(Routledge Focus - Disruptions - Studies in Digital Journalism) Steen Steensen, Oscar Westlund - What Is Digital Journalism Studies - Routledge - Taylor & Francis Group (2020)
(Routledge Focus - Disruptions - Studies in Digital Journalism) Steen Steensen, Oscar Westlund - What Is Digital Journalism Studies - Routledge - Taylor & Francis Group (2020)
(Routledge Focus - Disruptions - Studies in Digital Journalism) Steen Steensen, Oscar Westlund - What Is Digital Journalism Studies - Routledge - Taylor & Francis Group (2020)
What is Digital Journalism Studies? delves into the technologies, platforms, and
audience relations that constitute digital journalism studies’ central objects of
study, outlining its principal theories, the research methods being developed, its
normative underpinnings, and possible futures for the academic field.
The book argues that digital journalism studies is much more than the study
of journalism produced, distributed, and consumed with the aid of digital
technologies. Rather, the scholarly field of digital journalism studies is built on
questions that disrupt much of what previously was taken for granted concerning
media, journalism, and public spheres, asking questions like: What is a news
organisation? To what degree has news become separated from journalism? What
roles do platform companies and emerging technologies play in the production,
distribution, and consumption of news and journalism? The book reviews the
research into these questions and argues that digital journalism studies constitutes
a cross-disciplinary field that does not focus on journalism solely from the
traditions of journalism studies, but is open to research from and conversations
with related fields.
This is a timely overview of an increasingly prominent field of media studies
that will be of particular interest to academics, researchers, and students of
journalism and communication.
List of figuresviii
List of tablesix
Forewordx
Selected references117
Index120
Figures
This book is intended for researchers, PhD students, and possibly also
post-graduate students interested in the emerging field of digital journal-
ism studies. The book would not have materialised without the aid of
many people, to whom we would like to extend our warmest gratitude.
First, we would like to thank series editor Bob Franklin for reaching out
to us with the idea for this book. Without his encouragement and enthu-
siasm the book would not have been written. Then we would like to
thank our employer, Oslo Metropolitan University, not only for allowing
us to spend time on this book, but also for granting funding for making
this book Open Access. We are truly excited about the fact that this book
can be accessed by anyone from everywhere without any costs other than
those related to having internet access and a screen to read on. We would
also like to thank the publisher, Routledge, for making this opportunity
available at a reasonable cost, and for all the work put into the production
of the book.
In the final stages of developing this book we have approached a hand-
ful of exceptionally qualified peers for feedback on one or several chap-
ters. Each chapter has benefited substantially from constructive feedback
on both bigger and smaller issues. In alphabetical order we would like to
extend our most sincere appreciation and thanks to Laura Ahva, Sherwin
Chua, Mark Deuze, Scott Eldridge II, Tine U. Figenschou, Alfred Her-
mida, Kristy Hess, Avery Holton, Karoline A. Ihlebæk, Maria Konow
Lund, Merja Myllylathi, Ragnhild K. Olsen, Chris Peters, Jane B. Singer,
Helle Sjøvaag, and Edson Tandoc Jr. We will forever be grateful for your
collegial support.
The book is written as a cooperative exercise between the two of us.
Even though all eight chapters are coauthored, we have divided the work
so that Steensen had the main responsibility for chapters 1, 5, 6, and 7
while Westlund did the heavy lifting in chapters 2, 3, 4, and 8. However,
all chapters have been revised by both authors in many rounds, so the
Foreword xi
book is really the result of what we have experienced as a fruitful coop-
eration. Our final acknowledgement therefore goes to ourselves: Steen
would like to thank Oscar and Oscar would like to thank Steen. We have
enjoyed the experience of working with each other and integrating our
explicit knowledge about digital journalism and digital journalism studies
in coauthoring this book. It’s been a challenge, but it has been fun.
Oslo,
18-March 2020
1 The introduction
The premises and principles of digital
journalism studies
Walden then laid out in more detail the background for these two con-
cerns, before focusing on the questions he wished Zuckerberg to answer:
Zuckerberg was not allowed to answer, yet. He sat there quietly behind
his desk, occasionally sipping water out of a white paper cup, while look-
ing at Walden like a school boy paying attention to his teacher. It was not
until a couple of hours later, following a series of questions from other
2 The introduction
congress members, that Walden returned to the questions regarding what
kind of company Facebook actually is and asked Zuckerberg a direct
question: “Is Facebook a media company?”
Zuckerberg did not take his eyes off Walden and answered, with a
steady voice:
This answer – in fact the whole Facebook hearing, the scandal that
led up to it, and the line of questions regarding what kind of company
Facebook is in reality – is important for anyone who wants to understand
the contemporary media landscape and the information ecosystems that
make up the public spheres not only in the US, but almost everywhere.
Consequently, Walden’s questions and Zuckerberg’s answer are important
when trying to understand the nature of digital journalism studies. This
field of research – digital journalism studies – has become an important
area of study within communications during the last decade because it
addresses core questions related to the economy, technology, sociology,
culture, language, psychology, and philosophy of what journalism is. It
comes at a time when older demarcations – like those between different
institutions and companies, between audiences and professionals, prac-
tices and perceptions, production and consumption, technologies and
humans, physical and virtual, private and public, facts and fictions, truth
and lies, and many more – no longer seem valid.
The significance of Facebook and other global platforms and tech com-
panies unknown to the world before the turn of the millennium cannot
be overestimated. They constitute a major reason why digital journalism
studies is heavily influenced by what Ahva and Steensen (2017) label a
“discourse of deconstruction”, in which it has become essential to ask
fundamental questions concerning what journalism is. Let us offer a few
examples of how this discourse of deconstruction has been articulated
during the formative years of digital journalism studies as a research field.
Anderson (2013) argued that the classical newsroom is no longer the
The introduction 3
epicenter of newswork and that bloggers, citizen journalists, and social
networks are, alongside journalists, important actors in the new “news
ecosystem”. Peters and Broersma (2013) argued that the problems facing
journalism are far more structural than previously suggested, requiring a
fundamental rethink about what journalism is. Carlson and Lewis (2015)
argued that journalism’s demarcations towards other professions and busi-
nesses are deconstructed, as are previously established internal boundaries
between for instance different journalistic genres, and groups of journal-
ists. And Boczkowski (2011, p. 162) argued for a need to shift “the stance
of theoretical work from tributary to primary” in studies focusing on
journalism in digital times.
In this book we interrogate the nature of digital journalism studies. We
probe the roots from which the field has grown, the technologies, plat-
forms, devices, and audience relations that constitute central objects of
study, the theories from which research embarks, the (sometimes) innova-
tive research methods being developed, and the normative underpinnings
and possible futures of the field. It is our early contention that digital
journalism studies is much more than simply the study of journalism
produced, distributed, and/or consumed with the aid of digital technolo-
gies. Digital journalism is not defined by its relation to technology alone;
such a definition “short-circuits a comprehensive picture of journalism”,
as Zelizer argues (2019, p. 343). The scholarly field of digital journal-
ism studies is built on questions that disrupt everything previously taken
for granted concerning media, journalism, and public spheres: What is
a media company? Who is responsible for what is published in a public
sphere? What is the difference between those who produce, those who
distribute, and those who consume media content, including journal-
ism? And indeed who is a journalist and what is journalism in this com-
plex media and information ecosystem of the 21st century? In search for
answers to such questions, digital journalism studies also moves beyond
journalism studies and constitutes a cross-disciplinary field that does not
focus on journalism only from the traditions of journalism studies, but is
open to research from, and conversations with, related fields.
In this introduction, we first look at four structural premises for why
questions such as those posed in the previous paragraph are relevant
today, and why they matter for digital journalism studies. These struc-
tural premises are related to the economy, audience relations, and the net-
worked distribution and consumption mechanisms of digital journalism.
We then argue that a fundamental development for digital journalism
studies is the way in which news has become separated from journalism
since the 1990s. The chapter outlines some empirical characteristics of
what digital journalism studies looks like today, as it is presented in the
4 The introduction
most important arena through which the field materialises, namely the
journal Digital Journalism. Finally, we present the outline of the book.
Table 1.1 2018 citation metrics and ranking within the discipline of communication
from SJR (SCImago Journal Ranking), Scopus, and Google Scholar. The
table displays the five top journalism journals.
Law, 1%
History, 2% Philosophy, 1%
Other, 2%
Culture, 3%
Language, 6% Sociology, 32%
Business, 10%
Technology, 26%
Digital Journalism has in recent years taken steps towards global diversi-
ties in terms of who has been invited to join the quite large and diverse
12 The introduction
editorial board, where the journal encourages submissions from, and
where it would like to engage both academics and other audiences. Con-
cerning the latter point, the 2019 appointment of three international
engagement editors in the US, Chile, and Singapore is a clear sign of the
journal’s ambition towards global outreach and diversity. However, the
journal has not (yet) managed to live up to this commitment in terms of
where authors come from, at least not compared to the other journalism
journals, which have a more globally diverse set of authors. Figure 1.2
displays an overview of the parts of the world first authors of articles pub-
lished in the five top-ranked journalism journals represent. Ninety per-
cent of the Digital Journalism first authors are based in North America or
Western Europe, making it the most Western-centric of the five journals.
Diversity is a topic we will explore in several chapters in this book: in
chapter 2, where we introduce an analytical framework for understand-
ing the relationship between digital journalism and its object of inquiry
(see section 2.2); in chapters 3 and 4, where we unpack the diversity
of the objects of study in digital journalism studies; and in chapters 5
and 6, where we discuss theoretical and methodological diversity. These
discussions will undoubtedly reveal that digital journalism studies is a
very diverse field and that its premises and founding principles assume a
global perspective and research agenda. That said, by way of published
articles in these five journals, the field remains dominated by scholars
based in North America and Western Europe. In this context it is worth
remembering that there are numerous additional journals producing large
amounts of research associated with specific geographical regions, such as
African Journalism Studies, Asian Journal of Communication, Brazilian Journal-
ism Research, and Chinese Journal of Communication, to mention some key
examples of journals from the beginning of the alphabet.
