Medley

Viva la Vida (Coldplay), Beat It (Michael Jackson),

 
Just Dance (Lady Gaga) & Come as You Are (Nirvana) Prática de Conjunto II

    
 
 = 136 1.

 
Voz

      

    
Flauta

  
                                  
sempre staccato

Violin

             
 

 
  
          


                   
sempre staccato

   
Violoncello

 2.   
          

5


Vo.

   
 I used to rule the world Seas would

   
Fl.

                 
            
           
Vln.

     
   
             
   


   
Vc.


   
            
 
8


Vo.

  

rise when I gave the word Now in the morning I sleep a lone


Fl.

                
     
        
  
               
Vln.

  
               
   
Vc.

          
  
11


Vo.

    

Sweep the streets I used to own.

   
Fl.

             
   


      
         
       
Vln.

                    
    


      
Vc.

    

15

    
Vo.

      
div.

  
Fl.

    
   
                                 
Vln.

Vc.
              

2
       

    

19

    
    
Vo.

  

I hear Je ru sa lem bells

    
Fl.

    
    
           
Vln.

                           
Vc.
          
                    


 

23

Vo.

    
         
a ring ing Ro man Caval ry choir are sing ing Be my mirror my sword



Fl.

         
        
                
Vln.


                      
Vc.
           

          
         
   
27

Vo.

   
                 
and shield My mis sion a ries in a for field

  

Fl.

     
       
            
Vln.

                     
Vc.
          

3
                
   
30

Vo.

      
           
For some rea son I can't ex plain. Once you go there was


Fl.

                 

      
Vln.

            
               
Vc.
    

    
            
  
33

Vo.

           
    
nev er, nev er an hon est word But there was


Fl.

     
           
             
Vln.

          
Vc.
            
    
      
36


Vo.

           
    
when I rule the world.

  
Fl.

   
 
 cresc.

  
      
Vln.

                   

           


  
Vc.

 cresc.

4
      

40 rall. _



  
Vo.


              
          
 
     
Fl.

Vln. 

                                     
Vc.
              

  = 80
          
  
45  = 135

       
Vo.

      
  

Fl.

        
  
         
Vln.

                
      
Vc.

5
 Voz Medley
Viva la Vida (Coldplay), Beat It (Michael Jackson),

  
Just Dance (Lady Gaga) & Come as You Are (Nirvana) Prática de Conjunto II

   
 = 136 1.

 2.                
   

5

       
 I used to rule the world Seas would rise when I gave the word

        
   
9

       
Now in the morning I sleep a lone Sweep the streets I used to own.

         
 
14

  
I hear Je ru sa lem bells a ring ing

           
    
24

Ro man Ca val ry choir are sing ing Be my mir ror my sword

          
         
   
27

        
and shield My mis sion a ries in a for field

       
    
30

 
For some rea son I can't ex plain. Once you go there was nev er, nev er an hon

        
   
        
 
34 rall. _  = 80

   
est word But there was when I rule the world.


  
48  = 135
 Flauta Transversal Medley
Viva la Vida (Coldplay), Beat It (Michael Jackson),

  
Just Dance (Lady Gaga) & Come as You Are (Nirvana) Prática de Conjunto II

   
 = 136 1.

 2. 


5

     
    
14 div.

      
    


  
18

    
          

22

  
                  
  
27

             
           
30

     
        
34


                  
         
38

  = 80

               
    
 cresc.

 
rall. _

     
43  = 135

  
 Violin Medley
Viva la Vida (Coldplay), Beat It (Michael Jackson),

       
Just Dance (Lady Gaga) & Come as You Are (Nirvana) Prática de Conjunto II

   
                          
 = 136

      
sempre staccato
1.

 2.    
            


  
                
5


               



                
9


             
   
13

         
     
 


18

       
             
22

   
             
26


                       

30

    

             
34

       rall. _  
    
 
38  = 80  = 135


 Violoncello Medley
Viva la Vida (Coldplay), Beat It (Michael Jackson),

  
                                  
Just Dance (Lady Gaga) & Come as You Are (Nirvana) Prática de Conjunto II
 = 136

              
sempre staccato

   
1.

                       


                
             
5
2.

  
                                


                 
9

  
                                
                 
13

                         
    
   
             
17

                          
             


              
22

         
                                        
                  
27

  
                                
                
   
32

  
                                         
            
  
36

                                        
 cresc.

 
           
41 rall. _  = 80
                   
       
48  = 135