Clever manufacturers are taking advantage of the 'Net and blogosphere - free media buzz

about a product or ad. We've written before about how web buzz can kill a brand, the experts
at the W. P. Carey School of Business at Arizona State U describe how web buzz can build a
brand. Following from their online magazine, knowledge@W. P. Carey.

Anyone with Internet access these days can reach the world thanks to "free media." Many of
the old filters have been taken down. Corporate news organizations, for example, no longer
control the flow of news -- "citizen journalists" can use free blogs or post to YouTube, and
the story is out.

Now marketers are seeing the brand-building possibilities in free media. Those that are
apparently successful -- such as the Dove beauty brand's campaign -- have been able to enlist
the public and the traditional media in helping their brand image grow. But there's an inherent
risk involved in public participation in branding. Marketers lose control of the messaging
when the public becomes helps create branding tools, and if things go awry, as seems to be
happening with the Heinz experiment, the damage can counterbalance the potential return.

Marketing brands through new media could set companies apart and provide a way to create
a dialog with the media and consumers. But is anybody listening? And if they are, will they
take the message seriously?

John Deighton, marketing professor at the Harvard Business School, recently gave a
presentation about the Dove master brand at the American Marketing Association Sheth
Foundation Doctoral Consortium hosted by the W. P. Carey School of Business. Deighton
used the success story of Dove's almost overnight transition from beauty bar to beauty brand
to discuss a new phenomenon: pursuing participants -- media and consumers alike -- to build
the brand's image.

"This example has taught me is that managing a brand is no longer a top down, hierarchal
centralized activity," said Deighton. "It's a matter of relinquishing control."

Brand evolution: the Dove story

The Dove Campaign for Beauty has made the topic of beauty itself controversial, but
marketers have kept the message itself positive.

The message: Real beauty can only be found on the inside and every woman deserves to feel
beautiful. The image: Real beauty is portrayed by women who do not have "runway model"
on their resumes -- they are the women passing by in grocery aisles or sitting in the office
next door. The result: A dialog between Dove and its consumers about the definition of
beauty.

Dove's marketing push defied conventional stereotypes and advocated for unconventional
beauty and self-esteem. But before Unilever committed to the controversial campaign, it
secured evidence that the majority of their consumers would relate to it. "The Real Truth
About Beauty," a global research report commissioned by Dove, reported that only two
percent of women worldwide describe themselves as beautiful.

This is what sets Dove apart from other brands: its beauty campaigns touched a cultural nerve
by challenging the current super-thin, silky-hair, perfect skin standard. The campaign spurred
conversations in the media and among product consumers. Ultimately Dove's brand image
grew because people began associating concepts of true beauty with Dove and its products.

Since the brand was launched in 1957, the Dove advertising message has been a constant: It's
not soap. It's a beauty bar. The picture of cream pouring into the bar was the iconic image
Dove used in ads for nearly five decades.

In 2002, Unilever downsized from 1,600 brands to 400, nominating Dove to be one of its
master brands. No longer just a beauty bar, Dove was to be a beauty brand, encompassing
products such as body wash, deodorant, hair care and body lotion. Nothing in its heritage had
prepared the brand to represent all of these functions. Dove now had to come up with a
message that could speak for all its products.

"The exploration for this advertising is as interesting as the result," said Deighton.

The Campaign for Real Beauty, conceived in 2002, united the entire Dove product line under
one message, delivered via traditional media. Ads featuring women who were not models
appeared on billboards, and invited people to vote whether these real women were "fab" or
"fat." The billboards were placed strategically in locations such as Grand Central Station,
where they would be sure to catch the eye of producers and reporters. The intention of the
advertisement was to engage people to participate in the campaign, and at that they were
successful. While "fat" eventually logged the most votes, Dove marketers were not
discouraged. They decided to take the concept a step further and talk about self-esteem.

The Campaign for Beauty expanded into the Self-Esteem Campaign during the 2005 Super
Bowl. The message in the commercial had an enormous impact and the story was picked up
by credible media and bloggers alike.

"I'm calling it a switch from a functional brand to a brand with a point of view," said
Deighton.

Free media: relinquishing control

Brand managers have never been able to completely control brand image, says Peter Reingen,
marketing professor at W. P. Carey School of Business. "Due to traditional (off-line) word-
of-mouth communication among consumers, a brand's image has always been affected by
consumers with a point of view," says Reingen.

What makes a huge difference nowadays, Reingen adds, is new media, which disseminates
information constructed by consumers affecting the content of a brand much faster and far
wider than ever before. In Dove's case, brand images powered by new media were co-
constructed by the company and its consumers.

The success of the Dove campaign has been its agility in bypassing traditional mainstream
media and entering popular culture through new media.

Dove used YouTube to ask their consumers to help create the Self-Esteem Campaign. To get
things started, Dove posted a fast-motion, one-minute film entitled, "Dove Evolution," which
races through the cosmetic artistry and PhotoShop "plastic surgery" that ultimately
transforms a model's features into an ethereal face that then appears on a billboard. The film
ends with the tag line: "No wonder our perception of beauty is distorted."