0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%
North-America Western Europa and others Oceanea Asia and the Pacific
Africa Latin America and Caribbean Eastern Europa
Figure 1.2 First authors of all articles published in the journals Digital Journalism, Journalism Studies, Journalism: TP&C, Journalism & Mass
Communication Quarterly, and Journalism Practice during the years 2013–2019. Definitions of the regions are based on the UN
Regional groups.
Note: Data from 2013 and 2014 for Journalism Practice was not available. N = 1989 (no. of articles). See online appendix for details on methodology.
The introduction 13
14 The introduction
In chapter 3, “The Technologies: Unpacking the Dominant Object
of Study in Digital Journalism Studies”, we discuss the research on
technological aspects of digital journalism studies, specifically related
to the topics of data journalism, analytics, and metrics, as well as algo-
rithms and automation. Chapter 4, “The Platforms: Distributions and
Devices in Digital Journalism”, discusses the role of a diverse set of plat-
forms (most notably social media platforms) and how they have been
researched in the field, in addition to looking at how devices such as
tablets, smart phones, drones, and others have played a significant role
in the research field.
Chapter 5, “The Theories: How Digital Journalism is Understood”,
considers the role of theory in digital journalism studies. It builds further
on the meta-analysis of the journal Digital Journalism briefly presented
in this chapter, as this meta-research includes analysis of what role the-
ory plays in articles published in this journal and what kinds of theories
are adopted and developed by the research. Chapter 6, “The Assump-
tions: The Underlying Normativity of Digital Journalism Studies”, will
unmask and discuss the normative underpinnings of digital journalism
studies and argue that hidden normativity is a problem related to three
discourses that dominate much of digital journalism studies, namely the
discourses of crisis, technological optimism, and innovation. Chapter 7,
“The Methodologies: How Digital Journalism is Researched”, explores
the methodologies of digital journalism studies which increasingly derive
from information science and computer science as new kinds of data
become available for researchers.
Based on the discussions in the previous chapters, the last chapter,
chapter 8, “The Futures: Deconstructions of and Directions for Digi-
tal Journalism Studies”, provides a road map for the directions digital
journalism studies might take. We argue that digital journalism studies is
not best served by an agreement on what road to follow, but that several
directions must be taken simultaneously since the future of journalism in
our digital age, and the future of digital societies in general, are impossi-
ble to predict. However, the chapter also argues that there are some blind
spots left behind by digital journalism studies that need to be addressed
and some normative assumptions that need to be scrutinised.
Note
1 Transcript of the hearings found at www.washingtonpost.com/news/the-switch/
wp/2018/04/11/transcript-of-zuckerbergs-appearance-before-house-commit
tee/ (accessed 3 October 2019). Video available at www.cnbc.com/2018/04/11/
mark-zuckerberg-facebook-is-a-technology-company-not-media-company.html
(accessed 3 October 2019).
2 The definitions
Current debates and a framework for
assessing digital journalism studies
Steen Steensen, Anna M. Grøndahl Larsen, Ynqve Benestad Hågvar and Birgitte Kjos Fonn, 2019, 338
Digital journalism is the transforming social practice of selecting, interpreting, editing and distributing factual information of perceived public
interest to various kinds of audiences in specific, but changing genres and formats. As such, digital journalism both shapes and is shaped by
new technologies and platforms, and it is marked by an increasingly symbiotic relationship with the audiences. The actors engaged in this
social practice are bound by the structures of social institutions publicly recognized as journalistic Institutions
Sue Robinson, Seth Andrew Duffy and Silvio Waisbord, Jean Burgess and Edward Barbie Zelizer, 2019,
C. Lewis and Matt Ang Peng Hwa, 2019, 352 Hurcombe, 2019, 360 349
Carlson, 2019, 2019, 382 Digital journalism Those practices of Digital journalism thus
369-370 Digital journalism as is the networked newsgathering, reporting, takes its meaning from
Research that involves the way in which production, textual production and both practice and
newswork employing journalism embodies distribution and ancillary communication rhetoric. Its practice as
digital technologies the philosophies, consumption that reflect, respond to, newsmaking embodies
in some manner, such norms, practices, of news and and shape the social, a set of expectations,
as news websites, values and attitudes information. It is cultural and economic practices, capabilities
social platforms, of digitisation as characterized by logics of the constantly and limitations relative
mobile devices, data they relate to society. network settings changing digital media to those associated with
analytics, algorithms, These include the and practices environment. To study pre-digital and non-
etc.; Research that efficiency of control, that expand the digital journalism is to digital forms, reflecting
acknowledges how storage, retrieval, opportunities and study the transformative a difference of degree
digital dynamics of accessibility and spaces for news and isomorphic impacts of rather than kind. Its
journalism interact transmission of data; digital media technologies rhetoric heralds the hopes
with and alter formerly indusivity, interactivity and business models on and anxieties associated
discrete boundaries . . . and collaboration in the practice, product and with sustaining the
and the authority and the propagation of business of journalism, as journalistic enterprise as
forces that go along information and well as the ways that worthwhile. With the
(Continued)
The definitions 17
Table 2.1 (Continued)
with these changes and opinion; flexibility journalistic discourses, digital comprising the
configurations; Research and innovation in practices and logics in figure to journalism's
that interrogates the presenting news stories; turn shape the cultures ground, digital journalism
resulting practical and and state, institutional and technologies of those constitutes the most
cultural transformations and individual digital media platforms recent of many conduits
18 The definitions
occurring around ownership of data through which journalism over time that have
news and other acts of and its implications is practiced, and its allowed us to imagine
journalism as they relate for privacy and products are shared and optimum links between
to broader issues . . . transparency consumed journalism and its publics
Scott Eldridge, Kristy Hess, Edson Tandoc, and Oscar Westlund, 2019, 394.
Digital Journalism Studies should strive to be an academic field which critically explores, documents, and explains the interplay of digitization
and journalism, continuity and change.
Digital Journalism Studies should further strive to focus, conceptualize, and theorize tensions, configurations, power imbalances, and the debates
these continue to raise for digital journalism and its futures.
The definitions 19
Compass) as a visual and metaphorical tool that can help guide scholars in
navigating the interrelationships between “digital” and “journalism” on
the one end, and “continuity” and “change” on the other. Their empha-
sis on “continuity” seeks to make sure scholarship builds on existing
knowledge, theories, and concepts, while “change” opens for cutting-
edge scholarship that pushes these boundaries (Eldridge II et al., 2019).
2.2.1 Issue (in)visibility
The nature of visibility and invisibility concerning what happens in the
journalism sector (B) varies substantially. Representatives from the jour-
nalism sector may deliberately draw a lot of attention to certain innova-
tions by the news industry. For example, industry members have taken
pride in building their social media presence, increasing audience engage-
ment, and developing and launching mobile applications. They have com-
municated about such developments quite broadly and publicly, including
in industry press and trade magazines, public talks, and in the news itself
where they pitch such developments towards their audiences. By contrast,
other issues have been largely invisible, like how the journalism sector
addresses challenges relating to digital safety, including safe communica-
tion with sources, online harassment, hacks, and surveillance. Exceptions
include handbook chapters covering such issues (Franklin & Eldridge II,
2017), and Digital Journalism has also published a special issue focusing on
surveillance (Wahl-Jorgensen, Hintz, Dencik, & Bennett, 2017).
Moreover, we posit that issue (in)visibility in the journalism sector
(B) influences the extent to which different stakeholders learn from and
mimic each other (labelled: isomorphism and herd behaviour), as well as
the extent to which digital journalism scholars (C) conduct research into
specific areas. The mechanism is relational: high visibility in the sector
(B+) likely results in more digital journalism scholarship (C+), whereas
invisibility (B-) reduces the chances of such issues being researched (C-).
22 The definitions
Turning back to the example of mobile news we argue that while
mobile applications were central objects of inquiry during the forma-
tive years of smartphones and tablets with touchscreen, they have since
been appropriated and normalised. Invisibility for journalists, as a conse-
quence, increases when their news organisations incorporate mobile into
their cross-media approaches, using content management systems (CMS)
that are designed to effortlessly publish across desktop, tablet, and smart-
phone sites and apps (e.g., Erdal, Vaage Øie, Oppegaard, & Westlund,
2019; Westlund, 2014). As a result, publishing across platforms can be
something journalists do not need to think about in their daily practice,
nor something they have wide awareness of or talk about. In extension
of this, practice-oriented researchers studying routines among journal-
ists in newsrooms may well not see concrete practices associated with
mobile devices taking place (Westlund & Ekström, 2020), and thus not
highlighted in studies of appropriation and normalisation of technologies
into newsrooms (Coddington, 2014; Djerf-Pierre, Ghersetti, & Hedman,
2016). We should add that many industry associations have devoted pan-
els to mobile in their conferences and workshops, and in their media
innovation work, albeit its role and significance does not necessarily sur-
face in everyday newswork. Ultimately, mobile news in the journalism
sector may have been largely invisible to digital journalism scholars con-
ducting ethnographic research, utilising interviews, mapping affordances,
analysing content on websites, and so forth.
2.2.2 Pro-innovation bias
Innovation as a concept refers to both the development and the implemen-
tation of something “new”, which can be processes, products, services,
and other things (Storsul & Krumsvik, 2013b). There is a pro-innovation
bias associated with all three aspects of our framework that rests on fun-
damental drivers of capitalism where, in order to maintain a competi-
tive advantage, companies and nations have incentives to continuously
develop their products, services, and so forth. Such drivers are continu-
ously changing society and market sectors. We see this in the ways news
publishers began experimenting with and innovating for the World Wide
Web a quarter of a century ago, developing different approaches to, and
practices for, online journalism. We also see this in the way media man-
agers and journalists in the sector, as well as scholars in digital journalism
studies and beyond, have repeatedly discussed that legacy news media
in the Western world (especially those formerly known as newspapers)
essentially “need to” innovate (Aitamurto & Lewis, 2013; Pavlik, 2013;
Storsul & Krumsvik, 2013a). Scholars from diverse fields have focused on
The definitions 23
“innovation” as a concept and object of inquiry, even as they also found
a great deal of heterogeneity and uncertainty surrounding the bounds of
this concept (Bleyen, Lindmark, Ranaivoson, & Ballon, 2014).
