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Homework - 18th of May

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The God of Small Things is the debut novel of Indian writer Arundhati Roy.

It is a story about
the childhood experiences of fraternal twins whose lives are destroyed by the “love laws” that
lay down who should be loved and how and when and how much and in what circumstances.
The book explores how the small things affect people's behavior and their lives. The book also
reflects its irony against casteism, which is a major discrimination that prevails in India.
The novel follows twin brother and sister Estha and Rahel, and the events that build-up to and
follow the drowning death of their cousin while all three are children. Though the novel
ostensibly deals with the interpersonal complexities of one Indian family, it delves deeply into
questions of social and cultural boundaries-particularly the long shadow of the Indian caste
system and its limitations on who one can and should love. The novel is notable for its non-
chronological framework which makes extensive use of flashbacks and flash forwards to
highlight the interconnectedness of the various events, both big and small, that shape Estha and
Rahel's lives.
What makes it an illustrious composition is that it is a celebration of language and the beauty of
words. Each word is carefully chosen. Each sentence is perfect. The words flow like poetry and
demand to be read a second time for their sheer beauty. But this isn't poetry. It's a novel and
having this lofty level of freedom in words, expressing so salient topics like it’s nothing it’s
beyond astonishing. The structure, style and extraordinary wordplay are highly imaginative,
perhaps even the work of a genius.
What makes it challenging is that this tragic story is not told chronologically, jumping primarily
between two distinct times—two weeks when the twins are 7 years old and later when they are
31 years old. And sometimes the jump comes without warning, which makes it very confusing.
Key plot points are revealed long before they actually occur. And even while a major part of the
plot is unfolding, the action jumps in time—from one day ahead to four days behind to two
weeks ahead. As the author herself says, "It begins at the end and ends in the middle."
The book immerses the reader a lot in Indian and Keralan culture which I enjoyed a lot. On the
other hand, the main story is very universal, it could be set almost anywhere in the past century.
The main themes about the role and breakdown of family, tradition, social hierarchies and
mainly about missing and trying to find the capacity to love also resonates really much with me.
The specific Indian issues (the caste system, relations to the British, etc.), mainly provide the
backdrop on which the fundamental human issues play out. In this way it really meant a lot to
me, experiencing the feelings that this novel stirred up in me.
I would totally recommend this book to everyone, but I must say that it shook me. This book
was my gate, my way out of this utopia I was living in before I read it. This book is harsh and it
follows rough subjects such as child abuse, incest, family fights and many more. In order to
fully understand everything you read and to successfully set foot in and leave the universe
created by the book you have to pay an immense amount of attention to every detail, to be very
focused on the topic and connect your whole mind to the story.

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