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    MUSIC 10 3rd Quarter Lesson 1

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    Barbara Banana
    1) Contemporary Philippine music refers to 20th century compositions that have adopted Western art music ideas as well as modern entertainment styles. 2) Notable Filipino composers of this era include Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, and Ryan Cayabyab. Their works show influences from Western techniques absorbed during the Spanish and American colonial periods. 3) Two National Artists for Music highlighted are Lucrecia Kasilag and Ernani Cuenco. Kasilag incorporated indigenous instruments into her orchestral works, while Cuenco's compositions embodied the classical kundiman style.

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    MUSIC 10 3rd Quarter Lesson 1

    Uploaded by

    Barbara Banana
    71 views9 pages
    1) Contemporary Philippine music refers to 20th century compositions that have adopted Western art music ideas as well as modern entertainment styles. 2) Notable Filipino composers of this era include Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, and Ryan Cayabyab. Their works show influences from Western techniques absorbed during the Spanish and American colonial periods. 3) Two National Artists for Music highlighted are Lucrecia Kasilag and Ernani Cuenco. Kasilag incorporated indigenous instruments into her orchestral works, while Cuenco's compositions embodied the classical kundiman style.

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    1) Contemporary Philippine music refers to 20th century compositions that have adopted Western art music ideas as well as modern entertainment styles. 2) Notable Filipino composers of this era include Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, and Ryan Cayabyab. Their works show influences from Western techniques absorbed during the Spanish and American colonial periods. 3) Two National Artists for Music highlighted are Lucrecia Kasilag and Ernani Cuenco. Kasilag incorporated indigenous instruments into her orchestral works, while Cuenco's compositions embodied the classical kundiman style.

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    71 views9 pages

    MUSIC 10 3rd Quarter Lesson 1

    Uploaded by

    Barbara Banana
    1) Contemporary Philippine music refers to 20th century compositions that have adopted Western art music ideas as well as modern entertainment styles. 2) Notable Filipino composers of this era include Francisco Buencamino Sr., Francisco Santiago, Nicanor Abelardo, and Ryan Cayabyab. Their works show influences from Western techniques absorbed during the Spanish and American colonial periods. 3) Two National Artists for Music highlighted are Lucrecia Kasilag and Ernani Cuenco. Kasilag incorporated indigenous instruments into her orchestral works, while Cuenco's compositions embodied the classical kundiman style.

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    of 9

    MUSIC 10

    Quarter 3 – LESSON 1:
    CONTEMPORARY PHILIPPINE MUSIC

    (TRADITIONAL, NEW MUSIC AND SONG COMPOSERS)


    According to National Artist Ramon Santos, PhD, “contemporary music in the
    Philippines refers to compositions that have adopted ideas and elements from 20th
    century art music in the west, as well as the latest trends and musical styles in the
    entertainment industry.”

    The modern Filipino repertoire consists of


    musical pieces that have been written in 20th
    century idioms that have evolved out of such
    stylistic movements as impressionism,
    expressionism, neo-classicism, as well as
    avant-garde and new music.

    New music are compositions which are


    improvisational works such as the early
    compositions of Dr. Ramon Santos,
    Radyasyon and Quadrasyon; Josefino “Chino”
    Toledo’s Samut-Sari, Pintigan and Terminal
    Lamentations, and Jonathan Baes’ Wala and
    Banwa.

    With the European and American influences


    brought by our country’s colonizers, it was
    inevitable that the musical style of 20th
    century Western composers found their way
    into Philippine compositions. The works many
    notable Filipino composers are evidence of
    this.

    An entire group of 20th Filipino song composers became popular for their musical
    compositions used as background music or theme songs in movies and films.