However, common denominators have emerged, and these involve
developing something new, possibly by combining different parts previ-
ously held apart (Storsul & Krumsvik, 2013b). While companies in differ-
ent sectors often strive towards innovation, scholars have shown it may
well not be a solution, despite tremendous investments (Seelos & Mair,
2012). Innovation has been problematised by several researchers with
a footing in digital journalism studies, arguing (in similar terms) that-
“innovation, as a general concept, suggests creativeness and success in a
competitive environment, and is popularly held as a holy grail, something
for which to strive and claim as a source of pride” (Westlund & Lewis,
2014, p. 14). A qualitative study with 39 representatives from news pub-
lishers across numerous countries suggests that members of the journal-
ism sector have been overly obsessed with innovation related to “bright,
shiny things”, and focused less on developing long-term strategies for
sustainable innovation (Posetti, 2018).
Scholars have repeatedly advanced rhetorical and normative assump-
tions around how digital technology may either save or kill the role of
journalism and news, and with them, news organisations (see also chap-
ter 6). Essentially the pro-innovation bias mechanism has to do with
practitioners in the journalism sector (B) focusing on innovation and
emerging technologies that they envision may help them overcome con-
temporary challenges. In addition, it also sees influential scholars taking
the lead in approaching “trending” and “innovative” objects of inquiry
such as social media platforms, and many others have followed suit, result-
ing in tremendous amounts of research publications (see also chapter 4).
2.2.3 Path dependency
What journalists and news organisations do is inexorably linked to their
culture and institutionalised routines: essentially the history of how they
do things. This results in path dependency. In other words, history con-
strains the actions taken by having carved out a path, limiting the ways in
which journalists and institutions approach emerging opportunities and
challenges. Such patterns are found across the journalism sector, with news
publishers displaying herd behaviours as they engage in vicarious learning
where they follow the moves by peers, including imitating industry lead-
ers. Studies have demonstrated how seemingly predestined approaches to
emerging technologies taking shape in one news organisation materialise
into something others in the sector take notice of and imitate, and when
24 The definitions
doing so they are further reinforcing specific paths of development in the
journalism sector (Boczkowski, 2010; Westlund, 2012).
Path dependency also surfaces when it comes to how scholars develop
and maintain their research agendas. Imagine yourself as a young per-
son embarking in academia to pursue a PhD, getting further training
in theories and methods in the discipline. You read and digest massive
amounts of research to develop solid research reviews that lead to iden-
tifying important research questions, which you study empirically. You
develop expertise in that area, and with those methods and theories. If
you succeed in academia, you specialise further via various opportuni-
ties, including post-docs, tenure-track positions, research projects, and so
forth. We dare say few scholars renew themselves substantially, by which
we mean develop expertise across multiple theories, multiple methods,
and multiple objects of inquiry. Some are making steps towards renewal,
whereas some essentially build up their track record by repeatedly apply-
ing the same theories and methods for the study of changing patterns
(for example by conducting annual surveys or content analyses). These
scholars are adding to a reinforcement of scholarly path dependencies
influencing the routes embarked by others.
2.2.4 Addressability
The final mechanism, associated with (in)visibility, focuses on what we
refer to as addressability. We can address this through the same A (soci-
ety), B (sector), C (scholarship) framework. Essentially, this has to do with
the epistemological challenges that arise when trying to develop research
(C) that addresses objects of inquiry in society (A) or the sector (B).
While different theories can be used for developing research into a spe-
cific object of inquiry, some theories have become more widely used
than others by repeatedly being applied to the study of changing con-
ditions in the journalism sector. There is thus a body of literature that
demonstrates the addressability of such theories, which other scholars can
then build on. However, sometimes well-established theories which were
developed in a mass media era are criticised for not harmonising well
with conditions and patterns in the contemporary mediascape. There
are also theories and traditions found in the humanities, cultural stud-
ies, feminist critiques, postcolonial perspectives, and so forth that have
relevance, but which few scholars have pushed forward in this context.
Nevertheless, digital journalism studies is an interdisciplinary field break-
ing new terrains, advancing original research into areas that have never
been addressed before. In doing so, it may not always be self-evident how
to approach these areas theoretically, and while there is a magnitude of
The definitions 25
theories (see chapter 5), there are also studies published without theoreti-
cal frameworks.
Another aspect of addressability has to do with research designs and
methods and the epistemic knowledge claims scholars are making based
on their empirical studies. In digital journalism studies and beyond there
has been much research about “social media” over the past decade, many
of which focus on Twitter (partly because the journalism sector has
focused relatively much on Twitter as a platform). The Twitter API and
the data which can be accessed through it have made Twitter a more
accessible platform compared to other social media platforms (though
GDPR regulations have resulted in reduced access, particularly in the
European Union). As a result, while scholars can take advantage of sound
methodologies that allow for the study of Twitter, they must simultane-
ously remain careful when making knowledge claims and avoid transfer-
ring explanations born of analysis of Twitter data onto a wider range of
social media use. We conclude that addressability in terms of easily acces-
sible data strongly influences patterns of research publications. We return
to this problem in chapter 7 (section 7.2.3).
Imagine for a moment a legacy news media organisation and how their
social actors continuously are trying to make sense of digital technolo-
gies, advancing their production and distribution of news. Imagine how
this organisation and their journalists, who are used to traditional news
reporting techniques, approach the opportunities and challenges at hand
when it comes to data journalism. What explicit and tacit knowledge do
they need, and how should they sorganise data journalism? Should they
focus on developing sspecialised teams, or enhancing generalists’ knowl-
edge about data journalism? What networks of sources (Ettema & Glasser,
1985) can they rely on in terms of datasets, and what truth claims can
they make? How does the organisation approach and make use of audi-
ence analytics – the technological systems tracing-patterns of behaviour
from digital platforms – and generate metrics from them that can then be
acted upon? Will analytics and metrics help the journalists to understand
better what news material engages their readers, facilitating conversion
into subscriptions? Moreover, can the legacy news organisation’s pub-
lisher appropriate technologies for automated news distribution and for
automated personalisation, and so forth?
These are the sorts of questions that digital journalism studies scholars
have addressed throughout the 2010s as part of what we refer to as the
technology thematic cluster comprising 378 different keywords associ-
ated with the articles published in Digital Journalism from issue 1, 2013, to
issue 4, 2019. This chapter focuses on a great number of these keywords,
joining up this focus with a brief discussion of research associated with
the third largest thematic cluster, Audiences. The technology thematic
cluster encompasses a wide array of keywords that have been dealt with
by researchers over the years. We can proceed alphabetically. Starting
with A, we find emerging research into the role of ad-tech in journal-
ism (Braun & Eklund, 2019), studies into how analytics (and metrics)
have been appropriated and is being used in newsrooms (Carlson, 2018a;
28 The technologies
Zamith, 2018), from the perspective of audience-oriented editors (Ferrer-
Conill & Tandoc, 2018), as well as analytics companies (Belair-Gagnon &
Holton, 2018). We then find studies focusing on the role of algorithms for
news (Thurman, Moeller, Helberger, & Trilling, 2019; Wallace, 2018),
the emergence of artificial intelligence in journalism (Broussard, 2015; Stray,
2019), accountability, and, relatedly, transparency (Broersma & Harbers,
2018; Diakopoulos, 2015). Down the alphabet, we find this thematic
cluster also comprises studies looking into the closely related area of bots
(De Maeyer & Trudel, 2018; Lokot & Diakopoulos, 2016), civic tech and
datafication (Baack, 2018), design (Petre, 2018), digital and web archives
(Severson, 2018; Weber & Napoli, 2018), digital surveillance (Thurman,
2018; Waters, 2018), drone journalism (Adams, 2019; Holton, Lawson, &
Love, 2015), hacks, hackers, and technologists (Baack, 2018; Lewis & Usher,
2014; Lewis & Westlund, 2015a), machine learning (Broersma & Harbers,
2018; Watanabe, 2018), and many more.
The intersection of journalism and data is a common denominator
across several keywords and studies published since the inception of the
journal Digital Journalism. In its inaugural issue we find one article offer-
ing rich discussions on the strategies for doing research with Twitter
data (Vis, 2013), another focusing on developing methods for automat-
ing content analysis of news content (Flaounas et al., 2013), and a third
positing a model of journalism incorporating automated journalism, and
the study of “the human actors and technological actants performing the
work, vis-à-vis the degree to which content and services are platform-
agnostic or coupled with specific affordances and logics” (Westlund,
2013, p. 19). In 2013, Digital Journalism’s inaugural year, the journal also
published its first study of analytics and metrics – a case study of how
Al Jazeera English engaged in activities for tracking and analysing their
audience through technological actants (Usher, 2013). That article shows
how Al Jazeera English’s organisational culture shaped the ways in which
journalists use analytics and metrics in practice, and how they understand
them. In 2014, a pioneering study of data journalism at seven legacy
media companies in Sweden identified time and proper training as the
main resource constraints for actors to effectively carry out data journal-
ism (Appelgren & Nygren, 2014).
Within the technology thematic cluster, there are three key themes of
research: 1) Data journalism, 2) Analytics and metrics, and 3) Algorithms and
automation. These three themes show that this interdisciplinary field has
turned towards studying the evolving and complex interplay between
digital technology and journalism, using different theories, methods,
and ways of thinking about these relationships. Next, we highlight some
emerging patterns of research in each of these areas in recent years.
The technologies 29
3.1 Data journalism
Data journalism works within an epistemological tradition where journal-
ists turn to data as a source for reporting about certain phenomena. It is
often seen as a “pure” way of accessing information, but while raw data
may give the impression of objectivity, this is an oxymoron (Gitelman,
2013). Many scholars argue that any type of data has its biases and limi-
tations (e.g., Carlson, 2019; S. C. Lewis & Westlund, 2015b; Steensen,
2019). Studies in the field have found that data journalists themselves
take on a role of translating technical and abstract knowledge so that their
(lay) audience can understand what stories data tell (Boyles & Meyer,
2016). In 2015, Digital Journalism published a special issue focusing on the
intersection of data and journalism (Lewis, 2015) that has had a formative
impact on much subsequent work. As of early February 2020 the five
most cited articles from that issue were: “Algorithmic Accountability”
(Diakopoulos, 2015) with 141 CrossRef citations, “Clarifying Journal-
ism’s Quantitative Turn” with 126 (Coddington, 2015), “The Robotic
Reporter” with 85 (Carlson, 2015), “Big Data and Journalism” with 72
(S. C. Lewis & Westlund, 2015b), and “Data-driven Revelation” with 50
(Parasie, 2015).
