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org/wiki/El_Greco

El Greco
Domḗnikos Theotokópoulos (Greek: Δομήνικος
Θεοτοκόπουλος [ðoˈminikos θeotoˈkopulos]; 1 October 1541 –
El Greco
7 April 1614),[2] most widely known as El Greco ("The
Greek"), was a Greek painter, sculptor and architect of the
Spanish Renaissance. "El Greco" was a nickname,[a][b] and the
artist normally signed his paintings with his full birth name in
Greek letters, Δομήνικος Θεοτοκόπουλος (Domḗnikos
Theotokópoulos), often adding the word Κρής (Krḗs), which
means Cretan.

El Greco was born in the Kingdom of Candia (modern Crete),


which was at that time part of the Republic of Venice, Italy,
and the center of Post-Byzantine art. He trained and became a
master within that tradition before traveling at age 26 to
Venice, as other Greek artists had done.[6] In 1570, he moved
Portrait of a Man (presumed self-
to Rome, where he opened a workshop and executed a series of
works. During his stay in Italy, El Greco enriched his style with portrait of El Greco, c. 1595–1600)
elements of Mannerism and of the Venetian Renaissance taken in Metropolitan Museum of Art, New
from a number of great artists of the time, notably Tintoretto. York City[1]
In 1577, he moved to Toledo, Spain, where he lived and worked Born Doménikos
until his death. In Toledo, El Greco received several major Theotokópoulos
commissions and produced his best-known paintings, such as 1 October 1541
View of Toledo and Opening of the Fifth Seal.
either Fodele or
El Greco's dramatic and expressionistic style was met with Candia, Crete
puzzlement by his contemporaries but found appreciation by Died 7 April 1614
the 20th century. El Greco is regarded as a precursor of both (aged 72)
Expressionism and Cubism, while his personality and works Toledo, Spain
were a source of inspiration for poets and writers such as
Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been Nationality Venetian-Greek and
characterized by modern scholars as an artist so individual Spanish
that he belongs to no conventional school.[3] He is best known Known for Painting, sculpture
for tortuously elongated figures and often fantastic or and architecture
phantasmagorical pigmentation, marrying Byzantine
[7] Notable work El Expolio
traditions with those of Western painting.
(1577–1579)
The Assumption of
the Virgin
Contents (1577–1579)
The Burial of the
Life
Count of Orgaz
Early years and family
(1586–1588)
Italy
View of Toledo

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