    TRADITIONAL COMPOSERS

    Filipino composers of the 20th century contributed their share in introducing


    innovative sounds. With Spain and then America having colonized the Philippines
    from the early 1500s to the late 1800s, it was unavoidable that Western
    compositional techniques found their way into the works of Filipino composers. Yet,
    even 20th century Filipino composers have managed to retain some traditional
    elements in their assimilation of Western techniques. In fact, they have become the
    strongest foundations of what we now know as Philippine music.
    Among the major Philippine contemporary composers are Francisco Buencamino
    Sr., Francisco Santiago, Nicanor Abelardo, Antonio Molina, Hilarion Rubio,
    Col. Antonino Buenaventura, Rodolfo Cornejo, Lucio San Pedro, Rosendo
    Santos Jr., Alfredo Buenaventura, and Ryan Cayabyab.
    LUCRECIA R. KASILAG (1918 – 2008)

    National Artist for Music

    Lucrecia R. Kasilag was born in San Fernando, La


    Union on August 31, 1918. She went to Manila to
    pursue a degree in Music at the Philippine Women’s
    University. She then obtained her Master’s degree
    from the Eastman School of Music in New York, USA.
    Her compositions were influenced by her professors Irving McHose and Wayne
    Barlow. Kasilag’s compositions demonstrated a fusion of Eastern and Western styles
    in using instruments, melody, harmony, and rhythm. She is particularly known for
    incorporating indigenous Filipino instruments into orchestral productions.

    Among Kasilag’s many compositions are Toccata for Percussion and Winds (1959),
    composed for indigenous Muslim instruments and Western instruments; The Legend
    of the Sarimanok(1963), composed for chamber orchestra and Philippine ethnic
    instruments; Divertissement and Concertante (1960), compositions for piano and
    orchestra combining Western and Eastern forms, harmonies, and intervals; and
    Dularawan (1969), a musical drama combining a dance solo with a chorus and an
    ethnic orchestra. Her other works include compositions for piano, instrumental
    ensemble, and chorus.

    She was equally admired in the academe as a former Dean of the College of Music
    and Fine Arts, Philippine Women’s University. In the cultural field, she was the
    President of the Cultural Center of the Philippines. In the dance circles, she was the
    President and Music Director of the Bayanihan Dance Company. She also served as
    Chairman of the Asian Composers’ League and the League of Filipino Composers.

    She is credited for having written more than 200 musical works, ranging from
    folksongs to opera to orchestral works, which she continued to compose for the rest
    of her life. For all these outstanding achievements, she was conferred the title of
    National Artist for Music in 1989. She passed away in Manila in August 2008.
    SONG COMPOSERS

    The 20th century Filipino song composers/lyricists include Levi Celerio, Constancio
    de Guzman, Mike Velarde Jr., Ernani Cuenco, Restie Umali, George Canseco, Angel
    Peña, Leopoldo Silos Sr., Santiago Suarez. Together, they had produced a
    memorable output of traditional Filipino love songs, music for the movies, and
    materials for contemporary arrangements and concert repertoire.
    Filipino composers of the 20th century contributed their share in introducing
    innovative sounds different from the traditional folk song and kundiman melodies
    that we have been accustomed to. Some espoused the impressionistic style, while
    others combined ethnic sounds and musical elements with Western techn iques in
    their compositions. Some adopted the kundiman as their form in composing their
    music.

    GEORGE CANSECO (1934 – 2004)

    George Masangkay Canseco was born on April 23, 1934 in


    Naic, Cavite. He graduated with a Liberal Arts degree at
    the University of the East. After graduation, he worked for
    the Philippines Herald and the Associated Press as a
    journalist. He also worked as a “free-lance scriptwriter for
    hire” in Manila.

    Canseco was considered as “a nationally acclaimed


    composer of numerous popular classics.” He was
    commissioned by Former First Lady Imelda R. Marcos to
    compose a national tribute hymn entitled Ako Ay Pilipino (I Am A Filipino). He
    winning motion picture of the same title, sung by Amapola.

    He wrote the classic Kapantay Ay Langit, a theme from the award- English version
    entitled You’re All I Love containing some Tagalog lyrics was sung by American
    singer Vic Dana. The song won the Manila Film Festival “Best Song of the Year
    Award” in 1972. He followed it with an English song entitled Songs exclusively for
    Songs and Amapola under the Vicor Music Corporation Pioneer Label.

    One of his best-known compositions was Child, the English-language version of


    Freddie Aguilar’s signature song Anák. He wrote songs for the country’s top popular
    singers such as Sharon Cuneta, Basil Valdez, Regine Velasquez, Zsa Zsa Padilla,
    Pilita Corrales, Martin Nievera, and Kuh Ledesma.