The YouTube Dove film has been viewed over three million times and has brought more
attention to the Campaign for Real Beauty than the 2005 Super Bowl ad. Dove's message and
story then migrated to the entertainment media. The spot played on TV shows such as
"Ellen," "Entertainment Tonight" and "The View." Dove, the brand with a point of view, now
had customers with a point of view.

This is where it can get tricky.

Free media places the brand image in the hands of consumers, who unlike corporate brand
managers, might voice divergent or even negative views. It can be open season for satirists,
too. Within a month of the release of "Dove Evolution" on YouTube, a parody called "Slob
Evolution" was posted. The spoof shows an attractive young man going through a "slob"
makeover. The result is an overweight, middle-aged man. The tag line: "Thank God our
perception of real life is distorted. No one likes to look at ugly people."

When they use free media, companies leave their carefully constructed brands vulnerable to
that type of creativity. However, if a company sticks to its principles and has a quality
product and message to offer, it need not worry too much about negative kickback. The free
media community can and does police itself.

Here is the evidence. The Dove Campaign for Real Beauty has helped the company gain
market share in all of its five major beauty categories, from bar soap, body wash, hair care to
deodorant.

But Reingen says "It's difficult to establish a cause and effect relationship here." In fact, he
says, there are several big questions for industry analysts to consider.

"Did the sales for Unilever's beauty products grow faster than the growth in the global market
for such products? Unilever, Dove's parent company, is in a fierce global battle for market
share with Proctor & Gamble, which owns beauty powerhouse Olay," Reingen said. "Overall,
Proctor & Gamble was growing twice as fast as Unilever in 2006 and enjoying healthier
profit margins. Clearly, the stakes are high for Unilever. Unilever needs a hit with Dove.
Thus, the paramount question is whether Dove is taking share away from Olay which pursues
a different, more traditional branding strategy."

Is using free media an option for all brands?

Dove is not alone in using free media, particularly in the quest for consumers to participate in
creating the advertisements. This year, Dove ran a spot during the Oscars announcing the
winner of an advertising contest that asked consumers to create a spot for their new body
wash product. Many of the entries dealt with the meaning of real beauty to real women. The
winning commercial's tag line: "Because what's better than knowing you're beautiful, even
when no one is looking. That's real beauty, love Dove."

The Dove competition yielded positive results because the Campaign for Beauty had already
embedded the brand's true beauty message in the public mind.
Not so Heinz.

Heinz also recently gave its consumers the tools to create a spot. The Heinz "Top This TV
Challenge" contest awards the creator of the best ad $57,000. YouTube, however, has been
flooded with commercials that portray Heinz in a negative light or are just plain awful. Some
YouTube users posted comments speculating that Heinz was in it for free advertising. But in
a recent New York Times article, Heinz spokespeople denied the charge. In actuality, the cost
of advertising the contest and hiring the eyes to watch the thousands of entries was higher
than creating an ad in-house -- and that's not counting the potential cost of subjecting a
venerable brand to the possibility of new media vandalism.

Perhaps Heinz' results on YouTube are different than Dove's because in this case the ketchup
was just a condiment. Dove, on the other hand, may have found a way to tap into and
leverage a generalized uneasiness with our culture's perception of beauty. The evidence is not
all in yet.

The key to free media seems to be a cultural hook. If a brand cannot do that, the price may be
high.
Dove: Evolution Of A Brand

Dove: Evolution of a Brand

Question:   Imagine you have oversight of Dove marketing management. How would you
answer to the comment that Dove started a conversation with consumer “that they don’t have
control of”? Is the brand “out of control”? Is Dove making a “risky bet”?

Symptoms:

    ▪ Unilever was the world’s largest producer but lacked a unified global identity.

    ▪ Problems of control as Unilever has managed brands in decentralised fashion allowing

    ▪ Unilever had more than 1600 different brands.

    ▪ No longer could Dove communicate functional superiority as functionality meant

Basic Marketing Problem:

Building a global Masterbrand, entrusted with responsibility for creating its global vision and
inspiring cooperation from all geographic markets.

Alternatives:

  1. Building brand awareness through

 What  was Dove’s market positioning  in the 1950s?  What is its positioning  in 2007?

 How did Unilever organize product category management and brand management before
2000? What was the corresponding structure after 2000? How was brand meaning
controlled before 2000 and how is it controlled at the time of the case?

 Spend a little time searching blogs, using Google Blog Search, Technorati, Blog Runner, or
any other blog search engines, to get a sense of what people are saying about Dove today.
What does this discussion contribute to the meaning of the brand?

 Footnote 1 of the case leads you to a blogger who asks, with reference to the age of
YouTube advertising, “ Is marketing now cheap, fast and out of control?” Footnote 2 refers
to Dove as having started a conversation “that they don’t have control of.” Do you see risks
for the Dove brand today?

Class objectives 

 Identify  and describe the main elements of the  communication mix

 Explain  how firm’s branding and communications strategies 
are changing in the context of new  media