This document provides information for the audition for Principal Oboe position, including:
1) Audition will take place in 3 rounds of recorded excerpts and concerti movements.
2) Round 1 requires Mozart Oboe Concerto movement and orchestral excerpts by Beethoven, Mendelssohn, Brahms, and Strauss.
3) Round 2 includes orchestral excerpts by Brahms, Mussorgsky, Debussy, and Strauss.
4) Round 3 features the Strauss Oboe Concerto movement and a Prokofiev excerpt.
This document provides information for the audition for Principal Oboe position, including:
1) Audition will take place in 3 rounds of recorded excerpts and concerti movements.
2) Round 1 requires Mozart Oboe Concerto movement and orchestral excerpts by Beethoven, Mendelssohn, Brahms, and Strauss.
3) Round 2 includes orchestral excerpts by Brahms, Mussorgsky, Debussy, and Strauss.
4) Round 3 features the Strauss Oboe Concerto movement and a Prokofiev excerpt.
This document provides information for the audition for Principal Oboe position, including:
1) Audition will take place in 3 rounds of recorded excerpts and concerti movements.
2) Round 1 requires Mozart Oboe Concerto movement and orchestral excerpts by Beethoven, Mendelssohn, Brahms, and Strauss.
3) Round 2 includes orchestral excerpts by Brahms, Mussorgsky, Debussy, and Strauss.
4) Round 3 features the Strauss Oboe Concerto movement and a Prokofiev excerpt.
This document provides information for the audition for Principal Oboe position, including:
1) Audition will take place in 3 rounds of recorded excerpts and concerti movements.
2) Round 1 requires Mozart Oboe Concerto movement and orchestral excerpts by Beethoven, Mendelssohn, Brahms, and Strauss.
3) Round 2 includes orchestral excerpts by Brahms, Mussorgsky, Debussy, and Strauss.
4) Round 3 features the Strauss Oboe Concerto movement and a Prokofiev excerpt.
1. Audition Information 2. Recorded Audition Requirements 3. Position Description 4. Audition set repertoire and excerpts
1 AUDITION INFORMATION
Position Section Principal Oboe
Audition Recorded auditions only Closing Date Wednesday 9 February 2022 Eligibility This position is open to candidates of all nationalities.
Tenure Permanent, subject to successful completion of 6-month trial period
Section Structure The section is comprised of 1 Section Principal Oboe, 1 Associate Principal Oboe, and 1 Principal Cor Anglais
Audition Process After the closing date, the audition panel will convene and review all submissions. The audition will be conducted anonymously, in rounds as specified in the audition requirements. Anonymous votes will be cast and counted after each round to determine progression to subsequent rounds and identify a preferred candidate.
If a preferred candidate is identified, the applicant will be invited to undertake a
trial period during which time a live audition will be held comprising material from the audition requirements.
Any offer of employment as a result of this process will be subject to the
preferred candidate being able to enter Western Australia with the appropriate travel exemption and satisfying quarantine conditions as required by Australian government directives.
REQUIREMENTS 1. Current CV / Resume 2. Contact details of 2 x referees 3. Recordings of the Audition set repertoire and excerpts (p. 6 – 19)
HOW TO APPLY
Click here to complete your application form
2 RECORDED AUDITION REQUIREMENTS
SUBMITTING A RECORDING It is in the applicant’s best interest to provide a video recording with broadcast-quality audio.
WASO advises candidates to record the set works / concerti with accompaniment where such a part exists.
Recordings will only be accepted if they meet the following conditions:
• Content to be as per requirements and set list of orchestral excerpts.
• Candidates are advised to check the playback quality of their recording before sending. Particular attention should be paid to the quality of the audio. • Your recording should be made with orchestral excerpts played in numerical order, and recorded with one continuous take for each group of excerpts as indicated. • Each required solo repertoire piece must be performed as an entire piece. • You may replay a section of the required material in the same take, if dissatisfied; however the original attempt must remain recorded. • Recordings must be received by the closing date. WASO cannot take responsibility for late or lost material. • Material must follow the specified formatting and adhere to the WASO instructions for sending electronic files below.
Instructions for sending audition recordings as electronic files:
• Files to be in MPEG4, MOV or WMV format
• Please format the files post-recording so that each excerpt is saved as a separate file. • Please ensure that each piece and excerpt clearly titled, i.e. excerpt number, Composer, Title of Work, movement. • If more than one movement of a concerto is required please save each movement separately. • Please upload all the files into a single folder, and please name your folder with your name. • The preferred medium for receiving electronic files is Dropbox (www.dropbox.com). • Please upload your files to www.dropbox.com and share your folder with auditions@waso.com.au • Please include your signed Recorded Audition Declaration form in the folder with your recordings.
Click here to download the Recorded Audition Declaration form
3 POSITION DESCRIPTION
POSITION: Principal Musician
DEPARTMENT: Orchestra AGREEMENT: WASO Musicians’ Agreement 2020-2021 CLASSIFICATION: Associate Principal Musician (Principal/Assoc Principal Level 1 – 3) UNDERLYING AWARD: Live Performance Award
1. PURPOSE OF POSITION Perform as a musician of the West Australian Symphony Orchestra, engage and inspire Western Australians through musical experiences, and be an ambassador for music in the community.