    Canseco credited film producer and Vicor Music Corporation owner Vic del Rosario
    for giving him his biggest break in the music industry. He was elected President of
    the Filipino Society of Composers, Authors and Publishers, Inc. (FILSCAP) in 1973.
    He was also elected as Councilor for the First District of Quezon City in 1988.

    His legacy as a composer include approximately 120 song titles including Ikaw,
    Kailangan Kita, Dito Ba, Hiram, Tubig at Langis, Hanggang sa Dulo ng Walang
    Hanggan, Sinasamba Kita, Kastilyong Buhangin, Minsan Pa Nating Hagkan ang
    Nakaraan, Ngayon at Kailanman, Saan Darating ang Umaga, Sana Bukas Pa ang
    Kahapon, Dear Heart, Gaano Kadalas ang Minsan, Paano kita Mapapasalamatan,
    and Kahapon Lamang. He passed away on November 19, 2004 in Manila.

    ERNANI CUENCO (1936 – 1988)

    National Artist for Music

    Ernani Joson Cuenco, composer, film scorer, musical


    director and music teacher, was conferred the National
    Artist

    musicality that contain the classical sound of the


    kundiman. Award for Music in 1999. His works embody a
    Filipino sense Cuenco was born on May 10, 1936 in
    Malolos, Bulacan. As a boy, he was encouraged to learn
    the violin. He was mentored by his mother, his
    godmother Doña Belen Aldaba Bautista, and his first
    teacher, Jovita Tantoco. He earned his Bachelor’s Degree
    in Music, major in Piano at the UST Conservatory of Music
    in 1956. A UST scholarship grant in the same year
    enabled him to study the cello under Professor Modesto Marquiz, which he finished
    in 1965. In 1968, he completed his Master of Music degree at the Sta. Isabel
    College.
    From 1960 to 1968, Cuenco was a cellist at the Manila Symphony Orchestra under
    Dr. Hubert Zipper. Likewise, he played for the Filipino Youth Symphony Orchestra
    and the Manila Chamber Soloists from 1966 to 1970.

    His career as a musical director began in 1960 when he was discovered by then
    actor Joseph Estrada while he was playing as part of a band he had formed with
    friends at an exclusive restaurant in Makati. In 1963, Cuenco was sent as a
    delegate to the International Music Conference in Tokyo, Japan. Asid e from being a
    composer and musical director, he was also a faculty member at the UST
    Conservatory of Music until his death on July 11, 1988.
    To this day, Cuneco’s compositions are popular and well-loved, especially Gaano
    KoIkaw Kamahal and Bato sa Buhangin which he composed for films in honor of his
    wife. Aside from these signature pieces, Cuenco’s other songs include Nahan, Kahit
    na Magtiis, Diligin Mo ng Hamog ang Uhaw na Lupa, Pilipinas, Inang Bayan, Isang
    Dalangin, and Kalesa

    ACTIVITY

    Task 1: Guess Who?

    Instructions: Identify the names of the composers.


    Task 2: Name that Composer!

    Instructions: Name the composer who created the given musical pieces.

    _____________ 1. L’ BAD

    _____________ 2. Ang Pipit

    _____________ 3. Magbalik Ka Hiran

    _____________ 4. Kay Ganda ng ating Musika


    _____________ 5. Paano Kita Mapapasalamatan

    Assessment

    Identification:

    1. What are the three Contemporary Philippine Music?

    _________________

    _________________

    _________________

    2. Name the 9 well-known Filipino Composers presented in the module.

    __________________________________________________________________
    __________________________________________________________________
    __________________________________________________________________
    __________________________________________________________________
    __________________________________________________________________

    3. Who composed the “The Legend of the Sarimanok”? ___________________

    4. Who is this popular contemporary composer known for creating music with a
    mouth- blown leaf? __________________________________
    5. Who was this popular contemporary composer commissioned by Former First
    Lady Imelda R. Marcos to compose a national tribute hymn entitled Ako Ay Pilipino
    (I Am A Filipino)? _________________________________

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