That special issue features several articles examining how social actors
approach data journalism, related for instance to the epistemological con-
cerns of such work (Lewis & Westlund, 2015b), the tensions relating to
historical developments regarding data and journalism (Anderson, 2015),
and investigative journalism (Parasie, 2015). It also offers insights into the
formative approaches to data journalism in Belgium (De Maeyer, Libert,
Domingo, Heinderyckx, & Le Cam, 2015).
Scholars and practitioners have envisioned data journalism as ena-
bling new and improved journalistic investigations and reporting prac-
tices. There are indeed multiple significant and successful data journalism
endeavours that reflect this, such as the reporting on the Panama Papers
(Carson & Farhall, 2018). Nevertheless, it remains a challenge for jour-
nalists and news organisations trying to integrate data journalism into
everyday routines of news reporting, since data journalism requires dif-
ferent sorts of expertise and work flows. Studies continue to show that
the relative proportion of data journalists is small and journalists often
struggle to access relevant and reliable data to use in their reporting
(Appelgren, Lindén, & van Dalen, 2019; Porlezza & Splendore, 2019). In
many places, journalists struggle to get hold of data as authorities restrict
access, including the ever-present risk of imprisonment or even murder
of journalists scrutinising such regimes (Lewis & Nashmi, 2019). Several
recent studies show that data journalists at prominent media, including
30 The technologies
but not limited to The New York Times and The Washington Post, often use
small data sets and seldom carry out advanced data analysis in their eve-
ryday news reporting (Anderson & Borges-Rey, 2019; Zamith, 2019).
This highlights not only limitations in terms of resources and expertise
in newsrooms, but also an adaptation to the envisioned competence of
the readership (Anderson & Borges-Rey, 2019) and their interest in par-
ticipation (Palomo, Teruel, & Blanco-Castilla, 2019). Importantly, it has
not only been data journalists participating in producing data journal-
ism, but actors external to the field as well. Studies have found that civic
technologists in several continents have important skillsets, which can
enable data-based journalism, but also a sense that journalists are unable
to do what they should do with data (Cheruiyot, Baack, & Ferrer-Conill,
2019; Cheruiyot & Ferrer-Conill, 2018). Finally, researchers have shown
that while attention is now paid to this practice, data journalism is by
no means a new journalistic practice, but one that has developed well
over time (Anderson, 2018), and one that has emerged in dialogue with
technologists (Hermida & Young, 2019; Usher, 2016). Some argue this
sub-field has started to mature (Appelgren et al., 2019), and we also find
important advancements in data journalism scholarship from the global
south, in the form of edited books with contributions by a diverse set of
scholars (Mutsvairo, Bebawi, & Borges-Rey, 2019) as well as by scholars
and practitioners (Krøvel & Thowsen, 2019).
To sum up briefly, we can see that between 2013 and 2019 there was
a burst of scholarly interest in different forms of data journalism. There
was also a sense of optimism involved, including in the journalism sector,
which envisaged an important appropriation of data journalism in news-
rooms. While data journalism scholarship has evolved, and expanded
across geographical terrains, a significant body of work has found that, in
practice, data journalism requires substantial expertise, access to datasets,
and much more. While data journalism can help to enrich journalism, it
is likely not a major component in everyday news reporting.
3.4 Concluding discussion
This chapter has dealt with three specific areas of research that are cen-
tral components of the technology thematic cluster in Digital Journalism:
data journalism, analytics and metrics, and algorithms, automation, and
news. Our assessment demonstrates how research into journalism and
technology has mainly focused on how journalism changes in relation to
data and algorithms, with a significant amount of research into how data
(analytics and metrics) drives journalism, how data (datasets, visualisations
etc.) becomes part of journalistic practice, and also how algorithms are
used for producing and distributing news.
We would like to point to some patterns from our assessment in light
of the so-called 4 A’s: social actors, technological actants, audiences, and
activities (S. C. Lewis & Westlund, 2015a). We find that relatively few
studies have focused on the technologies per se, and the agency inscribed
into the technological actant (exceptions include Diakopoulos, 2015 and
Helberger, 2019). Scholars have typically studied either how social actors
approach emerging technologies, such as journalists appropriating ana-
lytics in their daily practice, or they have studied audience attitudes to
automated journalism or personalised news recommenders. While it is
very challenging and time-consuming to adopt holistic approaches to
the study of actors, actants, and audiences, the stream of more focused
studies on only one of the A’s means that different studies must be con-
joined to attain a broader view. More holistic approaches are possible
The technologies 39
when journals commission special issues. This is the case with some of
the research areas discussed in this chapter, such as the Digital Journal-
ism special issues into analytics and metrics (Carlson, 2018a) and data
journalism (Appelgren et al., 2019) as well as algorithms and automation
(Thurman, Lewis, et al., 2019).
Let us end this chapter by discussing the intersection of technology
and audiences. The research we have reviewed and discussed would not
by tradition fall into a classification of audience research. However, an
underlying driving force for the research developed on analytics and met-
rics has to do with how analytics as a form of technological actant can
be developed and used for assessing behavioural patterns among audi-
ences and, in turn, how they are diffused into routines of news work.
Researchers can easily build on this line of research to study the analyt-
ics infrastructures itself, as well as turning their attention to the metrics
themselves. As for research into data journalism, the focus generally lies
with social actors and their newswork. As with the potential opportuni-
ties in analytics research, some scholars have surfaced audience-oriented
questions relating to their interest in participation (Palomo et al., 2019)
and their competences (Anderson & Borges-Rey, 2019). Similarly, the
research into automation and algorithms has raised important questions
about how audiences may be approached through news recommender
systems depending on different democratic models (Helberger, 2019).
Associated with such developments, we find audience-oriented research
studying attitudes to news personalisation (Bodó, Helberger, Eskens, &
Möller, 2019), and the role of humans and algorithms in selecting the
news that is exposed (Thurman, Moeller, et al., 2019). In advancing this
argument, Guzman (2019, p. 1187) makes a call for researchers to further
mobilise efforts for the study of audiences in relation to technologies of
automation such as news recommenders and chatbots. In this context, we
envision further research into what Bucher (2017b) refers to as algorith-
mic imaginary among citizens would be worthwhile to advance knowl-
edge into how citizens imagine algorithms operate with news among
publishers and platforms. As we move into the 2020s, digital journalism
studies will continue to advance research into technology, and will likely
include audience-oriented research into algorithms, news recommend-
ers, chatbots, and algorithms, among other topics.
4 The platforms
Distributions and devices
in digital journalism
For much of the 20th century, legacy news media reached mass audiences
via printed newspapers or radio or television broadcasting. Legacy news
media companies have, by tradition, owned and controlled their means
of distribution. The printing press has constituted a backbone in news-
paper companies, and frequency licences and news broadcasting studios
have been central to broadcasting companies. With the World Wide Web
news publishers extended their news distribution by way of setting up
proprietary news sites, and eventually also turning to other devices such
as smartphones and tablets. However, around 2007 and 2008 news pub-
lishers started losing control over how news was distributed, and became
increasingly dependent on non-proprietary platforms. Such platforms
were gaining significance for the ways people were accessing the news.
There was a massive orientation towards creating native mobile appli-
cations for smartphones. News publishers essentially made their news
accessible for mobile devices (Westlund, 2013) and the public has since
increasingly moved towards mobile news consumption (Nelson & Lei,
2018; Newman et al., 2019; Westlund & Färdigh, 2015).
For those news publishers who did move to mobile apps for the iPhone,
they had to contemplate the requirements defined by Apple, including
sharing 30 percent of all revenues with them. Using Apple devices as
platforms also meant that news companies would feed Apple with met-
rics about news consumption. News publishers joined each other in herd
behaviour under mantras such as being innovative, and that they were
developing a presence in the mobile “ecosystems” where their (younger)
users were. With mobile ecosystems we refer to the mobile interfaces
established and largely facilitated by Apple and Android, enabling actors
to develop native mobile applications deemed to fit with user-friendliness
and usability for smartphones (Goggin, 2009, 2020; Gómez-Barroso
et al., 2010). News publishers mobilised efforts for developing their brand
and their content within such mobile ecosystems. At the same time,
news publishers embarked on a journey where they became increasingly
The platforms 41
dependent on third parties for their distribution, data, revenues, and so
on. We would like to clarify that this was not entirely new. The so-called
“walled gardens” for mobile devices (sites/portals for mobile devices con-
trolled by telecom operators), such as by DoCoMo in Japan and Telia
in Sweden, by the turn of the millennium were indeed precursors with
similarities. However, with the iPhone and the App Store, this gained
widespread momentum (Westlund, 2011, 2012). Such dependence on
third parties certainly did not stop at mobile ecosystems but extended
to platform companies, most notably Facebook, Google, and Twitter in
Western democracies. From a survey with Nordic news media managers,
we learn that the opportunities the managers saw as most important were
mobile news (73 percent), social media (68 percent), and tablets (65 per-
cent) (Stone, Nel, & Wilberg, 2010).
Throughout the 2010s there has been enormous activity in the jour-
nalism sector associated with the developments of mobile ecosystems and
global platforms. The activities of companies like Apple, Facebook, and
Google have a lot of visibility and are closely followed by the media
and other companies, and they oftentimes gain a prominent place at vari-
ous work places as well as in the everyday lives of citizens. Returning to
our analytical framework introduced in chapter 2, section 2.2, we see that
not only is there issue visibility and innovation bias at play, but also practi-
cal addressability in terms of research designs. Correspondingly, a wealth
of research has emerged in digital journalism studies focusing on platforms
and digital devices. Much of this research has been marked by optimism
and how news publishers, journalists, and users can explore the emerging
opportunities, albeit that there are also some studies focusing on challenges
and problems arising concerning dependence, loss of revenues, and privacy.
