, intercept the ball and close the passing lanes.
Sequence
The playing space is divided into two areas. Four black players are placed along all the sides of the
main rectangular space. Two defenders are placed in the middle of each grid of the wide playing space.
The objective for the players in possession is to play wide and forward on one side (on the right of the
player with the ball in the picture) and then to switch the play toward the opposite side. The players on
the longer sides of the main area must move on the left or the right to create momentary 3 v 1 duels to
keep the possession and to switch the side.
The defenders are asked to intercept the ball, especially the longer passes to switch the side.
Eye on: Times of passes and of support runs to create the numerical advantage. Close the passing
lanes.
Sequence
The set-up is the same of the previous one.
The objective for the players in possession is to play wide and forward on one side (on the right of the
player with the ball in the picture) and then to switch the play toward the opposite side.
The players on the longer sides of the main area, must move on the left or the right to create
momentary 3 v 1 duels to keep the possession and to switch the side. They must be always ready to
accelerate to rotate their positions after the possession phase.
As the side of play is being switched, the couple of players on that side must rotate their positions.
The defenders are asked to intercept the ball, especially the longer passes to switch the side.
Eye on: Time of passes, of support runs to create the numerical advantage and of exchanges of
positions. Close the passing lanes.
Sequence
The playing space is divided into two areas. Four black players are placed along the shorter sides of the
main rectangle (two of them are placed along the middle line). Two defenders are placed in the middle
of each grid of the vertical playing space.
The objective for the players in possession is to play a 1-2 combination forward and wide and then to
play a longer pass toward the upper teammate on the opposite playing area. The players on the middle
line must be always unmarked behind the defender.
The defenders are asked to intercept the ball, moreover the longer passes to play forward.
Eye on: Times of passes and of wide runs to receive the return pass. Pressure against the center player
and close the passing lanes.
Sequence
The playing space is divided into two areas. Four black players are placed along all the sides of the
main rectangular space and a fifth one is placed along the middle line. Three defenders are placed in
the middle of the main playing area, two of them must be placed inside the playing area time to time.
The objective for the players in possession is to play wide and forward on one side through a dropping
back player (on the right in the picture) and then to switch the play toward the opposite side, through
the center player.
The players on the longer sides of the main area, must move up and down to create momentary 3 v 1
duels to keep the possession and to switch the side toward the fourth player. The opposite vertex must
be served in the end of the sequence.
The defenders are asked to play as a unit inside the areas where the ball is being played and to intercept
the ball.
Eye on: Times of passes and of support runs to create the numerical advantage. Close the passing
lanes.
Sequence
The playing set-up is the same of the previous exercise.
The objective for the players in possession is to play forward and backward passing combinations to
send the ball toward the opposite area, through the center player and the outer one (on the right in the
picture).
The players on the longer sides of the main area must move up and down to create momentary 3 v 1
duels to keep the possession and 4 v 1 duel as the ball is played in the upper part of the area. The
opposite vertex must be served in the end of the sequence.
The defenders are asked to play as couple inside the areas where the ball is being played and to
intercept the ball.
Eye on: Times of forward and backward passes and of support runs to create the numerical advantage.
Close the passing lanes and pressure on the center player.
Sequence
The playing space is divided into two areas. Four black players are placed along all the sides of the
main rectangular space and two more are inside the playing areas. Four defenders are placed in the
middle of the main playing area, two inside each area.
The objective for the players in possession is to play wide and forward on one side through the middle
player (from the left to the right in the picture) and then to switch the play toward the opposite side
through the center player of the upper area.
The players on the longer sides of the main area must move up and down to create momentary 4 v 2
duels to keep the possession. The opposite vertex must be served in the end of the sequence.
The defenders are asked to put pressure on the black player in the middle and to close the passing lanes.
Eye on: Times of passes and of support runs to create the numerical advantage. Close the passing
lanes.
Sequence
The playing space is divided into two areas. Four black players are placed along all the sides of the
main rectangular space and two more are inside the playing areas. Four defenders are placed in the
middle of the main playing area, two inside each area.