2. KEY RELATIONSHIPS REPORTS TO • Relevant Section Principal or Concertmaster – artistic performance • Executive Manager Orchestral Management KEY WORKING RELATIONSHIPS • All WASO musicians • Conductor • Orchestral Management • Other departments as required
3. KEY RESPONSIBILITIES:
Musical Duties • Play at a professional level on the instrument for which the musician was auditioned / engaged • Uphold a professional standard and approach in preparation for rehearsals and performances • Rehearse and perform relevant parts as required • Participate in scheduled activities as required, including Education & Community Engagement small ensemble activities • Lead the section where required • Act as Section Principal as required • Assist the Section Principal in managing the section including input into the engagement of casuals, and the distribution of parts • Share the responsibility with the Section Principal for the overall performance standard of the section • Follow the performance directions of the Section Principal, Concertmaster and Conductor • Mark parts and convey all relevant information consistent with Section Principal's instructions, in a concise and timely manner • Participate in auditions, trial assessments, consultative, orchestral, artistic, and section meetings as required
Other Duties • Participate in scheduled publicity and promotional activities • Participate in training and professional development activities • Act as an ambassador for WASO and advocate for orchestral music within the community • Provide encouragement, performance feedback, advice and support for community and developing musicians 4 • Demonstrate the WASO Values and adhere to Company policies • Conduct oneself in a professional manner at all times, in accordance with the WASO Code of Conduct, as outlined in the WASO Employee Handbook
Health and Safety
• Ensure the health, safety and welfare of all employees, customers and visitors, as outlined in the WASO Employee Handbook
4. CORE COMPETENCIES:
Skills • Professional standard in instrumental performance • Good interpersonal communication skills • Good organisational skills • Leadership skills • High levels of proficiency as per the WASO Appointment Code
Knowledge • Appropriate musical training and / or professional performing experience
5. POSITION-SPECIFIC DUTIES:
Associate Principal Woodwind or Brass
• Play in any position in the section provided they have the recognised level of proficiency playing those instruments
5 Audition Excerpts PRINCIPAL OBOE ___________________________________________________________________
2021
Round 1 Concerto: • MOZART, Oboe Concerto – 1st movement (Exposition only) Orchestral excerpts: 1. BEETHOVEN, Symphony No.3, 2nd movement 2 excerpts 2. MENDELSSOHN, Symphony No. 3, 2nd movement 2 excerpts 3. BRAHMS, Violin Concerto in D major, Adagio 2 excerpts 4. STRAUSS, Don Juan, (Excerpt 1: opening - Allegro, molto con brio) 1 excerpt
Round 2 Orchestral excerpts: 5. BRAHMS, Symphony No. 1, 1st and 2nd movements 2 excerpts 6. MUSSORGSKY, Pictures at an Exhibition 1 excerpt 7. DEBUSSY, La Mer 2 excerpts 8. STRAUSS, Don Juan (Excerpt 2: A tempo, ma tranquillo) 1 excerpt
Round 3 Concerto: • STRAUSS, Oboe Concerto, 1st movement (Exposition only) Orchestral excerpts: 9. PROKOFIEV, Romeo and Juliet 2 excerpts 10. BACH, St. Matthew Passion 1 excerpt 11. RIMSKY-KORSAKOV, Scheherazade 1 excerpt
♫ Please note: in all excerpts that have multiple bars rests of three measures and over please just observe a general pause. ♫ Candidates may take a break from recording between each Round. ♫ Candidates may take a break from recording between the concerto and excerpts in Rounds 1 and 3.
6 Round 1
Concerto: • MOZART, Oboe Concerto – 1st movement (Exposition only)
Orchestral excerpts:
1) BEETHOVEN, Symphony No.3, 2nd movement
EXCERPT 1
[ ]
EXCERPT 2
[ ]
7 Round 1
2) MENDELSSOHN, Symphony No.3
EXCERPT 1 2nd Movement
Vivace non troppo
EXCERPT 2 2nd Movement
Same Tempo
8 Round 1
3) BRAHMS, Concerto for Violin in D major, 2nd movement
EXCERPT
Adagio
9 Round 1
4) STRAUSS, Don Juan
EXCERPT
Allegro, molto con brio
10 Round 2
5) BRAHMS, Symphony No. 1
EXCERPT 1, 1st movement
EXCERPT 2, 2nd movement
11 Round 2
6) MUSSORGSKY, Pictures at an Exhibition
EXCERPT
12 Round 2
7) DEBUSSY, La Mer
EXCERPT 1, No.2 Jeux de vagues
Allegro
13 Round 2
7) DEBUSSY, La Mer cont’d…
EXCERPT 2, No.3 Dialogue du vent de la mer
14 Round 2
8) STRAUSS, Don Juan
EXCERPT
A tempo, ma tranquillo
15 Round 3
Concerto: • STRAUSS, Oboe Concerto – 1st movement (Exposition only)
Orchestral excerpts:
9) PROKOFIEV, Romeo and Juliet
EXCERPT 1, Act 1 No.13
16 EXCERPT 2, ACT2, No.24 Dance of the Five Couples
The Complete Conductor_ a Comprehensive Resource for the Professional Conductor of the Twenty-first -- Demaree, Robert W; Moses, Don v., 1936- -- 1994 -- Englewood Cliffs, N.J._ Prentice-Hall -- 9780131730144