This chapter focuses on two main areas of research into the platforms
thematic cluster: 1) Digital journalism and platforms, and 2) Digital jour-
nalism and digital devices. The first area aligns with the emerging and
increasingly common approach referring to platforms as digital interme-
diaries between different stakeholders in communication, entertainment,
news distribution, and so forth. The second area focuses on how digital
devices such as desktops and smartphones (and potentially also tablets,
smart watches, smart TVs, screens in cars, and others-), are developed
and appropriated in the context of the production, distribution, and con-
sumption of news. We link the research discussed to research on audience,
the third biggest thematic cluster.
Twitter
Studies on Twitter and journalism include how Twitter is used for
breaking news (Bennett, 2016; Shermak, 2018; Thurman & Walters,
2013; Verweij & Van Noort, 2014; Vis, 2013), for constructing profes-
sional identities, the branding and promotion of news (Brems, Tem-
merman, Graham, & Broersma, 2017; Molyneux & Holton, 2015;
Olausson, 2017; F. M. Russell, 2019), agenda setting and influence
(Kapidzic, Neuberger, Stieglitz, & Mirbabaie, 2019; F. M. Russell,
2019), as well as how journalists tweet about politics, or use politicians’
tweets about politics (Metag & Rauchfleisch, 2017; Mourão, Diehl, &
Vasudevan, 2016).
Let us discuss in brief a few among several examples. Digital journal-
ism scholars have focused on who the journalists using Twitter are, (Djerf-
Pierre et al., 2016; Hanusch & Nölleke, 2019; Hedman, 2015; Willnat &
Weaver, 2018). There are also studies of the ways that journalists/news
media, public actors, and private actors interact with each other via Twit-
ter. Publishers maintain an important role whereas private actors have
influence mostly during crisis situations (Kapidzic et al., 2019). In another
The platforms 45
study into the intersection of journalism and crisis situations, where the
study of hyperlinks on Twitter was combined with other methods, the
authors concluded that societal resilience was established among Norwe-
gians (Steensen & Eide, 2019). Another article analysed a random sample
of 1.8 billion tweets and found that publishers only contribute to a frac-
tion of all Twitter activity, but have a more pronounced position when
it comes to countries of conflict (Malik & Pfeffer, 2016). There are also
other studies into how news publishers use official accounts for promotion
and interactivity (F. M. Russell, 2019), as well as in live sports journalism,
for which analysis, opinion, visual content, and entertainment generated
more likes and retweets than play-by-play results (Shermak, 2018), and
how journalists use Twitter for photojournalism and more personalised
reporting connected to emotions (Pantti, 2019). In this context it is worth
paying attention to a UK study of how reporters use Twitter for person-
alised (but not personal) reporting, to brand themselves (Canter, 2015).
This territory of digital journalism studies also features scholarship
advancing how Twitter can be used in the creation of an automated Twit-
ter account that sends tweets about the writings of Franklin Ford, who
was known to think about the future of the news (De Maeyer & Tru-
del, 2018). Moreover, scholars have turned to the Twittersphere in order
to study and analyse how the public tweet about specific phenomena,
such as “data-driven journalism” (X. Zhang, 2018). In another original
contribution analysing Black Twitter, the black public sphere and media
witnessing are triangulated in a discussion of how scholars can approach
sousveillance via Twitter using mobile devices (Richardson, 2017).
Throughout the 2010s journalists have learnt how to turn to social
media for online sourcing, including but not limited to Twitter. Sourc-
ing via social media potentially opens the gateway for voicing a much
broader and heterogenic public in journalism. However, in practice this
does not necessarily mean that citizens are featured in stories, as elite
groups are overrepresented on Twitter and also because journalists largely
rely on predefined networks of sources (Ekström & Westlund, 2019a).
A comprehensive study of Twitter interactions in relation to the Ger-
manwings accident showed that few citizens functioned as eyewitnesses,
but they did act as watchdogs of the watchdogs when communicating
about the shortcomings in news reporting (Masip, Ruiz, & Suau, 2019).
Another study indicates practices oriented towards protection of online
sources cannot be taken for granted (Henrichsen, 2019).
Relatively few scholars have simultaneously studied patterns regarding
how journalism interrelates with both Twitter and Facebook. Exceptions
here include a study on how one major news publisher, in Germany, the
UK, and the US respectively, has increased social media sourcing from
46 The platforms
Twitter and Facebook over time (von Nordheim, Boczek, & Koppers,
2018); another study finding that social media citizen sourcing remains
relatively unusual (Vliegenthart & Boukes, 2018); and a study showing
that men consistently were cited as sources from Twitter and Facebook
twice as much (Mitchelstein, Andelsman, & Boczkowski, 2019). Other
examples of articles reporting on multiple social media platforms include
an analysis of a specific issue (the Ice Bucket Challenge) finding that
articles with emotional appeals were most likely to be shared on these
platforms (Kilgo, Lough, & Riedl, 2020), as well as an interview-based
Australian study focusing on how sport organisations have turned to
Twitter, Facebook, and other social media to communicate with their
own strategic frames, resulting in news publishers having less power in
what was once a more symbiotic relationship (Sherwood, Nicholson, &
Marjoribanks, 2017).
4.1.2 Platform counterbalancing
This section steps away from building a platform presence and focuses on
“opportunities” with platforms. Consider for a moment that the journal-
ism sector (and other sectors) has bought into the idea that it must engage
in search engine optimisation (SEO) and social media optimisation
(SMO). By engaging in SEO and SMO, news publishers essentially cus-
tomise or adapt their content, communication, and distribution in ways
that fit with the preferences of the platform companies and their algo-
rithms. Ultimately, news publishers have provided platform companies
with content for their platforms, sometimes even content optimised for
them. This essentially means that the news, produced by commercial as
well as public service news publishers, functions as a catalyst for audience
engagement on platforms non-proprietary to the news publishers (see for
instance Westlund & Ekström, 2018). This also means that when access-
ing the news, audiences leave digital footprints that platform companies
can capitalise on. Platform companies analyse these digital footprints in
close detail as they feed their advertising infrastructures and developments
The platforms 49
of existing and new services. Every now and then it becomes publicly
known that platform companies have collected and/or shared sensitive
data in ways not expected, as with the Cambridge Analytica case dis-
cussed in chapter 1.
In their review essay on social media research related to journalism,
Lewis and Molyneux (2018) bring forth and scrutinise what they refer
to as three faulty assumptions: 1) that social media would be a net posi-
tive; 2) that social media reflects reality; and 3) that social media matters
over and above other factors. The authors intentionally seek to advance
provocations, identify blind spots, and critically reflect on scholarship.
This review article was featured in a special issue focusing on “News and
Participation through and beyond Proprietary Platforms in an Age of
Social Media”, for which the guest editors write:
Let’s say a news company you know of wants to innovate. This news
company, which we will call The Daily Times, has suffered massive
declines in both readership and ad revenues since the turn of the millen-
nium, but now it has entered into a partnership with a tech start-up to
create a new journalistic product to be distributed on Snapchat. You are
curious about this development and want to initiate a research project to
investigate it. But how do you frame it theoretically? If your background
is in sociology, you might want to research how the developments at The
Daily Times affect journalism’s position and role in society, if and how
they change what it means to be a journalist, or other aspects related to
journalism as a profession, a social institution, field, or system. If you are
more interested in political science, you perhaps would like to research
to what degree the case changes journalism’s democratic function, if it
manages to get new audiences interested in public affairs, or other aspects
related to journalism’s position in the public sphere. If your interests align
with Science and Technology Studies (STS), you are maybe interested in
analysing how technology and humans interact and who and what shapes
the innovation process and outcome.
If you have a background in language studies, you might want to
investigate how journalistic genres develop in the new Snapchat product,
if new rhetorical strategies can be detected, how the new journalism
creates meaning through linguistic, discursive, or semiotic features, or
other aspects related to the production, distribution, or consumption of
multimodal texts. If you are more interested in analysing the case from
a cultural studies perspective, you perhaps want to figure out how the
Snapchat product affects how audiences relate to news in their everyday
lives, or if and how the case changes the journalists’ self-perception and
feelings of identity, or maybe what kinds of narratives the new initiative
creates. If you are interested in philosophy, you might want to research if
and how the journalists, when working with the new Snapchat product,
56 The theories
create knowledge and make judgments about what is true and not. If you
are a historian, you might search in the history of media and technology
to find similarities with the recent development. If you are an economist
or business and administration scholar, you might be interested in how
the new product alters the supply and demand of and for journalism and
news, or how reward systems affect the decision making of the actors
involved in the innovation process, or how organisational mechanisms in
the news company and the tech start-up affect the process.
In other words: The possibilities are almost endless. Digital journalism
studies is both a cross-disciplinary field, meaning that the same case can
be researched from a variety of different disciplines, and it is interdisci-
plinary, meaning that multiple disciplinary perspectives can be combined
in one research project about the case. This cross- and interdisciplinary
nature of digital journalism studies means that there are a substantial
number of theories that potentially can be used to explore and frame
a research project on The Daily Times case. Those that you eventually
deploy reflect where your research interests lie and, evidently, which
research question(s) you would like to find answers to.
Throughout this chapter we will use this imagined research project to
look at the many ways in which theory matters for research in general
and digital journalism studies in particular. We will look at how theo-
ries from a variety of disciplines can be utilised and/or developed to
answer a myriad of possible research questions related to this one case.
In chapters 3 and 4, we discussed the topics and objects that preoccupy
digital journalism studies. We showed how the field has been dominated
by an emphasis on technologies and platforms, and also to an increas-
ing degree on audiences. This does not mean that everything about
digital journalism studies concerns technologies, platforms, and audi-
ences, nor does it mean that the theoretical perspectives, frameworks,
and assumptions researchers interested in digital journalism make use of
and develop are about technologies, platforms, and audiences. Digital
journalism studies is much more. It is a research field for scholars in all
kinds of disciplines – and therefore it can be understood and theorised
in many different ways.
In this chapter we will take a closer look at this role of theory in
the field, what theories are commonly used and how they contribute to
making sense of digital journalism. We will also identify some theoretical
shortcomings of digital journalism studies, but first we need to discuss
the possible ways in which theory can be understood and what attitudes
towards theory are possible to for such a research project like The Daily
Times case.