The objective for the players in possession is to play forward as soon as possible through the middle
player and the wide teammate; the ball shall be sent to the opposite vertex as quickly as possible. The
middle players are supports for the possession phase and they must play with one or two touches.
The players on the longer sides of the main area, must move up and down to create momentary 4 v 2
duels to keep possession and 3 v 2 duels to send the ball back and to start the sequence again.
The defenders are asked to put pressure on the black players in the middle and to close the passing
lanes.
Eye on: Times of passes and of support runs to create the numerical advantage. Pressure on the middle
players and close the passing lanes.
Sequence
The playing space is divided into two areas. Four black players are placed along all the sides of the
main rectangular space and two more are inside the playing areas. Two black players start the sequence
in the lower part of the set-up, creating a 4 v 2 duel. Four defenders are placed in the middle of the
main playing area, two inside each area.
The objective for the players in possession is to switch side (on the left in the picture) after a wall
passing combination on one side (on the right in the picture) and to play forward as soon as possible
through the middle players behind the defenders. The ball shall be sent to the opposite vertex as quick
as possible.
The players on the longer sides of the main area, must move up and down to create new 4 v 2 duels to
keep the possession and to start the sequence again.
The defenders are asked to put pressure on the black players in the middle and to close the passing
lanes.
Eye on: Times of wall passing combinations, of forward passes and of support runs to create the
numerical advantage. Close the passing lanes.
©WORLD CLASS COACHING 37 35 Possession Rondos
Exercise 21: 7 v 4 to move the ball around and inside
Sequence
The playing space is divided into two areas. Six black players are placed along all the sides of the main
rectangular space and one more along the middle line. Four defenders are placed in the middle of the
main playing space, two inside each area.
The objective for the players in possession is to move the ball around the main rectangle, with alternate
side, inside and outside passing combinations among the outer players and the center one. The center
player has limited number of touches (one or two).
Every two side passes an inside/outside combination must be played; a sequence shall be completed
within 10"-12".
The defenders are asked to put pressure on the black players in the middle and to close the passing
lanes from outside to inside and vice versa.
Eye on: Quick passing combination, pressure on the center player. Close the passing lanes.
Sequence
The set-up is the same of the previous exercise.
The objective for the players in possession is to move the ball around the main rectangle, with alternate
inside/outside and side passing combinations among the outer players and the center one. The center
player has limited number of touches (one or two)
Every two inside/outside passes, one side pass can be played; a sequence shall be complete within 10"-
12".
The defenders are asked to put pressure on the black players in the middle and to close the passing
lanes from outside to inside and vice versa.
Eye on: Quick passing combination, pressure on the center player. Close the passing lanes.
Sequence
The playing space is divided into three areas; one horizontal lower area and two upper and vertical
ones. Three black players are placed along the borders of the lower area and two defenders are inside it.
Two other black players are placed along the outer lines of the two vertical areas; the last possession
player is placed on the upper line of the set-up. Two defenders are inside the upper areas.
The objective for the players in possession is to play a wall passing combination on one side of the
lower area (on the left in the picture) and then to switch the side (on the right) against two defenders
who are pressing.
As the ball can be played forward, forward and backward passing combinations must be played to
complete the sequence and to start again, thanks to an inside cut of an outer player.
The defenders are asked to put pressure on the black players inside the lower area and to close the
passing lanes if they are placed inside the upper areas.
Eye on: Quick side, forward and backward passing combinations. Close the passing lanes.
Sequence
The set-up is the same of the previous exercise.
The objective for the players in possession is to move the ball around along one side from the lower
area (on the left in the picture) against two defenders who are pressing.
As the ball can be played forward, a backward pass must be played to complete the sequence and to
start again, thanks to an inside cut of an outer player.
The defenders are asked to put pressure on the black players inside the lower area and to close the
passing lanes if they are placed inside the upper areas.
Eye on: Quick side, forward and backward passing combinations. Close the passing lanes.
