The document describes a stoneware combo technique using the glaze SW-180 Desert Dusk. The technique involves brushing two layers of a base glaze, letting it dry, then brushing two layers of the top glaze SW-180 Desert Dusk, letting it dry in between. Pictures show the top glaze applied over several different base glazes and fired at cone 6 or cone 10. The vases are made of white stoneware clay.
The document describes a stoneware combo technique using the glaze SW-180 Desert Dusk. The technique involves brushing two layers of a base glaze, letting it dry, then brushing two layers of the top glaze SW-180 Desert Dusk, letting it dry in between. Pictures show the top glaze applied over several different base glazes and fired at cone 6 or cone 10. The vases are made of white stoneware clay.
The document describes a stoneware combo technique using the glaze SW-180 Desert Dusk. The technique involves brushing two layers of a base glaze, letting it dry, then brushing two layers of the top glaze SW-180 Desert Dusk, letting it dry in between. Pictures show the top glaze applied over several different base glazes and fired at cone 6 or cone 10. The vases are made of white stoneware clay.
The document describes a stoneware combo technique using the glaze SW-180 Desert Dusk. The technique involves brushing two layers of a base glaze, letting it dry, then brushing two layers of the top glaze SW-180 Desert Dusk, letting it dry in between. Pictures show the top glaze applied over several different base glazes and fired at cone 6 or cone 10. The vases are made of white stoneware clay.
CONE 6 Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-180 Desert Dusk), letting glazes dry between coats.
SW-107 SW-109 SW-112 SW-117
Dunes Capri Blue Tiger’s Eye Honeycomb
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-107 Dunes SW-109 Capri Blue SW-112 Tiger’s Eye SW-117 Honeycomb
SW-122 SW-128 SW-129 SW-131
Maycoshino Cordovan Copper Float Birch
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-122 Maycoshino SW-128 Cordovan SW-129 Copper Float SW-131 Birch
SW-143 SW-148 SW-165 SW-507
Abalone Lime Shower Lavender Mist Bright Green Gloss
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-143 Abalone SW-148 Lime Shower SW-165 Lavender Mist SW-507 Bright Green Gloss
Vases shown are fired to Cone 6 on White Stoneware body.
CONE 10 Technique was achieved by brushing on two (2) layers of base glaze. Then apply two (2) layers of top glaze (SW-180 Desert Dusk), letting glazes dry between coats.
SW-107 SW-109 SW-112 SW-117
Dunes Capri Blue Tiger’s Eye Honeycomb
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-107 Dunes SW-109 Capri Blue SW-112 Tiger’s Eye SW-117 Honeycomb
SW-122 SW-128 SW-129 SW-131
Maycoshino Cordovan Copper Float Birch
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-122 Maycoshino SW-128 Cordovan SW-129 Copper Float SW-131 Birch
SW-143 SW-148 SW-165 SW-507
Abalone Lime Shower Lavender Mist Bright Green Gloss
SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk SW-180 Desert Dusk over over over over SW-143 Abalone SW-148 Lime Shower SW-165 Lavender Mist SW-507 Bright Green Gloss
Vases shown are fired to Cone10 on White Stoneware body.