The theories 57
5.1 What is theory and why does it matter?
When you design your research project on the The Daily Times case
one of the first things you need to think about is what kind of attitude
towards theory you have. To what degree do you base your research on
theoretical assumptions? Do you want to test a specific theory, or do you
want to develop theory? Whatever you choose, you will relate to theory
in one way or the other.
The word “theory” has many connotations. It can mean the oppo-
site of practice. Theory can also be explanatory or mean something that
can be tested, verified, or falsified. Theory can be grand or grounded,
inductive, deductive, or abductive. It can be rational, critical, pragmatic,
or normative. Theory usually means one thing to a natural scientist and
something very different to a researcher from the humanities. Social sci-
ences, in turn, can encompass the whole spectrum. Mjøset (2006) dis-
tinguishes between three different attitudes towards theory in the social
sciences:
The future reader who consults Digital Journalism to find out how
ideas and discourses were constructed in journalistic texts in the
2010s, how journalism created meaning of and for the societies and
cultures it served, how journalism functioned as a system of knowl-
edge creation, and how such questions were connected to historic
developments, is likely to be disappointed. To provide answers to
such questions, digital journalism studies should to a greater extent
embrace the disciplinary perspectives and qualitative methodologies
of the humanities.
Note
1 This chapter is based on and partly reuses and further develops arguments, findings,
and phrases previously published by Ahva and Steensen (2020), Steensen and Ahva
(2015), and Steensen et al. (2019).
6 The assumptions
The underlying normativity of digital
journalism studies
50%
40%
30%
20%
10%
0%
Figure 6.1
Google Scholar search on the search terms “journalism” and “crisis”
(excluding “crisis journalism”) and how the result compares to a similar
Google Scholar search on just the word “journalism”.
Note: The search was conducted in January 2020.
The assumptions 77
newspapers themselves covered the newspaper “crisis”. However, the
importance of the word crisis in scholarly publications about journal-
ism during the 2000s indicates an increased significance of the discourse
of crisis to both journalism studies and digital journalism studies. This
discourse has many dimensions. Nielsen (2016) breaks it down to an eco-
nomic crisis caused by the seemingly impossibilities of making revenue on
online outlets for the legacy news companies; a professional crisis marked
by the blurring of boundaries between journalism and other kinds of
professional work; and a crisis of confidence marked by the public’s increas-
ing distrust in news. Zelizer (2015) argues the challenges to journalism
normally framed as a crisis have many dimensions: a political dimension
(news is under threat from both the left and right side of politics); eco-
nomic (the collapse of old business models); a moral dimension (too many
scandals and violations of ethical standards in journalism); an occupa-
tional dimension (traditional norms and values of journalism no longer
hold); and a technological dimension (digital, social media make visible the
authoritative voice of journalism and its reluctance to respond to calls for
transparency).
No doubt, these dimensions all reflect real challenges that have caused
severe problems for journalism in many countries. It is a well-established
fact that journalism in many countries has suffered financially across
recent decades, predominantly because the advertisement-based business
model of the printed press is not viable in a digital economy increas-
ingly dominated by big platform companies like Google, Amazon, and
Facebook (see chapter 4, section 4.1 for a more in-depth discussion of
this). Similarly, empirical studies show that the public’s trust in news has
declined in many countries (see Newman et al., 2019 and earlier Reu-
ters Institute Digital News Reports), and that anticipations of audience
participation and transparency in journalism has increased, probably as
a result of a cultural shift reflected by digital, social media. Studies also
indicate that these anticipations have not been met by journalism (Singer
et al., 2011) and that the boundaries of journalism as both practice and
profession are blurring (see, for instance, the collection of research essays
in Carlson & Lewis, 2015).
In other words: there are no problems, nor necessarily any norma-
tive assumptions lurking in the background, with the attention digital
journalism studies pays to these challenges. In fact, one might argue that
digital journalism scholars would neglect their core responsibilities if they
did not address the concerns of the industry and the challenges facing
journalism in digital times. However, there are some potential problems
with how researchers might discursively frame these challenges. Adopt-
ing the word “crisis” for any of these challenges irrevocably frames them
78 The assumptions
with a high degree of acute seriousness, with a specific urgency that
places the here-and-now of journalism in a disruptive relationship with
both the past and the future. The discourse of crisis pushes scholars into a
position in which the past is viewed as an endurable phase with manage-
able challenges, the present is perceived as a decisive moment at which
massive changes must take place, and the future is seen as a time marked
by greater uncertainty than ever, a time that relies entirely on journal-
ism’s ability to take drastic measures here and now. According to Zelizer
(2015, p. 892), the word crisis becomes “a way of lexically editing from
the picture alternative realities in order to frame the subject of address
in simplistic, familiar, and strategically useful ways”, which in turn help
“turn murky and troublesome challenges into a controllable phenom-
enon that can be identified, articulated, managed, and ultimately gotten
rid of ”. The discourse of crisis therefore adds an alarmist attitude to the
challenges facing journalism while at the same time interpreting them in
a reductionist and simplistic manner.
This discursive construction of the challenges facing journalism in
digital times therefore has some significant normative underpinnings:
First, it pushes a skewed relationship with time, in which the significance
of the present is overestimated. Digital journalism studies in general is
marked by a bias towards the contemporary, not only because it investi-
gates predominantly the present, but also, as we pointed to in chapter 5,
section 5.3, because to an excessive extent, it relies on references to con-
temporary research. Consequently, digital journalism studies risks treat-
ing current events as both more significant and more unique than they
are, since lessons from the past are not taken into account in a satisfactory
manner.
Second, the crisis discourse creates a bias towards space (or more pre-
cisely: geography) in digital journalism studies (Zelizer, 2015). The dis-
course pushes a universal understanding of the state of journalism, which
implies that there is one crisis in journalism, in singular terms, a crisis that
knows no border or cultural diversity. This, of course, is not true. First
of all, journalism is not in crisis in all parts of the world. When many
scholars speak of the crisis in journalism, what this is often understood to
mean are the challenges that journalism has faced in predominantly West-
ern democracies during the 21st century. Imposing such Western ways of
conceptualising journalism has been a problem in journalism studies in
general, a problem, which might lead to dangerous presuppositions and
over-generalisations of findings (Esser & Hanitzsch, 2012). A growing
body of comparative research in recent years has shown that the differ-
ences between journalistic cultures around the global are quite large, and
that national factors much more than cross-national or even global trends
The assumptions 79
explain variances in journalism in different cultures (Hanitzsch, 2020).
For example, whereas the printed press in most Western countries indeed
has been in a steep decline in the 21 st century, the opposite is true in a
country like India, which has seen a substantial growth in print circula-
tion and advertising at the same time as digital news media has also grown
(Aneez, Chattapadhyay, Parthasarathi, & Nielsen, 2016).
There are not only differences between journalism in Western democ-
racies and other parts of the world; there are also significant difference
between Western democracies (Nielsen, 2016). For instance, the alleged
crisis in trust in journalism varies greatly between countries like Finland,
Denmark, and Portugal, where people still (in 2019) have quite high
trust in the news media, and countries like France and Greece where
the public’s trust in news is much lower (Newman et al., 2019, sec. 1,
p. 19). In addition, regarding the economic state of the news media and
people’s willingness to pay for news, there are major differences. In Nor-
way and Sweden, digital revenues are rising significantly, while the news
industry in other countries has severe problems. Twenty-six percent of
Norwegians have an ongoing subscription to a news medium, while only
6 percent of Germans and Italians have the same (Newman et al., 2019,
sec. 2, p. 33).
35%
30%
25%
20%
15%
10%
5%
0%
Figure 6.2 Google Scholar search on the terms “journalism” and “innovation” and how
the result compares to a similar Google Scholar search on just the word
“journalism”.
Note: The search was conducted in January 2020.
6.3 Concluding remarks
Normativity influences digital journalism studies in many ways. We have
chosen to focus on three discourses, which we argue influence much
of digital journalism studies in normative ways: the discourses of cri-
sis, technological optimism, and innovation. This focus allowed us to
look at some of the ways in which normativity is often hidden in digital
journalism studies in relation to topics that have great importance to the
field. We do not argue that normativity should have no place in digital
86 The assumptions
journalism studies. The point we would like to stress is that normativity is
more common than one perhaps would think. It is important to increase
the awareness about such hidden normativity in digital journalism studies
in order to see how it affects research and how it can be either made more
transparent or countered by framing the research with perspectives from
other, contrasting discourses.
What we have not discussed in this chapter, is the ways in which digital
journalism studies should be normative, perhaps to a greater extent than it
is today. Some of the major societal challenges as we enter the 2020s, like
climate change, the diffusion of disinformation, and political extremism
and polarisation, have impacts on digital journalism and thereby also on
digital journalism studies. For instance, we think that normative assump-
tions should underlie any assessment of how digital technologies are used
to spread alternative “news” realities, misinform certain publics, create
polarisation, foster distrust in research, and so forth. As digital journalism
sees the rise of alternate news sites, which fundamentally challenge tradi-
tional understandings of what journalism is for, its role in democratic soci-
eties and the line between ethical and opportunistic producers of public
affairs, normativity may – in fact – be central to how research questions
should be generated. Digital journalism studies should not take a neutral
stand regarding what is journalism and what is not. Moreover, digital
journalism studies should seek, as one of its missions, to further develop
practices of journalism suited to tackle major societal challenges, perhaps
in line with emerging practise like solutions journalism (McIntyre, 2019)
or constructive journalism (McIntyre & Gyldensted, 2017).
Note
1 The scene opening this sub-section was originally published in a longer version in
Steensen (2010, pp. 1–3). All quotes, which originally were spoken in Norwegian,
are translated by the authors.