Sequence
The playing space is divided into three areas; one horizontal lower area and two upper and vertical
ones. Two black players are placed along the end line of the lower area, one neutral player and one
defender are inside it. Four other black players are placed along the outer lines of the two vertical areas.
Two defenders are inside the upper areas.
The objective for the players in possession is to move the ball around on one side from the lower area
(on the right in the picture) against two defenders who are pressing. The neutral player is a defender
during the first 5"-6"; after this time, the neutral player becomes attacker and a 3 v 1 duel is created.
As the ball can be played behind the defender/s, forwards and backwards passing combinations must be
played to complete the sequence.
The defenders are asked to put pressure on the black players inside the lower area and to close the
passing lanes if they are placed inside the upper areas.
Eye on: Quick side, forward and backward passing combinations. Close the passing lanes.
©WORLD CLASS COACHING 43 35 Possession Rondos
Exercise 26: 6 v 4 to play forward and backward moving the ball around
Sequence
The set-up is the same of the previous exercise. There are two defenders inside the lower area and four
other players are placed along the outer borderlines of the upper areas
The objective for the players in possession is to move the ball along one side from the lower area (on
the left in the picture) against two defenders who are pressing, passing the ball behind them toward the
center player.
As the ball can be played forward, a backward pass must be played to complete the sequence and to
start again, thanks to an inside cut of an opposite outer player.
The defenders are asked to put pressure on the black player inside the lower area and to close the
passing lanes if they are placed inside the upper areas.
Eye on: Quick sideways, forward, and backward passing combinations. Pressure when playing 2 v 2.
Close the passing lanes.
Sequence
The playing space is divided into three areas; one horizontal lower area and two upper and vertical
ones. Two black players are placed along the end line of the lower area and two defenders are inside it.
Five other players are placed along the outer borderlines of the upper areas.
The objective for the players in possession is to move the ball forward along one side from the lower
area (on the right in the picture) against two defenders who are pressing, passing the ball behind them
toward the center player.
As the ball can be played forward, a diagonal forward and backward passing combination must be
played to complete the sequence and to start again. One defender can run inside the upper areas where
the ball is being played, to create momentary 3 v 2 duels. Every sequence shall be completed within
10"-12".
The defenders are asked to put pressure on the black players inside the lower area and where they can
play as couple and to close the passing lanes if they are placed alone inside the upper areas.
Eye on: Quick side, forward and backward passing combinations. Pressure when playing 2 v 2. Close
the passing lanes.
©WORLD CLASS COACHING 45 35 Possession Rondos
Exercise 28: 8 v 4 to play forward and backward moving the ball around
Sequence
The playing space is divided into three areas: one horizontal lower area and two upper and vertical
ones. Two black players are placed along the end line of the lower area and two defenders are inside it.
Six other players are placed along the outer borderlines of the upper areas.
The objective for the players in possession is to move the ball forward along one side from the lower
area (on the right in the picture) against two defenders who are pressing, passing the ball behind them
toward the center player of one of the upper areas.
As the ball can be played forward, a diagonal forward and backward passing combination must be
played to complete the sequence and to start again. One defender can run inside the upper areas where
the ball is being played, to create momentary 3 v 2 duels. Every sequence shall be completed within 8"-
10".
The defenders are asked to put pressure on the black players inside the lower area and where they can
play as couple and to close the passing lanes if they are placed alone inside the upper areas.
Eye on: Quick side, forward and backward passing combinations. Pressure when playing 2 v 2. Close
the passing lanes.
35 Possession Rondos 46 ©WORLD CLASS COACHING
Four Grids Rondos
Sequence
The playing space is divided into four squares. Two black players are placed along the outer end lines
of all the squares and one defender is placed inside each square.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. One player on the lower line of the set up must pass the ball to a teammate on the
upper areas or to the teammate close to him, but diagonally.
If a pass is sent toward another area, two touches are allowed; if a pass is sent to the closest teammate,
it has to be played with one touch.
The defenders can decide to put pressure against the player of the area or to close the passing lanes.
Eye on: Accurate passing, play with one or two touches. Intercept the passes.
Sequence
The playing space is divided into four squares. Two black players are placed along the outer end lines
of all the squares and one defender is placed inside each square. Two neutral players are free to move
among the squares to create momentary 3 v 1 duels.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. Every time the ball is received inside an area, a passing combination to find a third
man together with a neutral player must be played, before being passed toward another square.
If a pass is sent toward another area, two touches are allowed. The passing combinations inside the
same area should be played with one touch.
The defenders can decide to put pressure against the neutral players or to close the passing lanes.
Eye on: Accurate and quick passing, play with one or two touches. Intercept the passes.
Sequence
The set-up is the same of the previous exercise, but only one neutral player is placed on the center
corner of the squares to create momentary 3 v 1 duels.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. Every time the ball is received inside an area, a passing combination to find a third
man together with the center neutral player must be played, before being passed toward another square.
If a pass is sent toward another area, two touches are allowed. The passing combinations inside the
same area and with the center neutral player should be played with one touch.
The defenders can decide to put pressure against the outer players or to close the passing lanes.
Eye on: Accurate and quick passing, play with one or two touches. Intercept the passes.
Sequence
The set-up is the same of the previous exercise; one neutral player is placed on the center corner of the
squares to create momentary 3 v 1 duels. A fifth defender is now active and free to move to create 3 v 2
duels inside the squares.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. Every time the ball is received inside an area, a passing combination to find a third
man together with the center neutral player must be played, before being passed toward another square.
If a pass is send toward another area, two touches are allowed. The passing combinations inside the
same area and with the center neutral player should be played with one touch.
The defenders can decide to put pressure against the outer players, to double the mark against the
neutral player or to close the passing lanes.
Eye on: Accurate and quick passing, play with one or two touches. Intercept the passes or anticipate
the neutral player.
Sequence
The playing space is divided into four squares. Two black players are placed along the outer end lines
of all the squares and two more are placed along two inside vertical lines as in the picture. Four
defenders are free to press as couple inside the squares, creating momentary 3 v 2 duels.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. Every time the ball is received inside an area, a passing combination to find a third
man together with the inside teammates must be played, before being passed toward another square.
If a pass is sent toward another area, two touches are allowed. The passing combinations inside the
same area should be played with one touch.
The defenders can decide to put pressure against the center players or to close the passing lanes. If they
win the ball, they change the position with the couple of players of the area where the wrong pass
comes from or where the ball control was wrong.
Eye on: Accurate and quick passing, play with one or two touches. Intercept the passes. Press the
opposition with the right timing.
Sequence
The set-up is the same of the previous exercise, but six defenders are free to move creating 3 v 2 duels
where the ball is played and 3 v 1 duels off the ball.
The ball must be passed among the outside players and through the areas without being played side by
side horizontally. Every time the ball is received inside an area, a passing combination to find a third
man together with the inside teammates must be played, before being passed toward another square.
If a pass is sent toward another area, two touches are allowed. The passing combinations inside the
same area should be played with one touch.
The defenders can decide to put pressure against the center players or to close the passing lanes. If they
win the ball, they change the position with the couple of players of the area where the wrong pass
comes from or where the ball control was wrong.
Eye on: Accurate and quick passing, play with one or two touches. Intercept the passes. Press the
opposition with the right timing.
Sequence
The set-up is the same of the previous exercise, but two black players are placed on the center lines
horizontally and turned toward the upper areas. And again six defenders are free to move creating 3 v 2
duels where the ball is played and 3 v 1 duels off the ball.
The ball must be passed among the outside lower players, switching the side (from the left to the right
in the picture). As the ball is played inside an upper area, forward and backward combinations must be
played to move the ball.
The defenders can decide to put pressure against the center players or to close the passing lanes. If they
win the ball, they change the position with the couple of players of the area where the wrong pass
comes from or where the ball control was wrong.
Eye on: Accurate and quick passing, oriented control, play with one or two touches. Intercept the
passes. Press the opposition with the right timing.