7 The methodologies
How digital journalism is researched
Research methods are tied to theory. The bridge between them is the
research question you ask, which on the one side is connected with
the theoretical assumptions you make, and on the other determines
which methods you can apply. If we return to the imagined research
project we introduced chapter 5, the one involving the fictional news
company The Daily Times, its Snapchat initiative, and a tech start-up,
we can identify how the many research questions that could be asked
in this case would require different methods. For instance, a research
question like to what degree does the case change what it means to be a jour-
nalist would require interviews, either structured in the form of sur-
veys, semi-structured in the form of qualitative, in-depth interviews,
or unstructured as part of ethnographic field work. If your research
question is to what degree the new product manages to get new audiences
interested in public affairs, you would have to apply some kind of audi-
ence research, like focus group interviews, experiments, analysis
of the digital footprints audiences leave behind when consuming
news, or Q-methodology to analyse the media repertoires of indi-
viduals. If you are more interested in whether the new initiative allows
for new and diverse voices to be heard in journalism, you would prob-
ably want to utilise quantitative or qualitative content analysis of the
texts produced in order to trace sources. If you want to go into more detail
and understand not only what kinds of voices are represented, but how
they are represented, you would have to conduct some kind of qualitative
text analysis, like critical discourse analysis, rhetoric analysis, frame
analysis, or similar methods of text analysis. If you are more interested in
the communicative aspects of the journalism produced and how it relates
to other forms of communication, you could perform a genre analysis.
But if you want to find out how the journalism produced on Snap-
chat impacts the information network this social medium constitutes
88 The methodologies
and is part of, you may want to apply some kind of data analytics,
network analysis, or similar, more technically oriented methods. If
your research question is broad, like how the case might affect journalism’s
position and role in society, you would probably use several of the above
mentioned methods and others in a mixed-methods approach and
you would probably like to compare this one case with other cases in a
multiple case study.
The possibilities are in other words almost endless. The interdisci-
plinary nature of digital journalism studies means that the field applies
a wide range of methods from many different disciplines and fields.
A question is, however, to what degree the field has advanced its meth-
odological approaches beyond the common methods traditionally found
in journalism studies in order to address the specific characteristics of
the digital in digital journalism. In their introduction to a special issue of
Digital Journalism on research methods, Karlsson and Sjøvaag (2016b, p. 1)
argue it has not: “While journalism theory has indeed been advanced,
the same can unfortunately not be said about methodologies used in
journalism research”.
This chapter will not provide a complete account of all methods used
in digital journalism studies – such an endeavour would require a book of
its own. Instead, we will focus on the methods that recently have become
available for researchers in the field and the ones that are important in
order to answer research questions related to the themes and topics that
shape the field: technology, platforms, and audiences (see chapters 3 and
4). In other words, the chapter will focus on 1) digital methods suited
to advance content analysis and the analysis of digital journalism in net-
worked spaces; 2) digital ethnography suited to analyse digital journalism
in and beyond the newsroom; and 3) methods suited to analyse how
audiences interact with news. First, however, we will take a look at what
our analysis of articles in the journal Digital Journalism can tell us about
commonalities in methods applied.
In it is important to note from the very start that methods are not only
tied to theory; they are also tied to the sociology of knowledge. Differ-
ent methods embed, to a certain extent, different ways of assessing what
counts as valid knowledge. Choosing a method therefore involves episte-
mological decisions. A recurring theme throughout this chapter is how
new technology and the availability of digital data, both big and small,
create not only new methodological opportunities for digital journal-
ism studies, but also some potential biases and epistemological challenges
related to the kinds of knowledge that numbers can produce and the
significance of that knowledge.
The methodologies 89
7.1 Methods in Digital Journalism
Methodology is one of the 11 thematic clusters we have identified in our
analysis of keywords in all articles published in Digital Journalism from
2013 to issue 6, 2019 (see Table 2.2 in chapter 2). This thematic cluster
comprises 28 different keywords, which occurred on 105 occasions, as
seen in Table 7.1. Seventy-three articles included at least one of these
methodology keywords, which means that 21 percent of all articles in the
journal had a methodology-oriented keyword. Keywords belonging to
the theory cluster occurred in an equal number of articles, indicating that
Table 7.1
Unique and clustered keywords in
articles published in Digital Journalism
2013–2019 belonging to the Method-
ology thematic cluster.
content analysis 20
survey 13
comparative 9
research interviews 7
methods 7
qualitative 7
case study 5
ethnography 5
topic modelling 5
experiment 4
Q methodology 4
action research 2
mixed methods 2
ethnography 2
LDA 2
regression 2
topic comparison 2
cluster analysis 1
focus groups 1
genealogical analysis 1
informed consent 1
text analysis 1
multilevel analysis 1
reproducible research 1
response distribution 1
structural equation modelling 1
text mining 1
topic detection 1
90 The methodologies
authors pay equal attention to theory and methodology. However, some
of the keywords we have classified as belonging to the theory thematic
cluster, like “discourse”, “framing”, and “ANT” (actor-network theory),
are commonly also understood as methodologies. If these where to be
included in Table 7.1 they would be placed quite high up since the key-
word “discourse” occurred in 11 articles, “ANT” in 5, and “framing” in 4.
As is visible in Table 7.1, content analysis is by far the most popu-
lar method in digital journalism studies judged by the degree to which
authors who publish in Digital Journalism signal their methods in keywords.
Surveys and interviews are also popular approaches, as are comparative
methodology, which echoes the increased popularity of comparative
research in journalism studies in general (Hanitzsch, 2020).
A few interesting observations can be made concerning the keywords
listed in Table 7.1. First, most methods are only mentioned once or
twice. This does not necessarily mean that these methods or methodo-
logical concepts are applied on only one or two occasions in the research
published in Digital Journalism, since they can have been applied without
being listed as keywords. Yet, it signals that methodological diversity and
perhaps also experimentation is part of digital journalism studies, a point
which probably is reflected by the fact that “methods” in itself is quite a
popular keyword. Second, quite a few of the keywords refer to statistical
methods: topic modelling, LDA (Latent Dirichlet Allocation, which is a
type of topic modelling), regression, multilevel analysis, structural equa-
tion modelling, and topic detection. This signals that the “quantitative
turn” in journalism (Coddington, 2015) applies also to digital journalism
studies, a point we will get back to later. However, even though such
statistical keywords might signal a turn towards computational methods,
they are not used very often, and we don’t find many examples of com-
putational methods used in digital journalism studies, thereby suggesting
that manual methods are still the norm in the field.
Third, methods traditionally identified with the humanities do not
occur very often; “text analysis” is for instance only listed once as a key-
word. This is a point recognised also in Steensen and colleagues’ (2019)
qualitative analysis of 95 articles published in Digital Journalism, in which
they found that 13 of the 95 articles applied qualitative, humanistic meth-
ods and that the authors applying methods related to qualitative text and
discourse analysis “often seemed to do so without applying the research
tools commonly associated with humanistic text analysis” (2019, p. 331).
If we look at the references to methods literature in the articles pub-
lished in Digital Journalism, we find several references to the methods’
journals Communication Methods and Measures, Field Methods, International
Journal of Social Research Methodology, Sociological Methods & Research, and
The methodologies 91
Behavior Research Methods. The popularity of these journals is a further
indication of the dominance of social science methods and perspectives in
digital journalism studies, as we discussed in chapter 5. Among the meth-
ods’ monographs or edited volumes referenced, Krippendorf ’s (2004 and
other editions) Content Analysis is the most popular, in addition to other
content analysis literature. Yin’s (2003) Case Study Research is also cited
quite many times, while books like Social Research Methods (Bryman,
2012), Digital Methods (R. Rogers, 2013), Audience Research Methodol-
ogy (Patriarche, Bilandzic, Linaa Jensen, & Jurišić, 2014), Q Methodology:
A Sneak Preview (Van Exel & De Graaf, 2005), and Methods of Critical
Discourse Analysis (Wodak & Meyer, 2001) are all cited in more than one
article.
If we look at articles that predominantly discuss methodology pub-
lished in the journal Digital Journalism, we find quite a few. Sixteen articles
published in the journal aim primarily at discussing research methods,
most of them published in a special issue titled Rethinking Research Meth-
ods in an Age of Digital Journalism (issue 1, 2016). About half of these 16
articles discuss various kinds of computational methods, thus signalling
that much of the methodological development within digital journalism
studies is related to how technology can advance research designs. We
will look more closely into this in the next section.
This does not mean that quantitative methods should be avoided when
analysing texts, it only means that researchers should be aware what they
can actually analyse with such methods. As Grimmer and Stewart (2013,
p. 269) pointed out: “All quantitative models of language are wrong –
but some are useful”. Big data analysis of texts can be useful to detect
patterns and structural characteristics of large corpuses of content, but
it is not suited to acquire “the deep knowledge and understanding that
can be achieved when researchers engage with the units of analysis on
a one-to-one basis” (Karlsson & Sjøvaag, 2016a, p. 189). Depending
on the research question asked, combining quantitative methods with
qualitative analysis could therefore be advisable. Adding automation and
machine learning to the quantitative analysis of texts might create addi-
tional problems, because the sampling process and partly also the analysis
might become invisible to the researcher, like a black box. Acknowledg-
ing this problem, Broersma and Harbers (2018) argue that only by mak-
ing transparent the classification process embedded in machine learning
algorithms can researchers employ computational methods in a reliable
and valid way.
Another problem related to the breakdown of content to make it fea-
sible to analyse with computational methods, is that the contextual and
visual elements of the content disappear from the analysis. Images and
layout has always been central elements in journalism, and are so in digital
journalism too, but they are difficult to analyse with automated content
analysis. However, some researcher have found ways to include visual ele-
ments in automated content analysis, like Jia et al. (2016), who analysed
gender bias in news, including both words and pictures.
Restrictions on access to data can also constitute a problem for
researchers, and push their focus in directions where data can be found
instead of where the interesting questions are, much like the joke about
the man searching for something lost in a different place than where it
was lost simply because the light is better where he searches. Platform
companies like Twitter and Facebook have to a large degree commer-
cialised data access, which make it difficult for researchers to analyse the
interplay between journalism and such platforms. Third party services
like Gnip (Twitter) and CrowdTangle (Facebook and Instagram), which
have been acquired by the respective platform companies, provide some
access to the platforms’ APIs to researchers, but only in a restricted fash-
ion. Full access to all Twitter content (the “firehose” API) has become
The methodologies 97
too costly for most researchers, while CrowdTangle only allows access to
public content on Facebook and Instagram, excluding comments. How-
ever, since Twitter has allowed access to a smaller portion of its content
for free (the “gardenhose” API) and since most Twitter content is public,
analysis of content on this platform has dominated much of the social
media-related digital journalism research way beyond what the actual
significance of the platform would suggest. Digital journalism studies
therefore suffers from a Twitter bias, which is illustrated by the fact that
“Twitter” is the most frequently mentioned social media company in the
platform thematic cluster of keywords we have identified in our analysis
of keywords in articles published in Digital Journalism. “Twitter” is in
fact the third most frequent of all keywords used in Digital Journalism. It
appears 41 times in the 362 articles published between issue 1, 2013 and
issue 4, 2019. By comparison, “Facebook” appears 19 times, even though
this social media platform has a much bigger user base and therefore is of
much higher significance to digital journalism than Twitter.
7.3 Digital ethnography
The networked nature of the production, distribution, and consump-
tion of digital journalism discussed above also poses some challenges for
ethnographic research. Participatory observation, the key method used in
ethnography, became a forceful approach in journalism studies as part of
the classical news production studies during the 1970s, a research tradi-
tion which was brought back to popularity at the beginning of the new
millennium with influential publications such as Boczkowski (2004),
Paterson and Domingo (2008), and later also Domingo and Paterson
(2011), Ryfe (2012), Anderson (2013), and Usher (2014), to name but a
few. This new wave of ethnographic research sought to understand how
the internet and digital technology affected the practices and cultures
of news production. Not only was this research pivotal in establishing
an understanding of how technology and practice mutually shape one
another in newsrooms (see chapter 5, section 5.2.2), it also made appar-
ent that the ethnographic methods of pre-internet news production stud-
ies needed revisions in order to be appropriate for studies of modern,
digital newsrooms.
We discussed one problem related to digital ethnography in chapter 6,
section 6.2.1, namely that this method is associated with an “activity
bias” (Engelmann, 1960) which in many cases will favour newness over
sameness and change over continuity. However, there are also other
problems. First of all – and following from the increasingly networked
nature of news production, distribution, and consumption discussed
98 The methodologies
above – modern, digital newsrooms are much less fixed in time and space
then their more analogue predecessors. They are scattered across multiple
places, platforms, and possibly also organisations, while digital communi-
cation technologies collapse the distance between them. In the words of
Cottle (2007, p. 9): “With journalists and editors based in different loca-
tions but all working on the same story and all able to access, transmit and
edit the same news materials clearly this poses considerable challenges to
today’s ethnographer”. A single researcher cannot be several places at the
same time. This problem therefore limits the data that one researcher can
collect. Having teams of ethnographers present at multiple sites simulta-
neously can therefore be necessary, but is rarely possible because of the
costs involved. However, the discursive practice of news (i.e., the produc-
tion, distribution, and consumption of news) is no longer limited to the
increasingly scattered newsroom. It also involves third-party actors and
platforms, like citizen reporters and social media. Capturing the most rel-
evant aspects of news production might therefore mean looking beyond
the newsroom and tracing important actors and actants elsewhere (C.
W. Anderson, 2011b; Domingo et al., 2015), as well as looking at other
actors than journalists within the newsroom (like tech developers, met-
rics analysts, and marketing personnel) (S. C. Lewis & Westlund, 2015a).
Second, doing ethnographic research about digital news production
is almost impossible without access to key software, like content man-
agement systems and communication applications. Both authors of this
book have experienced, when doing ethnographic fieldwork, the silence
of modern newsrooms, a silence reflecting the digitisation of all com-
munication in applications like Slack and other digital workspace com-
munication and workflow tools. Without access to the tools in use, it
is almost impossible to capture anything sensible about what’s going on
in the production process. Such access is as essential as “getting a news-
room identification badge that lets the researcher come and go as needed
throughout the observation period” (Robinson & Metzler, 2016, p. 455).
Other applications and technological and material artefacts might also
be important, like actively following the involved journalists and others
on social media or tracing which artefacts are important for the produc-
tion process. However, the amount of digital communication data to be
traced, captured, and included in the final analysis can be so overwhelm-
ing that it is an almost impossible task to undertake, simply because “too
much is going on in digital spaces to truly be observed” (Robinson &
Metzler, 2016, p. 456). Furthermore, capturing, storing, and analysing
data from communication applications and other software and artefacts
might involve ethical issues related to harvesting personal data that are
difficult to address properly.
The methodologies 99
These difficulties aside, the production, distribution, and consumption
of news in digital times is so complex and fast-changing that the insights
brought forth by qualitative, ethnographic research is pivotal in order to
get a sense of how digital journalism develops. A different aspect related
to this is the ways in which audiences and news consumption has become
intertwined with the practices of news making, an aspect we will turn to
in the next section.
7.4 Audience research
A key characteristic of the digital news environment is that audiences
have a magnitude of options to access news on the platforms and times
of their own choosing in a “hybrid media system” (Chadwick, 2013),
in which legacy and emerging media are intertwined. This, combined
with the many ways in which audiences can participate in, contribute to,
and even make their own news production and distribution systems, has
spurred a wave of research interest in the ways in which audiences access,
contribute to, and understand news and journalism. The “audience turn”
(Costera Meijer, 2020) is also reflected in journalistic practice itself, as
journalists, editors, and news companies have become increasingly pre-
occupied with audience reach and engagement (e.g., Chua & Westlund,
2019; Ferrer-Conill & Tandoc, 2018; Nelson, 2018; see also chapter 3,
section 3.3).
Consequently, the methods by which to study audiences and their
interactions with news and journalism in digital times have become
diversified. Classical methods like surveys, interviews, and focus groups
have been accompanied by methods like Q methodology and a range of
digital methods to measure audience engagement and interaction with
news. Some of these methods are similar to the big data and computa-
tional network analysis methods discussed in the previous section, like
for instance using software like CrowdTangle to analyse how audiences
interact with news on Facebook and Instagram (e.g., Majo-Vazquez,
Mukerjee, Neyazi, & Nielsen, 2019). Using such audience metrics for
analysis of audience behaviour can, however, be compromised by “inher-
ent reductionism” (Schrøder, 2016, p. 531) because audiences are being
“reduced to quantifiable aggregates: herds of masses rather than creative
individuals or groups” (Heikkilä & Ahva, 2015, p. 50).
However, the digital traces that audiences leave behind when interact-
ing with news and journalism can also be analysed with more qualitative
approaches, for instance those affiliated with “virtual ethnography”, in
which researchers trace digital discussion forums, comments, or other
user-generated online material in order to get a sense of for instance
100 The methodologies
how various groups of audiences discuss, make sense of, and/or interact
with news (see for instance Bird & Barber, 2007). Such virtual ethnog-
raphies can be combined with computational methods that cast a wider
net over audience interactions with news, as is illustrated by Steensen’s
(2018) analysis of the Norwegian Twitter sphere during a 2011 terror-
ist attack. Overall, mixed-method approaches to audience research are
becoming more common, according to Schrøder (2016), who mentions
Jensen and Sørensen’s (2013) combination of surveys, focus groups, and
virtual ethnographies in their analysis of Facebook users, and a Finn-
ish research project applying various methods in tracing nine different
groups of audiences’ interaction with news and journalism over a period
of one year (see Heikkilä & Ahva, 2015, where the methodology of this
study is discussed).
Another method which has become popular is analysing media or
news repertoires, a concept that reflects the patterns of media and news
use which audiences establish over time (Peters & Schrøder, 2018). The
advantage of such a methodological approach is that it takes spatio-
temporal relations into account and acknowledges that the ways in which
audiences interact with and relate to news are rooted in both habits estab-
lished over time and socio-cultural contexts. One way of analysing news
and media repertoires is to apply Q-methodology, which aims at tapping
into audiences’ subjective experiences with a specific “discursive uni-
verse” (for instance news) through exposing them to a set of cards con-
taining statements about an aspect of the universe in question (Schrøder,
2016, p. 534). The participants then sort the cards according to which
statements they agree and disagree with.
Adopting Q-methodology to the study of news use is an example of
innovative methodological advancements in digital journalism studies.
Such creative adaptations of methods can be found in a range of audience-
centric digital journalism research, like for instance using mood boards
to make sense of young peoples’ relation to news, or using storytelling,
painting, or even poetry-writing and Lego installations in order to make
sense of how people really relate to news (Costera Meijer, 2016, p. 548).
7.5 Concluding remarks
The methods we have discussed in this chapter are not the only ones cur-
rently being tested in digital journalism studies. Not by far. A range of
research approaches with origins in various disciplines is being adopted, or
is likely to be adopted in the future. Examples include “digital forensics”
(Garfinkel, 2012), a method to detect for instance the origin, validity, and
reliability of digital content; “technography” (Kien, 2009) – ethnography
The methodologies 101
of technology – suited to trace the workings and doings of technol-
ogy in social contexts; and conversation analysis of audience interactions
in online news spaces (Steensen, 2014). Experimental studies are also
becoming increasingly popular, for instance to test whether audiences
can spot the difference between robot- and human-produced news (see
for instance Clerwall, 2014; Haim & Graefe, 2017; Waddell, 2018); to
test how journalists respond to new software (Lindholm, Backholm, &
Högväg, 2018); or to develop and test new technological applications
related, for instance, to location-based journalism (Nyre, 2015; Nyre
et al., 2012). These latter studies point to a new challenge related to
studying news consumption. As news consumption has moved to mobile
devices, it is difficult to assess how the context of news use affects how
news is understood and consumed, simply because the context is con-
stantly changing.
As we have discussed with big data methods in this chapter, there is a
risk that new methods bear with them a fascination that goes way beyond
what they actually can achieve. New methods can no doubt have that
effect, just as new technologies and artefacts can have a blinding effect on
the practitioners of journalism (Posetti, 2018). Digital journalism schol-
ars should therefore remain sceptical concerning the new methods they
apply and ask what this method can achieve that other methods cannot,
and whether applying the new method will provide new, valuable knowl-
edge that otherwise would have remained unknown.
The future of digital journalism studies will undoubtedly imply exper-
iments with even more new methods, some of which will be adopted
from other disciplines, and some, which someone yet has to invent and
develop. What else the future might bring is the topic of the final chap-
ter of this book.
8 The futures
Deconstructions of and directions
for digital journalism studies
We list below a few key references mentioned in the preceding text. For
the full bibliography of this book, please visit the online eResource at
www.routledge.com/9780367200909.
Note: Page numbers in italics indicate a figure and page numbers in bold indicate a
table on the corresponding page.